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University of Surrey, Guildford
A WORK IN PROGRESS
[Ed] Followers of Soundscene Does Facebook will know the history: Facebook decided that many of that groups’ posts were spam and deleted content and it couldn’t be retrieved. The most demoralizing was the University of Surrey, Guildford venue post with over 150 images, videos, sounds, and countless memories. Below is our work in progress, it is raw, but we are gradually piecing together all the source material once again – I hope you enjoy the process and progress and do please contribute whenever and whatever you can via the Facebook group, comments below, or email – Thank you.
Previously known as Battersea College of Technology and located in Battersea Park, London. In 1965, the university-designate acquired a greenfield site in Guildford from Guildford Cathedral, Guildford Borough Council and the Onslow Village Trust. On 9 September 1966 the University of Surrey was established by royal charter. During the transition from Battersea to Guildford, the Battersea campus on 25 October ’68 hosted Led Zeppelin’s very first gig – which is often incorrectly listed as occuring on the Guildford campus. By 1970 the move from Battersea to Guildford was complete.
The early days of live music at the Guildford campus are not the clear. We have found a listing that puts Shirley Collins at the University of Surrey on 7 June 1967, but this could have easily been at Battersea, not Guildford. We also have a listing ten days earlier than the Led Zeppelin gig at Battersea, on 15 October ’68, The Yardbirds did perform on the Guildford campus and the following month, on 8 November, Barclay James Harvest appeared. The university had a thriving Folk Club and as well as invited acts local folk groups, such as Jumble, performed. Then, to the best of our knowledge Valentine’s Day 1969 saw Barclay James Harvest return to the campus. This was followed on 11 March by Feathers. It would take a while for the Student Bar and Great Hall to become the de facto indoor venues, and on 30 May the Mechanical Engineering Block was utilized for a gig by Cage; who the next month, on 6 June, found themselves performing at the Backchat Symposium – wherever that was – and at the Stag Hill Dance on campus on 21 June.
In that first full year on the Guildford campus the university’s Student Union ENTS team kicked it all off with Mott the Hoople supported by Champion Jack Dupree on 17 January. At the end of the month Grimsby Dyke opened for The Small Faces, on 31 January. Guildford Sanitation Authority paid the university a visit on 14 March ’70, who along with Horse and Barnabus, supported David Bowie.

14 March 1970 Genesis appeared on 16 May ’70 and returned on 27 June to perform at the first Surrey Free Festival at the university along with Patto, May Blitz, Horse, Bridget St. John, CMU, Poppa Ben Hook, and Plinth. On 30 October ’70, Yes were on campus. The next month Tudor Lodge appeared on 4 November, Stray the next night, and Grail the night after that; with Jelly Bread, Marble Orchard, Poppa Ben Hook, Exhibit ‘A’, and The Paranoids wrapping up the four consecutive nights of live bands on 7 November ’70. A few days later, on 11 November the university was pulsing to the sounds of Jugular Vein. Two days later, on 13 November ’70, it was the Charter Ball with live music provided by Stoneground supported by Scaffold, Stan Faulkner Sextet, and Red Onions. Tinkers performed on 18 November, and Lindisfarne supported van Der Graaf Generator on 21 November ’70. On 25 November, the last listing we’ve found for 1970 to date, was singer-songwriter Harvey Andrews.
Jumping into 1971 and the University of Surrey hosted Colosseum on 13 February and Trees on 27 February. During the week long 1971 Guildford Festival, the Staff Bar was the venue for Howard Riley on 8 March; Lecture Theatre D hosted the Westminster Trio and Jasper Carrott performed in the Student Bar on 10 March; and on 12 March, University Hall saw High Tide and university band Cage support Osibisa. The poster for the 1971 Autumn term entertainments at the University of Surrey, puts Chicken Shack supported by Gypsy and Unicorn at the venue on 2 October. A week later The Who took to the stage, with Mick Greenwood, who also supported the Amazing Blondel on 15 October. The Rag Ball in 1971 was on 29 October and included Lindesfarne. The following month the SENT crew booked Stoneground to perform on 11 November and local blues-man Duster Bennett, listed as The Duster Bennett Band, to support Warm Dust, along with Swegas and Champion Jack Dupree on Saturday, 25 November ’71 in the Great Hall; however, that was a Thursday and other listings have Warm Dust and Brian Auger’s Oblivion Express playing there on the 27 November, without any mention of Duster. The 4-piece folk group, Purple Banana, started out at a Christmas party at the University with two female vocalists as the Keith Spillet Ensemble.
The boys from Charterhouse called Genesis were at the university on 29 January ’72, and a few days later, on 4 February, John Martyn and Claire Hammill supported Bronco. On 12 May ’72 the New Riders of the Purple Sage took to the stage in the Main Hall. The 1 July was the date set for Guildford Free Festival, and we know that Capability Brown were booked. The Roy Young Band supported Hackensack on 6 October followed a week later, on 13 October, by Hardin & York with the Gary Moore Band in support. On 27 October Capability Brown supported East Of Eden and Skin Alley perform at the campus on 10 November ’72. Rare Bird appeared on 17 November and almost a month later, on 15 December, Fusion Orchestra wrapped up 1972.
On 19 January ’73, Camel dropped by. Paul Brett headlined with Hunter Muskett in support on 23 March. The Flying Aces provided the opening volley for Help Yourself on 8 June ’73. Ebling Mis were one of the local bands at 1973’s Free Festival that also included Roger Ruskin-Speare, Jonesy, Strider, Keith Christmas, Colin Scot, Byzantium and many more. On 5 October, Welsh professional touring band Good Habit headlined for once. A few days later, on 12 October, Man were supported by ex- and future-Man member Deke Leonard’s Iceberg. UFO let the university down on 19 October ’73, but were ably replaced by Ebling Mis who stood in at short notice and received support from Glyder, who ‘forced’ a band called Glider to change their name, and so Glider became Plummet Airlines. On 2 November Bronco were booked to perform. ’73 was also the year that Tiger supported Ellis, whose second LP “Why Not” wasn’t the success the band hoped for were on a final university circuit tour before breaking up.
Stackridge, supported by Henry Cow, opened ENTS bookings at the University on 18 January 1974; with the Spencer Davis Group appearing on 1 February. Two weeks later it was Strider’s turn, on 15 February, followed by Nektar on 22 February. Coast Road Drive supported Camel on the 1 March ’74, then jumping to 3 May, Caravan rolled onto campus, with Gong performing on 24 May. Almost a month later, on 21 June, French “Zeuhl” progressive rock band Magma performed at the university. The Surrey Free Arts Festival Surrey was held on 6 July ’74 and featured String Driven Thing, Starry Eyed and Laughing, Global Village Trucking Co, Narnia, and Gryphon. After the summer break the first concert listing we can find is for Cocky on 30 October ’74. In the second week of November, on 9 November, Hatfield & The North were supported by Lol Coxhill & Steve Miller, and Kevin Coyne. The following week, on 15 November, it was Procul Harum’s turn followed by Curved Air on 20 November as part of their Reunion Tour, supported by The Watt-Roy Turner Band, that consisted of Garth Watt-roy and ex-Cat Iron members Glen Turner and Kim Turner. We have unconfirmed reports that at some point in December Curved Air and The Watt-roy Turner Band returned to campus.
The University of Surrey hosted G.T. Moore and the Reggae Guitars sometime in January ’75, String Driven Thing on 24 January, and Al Stewart on 31 January. On 21 February the Great Hall rang to the sounds of popular French progressive rock band Ange – popular in France anyway – who were supported by West German krautrock group Ash Ra Tempel and the university’s own Moonmouse. Seven days later, on 28 February Cozy Powell’s Hammer performed. On 14 March ’75 Stephane Grappelli was supported by The Diz Disley Trio; and on 25 April, Fruupp were at the university. Well known Guildford band, The Stormsville Shakers performed on 2 May, ably assisted by Badge. The next week American Gypsy opened for Dr Feelgood on 9 May. Melody Maker’s 24 May edition carried a review of the 16 May gig at the university, which was headlined by John Martyn with supporting appearances by Danny Thompson, John Stevens and Wizz Jones, Clancy, Brand X, Tim Hardin, and Frogmorton. Cocky kicked off the Autumn semester on 30 September. October was a busy month for the university’s ENTS crew, on 8 October Curved Air performed; they returned on 10 October to support Squeeze, Van Der Graaf Generator dropped in on 16 October, followed by Gryphon on 24 October; and to close out the month Baker Gurvitz Army appeared on 31 October’ 75. On the 7 November, Ace arrived and Stackridge did the same two weeks later, on 21 November. To wrap up ’75, the ENTS department pulled in Captain Beefheart and the Magic Band – who were in the 28th iteration – towards the end of their European tour, with Danish prog rockers Secret Oyster in support on 27 November.
At some point in January ’76, Stray were supported by Blitz. On 27 February Quiver were up first, preceding headlining Sutherland Brothers. Strapps appeared on 14 May, and a few days later, on 28 May, AC/DC supported Back Street Crawler at the university. Sassafras were up the following week, on 4 June ’76. The following semester, on 4 November, Motorhead rolled in. Also in ’76 local band House supported Liverpool Express – who incidentally had three singles mixed by Guildford born record producer and engineer David Tickle – at the University of Surrey.
On 3 February ’77, Osibisa were supported by John Miles. The next month, on 4 March, Procol Harum performed. On 7 May ’77, Godalming based band Jasmine Pie won the Surrey heat of Melody Maker’s Rock/Folk Contest 1977 held at the university, going onto the South of England heats held at the Marquee, London, Roy Harper and Chips were preceded on stage by Black Sheep on 23 April. Early the following month, the 6 May to be precise, Richard & Linda Thompson were joined by Richard Digance to warm up the audience. They were followed a few days later, on 19 May, by the John Mayall Band. The Free Festival held on the University of Surrey Campus on 2 July ’77 featured local Headwaiter along with Darts, Warren Harry, John Martyn and many others. After the summer break the first gig we can find at the university is on 13 October and featured Phil Manzanera. This was followed on 28 October by the The Stranglers with Dictators in the supporting role. Barbara Dickson may have performed “Another Suitcase in Another Hall” from Evita, which had became her second hit earlier in ’77 when she appeared on 11 November. A week later John Martyn found support in the form of The Brains Trust on 18 November ’77. The following week, on 25 November, it was Linda Lewis turn. This was followed by Frankie Miller and Meal Ticket on 3 December; Cousin Joe From New Orleans on 9 December ’77; and The Damned on 12 December.
Rumble Strips supported Darts on 3 March ’78 and The Enid played in 12 May. A few days later, on 27 May, Steve Hillage was supported by National Health featuring Miquette Giraudy. The 1978 Free Festival did feature Squire and on The Stranglers ‘return’ to Guildford for their 11 October ’78 appearance at the University of Surrey for the BBC TV program Rock Goes to College, the group walked off stage because an agreement to make tickets available to non-university students had not been honored. The gig still aired on 20 October ’78 as Episode 5 of Season 1. The band’s track “Social Secs” was written after that BBC “Rock goes to College” debacle. Seven days after The Strangles gig aired and 21 days after the release of non-charting “Rock ‘n’ Roll Bolero” single, Slade took to the stage at the University of Surrey. The 18 November ’78 saw Wreckless Eric, Lene Lovich, Rachel Sweet, Jona Lewie, and Mickey Jupp on stage.
The Vapors performed at a National Union of Journalist benefit gig at the University on 25 January ’79. Rock Goes to College returned to the university on 7 February with Pete Drummond presenting the Average White Band for Season 2 Episode 7, which was broadcast on 17 February ’79. On 2 March the Guildford campus was attended by Joe Public. The New Wave Society booked The Vapors who performed on 16 May, and three days later The Skids slid into the venue. Another three days passed before Misty took to the stage on 22 May ’79 followed by The Piranhas the day after. Iron Maiden headline on 26 May, with Samson in support, followed the next month, on 30 June, by Mungo Jerry. On 26 October ’79, The Ruts ‘Grin & Bare It’ tour visited the University, with The Flys and local band Crisis in support. John Martyn attended on 4 November and the U.K. Subs supported by The Last Word, and Lost Property rolled in on 9 November. The Vapors returned, supported by The Beat, on 16 November ’79 for an appearance at the John Peel Roadshow concert at the university.

1 February 1980 Osibisa launched 1980 on 25 January, followed by the Capital Letters of 1 February for a Legalize Cannabis Campaign Benefit gig. Sore Throat were booked to perform on 16 February ’80, but vocalist Justin Ward left the band abruptly on 15 January, the night they appeared on The Old Grey Whistle Test’s Stage B, while The Ramones were on stage A, causing the tour to be cancelled. The Smirks headlined with The Charlies Parkas in support for the ‘March of the Slobs’ at the university on 22 February ’80. The next month the Pirates grab the stage on 8 March ’80. The 22 April saw Richard Digance grace the union’s stage with Roy Harper doing the same 4 days later, on 26 April. On 9 May it was the turn of Dr. Feelgood followed the next night by Magazine, supported by Bauhaus, and Crisis. May came to an end, on 31 May, with Gary Glitter and The Glitter Band. The 1980 Freshers Ball was held on 4 October and featured Voyager, who’d had a turntable hit, heavily played on radio, without ever entering the charts, called “Sing Out (Love Is Easy)”. The following week, fresh from recording for Dennis Potter’s LWT production Cream In My Coffee (to be aired that November), Writz under the new moniker Famous Names turn up as part of their Circus Tour on 11 October ’80, then Alvin Lee rolled through on 17 October. Interestingly, we also show a listing for Splodgenessabounds with Lethal Dose in support on the same day. On 24 October The Blues Band were supported by The Hitmen. Vardis supported Hawkwind on 31 October ’80 at the Halloween Spectacular. Bullseye performed on 13 November, followed two days later by Girlschool and Angelwitch. On 19 November ’80 the university’s Rock Club booked Loaded Dice. Black Slate turned up ten days after, on 29 November, and Roy Wood’s Helicopter, supported by Trespass, arrived on 6 December ’80 for the Xmas Spectacular.
UFO landed at the university on 13 January ’81, followed by Slade with Export in support three days later, on 16 January. On 23 January ’81, the Au Pairs opened for Delta 5 and eight days later, on 31 January, you would have seen The Look. Hazel O’Connor’s Megahype rolled into the campaus on 6 February, with Prime Suspects in support. The Free Festival was held on 23 May ’81 and featured Squeeze, who were touring “East Side Story”. In June ’81, Just So Stories appeared at the Student Union Bar at the university. The Birthday Party appeared four months later, on 24 October ’81, supported by two local bands: The Sleep and Imperfect Hold, at which Nick Cave puked on stage. The next week, on 30 October, it was Nine Below Zero’s turn, followed seven days after that by Clint Eastwood with General Saint on 6 November ’81. Level 42 appeared on 13 November ’81, andThe Europeans and Wild Willy Barrett opened the show on 28 November ’81 for John Otway. The following week The Good, The Bad and The Ugly tour brought The Bureau, with The Mo-dettes, Roddy Radiation, and The Tearjerkers to the university on 5 December.
On 6 February ’82, Wishbone Ash rocked the University. A few months later, on 25 May ’82, those in love with a German film star rolled up to university to catch The Passions. The Free Fest fell in May ’82 and we know it featured Sheep in Fog on 29 May. The University’s Jazz Club welcome Sheep in Fog back on 22 June and booked Vanishing Point to support. On 24 November 1982, as part of the Corridors of Power tour, ex Thin Lizzy member Gary Moore rolled into town with Ian Paice (ex Deep Purple), Neil Murray (ex Whitesnake and Black Sabbath), and John Sloman (ex Lone Star and Uriah Heep).
Longpig played the May Bug Ball at the university on 7 May ’83, along with Creatures of Darkness, La Maison Du Chants, and Freedom Dance.
The Autumn term in ’83 kicked off with Haircut One Hundred (also known as Haircut 100), without Nick Heyward who’d left in January that year, on 13 October ’83. Two days later The Fall, supported on the night by Serious Drinking and Shadow Planet, got through twelve tracks despite a barrage of abuse from punks / skinheads in the crowd.
Towards the end of the opening track Mark E. Smith was assaulted and a pint was thrown; leaving him to towel beer off a keyboard and himself. The Fall continued with tracks intersperse with shouts of ‘sieg heil’ and ‘Hitler’ from the saluting skinhead contingent. “Totally Wired” was accompanied by a can-canning skins stage invasion addressed by a lone bouncer. The band, after walking off, did an encore.
Later that month, on 27 October, The Fall performed at the Concord Bar, Brighton and amended the lyrics to ‘English Scheme’ to “Down pokey quaint streets in Guildford was our distant mongol heritage. It’s dull red, round head, Army career, Actifed. If we were smart, we’d emigrate. Down pokey quaint corridors and channels crawl mobile lords, ladies, sons, daughters, uncles, aunts…”
Six days prior, on 21 October ’83, to The Falls dig at Guildford, Black Roots performed and The Bloomsbury Set appeared on 28 October. John Martyn took to the stage on 4 November, with Steve Hackett booked for 12 November and Pallas, Solstice, and Trilogy closing out November as the Brave New World Tour visited the university. Osibisa visited on 3 December ’83
[Ed – Roll in material from https://indiethroughthelookingglass.com/2019/05/28/the-fall-interview-and-photos-1983-previously-unseen/ and backlink.]
On 27 January ’84 the John Peel Road Show visited the university and featured local band Shoot! Dispute – thanks to their demo and some shenanigans by their manager, “The Weasel” – and Geisha Girls. Shoot! Dispute’s performance resulted in Peel coming to their dressing room and offering them the first of two Peel Sessions. Sometime in March ’84 both Longpig and Dark Paradise performed in the Student Union bar. Dark Trio joined LongPig, La Maison Du Chants, Freedom Dance and Funtime for Phillip at the University’s New Wave Society’s event on 7 May ’84 in the Great Hall. Dark Trio’s performance received a brief review in The Werewolf fanzine. Both Longpig and Dark Paradise were back on 9 June, for the university’s June Jitterbug, with D Fabulous, No Joy, Betrayed, and Asylum Sounds. A week later Hanoi Rocks were supported by Pet Hate, and Asylum Sounds at the venue. The first gig we’ve found for the Autumn Semester in ’84 was on 27 October featuring Shoot! Dispute with Press Any Key, Buddy & the Bloodsuckers, Line Design, and Swivelcorps. We also know that Lifespan performed at the university in December ’84, after which their vocalist left the band.
On 25 January ’85, Clint Eastwood and General Saint were supported by local reggae band Spliff Riff. Northern Irish hard rockers, Mama’s Boys wrapped up the UK leg of their tour promoting their fifth album ‘Power and Passion‘ at the university on 4 May ’85. The prior couple of years of Free Fest had not been overly successful, to the point that there was to be no event in ’85. A number of enthusiasts however had other ideas and independently organize Not The Free Fest, across the 24 and 25 May ’85. On the Friday, 24 May, the Bouncing Czecks performed as part of an initial cabaret night. On 25 May ’85, Holy Durex and two other bands, Fantasy Lies and Swivel Corps, qualified in the afternoon heats of the University of Surrey Student Band Competition to appear at the finale that night. After extended sets both Holy Durex and Fantasy Lies lost out to Swivel Corps, before the evening was headlined by the Geisha Girls. While not winning the competition, Holy Durex did go on to appear at the University’s Blues All-Dayer later in the year. The Blow Monkeys supported Lloyd Cole & The Commotions on 13 October ’85; later in the month Rattlesnake returned to the university, playing in the Lower Bar on 30 October, and Voodoo Child were supported by Steel Bill and The Buffalos on 31 October. The next day Eek-A-Mouse were supported by Spliff Riff in the Main Hall, and Namoza occupied the Lower Bar on 3 November, followed by the Dave Walters Band on 5 November. Ten days later the Miller Family were supported by Function at the university; with Captain Sensible appearing on 20 November. The next month, on 7 December, The Pogues were at the university followed by Inspector Tuppence and the Sexy Firemen, supported Catfish, the next day.
On 26 January ’86, Swivel Corp (it was to be their penultimate gig) and The Larks opened up for The Higsons, at the University of Surrey’s No-Wave Society’s main hall gig. Record Mirror’s gig listing for the day before, 25 January, had The Higsons and The Larks supporting Nick Kershaw at the university. Holy Durex headlined the university’s Rugby Club Drag Disco on 31 January ’86. Later that year Holy Durex performed at the University’s Royal Charter Disco, supporting Bad Manners along with Inspector Tuppence & the Sexy Firemen; with the event starting at 8:00pm on 27 June and ending at 6:30am the following morning. There was reunion gig for Holy Durex at the University, involving the four main members, on 3 July ’86. Shoot! Dispute’s final gig of which we are aware was as headliners for the ‘Dance Your Rocks Night’ at the university on 27 September ’86 with Press Any Key (ex-After The Fire), Buddy & The Bloodsuckers, Line Design, and Swivel Corps. Towards the close of ’86, Cutting Crew were touring to promote their Broadcast LP appearing at the university on 22 November.
On 22 February ’87, Pop Will Eat Itself played the university. A week later, on 1 March ’87, The Stage, who were touring to promote their new single Nothing Stranger Than Today performed in the main hall. Rolling forward the university also hosted The Mighty Lemondrops, supported by Bluetrain, on 9 May ’87. The next month The Christians took to the stage, supported by Danny Wilson, on 13 June ’87. In ’86 Julian Lennon and Yoko Ono agreed that the University of Surrey’s new recording studio be named in memory of John Lennon. By November ’87 it was ready to use and to officially mark its opening and pay tribute to John Lennon the university held a concert in the Main Hall, on 22 November, that featured David Essex and Alvin Stardust, along with Beatles tribute band Cavern, compered by Mike Reid.
On 5 February ’88 The Wild Swans were supported by The Mighty Lemon Drops. On 7 May, The Soup Dragons with Something Happens. The following month, on 30 June, Jo Jo Namoza took to the stage. A month after that on July 30 the Students Union hosted Steel Bill & The Buffaloes, who returned on 29 October. The Jazz Butchers appeared on 30 November,
The next year, Pop Will Eat Itself were on patrol in mid solar spring calling in at the University of Surrey on 12 May ’89. Bonfire Night, 5 November ’89, Carter the Unstoppable Sex Machine. A few days later, on 10 November, The House of Love, who had just released their I Don’t Know Why I Love You single appeared at the university. Two days later, on 12 November ’89, Bliss performed in the main hall before trekking over to Cardiff the next night.

10 November 1989: The House of Love played the University of Surrey, Guildford. Photograph by Nathan Jones. Source: www.thehouseoflovearchive.co.uk On 15 January ’90, Energy Orchard released the debut single ‘Belfast’ and arrived at the University of Surrey on 21 January as part on a national tour to promote it. Rag Week that year was in late February, with the All-Evening Greeny/Blues event, featuring Sammy Rats Big Big Blues Band, going down on 24 February. Later in the year, neo-psychedelic rock band Stress visited the university on 17 October ’90, as part of their Beautiful People Tour, followed eleven days later by the Milltown Brothers on 28 October ’90, who were touring the Apple Green single. The next month, on 12 November, Railroad Earth played the SU Bar and Sammy returned on 1 December to join Yellow Darkness, The Hamsters, Gypsie Fiddler, Big Belief, Ample Cleavage, The Ant Hill Mob, and Dr. Brown on stage.
On 22 June ’91 Surrey Court at the University hosted The Flowerpot Men with Railroad Earth, The Ha Ha Men, Redwood, and Trousershock BC in support. Around the 23 November ’91 the university’s Student Union held a Crab Feast at which The Ant Hill Mob – their final gig of which we are aware -, Sammy Rats Big Big Blues Band, Big Belief and Yellow Darkness performed.
On 5 February ’92, Mega City Four headlined at the University of Surrey’s Main Hall, along with Big Boy Tomato, Pretty Green, and Phobia. Trousershock BC supported Railroad Earth on 10 May ’92

Midwest Flower opened for The Outcast Band on 31 January ’93 at the university and returned three days later to do the same for The Amazing Mr. Smith at the USSU Folk Club on campus. A few months later, on 19 June ’93, another local band, Redwood took to the stage. The university’s Student Union’s All-Day Blues event on 19 November ’94 featured Sister Wendy, Wildwood, Eat the Sofa, The Hamsters, Winterfall, and The Bogus Brothers.
On WOB‘s return to the UK we found him supporting Who Moved the Ground?, on 12 May ’96, at the University. Semester One 96’s itinerary began on 22 September with SubCircus, a week later it was David Devant and his Spirit Wife. 6 October saw The John Mizarolli Band take to the main stage in the SU, followed by Salad on 13 October, and My Life Story a week later; Vent 414 closed out the month’s roster on 27 October. The following month opened with Oliver’s Army storming in on 3 November, Wildwood on 10 November, The Egg on 17 November, and University regulars Redwood on 24 November.
Gallery:

On the right is the Main Hall at the University of Surrey c’1970 
A clipping for the Surrey Free Festival ’71 
Surrey Free Festival ’71 flyer 
27 June ’71: Poppa Ben Hook at the University of Surrey Free Festival ’71. Picture courtesy of Fred Pipes 
27 June ’71: Poppa Ben Hook at the University of Surrey Free Festival ’71. Picture courtesy of Fred Pipes 
27 June ’71: Poppa Ben Hook at the University of Surrey Free Festival ’71. Picture courtesy of Fred Pipes 
27 June ’71: Poppa Ben Hook at the University of Surrey Free Festival ’71. Picture courtesy of Fred Pipes 
27 June ’71: Poppa Ben Hook at the University of Surrey Free Festival ’71. Picture courtesy of Fred Pipes 
27 June ’71: Poppa Ben Hook at the University of Surrey Free Festival ’71. Picture courtesy of Fred Pipes 
27 June ’71: Poppa Ben Hook at the University of Surrey Free Festival ’71. Picture courtesy of Fred Pipes 
27 June ’71: Poppa Ben Hook at the University of Surrey Free Festival ’71. Picture courtesy of Fred Pipes 
Autumn Term 1971… 
15 October 1971: Amazing Bondel with Mick Greenwood in support 
6 October 1972 – Hackensack. Source: Hackensack – band 
18 January 1974: Stackridge, supported by Henry Cow, were at the University of Surrey. Image courtesy of Chris Branch 
21 February 1975: Ange, supported by Ash Ra Tempel and Moonmouse, played the Great Hall. Picture courtesy of Jon Downing 
31 October 1975 
House’s Wheatley at the University of Surrey in ’76. Source: House-Guildford 
House’s Lewkowicz and Wheatley at the University of Surrey in ’76. Source: House-Guildford 
House’s Backhurst at the University of Surrey in ’76. Source: House-Guildford 
25 January 1979: NUJ Benefit gig poster 
25 January 1979: Ticket for NUJ Beneft gig. Picture courtesy of Fred Pipes 
C’79: UBz, when called Umpty’s Balcony, at Surrey University. Picture courtesy of Mark Charles. 
26 October 1979: The Ruts. Source: Lighthouse Poole 
26 October 1979: The Ruts, with The Flys, and Crisis 
26 October 1979: The Ruts, with The Flys, and Crisis 
9 November 1979: Record Mirror Advert from 20 Oct issue for UK Subs tour. Image courtesy of Pete Cole 
16 November 1979: Ticket for the John Peel Road Show at University of Surrey, featuring The Vapors and The Beat 
16 November 1979: Press ad for The Vapors appearance on the John Peel Roadshow at University of Surrey. Source: Vinny Webster via The Vapors UK 
9 May 1980 
31 May 1980 
4 October 1980: Freshers Ball 
31 October 1980: Halloween Spectacular 
15 November 1980: Girlschool and Angelwitch 
6 December 1980: Xmas Spectacular with Roy Wood’s Helicopter and Trespass 
16 January 1981: Slade, supported by Export, played the University of Surrey 
Just So Stories at University of Surrey SU Bar in June 81. Picture courtesy of Fred Pipes 
Just So Stories at University of Surrey SU Bar in June 81. Picture courtesy of Fred Pipes 
Just So Stories at University of Surrey SU Bar in June 81. Picture courtesy of Fred Pipes 
24 Oct 1981: The Sleep and Imperfect Hold supported The Birthday Party at University of Surrey. Picture reproduced with permission of From The Archives 
24 October 1981: Ticket for The Birthday Party supported by The Sleep at University of Surrey 
6 February 1982: Wishbone Ash 
24 November 1982: Poster for Gary Moore supported by Ian Plaice, Neil Murray, and John Sloman. Source: Fincharie 
7 May 1983: Ticket for The May Bug Ball at University of Surrey, Guildford with LongPig, Freedom Dance, Creatures of Darkness, and La Maison Du Chante. 
7 May 1983 
7 May 1983 
Autumn Term 1983 
15 October 1983: The Fall’s Craig Scanlon on stage at UoS. Source: Rob Bamford via thefall.org 
27 January 1984 
7th May 1984: LongPig, La Maison du Chants, Freedom Dance and Funtime for Philip are at Surrey University. Picture courtesy of Alan and Jackie Wallis 
9 June 1984: Ticket for the June Jitterbug at University of Surrey with Longpig, D Fabulous, Dark Paradise, No Joy, Betrayed, and Asylum Sounds 
4 May 1985: Mama’s Boys played University of Surrey according to this advert from Sounds 30 March ’85 issue. Image courtesy of Pete Cole 
25 May 1985: Holy Durex play the Student Band Competion. Source: Bare Facts, May 31st, 1985 
30 October 1985: Rattlesnake played the Lower Bar. Source: Bare Facts, October 25th, 1985 
8 Dec 1985: Catfish, supported by Inspector Tuppence and the Sexy Firemen, played at University of Surrey – Article from Bare Facts The Nearly Xmas ’85 issue. 
26 January 1986: Swivel Corp and The Larks opened up for The Higsons Source: Jonny Mendelsson via The LARKS 
26 January 1986: SUSU Bare Facts Magazine previews gig in 24 January 1986 issue. 
26 January 1986: SUSU Bare Facts Magazine reviews gig in 31 January 1986 issue 
31 January 1986: Holy Durex perform at Drag Disco. Bare Facts – Jan 24th 1986 
27 & 28 June 1986: Royal Charter Disco with Bad Manners headlining. Source: Bare Facts – June 20th 1986 
27 & 28 June 1986: Royal Charter Disco with Bad Manners headlining. Source: Bare Facts, June 26th 1986 
22 November 1986: Cutting Crew appear at UoS, Guildford. Ad from Record Mirror 18 October ’86 issue. Image courtesy of Pete Cole 
1 March 1987: The Stage played the University of Surrey, Guildford. Advert from Record Mirror and here courtesy of Pete Cole. 
13 June 1987: Danny Wilson at University of Surrey. Ad from Record Mirror 30 May ’87. Image courtesy of Pete Cole 
5 February 1988: The Mighty Lemon Drops played University of Surrey, Guildford. Ad from Record Mirror 20 Feb ’88 issue. Image courtesy of Pete Cole 
C’88: Two thirds of Casual Sax on the University of Surrey stage with Steel Bill & the Buffalos 
12 May 1989: PWEI at University of Surrey, Guildford. Ad from Record Mirror 6 May 1989 Image courtesy of Pete Cole 
10 November 1989: The House of Love played the University of Surrey, Guildford. Photograph by Nathan-Jones. Source: http://www.thehouseoflovearchive.co.uk 
24 February 1990: Sammy Rat’s played University of Surrey Rag Week 
Tour advert from Record Mirror’s 22 Sept ’90 issue for Stress’ Beautiful People Tour. Image courtesy of Pete Cole. 
28 October 1990: Milltown Brothers play UoS, Guildford. Advert from Record Mirror 27 Oct ’90. Image courtesy of Pete Cole 
Surrey University, Surrey Court Fun Fest ’91 advert from Barefacts 21 June 1991. 
?? November 1991: Redwood are live at the University of Surrey ‘All Day Blues’ event. Source: geniustwinrecordings.com 
23 November 1991: University Surrey Student Union Crab Feast (Rag Week magazine) 
23 November 1991: University Surrey Student Union Crab Feast (Rag Week magazine) 
23 November 1991: University of Surrey Student Union Crab Feast Mag 
23 November 1991: University of Surrey Student Union Crab Feast Mag 
5 February 1992 
10 May ’92: rousershock BC supported Railroad Earth – Review from 15th May ’92 issue of Bare Facts. 
The Outcast Band to play University of Surrey on 31 January 1993. Source: Bare Facts 29 January 1993 issue 
19 June 1993: Redwood advert from early 1993 published in University of Surrey Student Union Barefacts zine. Source: The Surrey & NE Hampshire Music Scene 
Bare Facts (Issue No.826, 18 Nov 1994) on the All Day Blues event held on 19 November 1994 featuring Sister Wendy, Wildwood, Winterfall, Eat The Sofa, The Hamsters and The Bogus Brothers.
19 November 1994: Winterfall at the University of Surrey’s All Day Blues 
Semester One, 1996: Flyer front and back listing acts booked for Main Stage at University of Surrey Students’ Union. Source: The Surrey & NE Hampshire Music Scene Thank you to following for helping us to build a brand new University of Surrey post: Daren Thorpe, Fraser Donachie, Fred Pipes, Fruitier Than Thou, Rob Bamford
AC/DC, Ace, Actifed, Al Stewart, Alvin Lee, Alvin Stardust, Amazing Blondel, American Gypsy, Ample Cleavage, Ange, Angelwitch, Ash Ra Tempel, Asylum Sounds, Au Pairs, Average White Band, Back Street Crawler, Bad Manners, Badge, Baker Gurvitz Army, Barbara Dickson, Barefacts, Barnabus, Battersea College of Technology, Battersea Park, Bauhaus, BBC, Betrayed, Big Belief, Big Boy Tomato, Black Roots, Black Sabbath, Black Slate, Bliss, Blitz, Bouncing Czecks, Brand X, Brian Auger's Oblivion Express, Bridget St. John, Brighton, Bronco, Buddy & The Bloodsuckers, Bullseye, Byzantium, C.M.U., Cage, Camel, Capability Brown, Capital Letters, Captain Beefheart, Captain Sensible, Caravan, Carter The Unstoppable Sex Machine, Carter USM, Catfish, Cavern, Champion Jack Dupree, Charter Ball, Chicken Shack, Clancy, Clare Hammill, Clint Eastwood, Clint Eastwood and General Saint, Coast Road Drive, Cocky, Colin Scot, Colosseum, Concord Bar, Cozy Powell's Hammer, Crab Feast, Creatures of Darkness, Crisis, Curved Air, Cutting Crew, D Fabulous, Danny Thompson, Danny Wilson, Dark Paradise, Dark Trio, Darts, Dave Walters Band, David Bowie, David Devant and his Spirit Wife, David Essex, David Tickle, Deep Purple, Deke Leonard, Deke Leonard's Iceberg, Delta 5, Dennis Potter, Dictators, Dr. Brown, Dr. Feelgood, Duster Bennett, East of Eden, Eat the Sofa, Ebling Mis, Eek-A-Mouse, Ellis, Energy Orchard, ENTS, Exhibit 'A', Export, Famous Names, Fantasy Lies, Flying Aces, Folk Club, Free Festival, Freedom Dance, Freshers Ball, Frogmorton, Fruupp, Function, Funtime for Phillip, Fusion Orchestra, G.T. Moore & The Reggae Guitars, Gary Glitter, Gary Moore, Gary Moore Band, Geisha Girls, General Saint, Genesis, Girlschool, Glider, Global Village Trucking Co., Glyder, Gong, Good Habit, Grail, Great Hall, Gryphon, Guildford, Guildford Borough Council, Guildford Catherdral, Guildford Free Festival, Guildford Sanitation Authority, Gypsie Fiddler, Gypsy, Haircut 100, Haircut One Hundred, Halloween Spectacular, Hanoi Rocks, Hardin & York, Harvey Andrews, Hatfield & The North, Hawkwind, Hazel O'Connor's Megahype, Headwaiter, Help Yourself, Henry Cow, High Tide, Holy Durex, Horse, House, Howard Riley, Hunter Muskett, Ian Paice, Iceberg, Imperfect Hold, Inspector Tuppence & the Sexy Firemen, Jasmine Pie, Jasper Carrott, Jazz Club, Jelly Bread, Jo Jo Namoza, Joe Public, John Lennon, John Martyn, John Mayall band, John Miles, John Otway, John Peel, John Peel Roadshow, John Sloman, John Stevens and Wizz Jones, Jona Lewie, Jonesy, Julian Lennon, Jumble, June Jitterbug, Just So Stories, Justin Ward, Karl Burns, Keith Christmas, Keith Spillet Ensemble, Kevin Coyne, La Maison Du Chants, Lecture Theatre D, Led Zeppelin, Lene Lovich, Lethal Dose, Level 42, Linda Lewis, Linda Thompson, Lindesfarne, Line Design, Liverpool Express, Lloyd Cole & The Commotions, Loaded Dice, Lol Coxhill, Lone Star, LongPig, Lost Property, Lower Bar, Magazine, Magic Band, Magma, Main Hall, Main Stage, Mama’s Boys, Man, Marble Orchard, March of the Slobs, Mark E. Smith, May Blitz, May Bug Ball, Mega City Four, Melody Maker, Mick Greenwood, Mickey Jupp, Midwest Flower, Mike Read, Miller Family, Milltown Bros, Milltown Brothers, Miquette Giraudy, Misty, Moonmouse, Motorhead, Mott The Hoople, Mungo Jerry, My LIfe Story, Namoza, Narnia, National Health, Neil Murray, New Riders of the Purple Sage, New Wave Society, Nick Cave, Nick Heyward, Nick Kershaw, Nine Below Zero, No Joy, Not The Free Fest, NUJ, Oliver’s Army, Onslow Village Trust, Osibisa, Pallas, Patto, Paul Brett, Paul Hanley, Pet Hate, Pete Drummond, Phil Manzanera, Phobia, Plinth, Plummet Airlines, Pop Will Eat Itself, Poppa Ben Hook, Press Any Key, Pretty Green, Prime Suspects, Procol Harum, Purple Banana, PWEI, Quiver, Rachel Sweet, Railroad Earth, Rare Bird, Rattlesnake, Record Mirror, Red Onions, Redwood, Richard & Linda Thompson, Richard Digance, Richard Thompson, Rock Goes to College, Roddy Radiation, Roy Harper, Roy Wood's Helicopter, Royal Charter Disco, Rumble Strips, Ruskin-Speare, Salad, Sammy Rats Big Big Blues Band, Sassafras, Scaffold, Secret Oyster, SENT, Serious Drinking, Shadow Planet, Sheep in Fog, Shoot! Dispute, Sister Wendy, Slade, Solstice, Something Happens, Sore Throat, Soundscene, Spencer Davis Group, Spliff Riff, Splodgenessabounds, Squeeze, Stackridge, Staff Bar, Stan Faulkner Sextet, Starry Eyed and Laughing, Steel Bill & the Buffalos, Stephane Grappelli, Steve Hackett, Steve Hillage, Steve Miller, Stoneground, Strapps, Stray, STress, Strider, String Driven Thing, Student Union, SubCircus, Surrey Court, Surrey Free Festival, Sutherland Brothers, Swegas, Swivel Corps, Swivelcorps, The Amazing Mr. Smith, The Ant Hill Mob, The Birthday Party, THe Bloomsbury Set, The Blow Monkeys, The Bogus Brothers, The Brains Trust, The Bureau, THe Charlies Parkas, The Christians, The Damned, The Diz Disley Trio, The Duster Bennett Band, The Egg, The Enid, The Europeans, The Fall, The Flowerpot Men, The Flys, The Glitter Band, The Ha Ha Men, The Hamsters, The Higsons, The House of Love, The Jazz Butchers, The John Mizarolli Band, The Larks, The Last Word, The Look, The Mighty Lemon Drops, The Mo-dettes, The Old Grey Whistle Test, The Outcast Band, The Paranoids, The Passions, The Piranhas, The Ramones, The Ruts, The Skids, The Sleep, The Smirks, The Soup Dragons, The Stage, The Stormsville Shakers, The Stranglers, The Tearjerkers, The Vapors, The Watt-roy Turner Band, The Werewolf, THe Who, The Wild Swans, Thin Lizzy, Tiger, Tim Hardin, Trees, Trespass, Trilogy, Trousershock BC, Tudor Lodge, U.K. Subs, UFO, Unicorn, University of Surrey, Uriah Heep, Van Der Graaf Generator, Vanishing Point, Vardis, Vent 414, Voodoo Child, Voyager, Warm Dust, Wattroy Turner, Westminster Trio, Whitesnake, Who Moved the Ground?, Wild Willy Barrrett, Wildwood, Winterfall, Wishbone Ash, WOB, Wreckless Eric, Writz, Yellow Darkness, Yes, Yoko Ono -
The Brew
(c’68-’71) – Andrew “Andy” Latimer (guitar), Andy Ward (drums), and Doug Ferguson (bass).
Out of the ashes of, mostly covers band, Strange Brew, which had been brothers Ian Latimer (bass) and Andrew Latimer (guitar/vocals), with Alan Butcher (drums) and Graham Cooper (guitar) came this three-piece Guildford blues band The Brew.Ian Latimer and Cooper had departed (Ian to get married) Strange Brew in the Summer of ’68, and an advert placed by Andy Latimer and Butcher in The Surrey Advertiser attracted bassist Ferguson. Ferguson auditioned on 13 November ’68 and reportedly “impressed…excellent gear…and his own roadie!”. Butcher, who was supporting his mother and sister, couldn’t afford to leave work and dedicate the time needed to The Brew and subsequently left. Ferguson then introduced his new band colleagues to drummer Ward. Ward, who had not seen his drum kit for 3 months and was only 14 at the time, left a mark on the band members, was recruited and joined the band on 15 January ’69.
As The Brew they recorded a demo of Robert Johnson’s “Crossroads” in a Cream’y mode. DJM Records showed interest and connected them with keyboardist / singer Phillip Goodhand-Tait. While not happy with how things panned out, The Brew auditioned to be Goodhand-Tait’s backing band on 20 Feb ’71. That year they played on his “I Think I’ll Write A Song” album, but it failed to take off and the trio were dropped by the label.
Front cover of Philip Goodhand-Tait “I Think I’ll Write A Song” which featured The Brew as his backing band. Undeterred, and recognizing the value of a keyboardist, an ad in Melody Maker in Sept ’71 found Peter Bardens, who had played with Shotgun Express, Them, The Peter B’s, Peter B’s Looners The Love Affair, The Cheynes, The Machine, Hamilton King’s Blues Messengers, The Village, and more, as well as releasing two solo LPs with Transatlantic Records. Bardens came with some prior commitments to a number of gigs in Ireland. As a result the new groups first gig together was in Belfast on 8 October ’71 as Peter Bardens On. Ultimately, after an agreed name change, this was to be the formation of Camel.
Butcher would later find a place in Poppa Ben Hook. Copper would be later found performing under the Graham “Cupcake” Cooper moniker, and some recall Eric Clapton joining him and other local musicians onstage at The Royal, Guildford for a charity gig in the rearly ’80s with Bruce Foxton of The Jam in the audience. Ward appeared in Marillion’s “Garden Party” video in ’83 and performed with them for a short while, and has worked in bands such as Caravan of Dreams, Going Going, Mirage, Chrysanthemums, and Bevis Frond. Bardens had joined Van Morrison’s band in ’78 and kept busy with various projects over the years, including Mirage with Ward and Latimer. He departed this world on 22 January 2002 as a result of lung cancer.
In 2003 The Brew held a studio jam reunion. This was recorded and posted to Facebook. The recorded material was originally for an album, but this never got pressed.
Gallery:

The Brew: Andrew Latimer (guitar), Andy Ward (drums) and Doug Ferguson (bass). 
Back cover of Philip Goodhand-Tait “I Think I’ll Write A Song” listing the members of The Brew. Alan Butcher, Andrew Latimer, Andy Ward, Belfast, Bevis Frond, Bruce Foxton, Caravan of Dreams, Chrysanthemums, Cream, DJM Records, Doug Ferguson, Eric Clapton, Going Going, Graham Cooper, Guildford, Hamilton King’s Blues Messengers, Marillion, Melody Maker, Mirage, Peter B’s Looners The Love Affair, Peter Bardens, Peter Bardens On, Philip Goodhand-Tate, Poppa Ben Hook, Robert Johnson, Shotgun Express, Strange Brew, The Brew, The Cheynes, The Jam, The Machine, The Peter B’s, The Royal, The Surrey Advertiser, The Village, Them, Transatlantic Records, Van Morrison -
The Harvest Moon Club, Guildford
The Harvest Moon Club, owned by Ray Musgrove, opened in early 1965 with a sign, over the front entrance, painted by Joseph Hills. It sat on the upper floor of the Rodboro’ Building, with windows blacked out with red paint.

4 June 1965: Soul Sisters, supported by the Brian Auger Trinity, and The Rupert Rayles at The Harvest Moon Club. Picture courtesy of Ben Darnton Unlicensed, it was coffee and soft drinks only, the Harvest could choose its opening hours and it was open all day and evening during the week, all night on Saturdays, and by the summer of ’65 was holding all-nighters. On 4 June ’65 the US soul duet of Tresia Cleveland and Ann Gissendanner, better known as The Soul Sisters, were supported by the Brian Auger Trinity and The Rupert Rayles at The Harvest Moon. Later that year, The Rivals became the established, de facto house, band at the Harvest Moon from September ’65.
Reportedly not as hip as the Ricky Tick Club in Guildford, the club was notorious for its “drug problem”, with many a punter popping purple hearts (Drinamyl) to keep them going all night. David B., who worked the door on Sunday nights, reports financing a trade in ‘mothers little helpers’ (Diazepam), buying a thousands tabs up in London and selling packs of 20 (or 19) at the Harvest Moon.

Combo A Go Go at Harvest Moon, Guildford c’65/’66. Picture courtesy of Georgina and Fred Green via Guildford Town Past and Present In early ’66, Guildford’s Ricky Tick moved to the Harvest Moon, taking over the venue every Thursday. On the first Thursday in March ’66 the Ricky Tick promoted the Gary Farr fronted T. Bones, which may have had Keith Emerson on keyboards, supported by the Mark Barry Group. Cardiff beat pop group the Shevelles headlined the Ricky Tick night on 10 March ’66. On 16 January ’66, Four After One supported Group Survival at the Harvest. Enugu, Nigeria-based guitarist and producer Goddy Oku bought his band The Hygrades to Guildford’s Harvest Moon on 12 March ’66, where they were supported by Aldershot’s Combo A Go Go, who held a weekly residency at the club. Another local band with a residency at the club were Worplesdon based Roadrunners.
The following day Four After One – who may have been local – were back, playing in the afternoon, and local band The Whiskey Ring in the evening. Two day after, on 15 March, the Hounds took to the venues ‘stage’. The big draw this week in ’66 was John Mayall’s Blues Breakers, which then included Eric Clapton, playing the Ricky Tick night at the Harvest on 17 March; at which they previewed, for all present, most of the ‘Blues Breakers’ LP. The Rivals, supported by The Tekneeks, had to follow that the next night. Zoot Money appeared on 24 March for that weeks Ricky Tick.

Press Advert clipping from 1966 The Deakin Lewis Band headlined on 26 March with The Classics supporting. Combo A Go Go held their own in the evening of 27 March and The Subjects played the club night two days later. The Ricky Tick was back on Thursday and the following night saw The Overriders open for headliners Group Survival. The next Thursday, 7 April, was held by Geno Washington and the Ram Jam Band. Manchester based The Chosen Few, moved down to London in ’66 and changed their name to The Hush, appearing at The Harvest Moon shortly after in November.

The Hush, and a band’s eye view, of The Harvest Moon Club, Guildford in November 1966. Source: manchesterbeat.com The DJs, Shotgun Willy Walker, Harvey the Rabbit, Mick Bradford and Dr Shotgun among them, always played the latest / good music and in the winter there would be a roaring log fire surrounded by old leather sofas.
Ian Latimer recalls a night at The Harvest Moon, standing in for Geoffrey Andrews on bass with The Primevals, to support The New Seekers. By February ’67, several similar venues were being taken over by London club ‘operators’. On one occasion, The Rivals had been booked by the Harvest Moon; but when they arrived East London based pop / rock band Pussyfoot were already playing. The local management knew nothing about the booking and were not intending to pay Pussyfoot, assuming they’d been sent by a London agency. The Rivals were asked to come back later that evening and to start at 11pm.

B. Lovegrove’s Harvest Moon membership card. Picture courtesy on Ben Darnton On 10 February ’67, The Net were supported by The Human Instincts for a Radio London night. This was followed by The Rivals final gig on 11 February ’67. On 3 March ’67, Radio London DJ, Ed Stewart spun the vinyl and compered with Right Attitude providing the live music. A trifecta of resident DJs held the club members attention for an all-nighter the next night, with The Tonicks ably handling the live music. The next night, and riding the wave of their first UK top-ten hit since the departure of lead singer Brian Poole with the Cat Stevens written “Here Comes My Baby”, The Tremeloes came to the Rodboro Building. Over the course of the next few weeks the club hosted: King George and the Harlem Kiddies, Lee Dorsey, The Drifters, and Cliff Bennett. Another luminary to have played the venue was Humphrey Lyttelton. Despite booking some of the times leading artists the club closed later that year.
Gallery:

4 June 1965: A second poster for Soul Sisters, Brian Auger Trinity, and The Rupert Rayles at The Harvest Moon Club. Source: www.tracks.co.uk 
March 1966: Press Ad for The Harvest Moon Club, Guildford. Picture courtesy of Ben Darnton 
March 1966: The Ricky Tick had moved to the Harvest Moon, Guildford. Picture courtesy of Ben Darnton 
Harvest Moon Club Membership Card. Source: Eva Johnson via Guildford Town Past & Present 
The Hush at The Harvest Moon Club, Guildford in November 1966. Source: manchesterbeat.com 
The Hush at The Harvest Moon Club, Guildford in November 1966. Source: manchesterbeat.com 
The Hush at The Harvest Moon Club, Guildford in November 1966. Source: manchesterbeat.com 
March 1967. Clipping from Aldershot News 
10 February 1967: The Net andThe Human Instincts, followed The Rivals final gig on 11 Feb ’67, at The Harvest Moon Club, Guildford. Ann Gissendanner, Brian Auger Trinity, Brian Poole, Cardiff, Cat Stevens, Cliff Bennett, Combo A Go Go, Combo Agogo, Deakin Lewis Band, Diazepam, Dr Shotgun, Drinamyl, Ed Stewart, Enugu, Eric Clapton, Four After One, Gary Farr, Gary Farr & the T-Bones, Geno Washington & The Ram Jam Band, Geoffrey Andrews, Goddy Oku, Group Survival, Guildford, Harvest Moon, Harvey the Rabbit, Hounds, Humphrey Lyttelton, Ian Latimer, John Mayall's Blues Breakers, Joseph Hills, Keith Emerson, King George and The Harlem Kiddies, Lee Dorsey, London, Manchester, Mark Barry Group, Mick Bradford, Nigeria, Purple Hearts, Pussyfoot, Radio London, Ray Musgrove, Ricky Tick Club, Right Attitude, Roadrunners, Rodboro Building, Rodborough Building, Shotgun Willy Walker, T.Bones, The Chosen Few, The Classics, The Drifters, The Harvest Moon Club, The Human Instincts, The Hush, The Hygrades, The Net, THe New Seekers, The Overriders, The Rivals, The Rupert Rayles, The Shevelles, The Soul Sisters, The Subjects, The Tekneeks, The Tonicks, The Tremeloes, The Whiskey Ring, Tresia Cleveland, Worplesdon, Zoot Money -
The Star Inn, Guildford
Reportedly Guildford’s longest-running live music venue, The Star Inn on Quarry Street was the venue for The Stranglers first ever gig on 21 December 1974. Jet Black is reported as saying of the gig “The audience were expecting a folk band, and when they saw us, they were a bit shocked.”

The Star Inn (far right) in the Mid-80’s. Picture by Tony Ford, here courtesy of Bens Collectors Records In the 70s/80s there was a folk club in the Star, with the likes of Mr Fox and Finbar Furey on the bill. This Friday night folk club was organized by Mark and Margaret Berry. If November ’70 was a typical month: with the Grehan-Matthews Folk Group, Ian Campbell Folk Group- one of the most popular and respected folk groups of the British folk revival of the 60s, and Bob Davenport – a leading and influential in the same revival, who recorded with Chumbawumba in 2004, on the roster it was ‘rocking’, acoustically. On 14 March ’75, the Midlands based theatre group, that dramatized folk songs with shadow puppets, Magic Lantern, played at the Friday night folk club. Local musician Sev Lewkowicz, along with Richard Ashworth, played electric guitar and Neil Young covers at the Star Folk Club – the traditionalists were not ready; although no members of the audience shouted “Judas!” at Lewkowicz or Ashworth, as had happened at the oft cited Bob Dylan gig in Manchester years earlier. Ian Anderson ran the folk club for a while, becoming more contemporary. He would bring acts over from the US to do tours and you could have caught Kate and Anna McGarrigle – who’d appear years later at the Guildford Folk Festival in Stoke Park on 3 August ’97, and Isaac Guillory at The Star.

Front of Mick Stone’s The Star Blues Jazz club membership card from 1974. Picture courtesy Bens Collectors Records The Bottleneck Club ran out of The Star around ’74, focusing on R&B and progressive rock, with the likes of Zzebra, Kokomo, Asylum, and Marvelous Kid on the roster; and the aforementioned Stranglers. There was also a Blues / Jazz club and a Rock ‘N’ Roll Club too that ran from the late 70’s to the early 80’s – The latter may have been responsible for Shakin’ Stevens & the Sunsets and The Wild Horses appearing there one night in the early ’70s. Keith Jones ran a music club out of The Star in the 70’s’ and recalls turning Bad Company down because they wanted £80! 1979, when The Star was managed by Pete Alexander, saw the Superstar Club host Jackie Lynton’s HD Band on 17 March and The Volunteers on 24 March, a gig described by Tom O’Brain in the Barbed Wire fanzine as “a treat to the ears”.

The Star’s Rock ‘N’ Roll Club nights were rockin’…this ticket is from 17 October 1980. Picture courtesy of Bens Collectors Records The early ’80s saw more local bands, such as Basic Essentials and The Sleep, on the stage. Towards the end of 1980, the Rock ‘n’ Roll Club held at The Star booked Jack Scott – not the High School Musical character but the predominantly early ’60s Canadian-American singer and songwriter, who in May ’77 recorded a Peel session – backed by The Cruisers on the evening on 17 October ’80. The Flying Tigers, supported by Germination, performed there on 30 March ’89 for Klub Kinney. Sammy Rat’s Big Big Blues Band appeared at The Star twice, following their reformation in the early ’00s, with The True Deceivers.

The backroom – which was built as a function room in the 1840s and originally called the Court Room, as the meeting room of the Guildford Castle Court of the Ancient Order of Foresters – is still hosting live music to this day. This is despite pressure from a local property developer, Neil Young, who’d converted a former office building backing onto the venue into four flats and Guildford Borough Council serving the establishment with a noise abatement notice in 2018. The venue fought back with the help of customers, community, bands, and the Music Venue Trust. On 31 January 2019, The Stranglers presented The Star with the PRS for Music Heritage Award and performed once more in The Backroom.
Gallery:

The Star. Picture courtesy of Bens Collectors Records 
Page 14 from Orbit (possibly November issue) 1970. Source: Paul Pickett via Guildford Town Past & Present 
Back of Mick Stone’s The Star Blues Jazz club membership card. Picture courtesy Bens Collectors Records 
14 March 1975: Magic Lantern played at the Friday night folk club organized by Mark and Margaret Berry at The Star, Guildford. Picture courtesy of Bens Collectors Records 
Soho at The Star, Guildford, c’78/’79. Picture by and courtesy of Fred Pipes 
Soho at The Star, Guildford, c’78/’79. Picture by and courtesy of Fred Pipes 
Gig Review of The Volunteers at The Star Inn, Guildford from Barbed Wire Vol 2 No.2, May 1979. Picture courtesy of Fred 
Basic Essentials at The Star, Guildford 1980. Picture courtesy of Fred Pipes 
Basic Essentials at The Star, Guildford 1980. Picture courtesy of Fred Pipes 
Basic Essentials at The Star, Guildford 1980. Picture courtesy of Fred Pipes 
Basic Essentials at The Star, Guildford 1980. Picture courtesy of Fred Pipes 
Basic Essentials at The Star, Guildford 1980. Picture courtesy of Fred Pipes 
The Star, Guildford, on the right of Quarry Street, in 1980. Photograph by Tony Ford courtesy of Bens Collectors Records 
The Sleep at The Star, August or September 1981. Picture courtesy of Fred Pipes 
The Sleep at The Star, August or September 1981. Picture courtesy of Fred Pipes 
The Sleep at The Star, August or September 1981. Picture courtesy of Fred Pipes 
The Sleep at The Star, August or September 1981. Picture courtesy of Fred Pipes 
The Sleep at The Star, August or September 1981. Picture courtesy of Fred Pipes 
The Sleep at The Star, August or September 1981. Picture courtesy of Fred Pipes 
The Sleep at The Star, August or September 1981. Picture courtesy of Fred Pipes 
The Flying Tigers – “Tygers” was a spelling mistake by the organizers – played The Star in 1989 Anna Macarrigle, Bad Company, Barbed Wire, Basic Essentials, Bob Davenport, Bottleneck Club, Chumbawumba, Court Room, Finbar Furey, Germination, Grehan-Matthews Folk Group, Guildford, Guildford Borough Council, Guildford Castle Court of the Ancient Order of Foresters, Guildford Folk Festival, Ian Anderson, Ian Campbell, Ian Campbell Group, Isaac Guillory, Jack Scott, Jackie Lynton, Jackie Lynton’s HD Band, Jet Black, Kate and Anna McGarrigle, Kate McGarrigle, Keith Jones, Klub Kinney, Kokomo, Magic Lantern, Margaret Berry, Mark Berry, Marvelous Kid, Mr. Fox, Music Venue Trust, Neil Young, Pete Alexander, Richard Ashworth, Rock ‘n’ Roll Club, Sammy Rats Big Big Blues Band, Sev Lewkowicz, Shakin’ Stevens & the Sunsets, Stoke Park, Superstar Club, The Backroom, The Cruisers, The Flying Tigers, The Sleep, The Star, The Star Inn, The Stranglers, The True Deceivers, The Volunteers, The Wild Horses, Tom O’Brrain, Zzebra -
The Flying Tigers
(c’82-to date) Adam Russel (vocals / guitar / harmonica), Alan Wise (bass), Chris Setterfield (lead guitar), and Kenny Richards (drums)

The Flying Tigers c’91-93 at The Seahorse, Shalford. Picture courtesy of Adam Russel Guildford based, The Flying Tigers were started by Russel in ’82; settling on a line up that latest almost two years with Jonathon Roberts on lead guitar, Alan Todd on drums and Mark Burgess on bass, and Russel. The band did the odd gig at The Cranley Hotel, Cranleigh in mid 80’s, as well as a gig under another name when joined by Dave Gallagher & Bertie Licorice. Ben Darnton, who had been in The Bunkers joined and took over the sticks, and by ’86 the Flying Tigers had added Steve Keen (bass) and lost Setterfield – Russel and Setterfield had gotten into a few arguments during a gig at the Village Hall, Jacob’s Well in ’84, resulting in Russel disbanding the group that night and reforming it months later. On 24 July ’86, The Cricketers, Westfield hosted The Flying Tigers.

30th March 1989 and the Flying Tygers, supported by Germination played The Star, Guildford. Picture courtesy of Ben’s Collectors Records The Flying “Tygers” incarnation of ’89, a spelling mistake by a club organizer for a 30 March ’89 gig at The Star, Guildford with Germination in support; retained Darnton and Russel, but replaced Keen with Keith Jones (bass / vocals) and added Paul Baker (lead guitar); Chris Turner (sax) could also be seen with the band along with Gerry Trauber-Young on harp. On 17 November ’89, The Flying Tigers, supported by Walking The Dog, played The Parrot Inn, Shalford and some point that year a gig at The Duke of Wellington, Farncombe was recorded by Nick Dunning on a ghetto blaster. Around this time you could have also found Gary Midmer on drums with Wise and Russel.
By 1990 Barry Witham was on bass and in the mid-90’s Mick Bryant/Hogsden, front-man with Bloodhound, was the keyboard player. This ’89/’90 period also saw Nick Whitehouse and Nick Gibson (sax) – who’d been in the brass section of Bloodhound – with the band briefly. There were a few gigs in ’90/’91 that saw Ken Nornton on bass at the same time as Pete Weller.

The Flying Tigers at The Seahorse, Shalford in 1990. L-R: Adam Russel, Ben Darnton and Barry Witham. Picture courtesy of Adam Russel Over the years the band has appeared all over the local area at The Seahorse, Shalford; Ye Old Ship Inn, St Catherine’s, Guildford; The Compasses Inn, Gomshall; Stoke Hotel, Guildford; Limeburners, Billinghurst; and many more.
The band continued to play their 60s-style R’n’B into the next century. In 2002 Wise joined the Nomates Band. To help out when Wise was locked into other band commitments bassist, James Skilliter, was with the band from 2003 to 2005. Rehearsals in Cranleigh were always full of Skilliter’s comedic repartee. By 2008, after a few other member changes, Russel had compiled a 5-piece incarnation. Meanwhile, Russel could also be caught playing with Jackie Lynton, Geno Washington, and the Nashville Teens.

The Flying Tigers in 2010 (R-L: Adam Russel (guitar), Ray Smithers (drums), Bob Farrell, Alan Wise, and Tracey Murphie (vocals). Source: Roger Chalcraft post in Guildford Town Past & Present This 5-piece was Russel, Wise – who’d also played with Maid in England, Ray Smithers (drums), Bob Farrell, and Tracey Murphie on vocals. In February 2019 Ray “Razor” Smithers (drums), formally of The Flying Tigers for 10 years, joined The Flat Top Band. Paul Gaffikin was also in the band at some point.
Original member Richards died in 2014/15. Setterfield went off to the Isle of Wight and disappeared but may now be in Margate. Darnton also drummed with Slapattack, Rockit Men, and Wildfire. All that said the current version of The Flying Tigers is still playing today.
Gallery:

The Flying Tigers c’91-93 at Ye Old Ship Inn, St Catherine’s, Guildford. Picture courtesy of Adam Russel 
The Flying Tigers c’91-93 at Ye Old Ship Inn, St Catherine’s, Guildford. Picture courtesy of Adam Russel 
The Flying Tigers c’91-93 at The Seahorse, Shalford. Picture courtesy of Adam Russel 
The Flying Tigers c’91-93 at The Seahorse, Shalford. Picture courtesy of Adam Russel 
The Flying Tigers c’91-93 at The Seahorse, Shalford. Picture courtesy of Adam Russel 
The Flying Tigers c’91-93 at The Seahorse, Shalford. Picture courtesy of Adam Russel 
The Flying Tigers at The Compasses, Gomshall in 1989. Picture courtesy of Adam Russel 



Chris Turner takes the mic at the Duke of Wellington, Farncome in ’89. Picture courtesy of Ben’s Collectors Records 
Dressed up for Russel’s engagement party at Stoke Hotel, Guildford in 1989. Picture courtesy of Ben’s Collectors Records 
The Cricketers, Westfield used to place ads in the local papers – Flying Tigers played on Friday, 24 July ’86. Picture courtesy (I stole it) of Ben. 
The Flying Tygers at Lion Brewery, Ash in 1986. Picture courtesy of Ben’s Collectors Records 
The Flying Tygers at Lion Brewery, Ash in 1986. Picture courtesy of Ben’s Collectors Records 
The Flying Tygers at Lion Brewery, Ash in 1986. Picture courtesy of Ben’s Collectors Records 
The Flying Tygers at Lion Brewery, Ash in 1986. Picture courtesy of Ben’s Collectors Records 
The Flying Tigers at Limeburners, Billinghurst. 
The Flying Tigers at Seahorse Shalford. Picture courtesy of Adam Russel 
One of the Flying Tigers T-shirt given, by Muriel Quilter, to the band C’88/89. Picture courtesy of Adam Russel 
Darnton on drums with The Flying Tigers at the Seahorse, Shalford in the early 90’s. Picture courtesy of Adam Russel 
Darnton on drums with The Flying Tigers at the Seahorse, Shalford in the early 90’s. Picture courtesy of Adam Russel 
The Flying Tigers live at the Limeburners, Billingshurst in 1993. Picture courtesy of Ben’s Collectors Records 
The Flying Tigers live at the Limeburners, Billingshurst in 1993. Picture courtesy of Ben’s Collectors Records 
While the pictures of the band were taken at Lion Brewery, Ash, this Flying Tigers poster blank could be dated and put up in any venue. Picture courtesy of Ben’s Collectors Records 
17 November 1989: The Flying Tigers, supported by Wakling The Dog, played The Parrot, Shalford. Picture courtesy of Ben’s Collectors Records 
The Flying Tigers at the Duke of Wellington, Farncombe 1988/89. Picture courtesy of Ben’s Collectors Records 
Flying Tigers at the Duke of Wellington, Farncombe 1988/89. Picture courtesy of Ben’s Collectors Records 
The Flying Tigers at the Duke of Wellington, Farncombe in 1988/89. Picture courtesy of Ben’s Collectors Records Adam Russel, Alan Todd, Alan Wise, Ash, Barry Witham, Ben Darnton, Bertie Licorice, Billinghurst, Bloodhound, Bob Farrell, Chris Setterfield, Chris Turner, Cranleigh, Dave Gallagher, Duke of Wellington, Farncombe, Gary Midmer, Geno Washington, Germination, Gerry Trauber-Young, Gomshall, Guildford, Jackie Lynton, Jacobs Well, James Skilliter, Jonathon Roberts, Keith Jones, Ken Nornton, Kenny Richards, Limeburners, Maid in England, Mark Burgess, Mervyn Sprockett and The Crankshaft Assembly, Mick Bryant, Mick Hogsden, Nashville Teens, Nick Dunning, Nick Gibson, Nick Whitehouse, Nomates Band, Paul Baker, Paul Gaffikin, Pete Weller, Ray Smithers, Rockit Men, Shalford, Slapattack, St. Catherine’s, Steve Keen, Stoke Hotel, The Bunkers, The Compasses, The Cranley Hotel, The Cricketers, The Flat Top Band, The Flying Tigers, The Lion Brewery, The Parrot Inn, The Seahorse, The Standells, The Star, Tracey Murphie, Village hall, Walking the Dog, Westfield, Wildfire, Ye Old Ship Inn -
Stag Folk Club, Shackleford
(c’70-’83) The Stag Folk Club began in a room at The Stag, Lower Eashing in 1970, thanks to Kevin Baker, Ken Ingram and treasurer Angie Hughes.

Alex Campbell appeared at the club on 5 October 1970. It was standing room only in The Stag’s club room where you could catch the likes of Jasper Carrott and Mike Harding. Scottish folk singer, Alex “Big Daddy” Campbell appeared at the Stag Folk Club on 5 October ’70. Mid ’71 saw the club, now organized by Dave Johnson, move to the Shackleford Village Hall & Social Centre, with John Knight, Julian High, and Helmsman in residency. Around this time the club started organizing gigs, notably the bi-annual concerts at the Civic Hall, Guildford with The Yetties and other venues, such as The Maltings, Farnham.

Shackleford Village Hall & Social Centre On 26 March ’72 the club meet was recorded by Tony Engle, resulting in the “Stagfolk Live” LP featuring Ron Simmonds, June Tabor, Clan Mountain, Dew Bonded Boots, Colin Grant-Adams, Rod Bayton, and Dick Taggart. The artwork was by Lawrence Heath and includes St Mary the Virgin, on Shackleford Rd., Norney and the adjacent building: Shackleford Village Hall and Social Centre where the club met and “The Not The Finger In The Ear Show” was filmed for the BBC – more on that later.

StagFolk album sleeve front. Picture courtesy of Bens Collectors Records Two of June Tabor’s outtakes from this session were later released: “Bird in a Cage” appeared on “Square Roots: An Unlikely Selection from the Pages of Folk Roots Magazine” in ’87 and “The Royal Oak” was included on the 4 CD June Tabor anthology “Always” in 2005.
On 9 December ’72 the club held the StagFolk Charity Concert at the Wilfrid Noyce Centre, Godalming and two days later, the English folk-rock band, Hunter Muskett played the club’s home venue. Vin Garbutt used his appearance at the club on 14 January ’74 to record tracks for his “The Young Tin Whistle Pest” album. In ’76 the club began holding barn dances at the Borough Hall, Godalming and initiated the Fleur de Lys Women’s Morris Dancers, who are still around. Dave Burland performed on 19 July ’76, with Curate’s Egg presenting an evening of songs, anecdotes and illustrations on the topic of ‘Good Ale’ the following week – 26 July. Although originally scheduled for 2 August. on 7 August ’76, the StagFolk presented an evening of English folk dance with ex-Fairport Convention / Steeleye Span bassist Ashley Hutchings led The Albion Dance Band at the Borough Hall. The band has rotated through a dizzying number English folk-rock luminaries – On this night Shirley Collins, Hutchings then wife, carried the vocals; along with Mike Gregory who handled percussion, Fairport Convention guitarist Simon Nicol, John Rodd on concertina, and Roger Soscott, and Eddie Upton calling.

Stagfolk Membership Card. Source: David Johnson’s post in Godalming Town Past & Present Tony Rose returned to on 9 August ’76, as did Wounded John Scott Cree on 16 August. The next week Steve Tilston, who had released an LP on Transatlantic earlier in the year, performed at the club on 23 August, and after a break for the bank holiday Noel Murphy returned on 6 September.
Past members of the Stag Folk Club often recall the local floor singers – unpaid local performers who get the chance to sing in public for pleasure, to learn/hone their skills in front of an audience that has maybe turned out for a ‘pro’. One popular floor singer was Tom Dillon, who lived in Godalming, and was often seen at the Ram Cider House folk sessions. Stag organizer Johnson recalls Dillon singing many times at Stagfolk and more than once having a guest singer ask after him.
A side project called the Singers’ Club was run at The Half Moon, Meadrow, Godalming for a couple of years from ’75 onwards. Monthly folk music and song at The Half Moon opened with the baritone of, ex-host of the Troubadour, Old Brompton Road, Martin Winsor on 20 November ’75 and followed by the traditional maritime music and sea shanties specialist, Johnny Collins the on 18 December. Rumour has it that discussions at the club led to the publication of The Southern Rag by Ian Anderson, which later became fROOTS magazine.
Ian Anderson was also involved in a BBC Community Programming show transmitted on 15 May 1982, at 6:30pm on BBC Two; titled “The Not The Finger In The Ear Show”. This ‘Open Door’ program featured the Stag Folk Club with Lawrence Heath as master of ceremonies for Maggie Holland from Farnham, Martin Simpson, Pete & Chris Coe; Anna Maude, Tony Engel, Peter Webb forming Peter Webb & Webb’s Wonders, and The Open Door Dance Band.
Just over a year after the show was broadcast the Stag Folk Club closed it’s doors in mid-1983.
Tracks:
Gallery:

Ticket for a StagFolk Charity Concert on December 9th, 1972. Source: David Johnson’s post in Godalming Town Past & Present 
StagFolk album sleeve back. Picture courtesy of Bens Collectors Records 
StagFolk album insert. Picture courtesy of Bens Collectors Records 
StagFolk album disc, Side 1. Picture courtesy of Bens Collectors Records 
StagFolk album disc, Side 2. Picture courtesy of Bens Collectors Records 
The StagFolk presents one of the gigs they organized, this one form 1976. 
StagFolk side project, Singers’ Club at The Half Moon, Godalming 1975. 
July / August 1976 Stagfolk gig list flyer. Image courtesy of John Scott Cree Alex Campbell, Angie Hughes, Anna Maude, Ashley Hutchings, BBC Community Programming, BBC Two, Borough Hall, Chris Coe, Civic hall, Clan Mountain, Colin Grant-Adams, Curate’s Egg, Dave Burland, Dave Johnson, Dew Bonded Boots, Dick Taggart, Eddie Upton, Fairport Convention, Farnham, Fleur de Lys Women’s Morris Dancers, fROOTS, Godalming, Guildford, Helmsman, Hunter Muskett, Ian Anderson, Jasper Carrott, John Knight, John Rodd, Johnny Collins, Julian High, June Tabor, Ken Ingram, Kevin Baker, Lawrence Heath, Lower Eashing, Maggie Holland, Martin Simpson, Martin Winsor, Meadrow, Mike Gregory, Mike Harding, Noel Murphy, Pete Coe, Ram Cider House, Rod Bayton, Roger Soscott, Ron Simmonds, Shackleford, Shirley Collins, Simon Nicol, Singers’ Club, Stag Folk, Stag Folk Club, StagFolk, Steeleye Span, Steve Tilston, The Albion Dance Band, The Half Moon, The Maltings, The Not The Finger In The Ear Show, The Open Door Dance Band, The Southern Rag, The Stag, The Yetties, Tom Dillon, Tony Engel, Tony Engle, Tony Rose, Troubadour, Village hall, Vin Garbutt, William Noyce Youth Centre, Wounded John Scott Cree -
Duster Bennett
(c’67-’76) Anthony “Duster” Bennett (vocals, guitar, harmonica, piano and drum).

Duster outside the Gin Mill Club, at the Angel, Godalming in 1968. Picture courtesy of Bens Collectors Records Born in Wales, Duster attended the Guildford School of Art with the likes of William Neal (painter of the “Tarkus” and “Pictures at an Exhibition” LP artwork), Top Topham and Dick Forcey. In the early 60’s he made ends meet as a session musician playing harmonica and was a member of the Jericho Jug Band. Duster also paired up with Topham, post The Yardbirds, for some duo work.

Tony “Duster” Bennett (piano) jams with Tony “Top Topham” and Melvyn Smith at Guildford Art School in 1966. Photo by Vicky Griffiths courtesy of Bens Collectors Records He formed his one-man blues band around the mid 60’s and performed his own compositions along with country blues standards and the odd gospel song, often aided by Topham, and later Peter Green. He became popular in the clubs and was often backed on vocals by Stella Sutton, whom he met at Epsom Art College and later married. On 9 May ’67 a charity blues concert was held at the Borough Hall, Godalming that was headlined by the Graham Bond Organisation; Tony ‘Duster’ Bennett joined the Georgia Skin Men, Whisker Davies Blues Stormers, Alfie Lucas & Jim Cook, and The Combined Forces in support.

Back in ’67 Duster Bennett was still being billed as Tony Bennett, here supporting P.P. Arnold, Tony Rivers and the Castaways, and Whisker Davies Blues Stormers. On 6 July ’67, Duster – who was still being billed as Tony Bennett – supported P.P. Arnold, Tony Rivers and the Castaways, and Whisker Davies Blues Stormers at the Civic Hall, Guildford at an event organized by the Guildford School of Art. A couple of months later he was back at the Civic Hall, on 14 September, supporting Fleetwood Mac at a charity concert held at the Civic Hall, Guildford. This was reportedly Duster’s first gig as Duster Bennett the ‘one man blues band’. Fleetwood Mac were backstage and asked organizer and compere Pete Newberry, who ran The Gin Mill Club, Godalming, “Who’s the band onstage?” “Oh, that’s not a band, that is Duster Bennett.” John McVie called Mike Vernon, who owned Blue Horizon record company, and Bennett was signed, with Newberry managing him; ultimately recording three albums and a number of singles for the label, with these tracks often appearing on John Peel’s Top Gear. “Living Blues”, another charity concert, in aid of Cancer Research, on 14 December ’67 featured Peter Green’s Fleetwood Mac, Aynsley Dunbar Retaliation, Duster – once more billed as Tony Bennett, Chicago Northwestern System, Spirit Level, Dr Brown’s Gospel Medicine, and Electric Blue at the Civic Hall, Guildford.

Melody Maker 23 March 1968: Blue Horizon advert listing Duster Bennett with some of his stable mates. The Blue Horizon, at The Nags Head, Battersea, presented Fleetwood Mac with Duster in support on 18 March ’68. Three months later, on 17 June, Duster was the headliner, holding the audience solo the whole night. Our research to date would indicate a very busy second half of 1968 for Duster: On 7 July ’68, Duster played the Woburn Music Festival, along with Fleetwood Mac, John Mayall and the Bluesbreakers, Champion Jack Dupree, Tim Rose and The Taste. The news breaks in the 20 July ’68 issue of Melody Maker that along with Fleetwood Mac and The New Generation, Duster has moved to the Starlite Artists agency with manager Cliff Davis; departing the Rik Gunnell agency. On the 22 July Duster supports Taste at the Marquee and was in Birmingham the day after, 23 July, headlining Henry’s Blueshouse at the Crown Hotel. As had become common place Peter Green’s Fleetwod Mac were supported by Duster at the Town Hall, Torquay on 26 July 1968. The following month he supported Jethro Tull at the Marquee, London on 23 August. A week later, on 30 August, he was performing support duties for Fleetwood Mac at the Bluesville ’68 Club held at The Manor House Tavern, Hackney. The following day he traveled up to Birmingham to headline, with Bakerloo Blues Line supporting, at Mothers. Bennett performed the day after too, with Geno Washington, John Mayall, Cliff Bennett, Jo Cocker, Jasper Stubbs, and The Passion Forest at the Bluesology Festival in the grounds of Chateau Impney, Droitwich. A few days later, on 5 September, he was at the Pied Bull, North London. Two days after that he is reported to have appeared at a Blues Concert at Conway Hall, London organized by The London Blues Society that included Aynsley Dunbar Retaliation, Free, Champion Jack Dupree, Dynaflow Blues, Ian Anderson and Elliot Jackson, and Bruno’s Blues Band. This was on 7 September ’68, a date the artwork for Duster’s first LP would contest, but more on that later. Duster headlined Mothers again on 14 September ’68, supported by Pegasus.

24 September 1968: Duster Bennett supported Fleetwood Mac at Klooks Kleek, Railway Hotel, Hampstead. Source: Charlie Reavley via Peter Green’s Fleetwood Mac The next day the Bottleneck Blues Club held at The Railway Tavern, Stratford proudly presents Duster, and a short while later in the week he was back supporting Fleetwood Mac at Klooks Kleek, on the 17 September; although we also have an advert that put Duster at a return visit to Henry’s Blueshouse on the same day. At some point Green gifts Duster a Gibson 1952 Les Paul that held an illustrious history having been once owned by B.B. King and Muddy Waters, was gifted to Eric Clapton who’d then gave it to Green.
The Marquee has Duster supporting Fairport Convention the following day, the 18 September, and a visit to The Place, Hanley follows. The club had just reached 20,000 members that month and booked Duster to perform there on 22 September. Duster’s close relationship with Fleetwood Mac continued, seeing him support them again at Klooks Kleek, Railway Hotel, Hampstead on 24 September ’68. This was around the time Fleetwood Mac released “Mr Wonderful” on which Bennett played piano and harmonica. Newberry got Duster back to Godalming on 6 October for a performance at The Gin Mill Club in the hall behind The Angel, Godalming. The midlands based Astra Agency went into the club business, opening Club Lafayette, Wolverhampton in September ’68 and they booked Bennett for the 25 October.

1968 – Picture courtesy of Bens Collectors Records His first album was released towards the end of ’68. “Smiling Like I’m Happy” featured a number of tracks where Duster was backed by McVie, Mick Fleetwood and Green. The cover sleeve also featured a reproduction of a gig poster for his appearance at The Rectangle, Lichfield with Ground Hog Willis and the Rambling Jug Band in support on 7 September 1968; a date when he is also reported to have been booked to perform at a Blues Concert at Conway Hall, London. In October, Duster hinted at dropping the ‘one man blues band’ expository and starting his own band…but not for a least another year. Former John Mayall & the Bluesbreakers guitarist/bassist Geoff Krivit had formed the short-lived blues and boogie group Doctor K’s Blues Band in ’67, and Duster supported them at Toft’s, Folkstone on 23 November ’68. In reviewing “40 Minutes From Town” from the album in Melody Maker’s The New Blind Date column of 21 December ’68, Alvin Lee stated “He’s doing his own thing, but it’s a novelty thing. He’ll always be an added attraction.” Blue Horizon ensured he was included in their blues concerts, such as the one at Conway Hall, London on 7 December ’68, that also featured Bobby Parker Blues Band, Champion Jack Dupree, Chris Jones, Alexis Korner, Dave Kelly, Gordon Smith, T.S. McPhee and Mike Vernon. As part of the Folk, Blues Bristol & West Goes Electric series Duster visited Bristol on 15 December ’68 and played The Dug Out Club.

6 January 1969: Signed contract for Duster to appear at the Shakedown Club, Peterborough. Picture courtesy of Bens Collectors Records The New Year started on 6 January for Duster with two, 30 minute sets at the Shakedown Club, Peterborough, which sadly closed it’s doors in 2023. The next month he was up in the Thornbury area of Bradford, headlining at the Jook Joint held at Farmer’s Inn on 23 February ’69. Then in came the 12″ vinyl, NME described as “an album that restores faith in British blues…”, which was recorded live at the Gin Mill Club, Godalming on the 15th April ’69. The “Bright Lights…” LP, featured Sutton singing backing vocal, Green on bass, and Topham on lead guitar; Newberry was the MC. A trip up to London on 22 April ’69 had Duster opening for B.B. King, Fleetwood Mac, and Sonny Terry & Brownie McGhee at the Royal Albert Hall. The following month, on 10 May, Duster appeared at Notts County Football Ground where he was on the bill for Nottingham’s Pop & Blues Festival with Fleetwood Mac, The Tremeloes, The Marmalade, Georgie Fame, Love Sculpture, The Move, Pink Floyd, Keef Hartley, Status Quo, Dream Police and Van Der Graaf Generator. The Camden Fringe Festival was a series of one day free concerts held under the auspices of the Camden Council. These were held at Parliament Hill and on 30 May ’69, Duster took to the stage amongst Fleetwood Mac, Taste, Group Therapy, Edgar Broughton Band, Spontaneous Music Ensemble, and Bridget St. John. On 30 June ’69, Duster supported Fleetwod Mac, along with The Pentangle, at the “Pop Proms” at The Royal Albert Hall, London. Later in the year “Justa Duster” was released.

12 September 1969: The Farnham Folk and Blues Festival had Duster Bennett as a headliner. Source: Ian Anderson via Historic Farnham Town And Surrounding Villages He headlined the Blues portion of the Folk & Blues Festival, partly organized by Jerry Gilbert of Farnham Herald, then Melody Maker, at Farnham Park on 12 September ’69; that also featured Jo-Ann Kelly, Mike Raven, Gordon Smith, Ina Anderson, and the Andy Fernbach’s Connexion. The 7″ single “I’m Gonna Wind Up Ending Up or I’m Gonna End Up Winding Up with You” on Blue Horizon [S 57-3164] was released in October 1969, the B-side carried “Rock 0f Ages Cleft for Me“. On 19 December ’69, Duster joined Groundhogs, along with Griffin, Key, and Grope, as the live acts at a charity dance in aid of Shelter, hosted by D.J. Andy Dunkley at Chiswick Polytechnic. 1969 also saw Duster’s “Jumping at Shadows“, from his debut LP, included on the ‘Super-Duper Blues‘ compilation issued by Blue Horizon. This track was subsequently covered by Fleetwood Mac and revisited by Gary Moore in ’92.
On 23 Jan 1970 Duster played the first night, titled ‘Priory Street Blues’, of the Lancaster Arts Festival; receiving a rave review from a Record Mirror writer. This was also the year he signed manager Clifford Davis, resulting in a higher profile and appearances in the UK, USA, Europe and Australia. Starting on 1 May ’70, at the Fairfield Hall, Croydon, Duster, along with wife Sutton, undertook a 13 date tour with John Mayall as part of his band line-up.

1 May 1970: John Mayall with Duster Bennett play Fairfield Hall, Croydon. Source: Duster Bennett – Remembered The tour wrapped up at De Monfort Hall, Leicester on 17 May. Duster played Peterborough’s Town Hall on 24 July ’70, with Zoawada! in support. In August, supported by Blitzkreig, he played The Tooting Blues Club at The Castle on 5 August ’70 and The Star Hotel, Croydon on 14 August. 11 days later, Bennett played the Blues Benefit gig with Green, Dave Kelly, Burning Sunflower and Errol Dixon at the 100 Club, London on 25 August. Duster played high in the billing at the Pilton Pop, Blues & Folk Festival (the first Glastonbury), mounted by Michael Eavis, on 19 Sept ’70. That same year the “12dbs” LP was released. Duster Bennett’s version of the Ray Davis written “Act Nice & Gentle” was released in the UK on Blue Horizon [57-3179] in October 1970; the Dutch version receiving a picture sleeve. The B-side carried Duster’s own “I Want You To Love Me”. On 22 November ’70, Duster returned to The Gin Mill, Godalming and a week later, on 29 November ’70, supported Steamhammer at The Lyceum, London with Amazing Blondel, and Patto.

Duster Bennett with John Mayall in 1970. Source: ME Music Tregye Festival of Contemporary Music held at Tregye Country Club just outside Truro on 21 August ’71 is noted today for being Queen’s first outdoor gig, but the festival’s organiser Rik Evans recalls, in a 2020 interview with Cornwall Live, that “Queen played most of what would become their first album, but there was no interest at all from the crowd…People were more interested in seeing the Duster Bennett Band”. The poster for the Autumn term entertainments at the University of Surrey, Guildford sees Duster listed and supporting Warm Dust, along with Swegas and Champion Jack Dupree on Saturday, 25 November ’71 in the Great Hall; however, that was a Thursday and other listings have Warm Dust and Brian Auger’s Oblivion Express playing there on the 27 November, without any mention of Duster. The 11 December ’71 edition of Melody Maker carried an advert, placed by The Student Union at the Technical College, Farnborough advertising two gigs. The second, on 17 December 1971, featured Duster, Warm Dust and Brian Auger’s Oblivion Express.
Duster headlined at Global Village, Charing Cross on 29 July ’73; supported by Bees Make Honey and Nicky James. In March ’75 he was part of the Levi’s Blues Australian Blues/Rock Festival Tour, taking in five cities in 10 days. Others on the tour inclded Freddie King and his Band, Alexis Korner, Sonny Terry & Brownie McGhee, and Hound Dog Taylor and his Houserockers. The first four cities on the tour: Sydney, Adelaide, Perth, and Melboure then had a different set of ‘local’ supporting bands. The gig in the final city, Brisbane, was reportedly bereft of local talent. As time progressed he went more mainstream, with his last album, 1975’s “Fingertips”, influenced by soul, R&B and funk.
On 26 March ’76, Duster apparently fell asleep at the wheel while driving home after a gig with Memphis Slim in Burslem, Stoke on Trent. His Ford Transit collided with a lorry somewhere in Warwickshire and Duster Died at the scene.

“Out In The Blue” released by Indio Recording in 1995. Picture courtesy of Bens Collectors Records In 1995 Indigo Recordings released “Out In The Blue” featuring 16 of Duster Bennett’s tracks recorded between ’66 and ’76 many with Green. In 2000 Indigo Recordings released “Duster Bennett – Shady Little Baby – Volume 3 Unreleased & Rare Recordings 1965 -1974” on CD [IGOCD 2126].
Gallery:

18 March 1968: Duster supported Fleetwood Mac at the Nag’s Head. From Melody Maker’s 16 March ’68 issue. 
17 June 1968: 17 June 1968: Duster is up the Nag’s Head. From Melody Maker 15 June 1968 issue 
Melody Maker 29 June 1968: Tony Wilson interviews Peter Green, who mentions Duster Bennett a couple of times… 
7 July 1968: John Peel to appear at Woburn Music Festival and Duster Bennett is on the bill. Melody Maker’s 6 July ’68 issue. 
7 July 1968: Duster Bennett was on the bill at Woburn Music Festival. Melody Maker’s 6 July ’68 issue. 
7 July 1968: Duster Bennett played the Woburn Music Festival, along with Fleetwood Mac, John Mayall and the Bluesbreakers, Champion Jack Dupree, Tim Rose and The Taste. Source: Rory Gallagher 
Melody Maker 20 July 1968: Along with Fleetwood Mac and The New Generation, Duster moves to the Starlite Artists agency with manager Cliff Davis. 
22 July 1968: Duster supports The Taste at the Marquee. Melody Maker’s 20 July 1968 issue 
23 July 1968: Duster Bennett is listed to play the Crown Hotel, Birmingham in Melody Maker’s 20 July 1968 issue 
23 August 1968: First advert, for the Marquee, has Duster supporting Jethro Tull; then on 30 August 1968 the second puts Duster at the Bluesville ’68 Club at The Manor House supporting Fleetwood Mac. Melody Maker’s 24 Aug 1968 issue. 
30 August 1968 
1 September 1968: Advert for the Bluesology Festival, with Duster Bennett on the bill. Melody Maker 24 Aug ’68. 
1 September 1968: Bluesology Festival Advert from Melody Maker 31 August 1968 lists Duster Bennett playing the first day with Geno Washington, John Mayall, Cliff Bennett, Jo Cocker, jasper Stubbs and The Passion Forest. 
5 September 1968: Duster Bennett was at the Pied Bull, North London according to this listing from Melody Maker 31 August 1968. 
7 September 1968: Ad for Blues Concert at Conway Hall from Melody Maker 24 Aug 1968 
7 & 8 September 1968: Duster among acts expected at the Blues Convention at Conway Hall. Melody Maker’s 20 July 1968 issue. 
Duster Bennett was on Fleetwood Mac “Mr Wonderful” and gets a mention in this Melody Maker LP Supplement review from 7 Sept 1968 
14 & 17 September 1968: Clipping of two ads from 14 September 1968 Melody Maker shows Duster Bennett headling at Mothers, Birmingham; supported by Pegasus, and supporting Fleetwood Mac at the Railway Hotel, West Hampstead on 17 September 
15 September 1968: Ad clipping from 14 September 1968 Melody Maker has Duster Bennett headlining at the Raolway Tavern, Stratford on 15 September 
18 September 1968: Ad clipping from 14 September 1968 Melody Maker showing Duster Bennett supporting Fairport Convention at the Marquee 
22 September 1968: Advert from Melody Maker 14 Sept ’68: The Place, Hanley reaches 20,000 members and books Duster Bennett 
24 September 1968: Ad clipping from 21 Sept ’68 Melody Maker puts Duster Bennett at the Crown Hotel, Birmingham 
6 October 1968: Poster for Duster Bennett at Gin Mill. Source: Robert Clayson 
25 October 1968: The Astra Agency goes into the club business and books Duster. Melody Maker’s 24 Aug 1968 issue. 
Alvin Lee shares his opinion of Duster Bennett in Melody Maker’s The New Blind Data column of 21 December 1968. 
23 February 1969 
22 April 1969: Poster showing Duster Bennett, supporting BB King, Fleetwood Mac and Sonny Terry & Brownie McGhee at The Royal Albert Hall. Picture courtesy of Bens Collectors Records 
10 May 1969: Duster Bennett appeared on the bill for Nottingham’s Pop & Blues Festival 
30 June 1969: Duster Bennett supported Fleetwod Mac alonf with The Pentangle at the “Pop Proms”. 
12 September 1969: Duster Bennett headlines the Blues portion of the Folk & Blues Festival at Farnham Park; that also featured Jo-Ann Kelly, Mike Raven, Gordon Smith, Ina Anderson, and the Andy Fernbach Connexion. Source: Mike Andrews via Historic Farnham Town And Surrounding Villages 
Duster Bennett’s 7″ single “I’m Gonna Wind Up Ending Up Or I’m Gonna End Up Winding Up With You” on Blue Horizon [S 57-3164] was released in October 1969, the b-side carried “Rock Of Ages Cleft For Me”. Picture courtesy of Bens Collectors Records 
Review of Duster Bennett’ Bright Lights LP from the NME of 6 December 1969. 
Duster’s “Jumping At Shadows” was included on the Super-Duper Blues compilation issued in 1969 by Blue Horizon [SPR 31]. Picture courtesy of Bens Collectors Records 
Duster’s “Jumping At Shadows” was included on the Super-Duper Blues compilation issued in 1969 by Blue Horizon [SPR 31]. Picture courtesy of Bens Collectors Records 
23 January to 1 February 1970: Duster Bennett is among who played The Lancashire Arts Festival, Coventry. Source: Jay Thurstans 
5 August 1970: Duster Bennett, supported by Blitzkreig, was at The Tooting Blues Club at The Castle; then on 14 August was at the Star Hotel, Croydon, again with Blitzkreig. Source: Richard Cusden 
25 August 1970: Record Mirror 22 August 1970: Duster Bennett played the Blues Benefit gig with Peter green, Dave Kelly, Burning Sunflower and Errol Dixon. 
19 September 1970: Duster Bennett played the Pilton Pop, Blues & Folk Festival, mounted by Michael Eavis. The 1st Glastonbury, attended by 1,500 people. Picture courtesy of Bens Collectors Records 
Duster Bennett’s version of the Ray Davis written “Act Nice & Gentle” was released in the UK on Blue Horizon [57-3179] in October 1970. The B-side carried Duster’s own “I Want You To Love Me”. Picture courtesy of Bens Collectors Records 
Blue Horizon [57-3178] released “Act Nice & Gentle” in The Netherlands in 1970 with a picture sleeve. 
17 December 1971: Technical College, Farnborough hosts Duster Bennett, Warm Dust and Brian Auger’s Oblivion Express. 
17 December 1971: Warm Dust supported by Duster Bennett and Brian Auger’s Oblivion Express played at Farnborough Tech. Advert from Melody Maker. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
29 July 1973: Duster Bennett headlines at Global Village, Charing Cross; supported by Bees Make Honey and Nicky James. Source: Peter Cornish via Keep It Out Of Sight 
Record Mirror and Disc, 3 April 1976: Readers learn of Duster Bennett’s death. 
Melody Maker 31 August 1968: Duster Bennett supported by Bakerloo Blues Line play Mothers, Birmingham. 
Page 1 of an article on Duster Bennett. Picture courtesy of Bens Collectors Records 
Page 2 of an article on Duster Bennett. Picture courtesy of Bens Collectors Records 

Duster Bennett with Peter Green, John Altman and others. Source @katrien_vp 
Duster Bennett. Source @BMG_Radio 
Duster Bennett with Peter Green and John Altman. Source @katrien_vp 
Duster Bennett features on this Blue Horizon double LP. Picture courtesy of Bens Collectors Records 
Doreen Pettifer describes recording at The Angel Hotel for the Bright Lights LP. 
Duster Bennett’s Bright Lights LP back sleeve. 
Duster Bennett’s Bright Lights LP sleeve front. 
Duster Bennett at The Gin Mill ’68. Picture courtesy of Bens Collectors Records 
Duster Bennett playing at Godalming’s Gin Mill Club. Picture from Martin Celmins’ authorized biography “Duster Bennett Jumping at Shadows” 

12 July 1969: Derek Johnson reviews Duster Bennett’s new single, recorded at the Gin Mill Club, Godalming for NME 
Clipping from Record Mirror 28 March 1970. Duster Bennett to tour with John Mayall in May ’70 
Clipping from Record Mirror 31 January 1970: Duster gets a rave review for his appearance ay Lancaster Arts Festival ’70. 
Ad from Melody Maker 30 Nov 1968 Ad for Blues Concert at Conway Hall, London on 7 Dec 68 featuring Duster Bennett, along with the Bobby Parker Blues Band, Champion Jack Dupree, Chris Jones, Alexis Korner, Dave Kelly, Gordon Smith, T.S. McPhee and Mike Vernon. 
The Blues Convention adds gigs that include Duster Bennett (Melody Maker 19 October 1968) 
Solo artist Duster Bennett hints to Melody Maker (19 October 1968) hints that he may start his own band… 
Back of sleeve for Duster Bennett’s “Justa Duster” LP. Picture courtesy of Bens Collectors Records 
Poster for Duster Bennett at Peterborough Town Hall, 24 July 1970. Picture courtesy of Bens Collectors Records 
22 Nov ’70: Duster was at the Gin Mill, Godalming according to page 11 from Orbit (possibly November issue) 1970. Source: Paul Pickett via Guildford Town Past & Present 
Cover of Indigo Recordings “Duster Bennett – Shady Little Baby – Volume 3 Unreleased & Rare Recordings 1965 -1974 CD [IGOCD 2126] released in 2000. 
Disc of Indigo Recordings “Duster Bennett – Shady Little Baby – Volume 3 Unreleased & Rare Recordings 1965 -1974 CD [IGOCD 2126] released in 2000. Picture courtesy of Bens Collectors Records 
14 December 1967: “Living Blues” concert for Cancer Research featuring Peter Green’s Fleetwood Mac, Aynsley Dunbar Retaliation, Tony “Duster” Bennett, Chicago Northwestern System, Spirit Level, Dr Brown’s Gospel Medicine, and Electric Blue at the Civic Hall, Guildford. Ad from Melody Maker 9 December 1967. 
Blue Horizon Records advert listing Duster Bennett. Picture courtesy of Bens Collectors Records 
23 November 1968: Dr K’s Blues Band supported by Duster Bennett played Toft’s, Folkstone. Source John Bannon via Jon Hiseman’s COLOSSEUM and JCM – Fan Page. 
26 July 1968: Peter Green’s Fleetwod Mac supported by Duster Bennett at the Town Hall, Torquay. Source: Duster Bennett – Remembered 
April 1969: BB King UK Tour Programme front cover. Source: https://www.fincharie.com/ 
April 1969: BB King UK Tour Programme center spread. Source: https://www.fincharie.com/ 
30 May 1969: Fleetwood Mac, Taste, Group Therapy, Edgar Broughton Band, Spontaneous Music Ensemble, Duster Bennett and Bridget St. John appeared at the Camden Fringe Festival. Source: Duster Bennett – Remembered 
19 December 1969: Duster Bennet joined others at Chiswick Polytechnic. Advert from Melody Maker 20 Dec ’69 
Bennett and Mayall make the cover of Big Bear in January 1970. Source: Duster Bennett – Remembered 
Duster Bennett was part of the Levi’s Blues Australian Blues/Rock Festival Tour. This poster lists Freddie King and his Band, Alexis Korner, Sonny Terry & Brownie McGhee, Hound Dog Taylor and his Houserockers, along with Bennett playing dates from March 2 to 12, 1970. Each of the four cities then had a different set of ‘local’ supporting bands. Source: Rod Stroud 
3 May 1970: John Mayall with Duster Bennett play the Regal Cinema, Cambridge. Source: Duster Bennett – Remembered 
Peter Green in a studio with Duster Bennett. What you don’t see in this picture is bassist Klaus Voorman to Green’s right and BB King to Bennett’s left. 
1969 Royal Albert Hall ‘Pop Proms’ concert program front cover. Source: https://recordmecca.com 
1969 Royal Albert Hall ‘Pop Proms’ concert program pages 1 and 2. Source: https://recordmecca.com 
Duster Bennet’s biography from the 1969 Royal Albert Hall ‘Pop Proms’ concert program. Source: https://recordmecca.com 
Blue Horizon 1/2 page advert from 1969 Royal Albert Hall ‘Pop Proms’ concert program. Source: https://recordmecca.com 
29 November 1970 
21 August 1971 
Page 3 of Blues Review Issue No1 (April 1988) 
Page 1 of Top Topham’s Duster Bennett article, Blues Review Issue No1 April 1988 
Page 2 of Top Topham’s Duster Bennett article, Blues Review Issue No1 April 1988 100 Club, Adelaide, Alexis Korner, Alfie Lucas, Alvin Lee, Amazing Blondel, Andy Dunkley, Andy Fernbach's Connexion, Anthony Bennett, Astra Agency, Australia, Aynsley Dunbar Retaliation, B.B. King, Bakerloo Blues Line, Battersea, Bees Make Honey, Birmingham, Blitzkrieg, Blue Horizon, Blues Review, Bluesology Festival, Bluesville ’68 Club, Bobby Parker Blues Band, Borough Hall, Bottleneck Blues Club, Bradford, Brian Auger's Oblivion Express, Bridget St. John, Brisbane, Bristol, Brownie McGhee, Bruno’s Blues Band, Burning Sunflower, Burslem, Camden Council, Camden Fringe Festival, Champion Jack Dupree, Charing Cross, Chateau Impney, Chicago Northwestern System, Chiswick Polytechnic, Chris Jones, Civic hall, Cliff Bennett, Cliff Davis, Clifford Davis, Club Lafayette, Conway Hall, Cornwall, Cornwall Live, Crown Hotel, Croydon, Dave Kelly, De Montfort Hall, Dick Forcey, Doctor K’s Blues Band, Dr Brown's Gospel Medicine, Dream Police, Droitwich, Duster Bennett, Dynaflow Blues, Edgar Broughton Band, Electric Blue, Elliot Jackson, Epsom Art College, Eric Clapton, Erroll Dixon, Europe, Fairfield Hall, Fairport Convention, Farmer’s Inn, Farnborough, Farnham Herald, Fleetwood Mac, Folkstone, Freddie King and his Band, Free, Gary Moore, Geno Washington, Geoff Krivit, Georgia Skin Men, Georgie Fame, Gibson 1952 Les Paul, Gin Mill, Glastonbury, Global Village, Godalming, Gordon Smith, Graham Bond Organisation, Great Hall, Griffin, Grope, Ground Hog Willis, Groundhogs, Group Therapy, Guildford, Guildford School of Art, Hackney, Hampstead, Hanley, Henry’s Blueshouse, Hound Dog Taylor and his Houserockers, Ian Anderson, Ina Anderson, Indigo Recordings, Jasper Stubbs, Jericho Jug Band, Jerry Gilbert, Jethro Tull, Jim Cook, Jo Cocker, Jo-Ann Kelly, John Mayall, John Mayall and the Bluesbreakers, John McVie, John Peel, John Peel’s Top Gear, Jook Joint, Keef Hartley, Key, Klooks Kleek, Lancaster, Lancaster Arts Festival, Leicester, Levi’s Blues Australian Blues/Rock Festival, Lichfield, London, Love Sculpture, Lyceum, Marmalade, Marquee, Melbourne, Melody Maker, Melvyn Smith, Memphis Slim, Michael Eavis, Mick Fleetwood, Mike Raven, Mike Vernon, Mothers, Muddy Waters, Nicky James, Nottingham, Notts County Football Ground, P.P. Arnold, Parliament Hill, Patto, Pegasus, Pentangle, Perth, Pete Newberry, Peter Green, Peter Green's Fleetwood Mac, Peterborough, Pied Bull, Pilton Pop, Pink Floyd, Pop Proms, Queen, Rambling Jug Band, Rik Evans, Rik Gunnell, Royal Albert Hall, Shakedown Club, Sonny Terry, Spirit Level, Spontaneous Music Ensemble, Starlite Agency, Status Quo, Steamhammer, Stella Sutton, Stoke-on-Trent, Stratford, Swegas, Sydney, T.S. McPhee, Taste, Te London Blues Society, Technical College, The Angel, The Castle, The Combined Forces, The Dug Out Club, The Duster Bennett Band, The Gin Mill, The Manor House Tavern, The Marmalade, The Move, The Nags Head, The New Generation, The Passion Forest, The Pentangle, The Place, The Railway Hotel, The Railway Tavern, The Rectangle, The Star Hotel, The Tooting Blues Club, The Tremeloes, The Yardbirds, Thornbury, Tim Rose, Toft's, Tony Bennett, Tony Rivers and the Castaways, Tony Topham, Top Gear, Top Topham, Torquay, Town Hall, Tregye Country Club, Tregye Festival of Contemporary Music, Truro, University of Surrey, USA, Van Der Graaf Generator, Warwickshire, Whisker Davies Blues Stormers, William Neal, Woburn Music Festival, Wolverhampton, Zoawada! -
Bumblies
(c’63-66) Godfrey “Goff” Matthews (piano), Terry Ward (vocals), Peter Mould (Rhythm Guitar), Anthony Hawkes (guitar), Maurice Shelley (?), Richard Hodby (drums) and Mick Clarke (bass).

Bumblies Flyer from ’63 (L-R Tony Hawkes, Maurice Shelley, Godfrey Matthews, Richard Hodby, Mick Clarke and Terry Ward) The Bumblies (not to be confused with the Liverpool band of the same name) were possibly named after Michael Bentine’s Bumblies from the mid-50’s. In late ’59, Hodby and Ward, who both lived in Cranleigh, and been in The Senators with John Dixon on guitar. The Senators folded after Ward became a Butlin’s Redcoat in Pwllheli, Wales; where Ringo Starr was the drummer with Rory Storm and The Hurricanes, Ward even ended up doing a set with the band a few times a week. He then joined P&O as a steward on SS Strathedan. On his return, and after securing a job, Ward got together with fellow Senator Hodby and they formed Bumblies with Hawkes, Shelley, Matthews, and Clarke.
The band used to rehearse in Cranleigh, where, for weeks, Kenneth King, aka Jonathan King, would turn up, saying he would be their singer…he was initially turned down. Managed by Bruce J. Bunker out of 19 Addison Road, Guildford, the band played throughout Surrey and Hampshire; and up into London at The 2 I’s, Soho and the The Jazz Cellar, Kingston, amongst other venues. Bob Potter booked the band, although their name was misspelled as Bumbleies, to support The Mark Leeman Five at Agincourt, Camberley on 14 December ’63, a gig that was moved to the Drill Hall, Camberley. Bunker’s younger sister, Lesley, was the bands fan club secretary, which was also run out of 19 Addison Road.

10 January 1964: Bumblies played the Village Hall, Fetcham. Image courtesy of Brian Howard Local promoter, Brian Howard, booked the Bumblies to perform at the Village Hall, Fletham on 10 January ’64. King joined in ’64 and the band became Terry Ward & the Bumblies; with King acting as manager, securing the band gigs, including a 22 August ’64 appearance at The Celler Club, Kingston. The band spent many hours recording with Joe Meek but the project never came to anything. Terry Ward & the Bumblies were third on the bill, after the Druids, at the 20 February ’65 Moody Blues concert at the the Civic Hall, Guildford. The promoter, Graham Andrews, got them on because he was worried the Moody Blues wouldn’t turn up as “Go Now” had just hit No.1…Especially, as the day before the gig the Moody Blues manager called Andrews to say their drummer was ill. He was better the next day and they played the show, avoiding a last-minute cancellation. Signed to Philips Records in early ’65, one of the bands first gigs after signing was at the Village Hall, Merrow on 20 March ’65.

Handbill for the Bumblies appearance at Merrow Village Hall, in 1965. From the collection of Susan Veitch courtesy of Bens Collectors Records. The 7-inch “Gotta Tell”, backed by “When I Come To You” by Terry Ward (with The Bumblies) was released on the Fontana label [TF 558] on 2 April ’65. Both tracks were credited to King. The band broke away from King, shortly before his “Everyone’s Gone To The Moon” came out, on which Bumblies’ Hawkes worked on the chords.
In a 1999 interview with David Hughes, music journalist and Polydor then EMI PR man – and now Camberley resident – King said of his time with The Bumblies and his initial forays into the music business: “The only success I did have was that I did get a record out that I have produced and it was quite fun. It was by the band that used to back me up at P.A.’s called The Bumblies and a lovely man at Fontana put it out, so my first ever release was a track called ‘Gotta Tell’ by Terry Ward with The Bumblies which I’d written and produced, and that did come out and did nothing – it was bloody awful and probably no one’s got a copy except me, hidden away somewhere.”
Later in ’65, Mould went on to join Smokestakks and Matthews moved on to Philip Goodhand-Tait and the Stormsville Shakers. In ’66 the Bumblies reformed and toured France, including a gig at Paris’s St Hilaire Club and La Brocherie, Normany; in fact The Bumblies were the first British band to play this venue in Normandy, ultimately holding a residency for several weeks, having been booked by club owner Ivan Poupardin. Within a few months, Matthews was approached and joined French band Les Sunlights, achieving numerous No.1 singles in the French and the Belgian charts.
Matthews, who passed a few years ago, went on to forge a solo and songwriting career in France. On returning to the UK, Matthews joined Down To Earth, then the Tamla Tigers. Ward also spent considerable time working and recording in France, before permanently returning to the UK and is now in Brixham.
Tracks:
Gallery:

14 Dec ’63 and Bumblies supported The Mark Leeman Five at the Drill Hall, Camberley. 
22 August 1964: Bumblies play The Celler Club, Kingston. Source: www.garagehangover.com 
Bumblies single: “Gotta Tell”, released in April ’65 
Bumblies promo picture Agincourt, Anthony Hawkes, B.J. Bunker, Bob Potter, Brian Howard, Bruce Bunker, Bumbleies, Bumblies, Butlins, Camberley, Cellar Club, Civic hall, Cranleigh, David Hughes, Down To Earth, Drill Hall, Druids, EMI, Fetcham, Fontana, Godfrey Matthews, Graham Andrews, Guildford, Ivan Poupardin, Joe Meek, John Dixon, Jonathan King, Kenneth King, Kingston, La Brocherie, Les Sunlights, Lesley Bunker, Maurice Shelley, Merrow, Michael Bentine, Mick Clarke, Moody Blues, Normandy, P&O, Paris, Peter Mould, Philip Goodhand-Tate, Philips Records, Polydor, Pwllheli, Redcoat, Richard Hodby, Ringo Starr, Rory Storm and the Hurricanes, Smokestakks, Soho, SS Strathedan, St Hilaire Club, Tamla Tigers, Terry Ward, Terry Ward & The Bumblies, Terry Ward with The Bumblies, The 2 I’s, The Bumblies, The Cellar Club, The Jazz Cellar, The Mark Leeman Five, The Senators, The Stormsville Shakers, Village hall, Wales -
Dreyfuss
(c’98-00) Greg Ford (drums / vocals), Gavin Maitland (bass), and Mark Ogden (guitar / vocals).

This Cove / Farnborough band was formed by Ogden and Ford after leaving Snide Line, in November ’98, releasing their “Shapes and Sizes” demo cassette and CDr [bulb001] on Helsinki Records on 28 June ’99; which carried “Kitty Jr”, “What I Want”, “Spitbug”, and “Tell Me Off”. It was the bands first recording and took place at Studio in the Park at the Bracknell Arts Centre, across the 8 and 9 May ’99 with Richard Sparkes at the desk; the result of winning a Battle of the Bands at the Tumbledown Dick, Farnborough. On 30 July ’99 they played their first gig in London at The Red Eye, Islington



Dreyfuss’ “Shapes and Sizes” demo CDr Sleeve “Kitty Jr” appeared on Bluefire Records’ “Snakebite City Nine” [BLU15] CD released in ’99. In 2000 they played the The Maltings, Farnham with Vex Red and Me Against It All in aid of Reef Protection. That same year “Kitty Jr” also appeared as track two on the A-side of Italian cassette compilation “Beware Of The Ricochet Vol.3” [LIE 018] on the Best Kept Secret label.

Italian cassette compilation “Beware Of The Ricochet Vol.3” Rueben covered the bands track “Girls On Top” and released it in June 2007 as track 3 on the “Blood, Bunny, Larkhall” CD single on Hideous Records [HDS002]. Rueben also used excerpts of a short film called ‘The Homecoming’ by Maitland at the end of the “Blood. Bunny. Larkhill’ video.
Dreyfuss later rebranded as Coldharbour after adding Chris ? as the second guitarist.
Gallery:

Back of sleeve for Italian cassette compilation “Beware Of The Ricochet Vol.3” 
Clipping from unknown local paper 
Dreyfuss’ “Kitty Jr” appeared on Bluefire Records “Snakebite City Nine” [BLU15] CD released in ’99 
Dreyfuss, Vex Red and Me Against It All play Farnham Maltings. Picture courtesy of The Surrey & NE Hampshire Music Scene 
“Shapes and Sizes” demo CDr label 
1999’s “Shapes and Sizes” demo cassette. Picture courtesy of Sid Stovold 
Sleeve for 1999’s “Shapes and Sizes” demo cassette. Picture courtesy of Sid Stovold Arts Centre, Battle of the Bands, Best Kept Secret, Bluefire Records, Bracknell, Coldharbour, Cove, Dreyfuss, Farnborough, Farnham, Gavin Maitland, Greg Ford, Helsinki Records, Hideous Records, Islington, London, Mark Ogden, Me Against It All, Richard Sparkes, Rueben, Snakebite City, Snide Line, Studio In The Park, The Maltings, The Red Eye, Tumbledown Dick, Vex Red -
Zero Time
(c’80-’81) Dave Norgrove (guitar), Ian Smith (bass), and Andy Parker (drums).
Zero Time, who were described as “fast pop” by Soundscene writer Jon Harlow, once supported The Vapors, and also supported UBz.
Smith recalls, after leaving Panther, seeing and responding to an advert in the NME looking for a bassist, and Zero Time were formed. The original drummer was replaced by Parker and they played their first gig at The Royal, Guildford, followed by others at the Cricketers in Westfield, and the Wooden Bridge amongst others.
When UBz headlined at The Royal on 29 November 1980 they were supported by Zero Time and The Rams. Zero Time were also once booked to support Nashville Teens at The Royal, Guildford, but the Teens never turned up – Zero Time still got paid. On 3 February ’81 The Wooden Bridge, Guildford presented Zero Time with Consenting Adults. An 18 year old Norgrove wrote “Red Badge”, after watching ‘All Quiet on the Western Front’; it is still in his future band, The Body Politic’s set list.
After one of the band’s appearances at The Wooden Bridge, they were approached by a promoter who set up a gig in Staines, with UBz and a couple of other bands, laying on a coach for supporters and transport for the bands and their gear. Hazel O’Connor reportedly performed at the venue, but when they arrived the place was deserted, and the promoter was nowhere to be found. It is still a mystery…
Norgrove is currently in The 4 Marys and is also solo-ing and still releasing new music, recently working on a track titled “Baby” produced by Chris Potter, who has produced/engineered such bands as The Verve, U2, and The Rolling Stones and more recently releasing April Sky.
Gallery:


Norgrove in Zero Time. Picture courtesy of Body Politic
Home
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Stag Folk Club, Shackleford
(c’70-’83) The Stag Folk Club began in a room at The Stag, Lower Eashing in 1970, thanks to Kevin Baker, Ken Ingram and treasurer Angie Hughes.

Alex Campbell appeared at the club on 5 October 1970. It was standing room only in The Stag’s club room where you could catch the likes of Jasper Carrott and Mike Harding. Scottish folk singer, Alex “Big Daddy” Campbell appeared at the Stag Folk Club on 5 October ’70. Mid ’71 saw the club, now organized by Dave Johnson, move to the Shackleford Village Hall & Social Centre, with John Knight, Julian High, and Helmsman in residency. Around this time the club started organizing gigs, notably the bi-annual concerts at the Civic Hall, Guildford with The Yetties and other venues, such as The Maltings, Farnham.

Shackleford Village Hall & Social Centre On 26 March ’72 the club meet was recorded by Tony Engle, resulting in the “Stagfolk Live” LP featuring Ron Simmonds, June Tabor, Clan Mountain, Dew Bonded Boots, Colin Grant-Adams, Rod Bayton, and Dick Taggart. The artwork was by Lawrence Heath and includes St Mary the Virgin, on Shackleford Rd., Norney and the adjacent building: Shackleford Village Hall and Social Centre where the club met and “The Not The Finger In The Ear Show” was filmed for the BBC – more on that later.

StagFolk album sleeve front. Picture courtesy of Bens Collectors Records Two of June Tabor’s outtakes from this session were later released: “Bird in a Cage” appeared on “Square Roots: An Unlikely Selection from the Pages of Folk Roots Magazine” in ’87 and “The Royal Oak” was included on the 4 CD June Tabor anthology “Always” in 2005.
On 9 December ’72 the club held the StagFolk Charity Concert at the Wilfrid Noyce Centre, Godalming and two days later, the English folk-rock band, Hunter Muskett played the club’s home venue. Vin Garbutt used his appearance at the club on 14 January ’74 to record tracks for his “The Young Tin Whistle Pest” album. In ’76 the club began holding barn dances at the Borough Hall, Godalming and initiated the Fleur de Lys Women’s Morris Dancers, who are still around. Dave Burland performed on 19 July ’76, with Curate’s Egg presenting an evening of songs, anecdotes and illustrations on the topic of ‘Good Ale’ the following week – 26 July. Although originally scheduled for 2 August. on 7 August ’76, the StagFolk presented an evening of English folk dance with ex-Fairport Convention / Steeleye Span bassist Ashley Hutchings led The Albion Dance Band at the Borough Hall. The band has rotated through a dizzying number English folk-rock luminaries – On this night Shirley Collins, Hutchings then wife, carried the vocals; along with Mike Gregory who handled percussion, Fairport Convention guitarist Simon Nicol, John Rodd on concertina, and Roger Soscott, and Eddie Upton calling.

Stagfolk Membership Card. Source: David Johnson’s post in Godalming Town Past & Present Tony Rose returned to on 9 August ’76, as did Wounded John Scott Cree on 16 August. The next week Steve Tilston, who had released an LP on Transatlantic earlier in the year, performed at the club on 23 August, and after a break for the bank holiday Noel Murphy returned on 6 September.
Past members of the Stag Folk Club often recall the local floor singers – unpaid local performers who get the chance to sing in public for pleasure, to learn/hone their skills in front of an audience that has maybe turned out for a ‘pro’. One popular floor singer was Tom Dillon, who lived in Godalming, and was often seen at the Ram Cider House folk sessions. Stag organizer Johnson recalls Dillon singing many times at Stagfolk and more than once having a guest singer ask after him.
A side project called the Singers’ Club was run at The Half Moon, Meadrow, Godalming for a couple of years from ’75 onwards. Monthly folk music and song at The Half Moon opened with the baritone of, ex-host of the Troubadour, Old Brompton Road, Martin Winsor on 20 November ’75 and followed by the traditional maritime music and sea shanties specialist, Johnny Collins the on 18 December. Rumour has it that discussions at the club led to the publication of The Southern Rag by Ian Anderson, which later became fROOTS magazine.
Ian Anderson was also involved in a BBC Community Programming show transmitted on 15 May 1982, at 6:30pm on BBC Two; titled “The Not The Finger In The Ear Show”. This ‘Open Door’ program featured the Stag Folk Club with Lawrence Heath as master of ceremonies for Maggie Holland from Farnham, Martin Simpson, Pete & Chris Coe; Anna Maude, Tony Engel, Peter Webb forming Peter Webb & Webb’s Wonders, and The Open Door Dance Band.
Just over a year after the show was broadcast the Stag Folk Club closed it’s doors in mid-1983.
Tracks:
Gallery:

Ticket for a StagFolk Charity Concert on December 9th, 1972. Source: David Johnson’s post in Godalming Town Past & Present 
StagFolk album sleeve back. Picture courtesy of Bens Collectors Records 
StagFolk album insert. Picture courtesy of Bens Collectors Records 
StagFolk album disc, Side 1. Picture courtesy of Bens Collectors Records 
StagFolk album disc, Side 2. Picture courtesy of Bens Collectors Records 
The StagFolk presents one of the gigs they organized, this one form 1976. 
StagFolk side project, Singers’ Club at The Half Moon, Godalming 1975. 
July / August 1976 Stagfolk gig list flyer. Image courtesy of John Scott Cree Alex Campbell, Angie Hughes, Anna Maude, Ashley Hutchings, BBC Community Programming, BBC Two, Borough Hall, Chris Coe, Civic hall, Clan Mountain, Colin Grant-Adams, Curate’s Egg, Dave Burland, Dave Johnson, Dew Bonded Boots, Dick Taggart, Eddie Upton, Fairport Convention, Farnham, Fleur de Lys Women’s Morris Dancers, fROOTS, Godalming, Guildford, Helmsman, Hunter Muskett, Ian Anderson, Jasper Carrott, John Knight, John Rodd, Johnny Collins, Julian High, June Tabor, Ken Ingram, Kevin Baker, Lawrence Heath, Lower Eashing, Maggie Holland, Martin Simpson, Martin Winsor, Meadrow, Mike Gregory, Mike Harding, Noel Murphy, Pete Coe, Ram Cider House, Rod Bayton, Roger Soscott, Ron Simmonds, Shackleford, Shirley Collins, Simon Nicol, Singers’ Club, Stag Folk, Stag Folk Club, StagFolk, Steeleye Span, Steve Tilston, The Albion Dance Band, The Half Moon, The Maltings, The Not The Finger In The Ear Show, The Open Door Dance Band, The Southern Rag, The Stag, The Yetties, Tom Dillon, Tony Engel, Tony Engle, Tony Rose, Troubadour, Village hall, Vin Garbutt, William Noyce Youth Centre, Wounded John Scott Cree -
Bumblies
(c’63-66) Godfrey “Goff” Matthews (piano), Terry Ward (vocals), Peter Mould (Rhythm Guitar), Anthony Hawkes (guitar), Maurice Shelley (?), Richard Hodby (drums) and Mick Clarke (bass).

Bumblies Flyer from ’63 (L-R Tony Hawkes, Maurice Shelley, Godfrey Matthews, Richard Hodby, Mick Clarke and Terry Ward) The Bumblies (not to be confused with the Liverpool band of the same name) were possibly named after Michael Bentine’s Bumblies from the mid-50’s. In late ’59, Hodby and Ward, who both lived in Cranleigh, and been in The Senators with John Dixon on guitar. The Senators folded after Ward became a Butlin’s Redcoat in Pwllheli, Wales; where Ringo Starr was the drummer with Rory Storm and The Hurricanes, Ward even ended up doing a set with the band a few times a week. He then joined P&O as a steward on SS Strathedan. On his return, and after securing a job, Ward got together with fellow Senator Hodby and they formed Bumblies with Hawkes, Shelley, Matthews, and Clarke.
The band used to rehearse in Cranleigh, where, for weeks, Kenneth King, aka Jonathan King, would turn up, saying he would be their singer…he was initially turned down. Managed by Bruce J. Bunker out of 19 Addison Road, Guildford, the band played throughout Surrey and Hampshire; and up into London at The 2 I’s, Soho and the The Jazz Cellar, Kingston, amongst other venues. Bob Potter booked the band, although their name was misspelled as Bumbleies, to support The Mark Leeman Five at Agincourt, Camberley on 14 December ’63, a gig that was moved to the Drill Hall, Camberley. Bunker’s younger sister, Lesley, was the bands fan club secretary, which was also run out of 19 Addison Road.

10 January 1964: Bumblies played the Village Hall, Fetcham. Image courtesy of Brian Howard Local promoter, Brian Howard, booked the Bumblies to perform at the Village Hall, Fletham on 10 January ’64. King joined in ’64 and the band became Terry Ward & the Bumblies; with King acting as manager, securing the band gigs, including a 22 August ’64 appearance at The Celler Club, Kingston. The band spent many hours recording with Joe Meek but the project never came to anything. Terry Ward & the Bumblies were third on the bill, after the Druids, at the 20 February ’65 Moody Blues concert at the the Civic Hall, Guildford. The promoter, Graham Andrews, got them on because he was worried the Moody Blues wouldn’t turn up as “Go Now” had just hit No.1…Especially, as the day before the gig the Moody Blues manager called Andrews to say their drummer was ill. He was better the next day and they played the show, avoiding a last-minute cancellation. Signed to Philips Records in early ’65, one of the bands first gigs after signing was at the Village Hall, Merrow on 20 March ’65.

Handbill for the Bumblies appearance at Merrow Village Hall, in 1965. From the collection of Susan Veitch courtesy of Bens Collectors Records. The 7-inch “Gotta Tell”, backed by “When I Come To You” by Terry Ward (with The Bumblies) was released on the Fontana label [TF 558] on 2 April ’65. Both tracks were credited to King. The band broke away from King, shortly before his “Everyone’s Gone To The Moon” came out, on which Bumblies’ Hawkes worked on the chords.
In a 1999 interview with David Hughes, music journalist and Polydor then EMI PR man – and now Camberley resident – King said of his time with The Bumblies and his initial forays into the music business: “The only success I did have was that I did get a record out that I have produced and it was quite fun. It was by the band that used to back me up at P.A.’s called The Bumblies and a lovely man at Fontana put it out, so my first ever release was a track called ‘Gotta Tell’ by Terry Ward with The Bumblies which I’d written and produced, and that did come out and did nothing – it was bloody awful and probably no one’s got a copy except me, hidden away somewhere.”
Later in ’65, Mould went on to join Smokestakks and Matthews moved on to Philip Goodhand-Tait and the Stormsville Shakers. In ’66 the Bumblies reformed and toured France, including a gig at Paris’s St Hilaire Club and La Brocherie, Normany; in fact The Bumblies were the first British band to play this venue in Normandy, ultimately holding a residency for several weeks, having been booked by club owner Ivan Poupardin. Within a few months, Matthews was approached and joined French band Les Sunlights, achieving numerous No.1 singles in the French and the Belgian charts.
Matthews, who passed a few years ago, went on to forge a solo and songwriting career in France. On returning to the UK, Matthews joined Down To Earth, then the Tamla Tigers. Ward also spent considerable time working and recording in France, before permanently returning to the UK and is now in Brixham.
Tracks:
Gallery:

14 Dec ’63 and Bumblies supported The Mark Leeman Five at the Drill Hall, Camberley. 
22 August 1964: Bumblies play The Celler Club, Kingston. Source: www.garagehangover.com 
Bumblies single: “Gotta Tell”, released in April ’65 
Bumblies promo picture Agincourt, Anthony Hawkes, B.J. Bunker, Bob Potter, Brian Howard, Bruce Bunker, Bumbleies, Bumblies, Butlins, Camberley, Cellar Club, Civic hall, Cranleigh, David Hughes, Down To Earth, Drill Hall, Druids, EMI, Fetcham, Fontana, Godfrey Matthews, Graham Andrews, Guildford, Ivan Poupardin, Joe Meek, John Dixon, Jonathan King, Kenneth King, Kingston, La Brocherie, Les Sunlights, Lesley Bunker, Maurice Shelley, Merrow, Michael Bentine, Mick Clarke, Moody Blues, Normandy, P&O, Paris, Peter Mould, Philip Goodhand-Tate, Philips Records, Polydor, Pwllheli, Redcoat, Richard Hodby, Ringo Starr, Rory Storm and the Hurricanes, Smokestakks, Soho, SS Strathedan, St Hilaire Club, Tamla Tigers, Terry Ward, Terry Ward & The Bumblies, Terry Ward with The Bumblies, The 2 I’s, The Bumblies, The Cellar Club, The Jazz Cellar, The Mark Leeman Five, The Senators, The Stormsville Shakers, Village hall, Wales -
Dreyfuss
(c’98-00) Greg Ford (drums / vocals), Gavin Maitland (bass), and Mark Ogden (guitar / vocals).

This Cove / Farnborough band was formed by Ogden and Ford after leaving Snide Line, in November ’98, releasing their “Shapes and Sizes” demo cassette and CDr [bulb001] on Helsinki Records on 28 June ’99; which carried “Kitty Jr”, “What I Want”, “Spitbug”, and “Tell Me Off”. It was the bands first recording and took place at Studio in the Park at the Bracknell Arts Centre, across the 8 and 9 May ’99 with Richard Sparkes at the desk; the result of winning a Battle of the Bands at the Tumbledown Dick, Farnborough. On 30 July ’99 they played their first gig in London at The Red Eye, Islington



Dreyfuss’ “Shapes and Sizes” demo CDr Sleeve “Kitty Jr” appeared on Bluefire Records’ “Snakebite City Nine” [BLU15] CD released in ’99. In 2000 they played the The Maltings, Farnham with Vex Red and Me Against It All in aid of Reef Protection. That same year “Kitty Jr” also appeared as track two on the A-side of Italian cassette compilation “Beware Of The Ricochet Vol.3” [LIE 018] on the Best Kept Secret label.

Italian cassette compilation “Beware Of The Ricochet Vol.3” Rueben covered the bands track “Girls On Top” and released it in June 2007 as track 3 on the “Blood, Bunny, Larkhall” CD single on Hideous Records [HDS002]. Rueben also used excerpts of a short film called ‘The Homecoming’ by Maitland at the end of the “Blood. Bunny. Larkhill’ video.
Dreyfuss later rebranded as Coldharbour after adding Chris ? as the second guitarist.
Gallery:

Back of sleeve for Italian cassette compilation “Beware Of The Ricochet Vol.3” 
Clipping from unknown local paper 
Dreyfuss’ “Kitty Jr” appeared on Bluefire Records “Snakebite City Nine” [BLU15] CD released in ’99 
Dreyfuss, Vex Red and Me Against It All play Farnham Maltings. Picture courtesy of The Surrey & NE Hampshire Music Scene 
“Shapes and Sizes” demo CDr label 
1999’s “Shapes and Sizes” demo cassette. Picture courtesy of Sid Stovold 
Sleeve for 1999’s “Shapes and Sizes” demo cassette. Picture courtesy of Sid Stovold Arts Centre, Battle of the Bands, Best Kept Secret, Bluefire Records, Bracknell, Coldharbour, Cove, Dreyfuss, Farnborough, Farnham, Gavin Maitland, Greg Ford, Helsinki Records, Hideous Records, Islington, London, Mark Ogden, Me Against It All, Richard Sparkes, Rueben, Snakebite City, Snide Line, Studio In The Park, The Maltings, The Red Eye, Tumbledown Dick, Vex Red










Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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