-
What The Curtains
(c’84/85) Peter Mullen (guitar/vocals), Andy Dean (bass/vocals), Cliff Sawdey (keyboards/vocals) and Graeme Block (drums).

What The Curtains’ first single “Crime or Passion”, backed by “Words (Can’t Tell)” was released in ’84. Named for a Prince Herbert line from ‘Monty Python and the Holy Grail’ their first single: “Crime or Passion”, backed by “Words (Can’t Tell)”, on the Rideaux Records label (WTC0042), was released in ’84 and received an acceptable review from Melody Maker while Soundscene reported it to be “a bit Wellerish”. In early ’85 Bagshot based What The Curtains committed their four best tracks to video (which Soundscene would love to find) at The Old Schoolhouse, Woking including “Acacia Child”. Later that year they played the Miss Woking Caberet, as well as at The Hippodrome and The Rock Garden. Reportedly the members of What The Curtains were extras in the movie Masters of the Universe after they had gone to Los Angeles to “make it” in the music business to no avail.
In ’88 Block replaced Al Beckett in The Surfin’ Lungs, Andy Dean’s brothers band.
Gallery:

What The Curtains’ Peter Mullen at Miss Woking Cabaret 1985 
What The Curtains’ Graeme Block at Miss Woking Cabaret 1985 
What The Curtains’ Cliff Sawdey at Miss Woking Cabaret 1985 
What The Curtains’ Andy Dean at Miss Woking Cabaret 1985 
Soundscene, April 25th 1985 -
The Gossville Arsonist
The Gossville Arsonist was an early 90s zine created by Scott Wood, a King’s Arms regular, and was available at the Rock Box, Agincourt, Camberley, The Cube held at Ragamuffins, Camberley, etc. It covered the bands that formed and played in and around Camberley and featured some very acerbic reviews which are a joy to re-read after all these years.
There was a regular column written by Madam Frou Frou, the editor’s girlfriend at the time. Then there was Willy the Worm, a comic strip, which opened with “Hi – I’m Willy the worm. People think I’m a prick but I’m a worm with a centre parting….” created by Patrick Fenton.
Wood is now the Events Manager at Conway Hall, London and writes for Londonist. Madam Frou Frou went into public relations.
Gallery:

Picture courtesy of Nick Holland 
Picture courtesy of Nick Holland 
Picture courtesy of Nick Holland 
Picture courtesy of Nick Holland 
Picture courtesy of Nick Holland 
Picture courtesy of Nick Holland 
Picture courtesy of Nick Holland 
Picture courtesy of Nick Holland -
Dross
(c.’87-’89) Nick Holland (guitar / vocals) and Curt Evans (drums), Duncan Johnson (guitar) and Gary Morton (bass).
Formed in late ’87, Dross were a Camberley based rock band with an anti-Bros sentiment. They gigged locally, with their gig at Chertsey Road Hall, Windlesham, supported by Mariah, included in Kerrang!’s Rekord & Tour Newz section having written in to Jon Hotton. Following a gig with Trousershock B.C. at Frimley Community Centre on 6th may ’89, Dross changed their name to Killing Faith.
Gallery:

Taken from Kerrang!’s Rekord & Tour Newz section sometime in late ’88 you’ll see a reference to Dross playing the Churchill Road Hall in Windlesham. It was actually Chertsey Road Hall (which is still there). Picture courtesy on Nick Holland. 
1988 
1989 -
Five O’Clock High
(c’82-87) David Bailey (guitar/vocals), Michael Bailey (bass/backing vocals) and Greg Turner (drums).

Five O’Clock High with band van. Picture courtesy of Michael Bailey In May ’82 the trio formed She’s Gone Wild, later renaming the band Carnival, then Strawberry Statement before locking in on Five O’Clock High in late ’84. The band were managed by Colin Bidwell and The Bailey’s father and mixed self penned tracks such as “Great Brain Robbery”, “Giving Guns to the Natives”, “All Ours” and “For More” with covers of 60’s classics like the Who’s “The Kids Are Alright”, The Beatles “Money” and The Troggs “Wild Thing”.

Five O’Clock High at The Pit, Knaphill They regularly performed at local haunts such as Knaphill’s Vernon Van Go Go and the Community Centre (aka The Pit), Capstan’s Wine Bar, St. John’s and The Royal, Guildford, at times supported by The Early Years. The bands first London gig was at the La Beat Route, Greek Street, Soho in ’84, going on to appear at The Bull & Gate, Kentish Town, supporting The Self with XL on 20 May ’85 and The Tramshed “New Band Nite” on 10th June. Comparisons to The Jam were common, Turner even used Rick Buckler’s old drum kit. At some point the boys recorded 5 tracks at Catch 44 Studios, Godalming.
Around New Year’s Day ’86 they released a three track (“All Ours”, “For More” and “Giving Guns to the Natives”) cassette demo EP, which featured Lisa Woolf (nee White) playing a classical score upside down on “Giving Guns to the Natives”. ’86 also saw the trio supporting The Primitives at The Bull & Gate and returning to La Beat Route. They were also definitely supporting the Cardiacs at the very last concert at The Old Schoolhouse, Woking; along with The Body Politic and Steel Bill & the Buffalos. After almost five years together the band dispersed in early ’87.

Flyer for the last concert at The Old Schoolhouse. Source: Mark Kettett On 12 August 2021 we lost Michael Bailey. David Bailey went on to be a founding member of Vox Pop in ’92, moved to Spain, was involved in the The Real Me and Acoustic River Collective (ARC) – a group of musicians based in Almeria – and is currently recording as part of Left Bank Two.
Tracks:
Gallery:

Five O’Clock High at The Pit, Knaphill. Picture courtesy of Michael Bailey 
Five O’clock High at the Tunnel Club, Picture courtesy of Michael Bailey 
Soundscene circa 1985/86 
Soundscene circa 1985/86 
Soundscene – 21 March 1985 
1985-ish 
The Royal, Guildford 
Five O’Clock High at Capstan’s Wine Bar, St. John’s c’1986. Picture courtesy of Michael Bailey. 
21 May 1985…The Royal, Guildford 
Five O’Clock High were the “Supporting Guests” for this The Self, XL gig at The Bull and Gate, Kentish Town on 2oth May ’85. 
It was “New Band Nite” at The Tramshed Theatre on !0th June ’85 and Five O’Clock High were on the stage at 8:20pm. Picture courtesy of Michael Bailey 
Five O’Clock High’s set list from Primaties support slot at Bull & Gate around ’85/’86. Picture Courtesy of Michael Bailey 
Carnival play The Pit (Community Centre, Knaphill) – Soundscene 26 July ’84 
Neil caught a coach from Knaphill on Sunday 20th April ’86 for this top night in Soho. Picture courtesy of Neil Barker 
20 May 1986: The Primitives, supported by XL, Five O’Clock High, The Self, Paul Groovy & The Pop Art Experience, and Under the Glass Bell were at The Bull & Gate, Kentish Town. Picture sourced from Neil Barker 

Five O’Clock High (l-r: Michael Bailey, Greg Turner, and David Bailey) Acoustic River Collective, Bull & Gate, Cardiacs, Carnival, Catch 44 Studios, Colin Bidwell, Comunity Centre, David Bailey, Five O'Clock High, Godalming, Greg Turner, Guildford, Kentish Town, Knaphill, La Beat Route, Left Bank Two, Lisa White, Michael Bailey, Rick Buckler, She's Gone Wild, Soho, St. Johns, Steel Bill & the Buffalos, Strawberry Statement, The Beatles, The Body Politic, The Early Years, The Jam, The Old Schoolhouse, The Pit, The Primitives, The Real Me, The Royal, The Self, The Tramshed, The Troggs, THe Who, Vernon Van Go Go, Vox Pop, Woking, XL -
FFile
(c’83-’90) Rob Foster (guitar / vocals), Steve Foster (vocals), Danny Boothman (guitar), Sally Thornton (backing vocals), and John Anon (drums)
FFile, often written F-File, were a Horsell based synth band that played the Centre Halls, Woking and Byfleet Live Aid. Some venues were surprised to see a 13-year-old up that late playing to a room full of Punks. On 9 February ’85 the band supported Dark Paradise at The Old Schoolhouse, Woking and a couple of weeks later, on 23 February ’85, the band supported Jokers Wild at The Royal, Guildford.
In ’85 they recorded 14 tracks at Charlie Tyler’s studio in Byfleet that included “Please Come Home”, “Good Times”, and “Tribute”. This last track was ‘a song for Bowie’ asking why some hit mega-stardom and others remain non-entities. Songwriter Steve sings: “Stare at the posters on my wall / If Bowie came alive / What would he say? / ‘Carry on, my friend’ or ‘forget it all’”.
A some point after the recording the band were down to 3 members: Steve Foster (vocals), Sally Thornton (backing vocals) and drummer John Anon and seeking a permanent bassist. FFile came to an end around 1990 and Rob went solo.
Gallery:

Soundscence, April 11th 1985 
Dark Paradise & F-File to reignite live music at Schoolhouse – Soundscene Jan 24th 1985 
Soundscene, Woking News and Mail, April 4th 1985 
9 February 1985: FFile to support Dark Paradise in 1985 
23 February 1985: FFile supported Jokers Wild at Club Royal, Guildford. Image courtesy of Pete Cole. -
Inter
(c’95-’01) Michael Boylan (bass / vocals), Steven Bray (vocals / guitar / keyboard) and Johnny Gill (drums), and Sid Stovold (guitar).

Boylan, Bray and Gill formed Farnborough’s Inter in late ’95 (just scrapping into the Soundscene timeframe) with ex-Who Moved The Ground? guitarist / vocalist Stovold joining around February ’96. They had already secured and played a number of local gigs, such as The White Hart, Frimley, when they self-released the demo cassette EP “Product” in ’96 carrying ‘Cherry Red, Electric Blue’, Sticks and Stones’, ‘Boss Grasshopper’, and ‘You Lose’. These were all recorded at Monster Studios, Leatherhead on the 30th and 31st March ’96

Sleeve for the ‘Product’ demo cassette Now described in Melody Maker as ‘kings of the catchy cheesy chorus’ Inter had their debut London gig at the Bull & Gate, Kentish Town on 14 August ’96. Later that month the band were at the Civic Hall, Guildford, on 30 August, supporting Let Loose – just before the release of their “Rollercoaster” LP that peaked at number 42. Over the following year extensive gigging, including appearances at Interspace at The Bull & Gate supporting Kissing Katy along with Realise, and Farnham ’96, resulted in several more rave reviews in the national music press. In November ’96 Gary Crowley interviewed Inter at The Academy, Brunel University, Uxbridge, prior to their appearance, with five other bands, at the finale of The Academy’s national band competition, titled the Art of Noise. at which they performed ‘Radio Finland’ amongst other tracks.
Their “Cherry Red, Electric Blue” track was released on Fierce Panda’s Screecher Comforts EP [NING 24], having featured on Snakebite City Five with “You Lose” and headlining NME’s 1997 Brats Unsigned. They also featured on a Spanish cinema advertising campaign for Casio. In Oct ’96 the band recorded their “Happy Ending” debut single at Monster Studios, which was released on the Pet Sounds label [pet003cds] in ’97, having been mastered at Abbey Road.

Front of sleeve of Inter’s Happy Ending CD single On 25 May ’97 the band record “Radio Finland”, “Cherry Red Electric Blue”, “Think Big” and “Jimmy” at Maida Vale 4 for their first Peel Session for BBC Radio 1, on which John Peel reportedly described “Happy Ending” as ‘the best pop song in the last 30 years’. The band also secured an appearance at the Manchester Radio 1 roadshow, held in Albert Square, Manchester. Earlier that month they shared the Civic Hall, Guildford stage with Supermodel, Jolt and Redwood for a Splatch night. Inter’s “Boss Grasshopper” also appeared on ‘The Best Of Splatch!’ CD compilation, released that year, on the Mother Stoat Recording Co. label [STOAT 006]. In late ’97 the ‘cheeky, young whippersnappers’ of a band got into a spot of bother with Rushmoor Council for fly-posted stickers on street furniture; which the band’s manager, Pete Cole, put down to ‘over enthusiastic fans’. They continued to gig locally throughout ’97; including The Cricketers, Westfield; The Maltings, Farnham; the Civic Hall, Guildford; and Gym Sports Bar, Fleet on 10 April ’97:
Inter signed to independent Yoshiko Records in ’98 and and by year’s end they were in Loco Studios, South Wales to recording tracks for their first LP: “Got My Nine”, all while continuing to gig; including Splatch at the H.G. Wells Suite, Woking with Floor, Freekspert and The Samurai Seven. Early in ’99, their first single from the Loco Studios sessions, “National Paranoia” [YR-002-CDS001] was released, reaching #10 in the NME Indie Top 30 singles chart. This had been produced and mixed by Mark Wallis, who had mixed among others Travis, U2, Go-Betweens, The Primitives, Michael Hutchence, Wet Wet Wet, The Smiths, and Joan Armatrading. Also in early ’99 “Happy Ending” was chosen as part of Radio 1’s Peelennium series to represent 1997 along with Clinic, Helen Love and The Delgados; then on 29 Sept ’99 the band recorded their second Peel session with “Speed Racer”, “Something Criminal”, “Shan’t Quit Ripping” and “Not Curious” forming the set.

Front of sleeve for Inter’s Finland CD single 
Front of sleeve of Inter’s Speed Racer CD single 
Album sleeve front for “Out My Nine” Record company issues delayed the singles “Radio Finland” and “Speed Racer”, and the debut and only album “Got My Nine” until 2000; with “Got My Nine” selling over 7000 copies in the first week of release and Peel describing the LP as ‘excellent’ and ‘a real favorite at Peel Acres’. As with many indie labels Yoshiko was suffering and the band was dropped in mid-2000. Inter called time in 2001, but not before supporting Stiff Little Fingers at the Forum in London.
In 2005 they reformed to play a benefit show for the British Heart Foundation in honor of band friend and roadie, Richard Hazell, who had recently died. In 2009, the band members were once again asked to play, this time for the August wedding of their one-time manager Cole. The four duly agreed and performed a brief set at the West End Centre, Aldershot.
Video:
Tracks:
Gallery:

Inter appeared at the Snakebite City New Years Eve Party, with Ex Boyfriends, Cornered, J.C. Regulator, and Breaker in 1996? (Need to confirm date). Picture courtesy of Simon McCormack. 
9th May 1997 and Inter played Snatch at Civic Hall, Guildford. Source: The Surrey & NE Hants Music Scene 
18 September 1998 and Inter played Snatch at HG Wells Suite, Woking. Source: The Surrey & NE Hants Music Scene 
1997 
Mad Ann’s Reader Chart from Melody Maker c’97 
Front cover for The Best Of Splatch! CD compilation, released in ’97 on the Mother Stoat Recording Co. label [STOAT 006] 
The Best Of Splatch! CD compilation insert, released in ’97 on the Mother Stoat Recording Co. label [STOAT 006] 
The Best Of Splatch! CD compilation insert, released in ’97 on the Mother Stoat Recording Co. label [STOAT 006] 
Back cover for The Best Of Splatch! CD compilation, released in ’97 on the Mother Stoat Recording Co. label [STOAT 006] 
The Best Of Splatch! CD compilation, released in ’97 on the Mother Stoat Recording Co. label [STOAT 006] 
Back of sleeve for Inter’s Finland CD single 
Front of disc for Inter’s Finland CD single 
Back of d
isc for Inter’s Finland CD single
Front of sleeve for promo version of Inter’s Finland CD single 
Back of sleeve for promo version of Inter’s Finland CD single 
Front of disc for promo version of Inter’s Finland CD single 
Front of sleeve for promo version of Inter’s Got My Nine LP 
Insert for Inter’s Happy Ending CD single 
Front of disc of Inter’s Happy Ending CD single 
Inter played Interspace at The Bull & Gate on 10 Oct 1996. Source: Bull & Gate Memories Facebook group. 
Front of sleeve for promo version of Inter’s National Paranoia CD single 
Back of sleeve for promo version of Inter’s National Paranoia CD single 
Front of sleeve of Inter’s National Paranoia CD single 
Back of sleeve of Inter’s National Paranoia CD single 
Front of disc of Inter’s National Paranoia CD single 
Inter appeared on the Screecher Comforts compilation (front of sleeve). 
Inter appeared on the Screecher Comforts compilation (back of sleeve) 
Inter’s appeaed on the Screecher Comforts compilation (disc front) 
Insert from Screecher Comforts compilation which included Inter 
Back of sleeve of Inter’s Speed Racer CD single 
Front of disc of Inter’s Speed Racer CD single 
Back of disc of Inter’s Speed Racer CD single 
Inter’s “National Paranoia” entered the NME Indie Top 30 singles chart at #10, between Doolally and Add N to (X). Picture courtesy of Pete Cole 


14 August 1996: Tape recording of Inter’s debut London gig at the Bull & Gate, Kentish Town. Picture courtesy of Pete Cole 
14 August 1996: Flyer for Inter’s debut London gig at the Bull & Gate, Kentish Town. Picture courtesy of Pete Cole 
10 January 1997: Melody Makers gig of the night was at the Civic Hall, Guildford and featured Jolt, The Bigger Gods, Coma Sola and Inter. Source: The Surrey & NE Hampshire Music Scene 
28 March 1998: Inter played the Snakebite City Stage at Farnham 98, held at The Maltings. Source: Seafood 
Gill of Inter at the White Hart, Frimley in 1996, when they were 3-piece. Source: Inter 
Bray of Inter at the White Hart, Frimley in 1996, when they were 3-piece. Source: Inter 
Boylan of Inter at the White Hart, Frimley in 1996, when they were 3-piece. Source: Inter 
23 November 1996: Ticket and flyer for Farnham ’96 presented by Shed Club and Bluefire/Snakebite City. Inter performed at this one-day festival along with Dweeb, Posh, Supermodel, Chuck, Redwood, The Hairy Things, The Bigger God, Pharmacy, JC Regulator, PA Skinny, Twister, Avalanche and Snowball. Source: Sarah Drover via Inter 
23 November 1996: Flyer for Farnham ’96 presented by Shed Club and Bluefire/Snakebite City. Inter performed at this one-day festival along with Dweeb, Posh, Supermodel, Chuck, Redwood, The Hairy Things, The Bigger God, Pharmacy, JC Regulator, PA Skinny, Twister, Avalanche and Snowball. Source: Sarah Drover via Inter 
Inter band flyer from Yoskika Records 

NME 1996 Abbey Road, Aldershot, Art of Noise, Brats Unsigned, Brunel University, Bull & Gate, Casio, Civic hall, Cricketers, Farnham '96, Fierce Panda, Floor, Forum, Freekspert, Frimley, Gary Crowley, Great Westwood, Guildford, Gwent, H.G. Wells Suite, Indie Top 30, Inter, Interspace, John Peel, Johnny Gill, Jolt, Kentish Town, Kissing Katy, Leatherhead, Let Loose, Loco Studios, London, Maida Vale 4, Manchester Radio 1, Mark Wallis, Melody Maker, Michael Boylan, Monster Studios, Mother Stout Recording Co., NME, Peel Session, Pete Cole, Pets Sounds, Realise, Redwood, Sid Stovold, Snakebite City, Splatch, Steven Bray, Stiff Little Fingers, Supermodel, The Academy, The Maltings, The Samurai Seven, The White Hart, Usk Valley, Uxbridge, West End Centre, Westfield, Who Moved the Ground?, Woking, Yoshiko Records































































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
LikeLiked by 1 person