Our Soundscene

For anyone who vaguely recalls the Woking / GU postcode area music scene.

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  • The Outcast Band

    The Outcast Band

    (c’91-96) Mike Agate (Drums), Dave Browne (Bass / Bouzouki), Damian Kay (Vocals / Mandolin / Guitar), Miffy Davies (Flute, Whistles, Recorder), Janet Beale (Accordian), Paul Godfrey (Fiddle / Mandolin), and Ryan Daniel (Electric Guitar / Vocals).

    The Outcast Band live at The Venue. Source: https://outcastband.co.uk

    The Outcast Band started as a group of seven buskers out of Camberley. Beale left at the end of ’91 to be replaced by Jake Gosling (Accordion / Melodeon), just prior to the bands first proper gig which deployed Christy Pollard as Sound Engineer. Over the course of December ’91 and January ’92 the Backlash recorded 8 tracks with Godfrey at Evolution Studios.

    The Outcast Bands “10 Songs” cassette sleeve from 1992. Picture courtesy of Sid Stovold

    The band entered Delta Studios, Chobham in 1992 and record 10 tracks; mixing and mastering them at the Old Barn Studios, Windlesham, before releasing them as the “10 Songs” demo on the Sticky Songs label. The bands arrangement of traditional folk song “The Raggle Taggle Gypsy” on this demo was recorded live at The Swan, Stockwell. Agate, having developed an repetitive stress injury to the wrist, bowed out and was replaced by Mark Edwards in November ’92. Pollard was temporary and a dedicated full time sound engineer in the form of Pete Catania was welcomed into the fold about the same time.

    On 31 January 1993, Midwest Flower opened for The Outcast Band at the University of Surrey, Guildford and the next month, on 19 February, they appeared at The Fighting Cocks, Bagshot; however, life on the road didn’t suit Daniel and Gosling and they departed in March ’93. Ex-Colour Mary guitarist Phil Mills took on the bands 6-string duties, and ex-PressGang member George Whitfield took on Gosling’s role, but only when he could. On 9 October ’93 “The Devil’s Road” Album was released on Art & Soul Records [OUTCD002]. The band must have been doing something right as they were also joined by Alan Baxter as a dedicated merchandiser and Matt Procter as roadie (driver, stage organizer, and lighting engineer).

    The Outcast Bands 1993 “The Devil’s Road” CD album cover.

    The Outcast’s toured Germany in early ’94 and Baxter was joined by Lynne Devey to co-run band merch. That summer, having left the band, Mills and Edwards teamed up with John Forrester to form Sunspeak. The band held auditions at Alleycat, Reading and found guitarist Tom Price and a drummer in the form of ex-Sugar Mountain and Something Religious member Dominic Coles. On 9 April ’94, Skipper and Who Moved the Ground?, supported The Outcast Band at the National Rifle Range Pavilion, Bisley. 

    In ’95 the band released the “Face The Rain” CD EP, on which Mills influence can be heard, also on Art & Soul Records [OUTCD004]; carrying four tracks recorded at White House Studios, Avon: “Home By The Sea”, “Where The River Flows”, “Tired”, and “November”. This was the year of the band embarked on a 55 date UK tour sponsored by Murphy’s Irish Stout. Coles left in ’96 and Edwards returned for the bands last few appearances.

    The Outcast Band called it a day in 1996, only to reincarnate as a Gloucestershire band in 2008. In the space between Kay was a founding member of Wreckage.

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  • Dark Trio

    Dark Trio

    (c’83) Stuart Murray (guitar), Sharon Pilling (bass), Andy Buchan (keyboards) and a drum machine.

    After Creatures of Darkness split, ex-members Murray, Pilling, and Buchan formed Dark Trio. The fourth Creature of Darkness, Alison Goldfrapp, went and did her own thing.

    The band joined LongPig, La Maison Du Chants, Freedom Dance and Funtime for Phillip at the University of Surrey’s New Wave Society’s event on 7 May ’83 in the Great Hall, Surrey University, Guildford. Their performance received a brief review in The Werewolf fanzine. The Dark Trio unfortunately lasted but a few weeks.

    Murray went on to play in Guildford based synth band Cavalcade of Perversion and then Screaming Lullabies with Pilling, who went on to play with Londoner’s Jezebelle and KURRU.

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  • Purple Banana

    Purple Banana

    (c’71-73) Gerrard Fryckman (guitar, violin, mandolin), Julian Briscoe (bass), Lawrence Jacques (percussion), and Keith Spillet (?).

    This 4-piece folk group performed loads of gigs in the Guildford area, but started out at a Christmas party at the University of Surrey with two female vocalists as the Keith Spillet Ensemble. They split in mid ’73 when Fryckman graduated.

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  • Bubble-Eyed Dog Boys

    Bubble-Eyed Dog Boys

    (c’90-’91) Bev Abbott (vocals), Tony Ware (guitar), Anne Turner (bass), and Ian Abbott (drums).

    Bev Abbott had previously been in anarcho-punk band Lost Cherrees – who’d supported Brigandage, with Joy of Living, at The Old Schoolhouse, Woking on 16 May ’85 – before joining her drummer brother in The Gotham City Wreckers and then Bubble-Eyed Dog Boys. This Epsom / Sutton punk / power-pop 4-piece were managed by Farnborough based Mark Allison.

    Recorded in May 1990. Picture Courtesy of Sid Stovold

    Shortly before releasing the “Understand Nothing” cassette EP, which was recorded at Greenhouse Studios, London (as used by Mega City Four) in May of that year and produced by Mike Jones and engineered by Paul Gadd, they supported Carter The Unstoppable Sex Machine at the West End Centre, Aldershot on June 9, 1990, along with Frantic. The 3 tracks on the EP were “Understand Nothing”, “99 (Is Not Enough)”, and “Turn Around”. “Turnaround”, described by Adrian Creek as “Primitives influenced…teen angst pop punk”, also featured as track 8 on the B-Side of The Farnborough Groove Vol.1.

    Just over a month after supporting Carter USM, on 20 July ’90 the band supported Voice of the Beehive at The Marquee Club. Over the pond in the US, the “Built On Blood” compilation issued in 1990 on the What The Fuck? label [WTF-2] carried Bubble-Eyed Dog Boys’ “Understand Nothing”. On 1 September ’90, Bubble-Eyed Dog Boys with Who Moved the Ground? and The Sack played Cove Labour Hall, Farnborough.

    Bubble-Eyed Dog Boy 1991 Tour Advert from NME, March 1991

    “99 (Is Not Enough”)” was also to appear on a B-Side, this time as track 4 of the Big Big 3 compilation cassette from the Big Muff 3 fanzine. Across March and April ’91 the band toured England and Scotland, taking in Kent University (2 Mar), Pop Club, Bull & Gate, London (11 Mar) After Dark, Reading (15 Mar), Farnborough Tech (21 Mar), supporting Thrilled Skinny along with The Keatons at the Rumble Club, Tunbridge Wells (29 Mar), The Square, Harlow (30 Mar), The Joiners Arms, Southampton (3rd Apr), fields in The Shetlands (13 & 14 Apr), University of Dundee (17 Apr), Borders College, Galashiels (19 Apr), King Tuts, Glasgow (20 Apr), and The Reaction, Wendover (21 Apr).

    Alison was taken from us by cancer on 23 June 2016.

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  • Frayed Edge

    Frayed Edge

    (c’91) Paul Denison (guitar / vocals / synth), Mark Ryan (bass) and Patrick James (drums / b.vocals / keyboard / e bow).

    James, who’d had previously been in Blue Velvet, and the rest of Frayed Edge competed in Day Two of the Buzz Club‘s Midsummer Madness local band competition, along with Parma Violet, Who Moved The Ground?, Cesspit Rebels, and Big Sun, on 13 June ’91, at the West End Centre, Aldershot.

    13 June 1991

    On 30 June 1991 the three members of Frayed Edge entered West End Centre, Aldershot and recorded four of the tracks for the “A Werewolf In Love” cassette album, all four need remixing at J.J.S. The other six tracks were laid down at Studio V, Aldershot in early July ’91.

    Frayed Edge’s “A Werewolf in Love” cassette album sleeve. Picture courtesy of Sid Stovold

    “Can’t Get Out of Bed”, track 4 on the B-side of a “A Werewolf In Love”, was also published on “Farnborough Groove Vol.1″, but James didn’t play the drums on that version, instead Kev Mulvey picked up the sticks. The Gossville Arsonist fanzine were surprised by the track, calling it a “…good old fashioned, brain bollickin’ punk, fuckin’ yeah!”. Another track “Honest Man” subsequently appeared, as the first track on side 2, of “Son of Farnborough Groove Vol.2”, again lauded by The Gossville Arsonist hacks as “…nice, noisy, ‘New Wave’ with straight thrash / sub pop tinges…”.

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  • Furore

    Furore

    (c’86-89) Adrian Thomas (guitar), Simon Monk (vocals), ? (bass), and ? (drums)

    In December ’86 Farnborough based Furore released the cassette single “Get Down” with the tracks “No Time” and “Throw It Away”. A year later they released the eponymous “Furore – 21st Dec ’87” five track cassette EP. All five tracks: ‘Frankenstien’, ‘Who’s to Blame’, ‘Blackout’, ‘Type Cast’ and ‘Bastard Squad’ were recorded at Reel Recording, Brixton.

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  • Maid in England

    Maid in England

    (c’88-90s) Maddy Ashbourne (vocals), Alan Wise (bass), Barry ? (guitars) and John ? (drums).

    This Woking / Weybridge rock covers band released a six track demo cassette and are known to have played The Cricketers, Westfield.

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  • Ricky Tick Club, Guildford

    Ricky Tick Club, Guildford

    (c’62-66) After seeing how well the Ealing Club worked in early ’62, John Mansfield and Philip Hayward established The Ricky-Tick in Windsor, becoming an influential 60’s R&B venue, hosting the likes of The Rolling Stones, The Who, Jimi Hendrix, Pink Floyd and Cream. The Ricky Tick was so successful that the enterprising duo established and promoted Ricky Tick clubs in 27 towns including Guildford, which was their second and the most regular club after Windsor. The Guildford Ricky Tick hired The Wooden Bridge, the Civic Hall, Guildford and Memorial Hall, Worplesdon before settling into The Plaza, Guildford. Five bob would get you in to see the likes of The Yardbirds, John Lee Hooker, Howlin’ Wolf, Charlie & Inez Foxx, Graham Bond, Zoot Money, Chris Farlowe, Georgie Fame, and John Mayall on a Friday night.

    Thomas Wilkie photograph of The Plaza, Guildford, home to the Ricky Tick Club, in the 1960s. Source: The Tony Ford Collection pictured courtesy of Ben’s Collectors Records.

    The Guildford Ricky Tick’s opening night was 9 March ’63 at The Wooden Bridge, Guildford and featured The Rolling Stones, who were making their first appearance in Guildford. Hundreds of fans had assembled, with many of the unticketed unable to get in. Doors and windows were shut and locked to bar the rabble from entry, but once The Stones began to play the fire doors burst open and the crowd poured in. The Wooden Bridge was more subdued, but still packed, on 31 May ’63 for Alexis Korners Blues Inc., with The Rolling Stones returning a week later on 7 June, the second of seven gigs Mansfield and Hayward had book the band to perform at Ricky Tick, Guildford. A similar booking arrangement had been set with the Cyril Davies All Stars with Long John Baldry who reappeared on 14 June and again on 5 July. A recently formed four piece jazz/rhythm and blues group called The Graham Bond Organization, consisting of Graham Bond, Jack Bruce, Ginger Baker and John McLaughlin, took to The Wooden Bridge’s low stage on 12 July; and The Rolling Stones returned the week after on 19 July.

    July 1963 and Ricky Tick was at The Woodenbridge, Guildford. Picture courtesy of Ben’s Collectors Records.

    The Cyril Davies All Stars with Long John Baldry returned on 26 July and The Rolling Stones fourth appearance was the following week on 2 August. The bands continued their rotation with the odd variation after moving to Worplesdon’s Memorial Hall, where at least eleven Ricky Tick (known as ‘R&B Guildford’ then) nights went down. John Mayall’s Blues Breakers rolled into the village on 9 August ’63, followed the next week, 16 August ’63, by The Cyril Davies All-stars with Long John Baldry. This gig is supposedly the one referenced in a Louder Sounds, May 2014 article ‘Boom Boom: The Untold Story of British R&B’ when Roland Kelly is quoted saying “We went to see them [Cyril Davies and Long John Baldry] over at Worplesdon Village Hall, which is near Guildford. He was absolutely stoned out of his brain with a suitcase of scotch, he could hardly stand but he still did the gig.”

    Handbill from 1963 for Ricky Tick at Worplesdon Village Hall. Picture courtesy of Ben’s Collectors Records.

    The next gig scheduled for 23 August ’63 was a disaster: The Rolling Stones never showed up and neither Hayward (at the Windsor venue) or Mansfield (reportedly handing out Ricky Tick flyers at a concert in Guildford) were present. Guildford Ricky Tick managers David Woodrow, with help from Brenda Elsdon, did their best to pacify the crowd by telling stories, sing-a-longs, games and party tricks by the audience. The hall’s caretaker and his wife made cups of tea and orange squash for the fans, as there was no bar. Mansfield arrived around 9pm and diffused the situation with refunds and 1/2 priced admission to the Cyril Davies All-stars with Long John Baldry the next Friday, 30 August ’63. Admission ran from 2/6 to 7/6, pennies in today’s money. The Stones had gone to a London club to celebrate their appearance on ‘Ready, Steady, Go!’ instead.

    After the first few gigs in Guildford the Ricky Tick organizers noticed posters for Hogsnort Rupert about town, featuring the strong image of a singing/screaming face, and on discovering the creator reached out. Bob McGarth of Hogsnort Rupert had created the posters while at Farnham Art College and he agreed to design and produced posters for the Ricky Tick, using the image that became the Ricky Tick icon / logo, but eventually volumes grew, and he created a method for Mansfield and Hayward to do it themselves.

    On 6 September ’63, John Mayall’s Blues Breakers were back, a month after their first appearance, and again on 20 September ’63. Sandwiched in-between these two date was Jimmy Powell & The Dimensions, probably with Rod Stewart, on 13 September ’63. The first concert in October featured the Cyril Davies All-stars with Long John Baldry on 4 October ’63 and the next week on 11 October, it was Jimmy Powell & The Dimensions once again, while local band Hogsnort Rupert’s Soul Builders with Mel Turner took to the stage the week after that, the 18 October ’63. Jumping to November ’63, Cyril Davies All-Stars and Long John Baldry were back again on 2 November followed by the last Rick Tick at the hall which featured The Stormsville Shakers on 15 November ’63.

    The club was becoming too big for their venues and so the Ricky Tick moved to The Plaza, Guildford on 29th November ’63, It was here that they started doing mid-week concerts as well as weekends and where Wednesday nights belonged to The Stormsville Shakers, who released “Ricky-Tick 40 Years On” following their brief reformation in 2005. On 15 December ’63, The Rolling Stones took to the stage at the Civic Hall, Guildford, thanks to the Ricky Tick promoters, Mansfield and Hayward. Also, on the bill that night were The Yardbirds, who’d recently recruited Eric Clapton.

    Eric Burdon led The Animals onto The Plaza’s stage on 10 January ’64, followed a week later, on 17 January, by Sonny Boy Williamson with The Yardbirds, and on 31 January Alexis Korner played the club and The Yardbirds returned, without Sonny Boy, a few days later, on 4 February. Valentine’s Day ’64 saw couples grooving to Georgie Fame, with The Yardbirds back again on 18 February. Three days later, on 21 February, The Animals performed a very popular repeat show followed on 25 February by UK session band The Exotics, who had just released their first single, ‘Cross My Heart” on Decca. The Pretty Things appeared on 17 April ’64, who’d just signed to Fontana Records.

    The likes of The Yardbirds backed America artists all over the UK thanks to the UK Musicians Union rule that required UK artists touring America be exchanged with USA artists performing in Britain. The Ricky Tick, like many clubs, benefited with the likes of Jimmy Reed, John Lee Hooker, Chuck Berry and many more touring the UK as part of the exchange program. But, it was too expensive to bring backing bands as well. This is how John Mayall and his Bluesbreakers backed John Lee Hooker and the Stormsville Shakers backed Larry Williams and Johnny Watson – recording two LPs for the Decca and Sue labels with them – at the Ricky Tick, Guildford and other venues.

    Graham Bond appeared on 5 June, Georgie Fame on 6 June, and John Lee Hooker with John Mayall and his Bluesbreakers backing on 9 June. We lose track of the summer session at The Ricky Tick, Guildford in ’64, but find The Night-Timers with Ronnie Jones and Mike Eves at the club on 25 September; Geno Washington and the Ram Jam Band dropped in the next night and The Moody Blues on 2 October followed by The Alan Price Set on 3 October.

    The local paper advertised that The Cheynes who appear at Guildford’s Ricky Tick on 9 October, followed by The Five Dimensions the following week, on 16 October; between those two, Bo Diddley with The Duchess, aka Norma-Jean Wofford, and Jerome Green hit Guildford on 10 October ’64. The Ricky Tick’s Saturday show featured John Lee Hooker on 24 October and later that month, on 30 October, the blues blew in again with Sonny Boy Williamson and John Mayall and his Bluesbreakers backing; a musical relationship that would be celebrated by Mayall on his “Blues Alone” LP in ’67 in the form of “Sonny Boy Blow”, a harmonica-driven boogie tribute to the then recently deceased Williamson.

    October / November 1964: Picture courtesy of Ben’s Collectors Records.

    The next night, on 31 October ’64, a Guildford gig that almost any music aficionado wishes they had seen went down. Sister Rosetta Tharpe, the first gospel musicians to appeal to rhythm and blues and rock and rock audiences, who was later referred to as “the original soul sister” and “the Godmother of rock and roll”, electrified the The Plaza.

    November 1964: Alex Harvey Soul Band (Nov 6) and The Soul Agents (Nov 13) at Ricky Tick, Plaza, Guildford. Picture courtesy of Ben’s Collectors Records.

    The Alex Harvey Soul Band, who spent considerable time touring the UK, rolled into Guildford’s Ricky Tick on 6 November ’64 followed by The Soul Agents on 13 November a month after the release of their second single. They were followed by American blues musician and songwriter Jimmie Reed on 14 November. Howlin’ Wolf on 11 December and Graham Bond on 19 December. On Boxing night The Cheynes and The Chessmen wrapped up Christmas.

    The New Year Party at Ricky Tick, Guildford, on 1 January ’65, featured Alexis Korner with Herbie Goins, and The Muleskinners, followed by Sonny Boy Williamson with Zoot Money on 8 January ’65. Alexis Korner returned for the second time that month on 12 January and Ronnie Jones and the Nightimers dropped in on 15 January, followed by John Mayall on 22 January, and Georgie Fame on 29 January. Don Craine walked onto the Ricky Tick, Guildford’s stage in his customary deerstalker cap to co-front The Downliners Sect on 29 February ’64, The next month The Chessman appeared on 5 March, Zoot Money on 12 March, Georgie Fame on 19 March, and Goldie and The Gingerbreads on 26 March. When Larry Williams with Johnny ‘Guitar’ Watson & Band appeared on 2 April ’65 there was a photographer in the crowd capturing images of the show. One of these was later used for the sleeve of the Decca released LP ‘The Larry Williams Show featuring Johnny ‘Guitar’ Watson with the Stormsville Shakers.’

    In 1965 The Larry Williams Show Featuring Johnny ‘Guitar’ Watson with The Stormsville Shakers LP was released. The cover picture was taken at the Ricky Tick, Guildford. Picture courtesy of Ben’s Collectors Records

    Long John Baldry was back on 9 April ’65, as was John Mayall on 16 April, The Yardbirds on 23 April and the Ricky Tick welcomed Goldie and the Gingerbreads mid-week, on 28 April ’65. On the Friday, Chris Farlowe and the Thunderbirds rolled in, followed a week later by the first appearance at the venue of The Spencer Davies Group on 7 May. This was topped by a return visit for John Lee Hooker on 14 May ’65. On 21 May ’65, The Who played at the Ricky Tick, Guildford. They had come straight from Ready, Steady, Go! where they had been plugging their new release ‘Anyway, Anyhow, Anywhere’ and appeared in Guildford in the same clothes. Reportedly, a contingent of Guildford Mods were unimpressed by the clothes and music and walked out of the Plaza. A week later, on 28 May, the Vagabonds wandered into the venue, followed by John Mayall and The Bluesbreakers on 4 June.

    John Mayall’s Bluesbreakers at the Ricky Tick, Guildford on 4th June ’65

    It was return visits for Pretty Things on 11 June, the Vagabonds on July 9, John Mayall on 16 July, and a first and only appearance for brother and sister act Inez & Charlie Foxx on 23 July. A few months later they would join The Marquee Package Tour with some other Ricky Tick regulars: Manfred Mann, Yardbirds, Paul & Barry Ryan, Mark Leeman Five, Scaffold and Gary Farr & The T-Bones. On 30 July, Graham Bond returned followed by another John Mayall appearance at the Guildford venue on 3 September ’65. Then, shortly after leaving The Animals and being interrupted, during a backstage performance of “Little Things”, by Bob Dylan at another venue – and caught on film – to ask why he’d left, Alan Price’s new band, the Alan Price Set took to the stage on 10 September.

    10 September 1965. Source: rickytick.com

    A full six months after the release of their “Watermelon Man” single, The Shevelles – who’d been at The Flamingo Club, presented themselves on 17 September. The following week, on 24 September, Georgie Fame and the Blue Flames appeared. In slightly less than six degrees of separation Fame had knocked The Beatles hold on the number one spot in January ’65 with a song titled “Yeh, Yeh”, that was first recorded by Mongo Santamaria on his 1963 album “Watermelon Man!”.

    The Ricky Tick hosted Chris Farlowe on 24 Oct ’65 and Geno Washington and the Ram Jam Band the next week on 31 October. The V.I.P.s, from Carlisle, showed up on 7 November and Ricky Tick regulars John Mayall and the Bluesbreakers were performing on 14 November. On 28 November ’65, The Night-Timers with Herbie Goins played the Ricky Tick, Guildford. The Shakedown Sound, who would become Jimmy Cliff’s backing band and then change their name to Silence, before becoming better known as Mott The Hoople, appeared on the 12 December ’65. The Who played the venue again that year, on 19 December, but Moon was replaced by Pretty Things’ Viv Prince. Local band The Rivals also played on various dates through ’65.

    1965/66. Picture courtesy of Ben’s Collectors Records.

    Mister showman himself, Zoot Money, packed them in on Boxing Day. Then in the New Year, The Chessmen, on 2 January ’66; T-Bones on 16 January; The Action on 23 January; and Lee Dorsey with The Crew and Ronnie Jones with The Blue Jays on 30 January were the penultimate act to perform at a Ricky Tick at The Plaza, Guildford. The Final Ricky Tick Club night at The Plaza was given to Jimi Hendrix and Tina Turner’s ‘favourite white blues singer’ and writer of Black Sabbath’s anthemic song “Warning” the one and only, Victor Brox and The Blues Train.

    Most of these acts, including The Who, would use a house behind The Plaza as a changing room. There was a coffee bar upstairs; and this along with The Plaza in general was managed by Ken Brewer who worked with his wife Joanne. Brewer went on to work at Lakeside, leaving us in 1999. Throughout ’65, The Plaza was leaning toward bingo to fill it’s coffers and the Ricky Tick eventually moved across Bridge Street in February ’66 to The Harvest Moon, within the Rodborough Building, for a couple of months, before ending up at The Stoke Hotel, Guildford.

    On 3 March ’66, T. Bones along with the Mark Barry Group performed at the new Ricky Tick venue, upstairs at The Harvest Moon. The following week, on 10 March, Welsh beat pop group The Shevelles were back; with John Mayall’s Blues Breakers featuring Eric Clapton on 17 March. Soho scene-sters, Zoot Money appeared on the 24 March and Geno Washington and the Ram Jam Band on 7 April.’ But after a couple of months it was time to move again.

    The Stoke Hotel, Guildford, affectionately called Stoke Hole, served the Ricky Tick well for its final four months. On 4 August ’66, Zoot Money was back. Elevated from support to headline the Mark Barry Group performed on 11 August. Geno Washington and the Ram Jam Band had just released the ‘Hi, Hi, Hazel’ single on Piccadilly when they performed on 18 August. On 25 August ’66 it hosted The Gass, the following Thursday, 1 September, John Mayall took to the ‘stage’ followed by Amboy Dukes the next week. Rod Stewart and Beryl Marsden were featured with Shotgun Express on 15 September followed by The Gass’ monthly visit on 22 September and Zoot Money on 29 September. The Ricky Tick’s last Guildford event was in October ‘66 at Stoke Hole, but we’ve yet to confirm who appeared.

    August & September 1966: Ricky Tick’s Thursday night schedule. Picture courtesy of Ben’s Collectors Records

    Post Ricky Tick, Hayward continued to promote bands, opened Pantiles, Bagshot in ’67, and got into other businesses, such as betting shops, while Mansfield started and ran a wood stripping and restoration business. Hayward passed in 1993. In 2019, ‘As You Were – The true adventures of the Ricky-Tick club’, designed and produced by McGarth’s Eyeball Productions, was published. Mansfield, in frail health, was there for the book’s release. About a month later, he died at the age of 81.

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  • The Polite Young Men

    The Polite Young Men

    (c.’84-85) – Julian Jehu (?), Ros Paxman (vocals) & ?.

    Jehu, who’d previously been in White Colours and Life Under One Sun, joined Woking based Polite Young Men, or PYM, that pulled members from Brighton, London and the USA, including ex-Hector’s Breakfast member Rosalind for a month or two. In April ’84 Jehu was looking for a female backing singer / keyboardist or two to join Polite Young Men.

    Jehu departed for America about ’84/’85.

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  • The Wooden Bridge, Guildford

    The Wooden Bridge, Guildford

    The Wooden Bridge, Guildford is still there and operating as a pub, unlike many of the old venues. It hosted The Rolling Stones, Ten Years After, Camel, John Mayall (August ’63), The Who, The Vapors and Eric Clapton’s first band, The Roosters, and many more well known bands in it’s day.

    The Wooden Bridge, Guildford

    Starting in the late 50’s with nights dedicated to Trad Jazz, Modern Jazz, and Rock; The Wooden Bridge put itself firmly on the map as a local venue. In March ’63 The Rolling Stones’, then a club band, made their first appearance in Guildford at the pub, playing the venue a couple of times a month during that summer. This was all thanks to the Ricky Tick Club which took up residence booking The Stones, Alexis Korner, Cyril Davis, John Mayall and others. At the same time The Roosters, Eric Clapton’s first band, rehearsed at The Wooden Bridge, and got paid £5 between them when they played there. Reportedly, Clapton would show up for the Boxing Day sessions occasionally.

    A typical rhythm’n blues’ schedule at the venue saw Georgie Fame & The Blue Flames appear on 23 April ’63; the following week it was the Cyril Davies Allstars with Long John Baldry; Manne/Hugg Blues Brothers – who, when signing a contract with EMI later that year were renamed Manfred Mann – featuring Stella Thomas; with the Rolling Stones on 17 May. The Cyril Davies Allstars with Long John Baldry were back on 5 July, followed by the Graham Bond Quartet on 12 July and The Rolling Stones for their monthly visit on 19 July. The next month The Stones gig on 23 August ’63 was cancelled, having performed their single on Ready, Steady, Go! earlier; their second ever UK television appearance. As the ‘rock’ moved in the jazz was holding on. On 15 August ’63 the Mike Cotton Jazzmen held the stage and two weeks later, on 29 August, jazz journeymen, The Alan Elsdon Jazz Band with Mick Emery were at the venue thanks to Jack Fallen of the Cana Variety Agency. Keith Smith appeared at The Woodenbridge, Guildford on 4 January ’68 thanks to the Jazz Club.

    The Ricky Tick became so successful that the crowds were too much for the pub & staff to handle and it moved to a bigger Guildford location. Graham Andrews recalls putting on the Alex Harvey Soul Band and The Clayton Squares at the Wooden Bridge in the mid 1960s. Also in the mid-’60s R&B focused “The Hive” club operated out of The Wooden Bridge on Sunday evenings with the likes of John Mayall, Jeff Beck, and The Herd performing and accessible for a five shilling ticket. At some point in ’67, Peter Green’s Fleetwood Mac performed at the The Hive, supported by local group The Whiskey Ring. Dave Reading, a journalist at the time, recalls the evening and having a brief exchange with Green. He talked about the importance of playing sparsely, praising The Whiskey Ring’s guitarist Nigel Enever; commenting on Enever’s guitar solo Green said: “I thought at one point you were going to over-play it [Jimmy Witherspoon “Evening”], but you judged it just right. It was perfect.”

    The Hive could get raucous; one incident involved tear gas being let off in the bar. Still, Ten Years After appeared twice in the late ’60s, the first on 10 December ’67 for 45 quid, the second on 10 March ’68 for 60 quid or 50% of the gate – they also appeared on 26 May ’68. Jethro Tull are also rumored to have graced the venue too. Local groups, like The Primevals and The Phantom Four, would be booked to support. There was also still a smattering of traditional / dixieland jazz on Thursday nights thank to The Wooden Bridge Jazz Club who booked Max Collie’s Rhythm Aces and Keith Smith at the venue on 4 January ’68, Brian Rutland on 15 February ’68, and New Era Jazzband on 22 August ’68 amongst others.

    20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes

    In the 70’s it was The Vapors, Duffy, The Volunteers, and UBz who took to the low ‘stage’ and the likes of House had a Saturday lunchtime gig at The Wooden Bridge, as they did on 24 February ’79 just before supporting Rainbow at the The Rainbow Theatre, London. The Crossroads Club, dedicated to folk, ran out of the venue in the early 70’s with The Berkshire Tragedy appearing on 15 November ’70 and notable folk-singer Taffy Thomas, who became the UK’s first Laureate for Storytelling in 2010, appearing on 16 March ’75. On 4 March ’79, Mark Andrews and the Gents were at the Wooden Bridge. Supported by Brandenburg, the local Jasmine Pie performed on 14 April ’78.

    27 September 1978: Cardiac Arrest played the Wooden Bridge, Guildford. Source: Suey Sue via Cardiacs

    The Cardiacs, under their original Cardiac Arrest monica played the Bridge on 27 September ’78. In the late 70’s Ian J Davies helped with The Rock Club, organized by John and Robert Russell, who’d pull bands down from London to play and supported Guildford bands like the 6-piece Bloodhound who appeared on 27 May ’79 and The Vapors – who performed on 3 June ’79 – UBz, The Absolute; and the Jackie Lynton Band were club regulars. The Fix supported the original line-up of Squire, including Steve Baker, at the Wooden Bridge, Guildford sometime in ’79. Late that year, on 18 December, Noit Otni & the Pits appeared and under the slogan ‘Rock Against Rock’ they herld a launch party for the “A Heart Can Only Be Broken Once” double A-side single on Automotive Records (AERS 107) with “Moving Target” on the “B-side”.

    Nov 81: Just So Stories at The Wooden Bridge, Guildford. Picture courtesy of Kaz Jones

    Early 80’s saw Rubber Flower and Just So Stories among many others. UBz were at The Wooden Bridge on 9 February ’80 for a Barbed Wire benefit that saw Noit Otni & the Pits and UBz support The Vapors, who were too famous by the second run of posters to put on the bill so were listed as The Japanese Prisoners. On 20 March 1980 The Vapors were back, at the peak of their career, packing out The Wooden Bridge. Six days later, on 26 March 1980, Chicken Shack, featuring ex-Ten Years After drummer Ric Lee and original Chicken Shack guitarist Stan Webb, appeared. Two days after that UBz put on an energetic performance with Alan Neve on cardboard/air guitar and observed by Vapor bassist Ed Bazalgette.

    16 April 1980: Ex-Sex Pistol Glen Matlock with The Spectres at The Wooden Bridge, Guildford. Photograph by and courtesy of Fred Pipes

    The 16 April ’80 reportedly saw Billy Idol grabbing a pint at the pub and catching The Spectres performance when they were joined by ex-Sex Pistol Glen Matlock and supported by Blue Unction. He didn’t return on the 23 April for Dana Gillespie’s gig. The 21 July ’80 saw Disruptive Patterns supported by Consenting Adults. On the 6 August ’80, M.I.5. were at the venue, likely accompanied by the Junction 13 Scooter Club. UBz, supported by The Grenades, were at The Wooden Bridge again on the 4 Oct ’80 and within the week Controls were among the local bands to headline appearing on 8 October ’80. White Colours, who’s debuted at The Wooden Bridge in late ’80 were back on 27 January ’81 for a set with Tel Aviv Quartet. On 7 March ’81, Approved Men were rocking against cruise missiles, along with their support band.

    7 March 1981: Approved Men played the Wooden Bridge, Guildford. Picture courtesy of Chris Try

    Grimstone put Dolly Mixture and The Rapiers on at The Wooden Bridge on 25 June ’81. That same year, on 12 September, Blank Expression were at the Bridge. The following month, on 3 October, Human Beings included an outing to the venue on their local ‘tour’; and the month after that, on 7 November, Drowning Craze headlined a CND benefit gig with The Frotteurs and Ferrari Red (which was incorrectly listed as Friary Red on the flyer) in support.

    7 November 1981: Drowning Craze headlined this CND benefit gig, supported by The Frotteurs and Ferrari Red at The Wooden Bridge, Guildford. Picture courtesy of James Perrett

    Blank Expression were a regular booking for The Wooden Bridge and the band were back on 1 December ’81. The Frotteurs, with an augmented lineup featuring Dylan Cole (guitar), Graham Melrose (sax) and Gus Garside (trombone), also returned in December, supporting at the Human Beings Christmas Party on the 23rd. On 11 May ’82 Beating Hearts headlined and towards the end on the month, on 29 May, Blank Expression returned again to the Wooden Bridge, but live music at the venue was petering out and the disc-jockeys were taking over; as was the case in many live music venues…

    But, the Rock Club kept on filling Thursday nights at The Wooden Bridge. In late ’82, Terraplane headlined with Actors One in support on 2 December, Soldier on 9 December, Low Profile supported Reaper the following week, Santa & The Reindeers and Sacrilrege played on 23 December, and Backstage Pass wrapped up the month on 30 December.

    The Wooden Bridge Rock Club welcomed Dumpy’s Rusty Nuts with Cruella De Ville on 7 April ’83 and Stray supported by the local City the next week, 14 April. Three days later B.S.P and Salt Solution rolled into the venue on 17 April ’83. Tony McPhee, the founder of the British blues and rock band the Groundhogs, accepted the Rock Clubs invitation, and payment, appearing on 21 April ’83 with Stillbrook warming up the crowd. Greg and Phil Boynton’s Dagaband, supported by Capricorn, appeared on 28 April ’83 and a week later Derbyshire hard rock band Saracen headlined the Rock Club on 5 May ’83, with The Skip Landon Band in support. Normally held every Thursday, the Rock Club broke with protocol for The Click, booking them for Saturday 7 May ’83. The next Thursday local rockers The Larry Miller Band were supported by Genghis Khan, followed a week later by Vin Ordinaire supporting headliners Fugitive, who were out of Retford by all accounts. Norwich based progressive rock band Airbridge wrapped up the Rock Club’s May in ’83 supported by Reigate’s No Angry Men; of whom the front man’s two sons formed electronic duo Disclosure. Howard Jones also appeared The Wooden Bridge in ’83, a month or two before “New Song” hit the top portion of the charts

    Of the last gigs in the early ’80s there was, on the 3 August ’84, Fra Angelico; and we know that The Innocence supported The Plague that year too. Other acts recalled by the punters were: Acker Bilk, Crisis, Nashville Teens, Georgie Fame, The Yardbirds, The Animals, The Alan Bown Set, St Valentines Day Massacre, Champion Jack Dupree, Family, Stormsville Shakers, Geno Washington, Lucas and Band, Keith Hartley Band, Duster Bennett, Steamhammer, Barron Knights, Station 360 and Terry Lightfoot. Our final live music connection for The Wooden Bridge sees The Bunkers taking photographs in the pub’s car park, from the elevated patio, for the cover of their ’86 release Best of The Bunkers Volume Three cassette LP.

    1986’s “Best of the Bunkers Volume Three” cassette sleeve. The picture was taken outside The Wooden Bridge. Picture courtesy of Ben Darnton

    As we noted The Wooden Bridge is still a functioning pub and in recent years has started to host the occasional live band.

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  1. Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.

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