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Big Sun
(c’91-’92) Rod Pireira (guitar / vocals), Matthew Wheatley (drums / vocals) and Wil ? (bass vocals).

Big Sun T-Shirt. Source: Graham Burgess Formed by Pireira, lead singer of Frantic, and managed by Sean Connor, who worked at Princes Hall, Aldershot; one of their earliest gigs saw them step in for Railroad Earth at Princes Hall on 1 May ’91 with Trousershock BC and Peachrazor in support. The next month, on 13 June, they entered The Buzz Club‘s Midsummer Madness Band Competition at the West End Centre, Aldershot; where they competed against Frayed Edge, Palmaviolet, Sliver, Who Moved The Ground?, and The Cesspit Rebels. Who made it to and won the final on 22 June is currently lost to the mists of time. More gigs with Trousershock BC followed, including a tense one on a Saturday in North Camp to a bunch of drunk squaddies. Their last local gig we have records for at this time was a headliner at Ragamuffins, Camberley on 6 August ’91. At the end of the year, on 11 December ’91, Big Sun supported The Shapes and Crystal Injection at Butterfly Evolution Club, Bull & Gate, Kentish Town.

Big Sun’s Promo 7″ single release pack. Picture courtesy of Pete Cole During ’91 they released a promo 7″ single [BS 1] on Headfull Records called “Welcome to The Realm of Doctor POP (Pt. 1)” carrying “Toys and Television“, and “Elizabeth“ on the B-side; recorded at Jacob’s Studio, Farnham with Ken Thomas producing and engineering and The Music Room, Churt with Paul Travers producing and engineering. The B-side featured additional backing vocals by Jo Machin and Sean Connor on keyboards.

Big Sun’s track “Ravachol” was included on Son of Farnborough Groove Vol.2 in 1992. Picture courtesy of Pete Cole In ’92 “Ravachol” was included on Son of Farnborough Groove Vol.2, a track that receive a neutral review by The Gossville Arsonist fanzine standards.
Tracks:Gallery:


B-side of Big Sun’s Promo 7″ single on Headfull Records. Picture courtesy of Pete Cole 
A-side of Big Sun’s Promo 7″ single on Headfull Records. Picture courtesy of Pete Cole 
Info sheet from Big Sun’s Promo 7″ single release pack. Picture courtesy of Pete Cole 
Info sheet from Big Sun’s Promo 7″ single release pack. Picture courtesy of Pete Cole 
Sleeve of Big Sun’s Promo 7″ single release. Picture courtesy of Pete Cole 
11 December ’91. Big Sun supported The Shapes and Crystal Injection at Butterfly Evolution Club. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 

The Gossville Arsonist fanzine’s one-line review of Big Sun track from The Son of Farnborough Groove Vol.2 Aldershot, Big Sun, Bull & Gate, Butterfly Evolution Club, Buzz Club, Camberley, Crystal Injection, Farnborough Groove, Farnham, Frantic, Frayed Edge, Headfull Records, Jacob’s Studio, Jo Machin, Ken Thomas, Kentish Town, Matthew Wheatley, North Camp, Parmaviolet, Paul Travers, Peachrazor, Princes Hall, Ragamuffins, Railroad Earth, Rod Pireira, Sean Connor, Sliver, The Cesspit Rebels, The Gossville Arsonist, The Music Room, The Shapes, Trousershock BC, West End Centre, Who Moved the Ground? -
The Vinegar Blossom
(c’89-’92) Paul Maguire (bass), Alan Mansbridge (drums), Dave Driscoll (guitar), Gary Wollen (guitar) and Paul Haskell (vocals).

The Vinegar Blossom’s first published track was “Quality Seems Totally Foreign…” on the ‘Something’s Burning In Paradise Again…’ shoegaze compilation put out on the Subtle label [Subtle 001] in November ’89. This was a numbered edition, released with an A5, 28-page fanzine, containing a feature page on each of the bands from the tape [Ed – If any one has a copy do send pic of the VB page]. That same year, the You Can’t Be Loved Forever No.2 fanzine came with a compilation cassette compiled by Phil and Malcolm Powell of Angel Talk that carried The Vinegar Blossom’s “Perfection Found In Good Health”.

The following year, a possibly reworked “Quality Seems Totally Foreign…” appeared on the ‘Instants Of Pleasure’ compilation cassette released on the Blam-A-Bit label [BLAM 001] in 1990 in Germany as “Quality Is Foreign To Me”, for Fleet based The Vinegar Blossom were popular in Germany.

But, before that The Vinegar Blossom’s second gig saw them supporting The Charlatans at The Buzz Club at the West End Centre, Aldershot. This was also the night that the band had asked Danny Hagan to manage them and The Charlatans asked Vinegar Blossom if they’d support them on a few dates later in the year. On the 29 May the band played the first of three dates with The Charlatans at Portsmouth Polytechnic, the next night they were at the Bierkeller, Bristol and on 1 June they supported at the Nelson Mandela Building, on the University of Sheffield campus. This was also the year they were supposed to support Flowered Up, with Here Comes Jordan, at The Buzz Club on 15 June. Flowered Up cancelled and Eusebio stepped in to headline.
Sometime in ’91 “Perfection Found in Good Health” was included on the “It’s All About Love” compilation cassette on the Smuf label [SMUF 003]; and later that year – September ’91 – they released “Absence of A Choice”, a 7″ single in Germany on the A Turntable Friend label [TURN 06], having recorded it at Studio Poisson, Crondall, with Patch Hannon, who has also produced Bennet and The Audience, as Engineer. This was backed by “Perfection Found in Good Health” on which Steve Collings played drums.

A local band night at the Buzz Club saw The Vinegar Blossom take to the stage with Slug, Phobia, The Rachel Papers and Flavour on 4 January ’92. Then on 28 March ’92 the band entered the Echoey Groove Studio at Bracknell Arts Centre and recorded a live demo which included “Don’t Go Raising Your Spirits Around Here”. It’s unclear if this was before or after the Andreas Hering compiled the “Everlasting Happiness” compilation cassette that included the band’s “Solstice”. After spending 16 months compiling the cassette, Hering released it in Germany sometime in ’92.
Two more compilation inclusions appeared over the years including: The Eleanor Linwood compiled “Out Of The Blue” which included the bands “Virginia Court” and a bio in a 16 page self-styled ‘mini-booklet’ that only came with some of the cassettes [Ed – again any picture of that would be great]. The newest compilation, a six-sided A Turntable Friend retrospective, was released in 2017 in Germany and titled “The Test of Time”, as CD [TURN50CD] and LP [TURN50LP] carrying “Perfection Found In Good Health”.
Tracks:
Gallery:

The Vinegar Blossoms are featured on the ‘Out Of The Blue’ cassette fanzine. Source: Tom A Deakin via Mega City Four 
The Vinegar Blossoms “Virginia Court” is 5 on Side Two of the ‘Out Of The Blue’ cassette fanzine. Source: Tom A Deakin via Mega City Four 












15 June 1990: Flowered Up cancelled, but Vinegar Blossom and Here Comes Jordan supported Eusebio instead. Picture courtesy of Andy Mabbutt 
Vinegar Blossom – Everlasting Happiness compilation insert 
Vinegar Blossom on Instant Pleasures compilation 1990 
Vinegar Blossom on You Can’t Be Loved Forever No.2 compilation 1989 
Vinegar Blossom on You Can’t Be Loved Forever No.2 compilation 1989 
13 January 1990 and Vinegar Blossom play The West End Centre. Source: ipernity.com A Turntable Friend, Alan Mansbridge, Aldershot, Andreas Hering, Angel Talk, Arts Centre, Bennet, Bierkeller, Blam-A-Bit, Bracknell, Bristol, Crondall, Danny Hagan, Dave Driscoll, Echoey Groove Studio, Eleanor Linwood, Eusebio, Flowered Up, Gary Wollen, Germany, Here Comes Jordan, Malcolm Powell, Nelson Mandela Building, Patch Hannon, Paul Haskell, Paul Maguire, Phil Powell, Portsmouth, Portsmouth Polytechnic, Smuf, Steve Collings, Studio Poisson, Subtle, The Audience, The Buzz Club, The Charlatans, The Vinegar Blossom, University of Sheffield, Vinegar Blossom, West End Centre, You Can’t Be Loved Forever -
Kalibre
(c’84-’86) John Rice (vocals / guitar), Kevin Procter (bass), and Phil Ekins (drums).
This Godalming based three piece rock band started out as Caliber 360, which was soon shortened and updated to Kalibre. Ekins decided to depart and Procter moved across to drums, which he preferred to bass, and vocals. An ad in the local paper for a bass player got the attention of Nick ‘H’ Potter who joined the lineup. He’d actually been a school friend of Procter, but they had lost touch in the intervening time. The band were also joined, although he never made a live appearance with the combo, by rhythm guitarist Graham Nunn for a brief period.

Kalibre at Catch 44 Studios, Godalming. Picture courtesy of Kevin Procter They rehearsed in the small studio space of Catch 44 Studios, Godalming and recall meeting Liza Goddard, the wife of Alvin Stardust who also used Catch 44 Studios facilities at the time, on a couple of occasions at the studio. The band also used a rehearsal studio in Reading a couple of times, which may have been owned by Larry Miller’s manager at the time.
The band recorded a EP demo cassette of original material at the Catch 44 Studios. The demo did the rounds of local venues, securing a number of bookings. A copy was also sent to national press and Melody Maker printed a review that included the line ‘masturbatory lyrics and guitar’.
The band played around the local Godalming / Guildford area, and into Aldershot and further afield occasionally. Kalibre’s live set list consisted of mostly original material, but also included a few covers such as Hendrix’s ‘Foxy Lady’, ‘Somebody’ by Bryan Adams and rock band staples like of ‘Johnny B Goode’. On 24 February ’84, Kalibre supported local alternative dance / funk band Zugang, along with Cow, at a charity gig for the Red Cross, held at the Borough Hall, Godalming. The following month, on 17 March ’84, Kalibre opened for Station 360 at The Royal, Guildford. Later in the year; Rice, who had been part of the road crew for The Larry Miller Band for some years – there is a credit to Rice on the back of Larry’s first album, ‘Right, Chaps’ – managed to secure Kalibre a support slot at The Wooden Bridge, Guildford on 10 August ’84. As the band held the note at the end of ‘Johnny B Goode’, Procter ran around from behind the drums and took a photo of the audience (below).

10 August ’84: An unsuspecting Wooden Bridge audience at Kalibre’s Larry Miller support. Picture courtesy of Kevin Procter In April ’85, Kalibre embarked on the ‘Load n’ Live’ tour encompassing numerous local venues, including The Cranley Hotel, Cranleigh on 5 April ’85 and fifteen days later The Cannon, Guildford.

5 April 1985: Kalibre play The Cranley Hotel, Cranleigh. Picture courtesy of Kevin Procter The exact circumstances of the bands demise are lost to the mists of time. Rice continued to played guitar. Potter reportedly was taking a musical degree at the University of Surrey, Guildford. Procter played bass in a number of bands on and off, culminating in gigs at Liverpool’s ‘Cavern Club’ and the recording of an album in 2019 and continues to write with a friend for a local band, or just for pleasure.
Gallery:

10 August ’84: Kalibre outside The Wooden Bridge, Guildford. Picture courtesy of Kevin Procter 
24 February 1984: Charity gig covered in local paper, featured Zugang, Kalibre and Cow. Picture courtesy of Kevin Phillips 
20 April 1985: Kalibre play The Cannon, Guildford. Picture courtesy of Kevin Procter 
Kalibre ‘Loud ‘n’ Live’ tour 1985 badge. Picture courtesy of Kevin Procter 
17 March 1984: Kalibre supported Station 360 at The Royal, Guildford. Aldershot, Alvin Stardust, Borough Hall, Caliber 360, Calibre, Catch 44 Studios, Cavern Club, Cow, Cranleigh, Godalming, Graham Nunn, Guildford, John Rice, Kalibre, Kevin Procter, Larry Miller Band, Liverpool, Liza Goddard, Melody Maker, Nick Potter, Phil Ekins, Reading, Station 360, The Cannon, The Cranley Hotel, The Royal, University of Surrey, Wooden Bridge, Zugang -
Circus
(c’67-’69) Alan Bunn (drums), Kirk Riddle (bass / guitar), Phillip Goodhand-Tait (keyboard / vocals), Ian Jelfs (guitar) and Mel Collins (flute / sax).

In September 1967, The Stormsville Shakers renamed, becoming Circus. They released the Mike D’Abo produced single “Gone Are The Songs of Yesterday” on Parlephone Records [R5633] on the 8 September ’67 as Circus, with David Sherrington providing extra sax, followed by a gig at the Civic Hall, Guildford the next day; before a short tour of Northern Ireland and Scotland. The band entered Dick James Studio, London before the month end, recording “Love Was In Her Eyes”, “Where Shall We Go” and “A Day Without Love”. The heavy gig schedule continued including Guildford on 28 October and 23 December at The Stoke Hotel, Guildford and Godalming on 18 December; interrupted only by studio time at EMI Studios, London on 8 and 15 November, laying down “House of Wood” and “Do You Dream”. A few days later on November 22 they were at Romanos, Belfast supporting The Foundations, along with Interns, and Taste.

1968 kicked off with time at R.G. Jones Studio, Morden followed by a relatively light January gig schedule for the band. February continued the same way including a date at Guildford’s Civic Hall on 10 February, and a Melody Maker review. On 8 March the “Do The Dream” single, back by “House of Wood”, again produced by Mike D’Abo, was released on Parlophone Records [R5672] four months after their recording. In March, Circus spent 3 days recording back at R.G Jones, Morden; returning again on 3 April. All the time the steady gigging didn’t stop, with appearances at Agincourt Ballroom, Camberley on 6 April and the Civic Hall, Guildford on 20 April in the mix. April also saw Circus at BBC 7 recording for The John Peel Show to be broadcast the next day, closing out the month with another day at R.G. Jones Studio, where they were again on 19 June and 27 August. Another appearance at the Civic Hall on 6 May featured in the gigging that continued through to early November, as well as Anchor Inn, Godalming on 21 June, and Atalanta Ballroom, Woking on 16 July, supporting The Equals.
During these early years Bob Wiles was one of their roadies and recalls supporting Taste in Belfast. After Circus’ set, the MC, in a thick Irish brogue, introduces the headliners with “Now, here’s our answer – Taste”. According to Wiles they were outstanding! Circus’ “Gone Are the Songs of Yesterday”, written by Goodhand-Tait, came to the attention of The Love Affair and it was chosen as the B-side of their “Everlasting Love” release. The single was a huge success and Goodhand-Tait decided to leave Circus on 1 January ’69 to launch his solo singer/songwriter career, and Jelfs picked up vocals. Circus continue by supporting The Who at a London School of Economics (LSE) Benefit Concert on 23 February ’69, an event rescheduled from 9 February, along with Cat Stevens, Pete Brown’s Battered Ornaments, and Occasional Word Ensemble at The Roundhouse, London; and in April they began a residency at The Marquee, organized by The Marquee’s manager, John Gee.


The Marquee residency saw them supporting Emanon, aka Manfred Mann, on 13 May ’69 and Jon Hiseman’s Colosseum on the 26 May ’69. A few months later they gained representation from The Paragon Agency and the group’s popularity came to the attention of Transatlantic Records who signed the group to the label. Two weeks prior to recording for Tranatlantic drummer Bunn decided to leave and was replaced by ex-Rey Anton and The Pro Form’s Chris Burrows. The new line-up entered Morgan Studios with ex-Nirvana guitarist Ray Singer as producer. On 28 September Circus’ eponymously titled LP was released on Transatlantic Records [TRA 207], having been engineered by Andy Johns.

Front cover of Circus’ only LP This LP’s cover had been shot in the early morning at Hayling Island with group member Bunn before he had departed. The bands only album it has subsequently been reissued 10 times. Collins had written “Pleasures of a Lifetime” for the album and requested his father’s participation in the album. Derek Collins, who’d just finished a session with the Top of the Pops Orchestra at the BBC, ended up contributing an uncredited alto flute backing on “Pleasures of a Lifetime”.
Circus retired to a cottage in the country to work on a follow-up. Their debut included a number of covers and the group were expected to produce all original material for the second, and Collins and Jelfs began songwriting. The group spent a couple of days in a studio but the sessions did not pan out.
Collins joined King Crimson in early 1970, leading to the end of the band. Riddle later formed The Train Set and then joined the Jackie Lynton’s Happy Days Band, and Fugitives in the ’90s. He regreatably passed away on the 14 November 2017. Burrows began following Buddhism in ’69 and was ordained as a Zen monk in ’83. He now teaches Buddhism and Zen drumming. Jelfs joined French progressive rock band Alice, then French band’s M.O.T.U.S and Mama Joe’s Connection.
In 2009 Span TV released “When Circus Came to Stormsville 1969”, a collection of recordings made in 1967.
Gallery:

Cover of 2009 release of songs recorded in ’67. 
Back cover of Circus’s only LP 
Circus’ “Do You Dream” 
Circus’ “Gone Are THe Songs of Yesterday”. Picture courtesy of Ben’s Collectors Records. 
13 May 1969: Circus support Emanon at the Marquee, London Agincourt Ballroom, Alan Bunn, Alice, Anchor Inn, Andy Johns, Atalanta Ballroom, BBC, BBC 7, Belfast, Bob Wiles, Camberley, Cat Stevens, Chris Burrows, Circus, Civic hall, David Sherrington, Derek Collins, Dick James Studio, Emanon, EMI Studios, Fugitives, Godalming, Guildford, Hayling Island, Ian Jelfs, Interns, Jackie Lynton's Happy Days Band, John Gee, Jon Hiseman’s Colosseum, King Crimson, Kirk Riddle, London, London School of Economics, LSE Benefit Concert, M.O.T.U.S, Mama Joe’s Connection, Manfred Mann, Mel Collins, Melody Maker, Mike D’Abo, Morden, Morgan Studios, Nirvana, Occasional Word Ensemble, Parlephone, Parlephone Records, Pete Brown’s Battered Ornaments, Phillip Goodhand-Tate, R.G. Jones Studios, Ray Singer, Rey Anton and The Pro Form, Romanos, Roundhouse, Span TV, Stoke Hotel, Taste, The Equals, The Foundations, The John Peel Show, The Love Affair, The Marquee, The Paragon Agency, The Stormsville Shakers, The Train Set, THe Who, Top of the Pops Orchestra, Transatlantic Records, Woking -
Big House
(c’86-’88) Tony Taylor (guitar / percussion / vocals), Rob Varley (guitar) “Jacko” (bass) and Jem French (drums / vocals).
Camberley based Big House released the ‘Get Wise’ demo tape in 1986, featuring “Get Wise”, “Tonight Tonight” and “Sooner or Later”, which they had co-produced with Chris Broderick in Reading. On 19 July ’86 the band joined West One and Steve Mann at St. Marks Hall, North Camp, and couple of years later, on 3 June ’88, Big House, along with State of the Art and LTD were part of a new bands night at The Tunnel Club. London.
Tracks:Gallery:

Big House’s Get Wise Tape Sleeve. Picture courtesy of Sid Stovold. 
19 July 1986: West One, Steve Mann, and Big House played St. Marks Hall, North Camp. Source: West One 
19 July 1986: West One, Steve Mann, and Big House played St. Marks Hall, North Camp. Source: West One 
Advert from NME’s 4 June 1988 issue. Picture courtesy of Pete Cole -
Vixen
(c’80-’83) Cliff Turner (guitar/vocals) John Suddick (bass), Mark Booth/O’Dowd (rhythm guitar / keyboards / vocals), and Mick Hulme (drums).

Vixen at the Freer Music Talent Competition, Farnborough Sports / Recreation Centre. Farnborough based Vixen joined other local bands: Lynx, The Torpedoes, The Vulgar Bros., Human Beings, Blue Unction, Roosta Boots, Larry Miller Band, Animal, and Magic Pictures to play the Stonehenge Festival in 1980. Some of the costs were covered by the sale of t-shirts designed and printed by Tim’ Rockin Timbo’ Freeman, Martin Freeman’s brother, who also performed. The next year they competed in and made the final of the Freer Music Talent Competition held at the Sports / Recreation Centre, Farnborough.
In February ’81 Vixen recorded a demo at Multium Studios, Wokingham and later that year, on 11 June they supported Ginger Baker’s Trimmer & Jenkins at the Three Tuns, Kingston. They also supported The Fix at the Marquee, London. At some point Suddick was replaced on bass by Alex Forsyth (bass / flute) and Mick Pankhurst joined, also on rhythm guitar. There was also talk of a recording deal with Bronze Records, with the label funding studio time. This may have been the recordings made at the BBC.
Prior to Vixen, Booth was a session Musician, working on records for Kiki Dee and Olivia Newton-John. Turner went on to co-form Tried and Tested and was seen in Ten Thousand Revs in 2013/14.
Tracks:
Gallery:

Pop Scene Clipping for Vixen. Picture courtesy of Cliff Turner 
Vixen at the Freer Music Talent Competition, Farnborough Sports / Recreation Centre. 
Vixen at the Freer Music Talent Competition, Farnborough Sports / Recreation Centre. 
Image on one of 300 t-shirts, designed by Tim Freeman, and printed at the shop he work at on Lynchford Rd. Source: Paul Trew via Farnborough (Hants) Nostalgia Alex Forsyth, Animal, BBC, Blue Unction, Bronze Records, Cliff Turner, Farnborough, Freer Music Talent Competition, Ginger Baker, Ginger Baker’s Trimmer & Jenkins, Human Beings, John Suddick, Kiki Dee, Kingston, Larry Miller Band, London, Lynx, Magic Pictures, Mark Booth, Mark O’Dowd, Marquee, Martin Freeman, Mick Hulme, Mick Pankhurst, Multium Studios, Olivia Newton-John, Recreation Centre, Rockin Timbo, Roosta Boots, Stonehenge Festival, Ten Thousand Revs, The Fix, Three Tuns, Tim Freeman, Torpedoes, Tried and Tested, Trimmer & Jenkins, Vixen, Vulgar Bros., Wokingham










































































































































































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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