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Dark Trio
(c’83) Stuart Murray (guitar), Sharon Pilling (bass), Andy Buchan (keyboards) and a drum machine.
After Creatures of Darkness split, ex-members Murray, Pilling, and Buchan formed Dark Trio. The fourth Creature of Darkness, Alison Goldfrapp, went and did her own thing.
The band joined LongPig, La Maison Du Chants, Freedom Dance and Funtime for Phillip at the University of Surrey’s New Wave Society’s event on 7 May ’83 in the Great Hall, Surrey University, Guildford. Their performance received a brief review in The Werewolf fanzine. The Dark Trio unfortunately lasted but a few weeks.
Murray went on to play in Guildford based synth band Cavalcade of Perversion and then Screaming Lullabies with Pilling, who went on to play with Londoner’s Jezebelle and KURRU.
Gallery:



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Purple Banana
(c’71-73) Gerrard Fryckman (guitar, violin, mandolin), Julian Briscoe (bass), Lawrence Jacques (percussion), and Keith Spillet (?).
This 4-piece folk group performed loads of gigs in the Guildford area, but started out at a Christmas party at the University of Surrey with two female vocalists as the Keith Spillet Ensemble. They split in mid ’73 when Fryckman graduated.
Gallery:

Purple Banana Jan 72. Source: uossnaps 
The formation of Purple Banana 1971. -
Bubble-Eyed Dog Boys
(c’90-’91) Bev Abbott (vocals), Tony Ware (guitar), Anne Turner (bass), and Ian Abbott (drums).
Bev Abbott had previously been in anarcho-punk band Lost Cherrees – who’d supported Brigandage, with Joy of Living, at The Old Schoolhouse, Woking on 16 May ’85 – before joining her drummer brother in The Gotham City Wreckers and then Bubble-Eyed Dog Boys. This Epsom / Sutton punk / power-pop 4-piece were managed by Farnborough based Mark Allison.

Recorded in May 1990. Picture Courtesy of Sid Stovold Shortly before releasing the “Understand Nothing” cassette EP, which was recorded at Greenhouse Studios, London (as used by Mega City Four) in May of that year and produced by Mike Jones and engineered by Paul Gadd, they supported Carter The Unstoppable Sex Machine at the West End Centre, Aldershot on June 9, 1990, along with Frantic. The 3 tracks on the EP were “Understand Nothing”, “99 (Is Not Enough)”, and “Turn Around”. “Turnaround”, described by Adrian Creek as “Primitives influenced…teen angst pop punk”, also featured as track 8 on the B-Side of The Farnborough Groove Vol.1.
Just over a month after supporting Carter USM, on 20 July ’90 the band supported Voice of the Beehive at The Marquee Club. Over the pond in the US, the “Built On Blood” compilation issued in 1990 on the What The Fuck? label [WTF-2] carried Bubble-Eyed Dog Boys’ “Understand Nothing”. On 1 September ’90, Bubble-Eyed Dog Boys with Who Moved the Ground? and The Sack played Cove Labour Hall, Farnborough.

Bubble-Eyed Dog Boy 1991 Tour Advert from NME, March 1991 “99 (Is Not Enough”)” was also to appear on a B-Side, this time as track 4 of the Big Big 3 compilation cassette from the Big Muff 3 fanzine. Across March and April ’91 the band toured England and Scotland, taking in Kent University (2 Mar), Pop Club, Bull & Gate, London (11 Mar) After Dark, Reading (15 Mar), Farnborough Tech (21 Mar), supporting Thrilled Skinny along with The Keatons at the Rumble Club, Tunbridge Wells (29 Mar), The Square, Harlow (30 Mar), The Joiners Arms, Southampton (3rd Apr), fields in The Shetlands (13 & 14 Apr), University of Dundee (17 Apr), Borders College, Galashiels (19 Apr), King Tuts, Glasgow (20 Apr), and The Reaction, Wendover (21 Apr).
Alison was taken from us by cancer on 23 June 2016.
Tracks:Gallery:

Bubble Eyed Dog Boy’s at Bull & Gate, Kentish Town, March 11th 1991. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
Bubble Eyed Dog Boy’s at Bull & Gate, Kentish Town, March 11th 1991. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
Bubble Eyed Dog Boy’s at Bull & Gate, Kentish Town, March 11th 1991. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
Bubble Eyed Dog Boy’s at Bull & Gate, Kentish Town, March 11th 1991. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
Bubble Eyed Dog Boy’s Bev and Anne at Bull & Gate, Kentish Town, March 11th 1991. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
The “Built On Blood” compilation issued in 1990 on the What The Fuck? label [WTF-2] in the US carried Bubble-Eyed Dog Boys’ “Understand Nothing”. 
1 September 1990: Bubble-Eyed Dog Boys with Who Moved the Ground? and The Sack played Cove Labour Hall, Farnborough. Source: Who Moved The Ground? 
Bubble-Eyed Dog Boys logo… 
Recorded in May 1990. Picture Courtesy of Sid Stovold 
The cover of the Big Muff 3 fanzine featured Bubble-Eyed Dog Boys. 
The pre-cut sleeve of the Big Big 3 cassette, featuring “99 (Is Not Enough)” available with the Big Muff fanzine. 
The front cover of the Big Big 3 cassette, featuring “99 (Is Not Enough)” available with the Big Muff fanzine. 
Track 8 of the Farnborough Groove Vol.1 B-Side was Bubble-Eyed Dog Boy’s “Turnaround”. Picture courtesy of Pete Cole. Adrian Creek, After Dark, Aldershot, Anne Turner, Bev Abbott, Big Muff, Borders College, Bubble Eyed Dog Boys, Bubble-Eyed Dog Boys, Bull & Gate, Canterbury, Carter The Unstoppable Sex Machine, Carter USM, Cove Labour Hall, Epsom, Farnborough, Farnborough Groove, Farnborough Tech, Frantic, Galashiels, Glasgow, Greenhouse Studios, Harlow, Ian Abbott, Kent University, King Tuts, London, Lost Cherrees, Mark Allison, Mike Jones, Paul Gadd, Pop Club, Reading, Rumble Club, Southampton, Sutton, The Gotham City Wreckers, The Joiners Arms, The Keatons, The Marquee, The Reaction, The Sack, The Shetlands, The Square, Thrilled Skinny, Tony Ware, Tunbridge Wells, University of Dundee, Voice of the Beehive, Wendover, West End Centre, What The Fuck?, Who Moved the Ground? -
Frayed Edge
(c’91) Paul Denison (guitar / vocals / synth), Mark Ryan (bass) and Patrick James (drums / b.vocals / keyboard / e bow).
James, who’d had previously been in Blue Velvet, and the rest of Frayed Edge competed in Day Two of the Buzz Club‘s Midsummer Madness local band competition, along with Parma Violet, Who Moved The Ground?, Cesspit Rebels, and Big Sun, on 13 June ’91, at the West End Centre, Aldershot.

13 June 1991 On 30 June 1991 the three members of Frayed Edge entered West End Centre, Aldershot and recorded four of the tracks for the “A Werewolf In Love” cassette album, all four need remixing at J.J.S. The other six tracks were laid down at Studio V, Aldershot in early July ’91.

Frayed Edge’s “A Werewolf in Love” cassette album sleeve. Picture courtesy of Sid Stovold “Can’t Get Out of Bed”, track 4 on the B-side of a “A Werewolf In Love”, was also published on “Farnborough Groove Vol.1″, but James didn’t play the drums on that version, instead Kev Mulvey picked up the sticks. The Gossville Arsonist fanzine were surprised by the track, calling it a “…good old fashioned, brain bollickin’ punk, fuckin’ yeah!”. Another track “Honest Man” subsequently appeared, as the first track on side 2, of “Son of Farnborough Groove Vol.2”, again lauded by The Gossville Arsonist hacks as “…nice, noisy, ‘New Wave’ with straight thrash / sub pop tinges…”.
Tracks:
Gallery:

Frayed Edge’s “Honest Man” was on “Son of Farnborough Groove Vol.2” Picture courtesy of Pete Cole 
Gossville Arsonists review of Farnborough Grrove Vol.1 includes thoughts on Frayed Edge. 
Farnborough Groove Vol.1 featured “Can’t Get Out of Bed”. Picture courtesy of Pete Cole 
Frayed Edge’s “A Werewolf in Love” cassette Side 1. Courtesy of Sid Stovold 
Frayed Edge’s “A Werewolf in Love” cassette Side 2. Courtesy of Sid Stovold 
13 June 1991: West End Centre info sheet covering the first rounds of the Buzz Club’s MidSummer Madness local band competition. Picture courtesy of Steve Porter 
The Gossville Arsonist fanzine’s one-line review of Frayed Edge track from The Son of Farnborough Groove Vol.2 -
Furore
(c’86-89) Adrian Thomas (guitar), Simon Monk (vocals), ? (bass), and ? (drums)
In December ’86 Farnborough based Furore released the cassette single “Get Down” with the tracks “No Time” and “Throw It Away”. A year later they released the eponymous “Furore – 21st Dec ’87” five track cassette EP. All five tracks: ‘Frankenstien’, ‘Who’s to Blame’, ‘Blackout’, ‘Type Cast’ and ‘Bastard Squad’ were recorded at Reel Recording, Brixton.
Gallery:

“21st Dec ’87 / Frankenstein” cassette EP sleeve. Picture courtesy of Sid Stovold 
Furure live 

Furure bassist 
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Maid in England
(c’88-90s) Maddy Ashbourne (vocals), Alan Wise (bass), Barry ? (guitars) and John ? (drums).
This Woking / Weybridge rock covers band released a six track demo cassette and are known to have played The Cricketers, Westfield.
Gallery:

Maid in England flyer. Picture courtesy of Sid Stovold 
Maid in England demo cassette sleeve. Picture courtesy of Sid Stovold -
The Polite Young Men
(c.’84-85) – Julian Jehu (?), Ros Paxman (vocals) & ?.
Jehu, who’d previously been in White Colours and Life Under One Sun, joined Woking based Polite Young Men, or PYM, that pulled members from Brighton, London and the USA, including ex-Hector’s Breakfast member Rosalind for a month or two. In April ’84 Jehu was looking for a female backing singer / keyboardist or two to join Polite Young Men.
Jehu departed for America about ’84/’85.
Gallery:

Soundscene piece from 26th April 1984 about Polite Young Men.

































































































































































































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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