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Yellow Darkness
(c’89-’91) Mark Terry (vocals), Glenn Edwards (?), Austin Wright (drums), Marcus Cowley (guitar) and Seth Trombley (?).

Buzz Club local band night, 1990 They were from Guildford, and played the London circuit: The Powerhaus, Bull & Gate (29 Oct ’91) Opera on the Green, The Cricketers, Kensington and The Rock Garden, plus support for Captain Sensible at The Mean Fiddler, Creaming Jesus at their Guildford gig and Smashing Orange on their visit to London.
On 6 June ’89 Yellow Darkness supported Red 57, along with If This Was You, at The Rock Garden in Covent Garden and on 18 December they opened for Raw Ho! and Eager Sin Babies at The Cricketers, Kennington. On 5 December ’89 the band played Fresh at the Bull & Gate, Kentish Town, supporting Bad Soul along with The Catholics.

Yellow Darkness EP. Picture courtesy of Ben’s Collectors Records By January 1990 the band supported Tragic Roundabout and World of Music at the Opera on the Green, Shepherd’s Bush, on 2 January, and were headlining a Buzz Club local bands night, with DayTripper, Slug and TwoFlower. A few days later, on 15 January ’90, Yellow Darkness were at The Rock Garden, Covent Garden and then the Powerhaus, Islington on 6 February. On 7 July ’91 they released the limited edition “I Want to be the Drug” vinyl 12″ EP, carrying “Dolls House”, “Sugar Mountain”, and “She Wears Pyjamas on the Beach”. Thatcher Youth PLC presented The Myriad Syndrone II on 14 July ’90 at the Borough Hall, Godalming with The Ha Ha Men headlining, supported by Yellow Darkness, along with Bushpigs, Octopussy and M.O.E. They also appeared at Showcase ’90 and Parafornia ’91. ABC Music’s Showcase ’90 was held on 2 August ’90 at the Civic Hall, Guildford and Yellow Darkness shared the stage with The Ha Ha Men, Lannoy, Bon Booshe, Joy, Sabena, Lost Weekend, and Kickback. But, as far as we can tell, Yellow Darkness were the only band of the eight pressed into jumping onto the back of a flat bed lorry and playing as it was driven around Guildford to promote the charity gig for Surrey and Hants Help the Children Appeal.

2 August 1990: Poster for Yellow Darkness at ABC Music’s Showcase ’90. Image courtest on Marcus Cowley On 1 February ’91 they supported Captain Sensible and in July that year the band reported that they are banned from Flicks for “foul and abusive language” – A claim Flicks management denied. This may have been the same night (26 July 1991) they played the venue supported by Rockit Men. Late in ’91 the band supported Blue Rider at there Liquid Foundation Club appearance, along with The Gift, at the Bull and Gate, Kentish Town. They were then on the bill for the University of Surrey’s Rag Week (Crab Feast) appearing sometime between 11am and 4:30 pm on 23 November.
The band went quite for a while until the aforementioned support slot with Creaming Jesus in ’93. Soundscene caught Terry at work, in HMV, Guildford, were he stated “We’re getting to the point where we becoming the sort of band we’d really like to be.” Numerous London gigs followed as well as the Smashing Orange gig along with rumors of label interest.
Tracks:
Trampoline:Gallery:

11 June 1989: Yellow Darkness played the Rock Garden. Picture courtesy of Marcus Cowley 
11 June 1989: Yellow Darkness band pass for Rock Garden. Picture courtesy of Marcus Cowley 
5 December 1989. Picture courtesy of Marcus Cowley 
18 December 1989: Yellow Darkness played The Cricketers, Kennington. Picture courtesy of Marcus Cowley. 
2 January 1990: Flyer showing Yellow Darkness supported Tragic Roundabout and World of Music at the Opera On The Green, Shepherd’s Bush 
Jan-Feb 1990: Yellow Darkness gig list. Picture courtesy of Marcus Cowley 
14 July 1990: Yellow Darkness played The Myriad Syndrome II. Picture courtesy of Marcus Cowley. 
Showcase ’90 included Yellow Darkness. Picture courtesy of Martin Holmes 
Woking News and Mail – September 20, 1990 
Yellow Darkness to support Captain Sensible at the Mean Fiddler – Soundscene Jan 31st 1991. Picture courtesy of Harry Tuttle 
A fleeting reference in this 23rd July ’91 Soundscene article. Picture courtesy of Harry Tuttle. 
26 July 1991: Gig Listing from TBI local newspaper has Yellow Darkness, supported by Rockit Men, playing Flicks, Guildford. Picture courtesy of Ben’s Collectors Records 
29 Oct ’91: Yellow Darkness supported Blue Rider along with The Gift at the Liquid Foundation Club at the Bull and Gate, Kentish Town. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
University Surrey Student Union Crab Feast (Rag Week Mag) 23 Nov 1991 
Yellow Darkness get a mention in July for 1991 in review, from the 2nd Jan 1992 Soundscene column. 
Clipping from local paper. Picture courtesy of Marcus Cowley 
Yellow Darkness EP. Picture courtesy of Ben’s Collectors Records ABC Music, Aldershot, Austin Wright, Bad Soul, Blue Rider, Bon Booshe, Borough Hall, Bull & Gate, Bushpigs, Buzz Club, Captain Sensible, Civic hall, Covent Garden, Creaming Jesus, Cricketers, DayTripper, Eager Sin Babies, Flicks, Fresh, Glenn Edwards, Godalming, Guildford, HMV, If This Was You, Islington, Joy, Kennington, Kentish Town, Kickback, Lannoy, Liquid Foundation Club, London, Lost Weekend, M, M.O.E., Marcus Cowley, Mark Terry, Octopussy, Opera on the Green, Parafornia '91, Powerhaus, Rag Week, Raw Ho!, Red 57, Rock Garden, Rockit Men, Sabena, Seth Trombley, Shepherd's Bush, Showcase '90, Slug, Smashing Orange, Thatcher Youth PLC, The Catholics, The Cricketers, The Gift, The Ha Ha Men, The Mean Fiddler, The Myriad Syndrome, The Powerhaus, The Rock Garden, Tragic Roundabout, TwoFlower, University of Surrey, World of Music -
Face To Face / Seven
(c’86-’90) Mick Devine (lead vocals), Keith Macfarlane (guitar/vocals), Pat Davey (bass/vocals), Simon Lefevre (keyboards/vocals) and Austin Lane (drums).

Seven, Circa 1990 Formed from the ashes of South African band Face to Face (which started in ’83 and lasted 18 months, but securing South African hit records, a Sarie Award for Song of the Year with “Here We Are” which was also featured in the Spud movie, and sold-out gigs), when McFarlane and the LeFevre brothers returned to the UK. They re-established Face to Face based out of The Red House, Woking. They were “discovered” by Soundscene in ’86 working behind the bar (they also lived above). John Goodison, the then Red House landlord, having given them a loan and their first break by making them the residential band, which they did for almost a year.
At the time Devine was in South Africa, playing drums in the band UC27. Devine left South Africa and joined Face to Face. In ’86 they performed at the Miss Woking event at The Old Schoolhouse, report by Soundscene to be “the gig of the year”. At some point John LaVerve left, with ex-Cosmetics bassist Pat Davey and drummer Ross Elliott joining.
The band triumphed on Bob Monkhouse’s Opportunity Knocks on April 2nd ’88 (Series 2, Show 5) with a 96 on the clapometer, performing “Inside Love”.


The band met Mike Parker, their first manager, at a talent show and relocated to Bournemouth and renamed the band Seven. The band released their first single on cassette in late ’89, with the 7″, 12″ and CD single following in January 1990. “Inside Love”, on Polydor [PO 63 / 873 496], peaked at #78 in the UK, lasting a total of four weeks on the chart. Engineered by John Spence, who also worked with The Happy Mondays, and produced by John Parr, it received a remix by Howard Jones collaborator Stephen W. Taylor. For one UK magazine, Phillip Schofield described the track as “a moody ballad that wiggles its way inside your brain forever after a couple of plays.” In a 1990 issue of the Cover Boys magazine, the song was described, “If you’re familiar with the sounds of American bands like Journey and Foreigner, then you’ll understand a little of how Seven sound.”
This was followed in June by “Man With a Vision”, again engineered by Spence and produced by Parr, reaching #91 in the UK.
Lane was last heard on managing the Drum Dept at Absolute Music, Poole, whilst both Macfarlane and Lefevre returned to South Africa. Devine moved to Market Harborough and Davey settled in Bournemouth, teaching bass in Bournemouth and Poole College and performing regularly with several jazz bands, and joining Diesel with vocalist Robert Hart (Bad Company, Manfred Mann’s Earth Band, The Distance) and the guitarist Jim Kirkpatrick (FM).
Tracks:
America
Gallery:









Absolute Music, Austin Lane, Bad Company, Bob Monkhouse, Bournemouth, Cosmetics, Cover Boys, Diesel, Face To Face, FM, Howard Jones, Jim Kirkpatrick, John Goodison, John Parr, John Spence, Keith Macfarlane, Manfred Mann's Earthband, Market Harborough, Mick Devine, Mike Parker, Miss Woking, Opportunity Knocks, Pat Davey, Phillip Schofield, Poole, Robert Hart, Ross Elliott, Sarie Award, Seven, Simon Lafevre, Soundscene, South Africa, Spud, Stephen W. Taylor, The Distance, The Happy Mondays, The Old Schoolhouse, The Red House, UC27, Woking -
GuilFin

(c’89-’99) GuilFin wasn’t a fanzine, but that is where you’d often find it nestled in independent record stores across Surrey, East and West Sussex, Hampshire and into Kent. This underground publication, part of the Free Information Network, was distributed (nearly) every month from 1989 to 1999 as a free listings sheet and originated and was based in Guildford. The Guildford Free Information Newsheet as it was originally called provided information on events, gigs, parties, clubs, shows, meetings, direct action protests and much more, with a readership that reached over 30,000 per month. And, every year, it produced possibly the most comprehensive summer festival directory in the UK, from free festivals to full blown commercial events.
Thayen Rich, Liam Rich and Alan Chapman were the main driving force behind Guilfin, with numerous others who helped and made various Guilfin projects a success. Projects like the GuilFin Ambient Lounge, a 24-hour performance and campaign venue that toured a number of UK festivals such as Glastonbury and GuilFest, led by event producer Liam.
The Rich’s co-founded GuilFin, with Thayen designing all of the publication’s graphics, many of which would become available as limited-edition posters; while Liam compiled the listings, dealt with printers and distributors; Chapman did the music reviews and acted as Guilfin’s public relations officer. While later editions were indeed printed, early copies were photocopied, through the night, on a Soho based leading advertising agency’s photocopier – the same agency that employed Thayen – with the brothers leaving a dawn before the studio manager could catch them. In the early 90’s, local label Music & Elsewhere helped support the newsletter with a number of Guilfin Benefit Tapes [MMATT 36, 38, 40 & 41].

MMATT 36, 38, 40 & 41 Guilfin Benefit Tapes During and since Guilfin time, Thayen has been a comic illustrator for the Jeff Hawke newspaper strip, the 2000AD comic anthology and Lance McLane in the Scottish Daily Record. This led to story-boarding for films, TV and commercials, which he has kept him employed for many years and supports his campaign and art work, which you can sample at Corrosive8art. Liam went on to co-produce the Ambient Green Picnic/Festival and is now an accomplished event producer and arts project manager, just check out some of his work at Rich Create. You can see more Guilfin memorabilia on the Guilfin Facebook Page.
Gallery:

Guilfin January 1990 
Front Cover, June ’99 
Page 14, October ’97 
Front Cover, September ’97 
Farnham Fusion Festival Ad from Guilfin 
Front Cover, December ’96 
Back Page, October ’96 
Front Cover, October ’96 
Front Cover August ’96 
Front Cover, July ’96 
May ’96 Cover 
Front Cover, January ’96 
Front Cover, September ’95 
Front Cover, June ’95 
Bottom half of the center spread, September ’94 
Top half of Center Spread, Guilfin Sept ’94 
Front Cover, September ’94 
Front Cover, April ’94 
Front Cover, May ’92 
Front Cover April ’91 
Front Cover, July ’89 -
Blue Velvet
(c.1989-91) Patrick James/Sullivan (lead vocal / guitar / harmonica / e-bow), Graham Judd (guitar), Ady Evans (bass), John Metcalfe (drums).

Band shoot at Waverley Abbey, later a location for “Hot Fuzz”… This Aldershot based four-piece played The Rock Garden, London in July ’89 and supported Bradford, with Frantic, at the Buzz Club, West End Centre, Aldershot that November. That same year the bands “Believe” demo, which included ” “Note Turned Blue” “Salvation“, “Guiding Light” “Gold That Shines” and “Don’t Dare the Devil“, received rave reviews from Soundscene reviewers. On Valentines Day ’90 the band opened for Who’s the Spy? at the Palace, Aldershot
“Gold That Shines” went on to feature on Farnborough Groove Vol.1 in mid-91. They were gigging regularly on the local scene, including The George, Ash Vale; The Four Horseshoes, Camberley and The Cricketers, Westfield; plus a supporting slot at The West End Centre for Mega City Four and Ned’s Atomic Dustbin; and up into London. Blue Velvet were booked and showed up on 17 September ’91 at Ragamuffins, Camberley. At some point before the end of ’91 Judd had left the band and was replaced by Sid Stovold (guitar / b.vocals). The band appeared at the Army & Navy, Aldershot with Thieves of Dreams on 13 October ’91; followed by The Fighting Cocks, Bagshot who hosted the band and Thieves of Dreams on 9 November ’91. “Believe” was followed by “On the Eve of Tomorrow“, on which Jim O’Neil joined them on keyboards, for the recording of the eight tracks at Ghost Studios, Send in Nov / Dec ’91, with its electric and acoustic sides.

Blue Velvet’s “On The Eve of Tomorrow” demo cassette electric side 1. Source Sid Stovold 
Blue Velvet’s “On The Eve of Tomorrow” demo cassette acoustic side 2. Source Sid Stovold On 9 February ’92, Blue Velvet returned to the Army & Navy; but, by this time Island Records offered encouragement but no contract. Eventually the band split, exhausted from bombing up and down motorways and gigging pretty much every other night for little reward. “Don’t Dare The Devil” from their first demo appeared on Son of Farnborough Groove Vol.2 in ’92, and “Shot Yourself Down” from the “On The Eve of Tomorrow” demo was published on Return of Farnborough Groove Vol.3. Blue Velvet played mostly original material at gigs, but they did cover the likes of Wonderstuff’s “Wish You Were Here“.

Blue Velvet’s track “Gold That Shines” also appeared on the limited edition (500 were pressed) Record Collector Magazine’s Rare Vinyl – Modern Collectables 3 [RCLPO18], in Jan 2016, titled: Small Town Scenery, Lost Indie Gems 1985-1995. In 1993 “Falling Star” appeared on the ‘Never Heard of ‘Em’ compilation cassette; then their track “Gold That Shines” also appeared on the limited edition (500 were pressed) Record Collector Magazine’s Rare Vinyl – Modern Collectables 3 [RCLPO18], in Jan 2016, titled: Small Town Scenery, Lost Indie Gems 1985-1995.
Tracks:
Gallery:

Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet at Rock Garden, London in July 1989. Picture courtesy of Pete Cole 
Blue Velvet supporting Neds Atomic Dustbin and Mega City Four at The West End Centre…1990 Image Source: Pete Cole 
26 Oct 1989: Blue Velvet supported Bow, with The Candyage at the Fresh Club, Bull and Gate, Kentish Town. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
The Gossville Arsonist fanzine’s one-line review of Blue Velvet track from The Son of Farnborough Groove Vol.2 
Blue Velvet @ Four Horseshoes, Camberley 1991 
Soundscene gig review from sometime in/around 1990. 
Blue Velvet headline Pete Cole and Co’s birthday Bash in 1991. 
Taken from a 1990’s Soundscene column – not the FT. Image Credit: Pete Cole 
Blue Velvet @ The George, Ash Vale 1989 
Blue Velvet @ The George, Ash Vale 1989 
Blue Velvet @ The George, Ash Vale 1989 

Blue Velvet performing at The Bull & Gate, Kentish Town in 1989. Picture courtesy of Pete Cole 
Blue Velvet performing at The Bull & Gate, Kentish Town in 1989. Picture courtesy of Pete Cole 
Blue Velvet performing at The Bull & Gate, Kentish Town in 1989. Picture courtesy of Pete Cole 
Blue Velvet performing at The Bull & Gate, Kentish Town in 1989. Picture courtesy of Pete Cole 
Blue Velvet performing at The Bull & Gate, Kentish Town in 1989. Picture courtesy of Pete Cole 
Blue Velvet performing at The Bull & Gate, Kentish Town in 1989. Picture courtesy of Pete Cole 
Blue Velvet performing at The Bull & Gate, Kentish Town in 1989. Picture courtesy of Pete Cole 
Blue Velvet’s “Falling Star” appeared on the ‘Never Heard of ‘Em’ compilation cassette. Picture courtesy of Pete Cole 
Blue Velvet’s set list from the 21 July 1991 gig at The George, Ash Vale. Source: TOD Thieves of Dreams 
26 October 1990: Blue Velvet were at the Bull & Gate, Kentish Town. Picture courtesy of Pete Cole 
1991: Blue Velvet dates for July & August. Picture courtesy of Pete Cole 
1989 Buzz Club Flyer 
Blue Velvet’s “Gold That Shines” was track 2 on the A-side of Farnborough Groove Vol.1. Picture courtesy of Pete Cole 
Blue Velvet’s “On The Eve of Tomorrow” demo cassette sleeve. Source Sid Stovold 
Blue Velvet at the Bull & Gate c’89. Source Graham Judd (on left with blue Fender Telecaster) 
Side B: “Believe” 
Side A
“On The Eve of Tomorrow”
Two demo’s on one cassette 
A Blue Velvet audience, at The George, Ash Vale 1989 Ady Evans, Aldershot, Army & Navy, Ash Vale, Bagshot, Blue Velvet, Bradford, Bull & Gate, Buzz Club, Camberley, Covent Garden, Cricketers, Farnborough Groove, Frantic, Ghost Studios, Graham Judd, Hot Fuzz, Island Records, Jim O'Neil, John Metcalfe, Kentish Town, Mega City Four, Ned's Atomic Dustbin, Patrick James, Patrick Sullivan, Ragamuffins, Record Collector, Rock Garden, Send, Sid Stovold, Soundscene, The Fighting Cocks, The Four Horseshoes, The George, Thieves Of Dreams, Waverley Abbey, West End Centre, Westfield, Who’s the Spy? -
Sugar Mountain
(c’88-91) – Jason Applin (vocals), Dominic Coles (drums), Rick Testa (guitar) & Paul Harle (bass).

Sugar Mountain – August 1988 Previously known as The Dead Beats, mid ’88 saw this Camberley four-piece gigging at The Full Moon, Fulham, Covent Garden’s Rock Garden and supporting McCarthy. An initial 3-track demo carrying “Let’s Get Happy”, Greenwich Village” and “Popes on Dope” helped secure airplay on Janice Long’s Radio One show in the same time-frame.
On 1 July ’88, The Sensory Assault, Eat My Shorts, and Sugar Mountain played Lightwater Country Club; one of the posters for which featured a photo montage of Eat My Shorts guitarist Adrian Barry’s (later of The Ha Ha Men) family. In August ’88 the band released their second demo tape, titled “Pleasure”; available to Soundscene readers for the price of post and packing. The five tracks included “(I Was On The Toilet) When Jesus Was Telling Us About The Meaning Of Life”, “Baby Just Hold My Hand” and “Beverley”; and two previously released tracks: “Greenwich Village” and “Popes on Dope”.
Also in ’88 was a limited (UK and Germany) vinyl release of “Let’s Get Happy” – which features a sixties-esque vocal with a Mighty Lemon Drops guitar sound – on the independent Ride Records label. Ride also put “Let’s Get Happy” on the 4-track, 7-Inch, compilation LP “Hands Off Hands On” that also featured stable mates: 1967, The Red Pyjamas and Deja Vu.
June ’88 saw them at the Buzz Club, The West End Centre, Aldershot with The Jeremiahs, Bluetrain, Crimplene Explosion, The Aubisons and The Splendids. The band were earmarked to play Showcase ’88, but Sugar Mountain were unable to play the date that would have been their first appearance in Woking. They appeared at The Cricketers, Westfield on 17 September ’88 instead.
Cole went on to join Something Religious and The Outcast Band. Applin was the vocalist for The Ha Ha Men.
Tracks:
Let’s Get Happy:
Gallery:

26 November 1988: Sugar Mountain, along with Book of LIes, The Hipshakers, Loveskip, Annie & The Aeroplanes, Stormed, and Before the Storm, supported headliners Here & Now at the Sir George Robey, Finsbury Park. Source: Neil Thompson via Keep It Out Of Sight 
Ride Records 7″ compilation featuring Sugar Mountain’s “Let’s Get Happy” released in ’88 
Soundscene, Sept 8, 1988 
June 18, ’88 
18 June 1988: Framed Buzz Club Poster. Source: Dave Driscoll 
Sugar Mountain: Soundscene – 18th August 1988 
Soundscene – 25th August 1988 
Poster #2 for the Sugar Mountain supporting The Sensory Support, along with Eat My Shorts at the Lightwater Country Club on Friday 1st July ’91. Picture courtesy of Nathan Argonaut 
Poster #1 for the Sugar Mountain supporting The Sensory Support, along with Eat My Shorts at the Lightwater Country Club on Friday 1st July ’91. Picture courtesy of Nathan Argonaut 
Apparently it needed to be said that Sugarc Mouyntain being better than Bros was a personal opinion… PG Tips, probably 22 Dec 1988. Picture courtesy of Daniel Hiscocks 
Picture courtesy of Dominic Coles 
Sugar Mountain win the “Invaders From Abroad Award” in the PG Tips December 1988 honors list. Picture courtesy of Daniel Hiscocks 
8th January 1989: Sugar Mountain were included in a Blue Fire Promotions All Dayer with Long Tall Texans, Bob Hope, Midniters, Waterfront, Between Two Worlds, Heartbreak Beat, The Gift, Beef, and The Hiding Place 1967, Aldershot, Bluetrain, Buzz Club, Camberley, Covent Garden, Cricketers, Crimplene Explosion, Deja Vu, Dominic Coles, Fulham, Janice Long, Jason Applin, McCarthy, Paul Harle, Radio One, Rick Testa, Ride Records, Rock Garden, Showcase '88, Something Religious, Sugar Mountain, The Aubisons, The Dead Beats, The Full Moon, The Jeremiahs, The Mulberry Ceilings, The Outcast Band, The Red Pyjamas, The Splendids, West End Centre, Westfield, Woking -
Death in June
(1981 to date) – Douglas Pierce (guitar / vocals / percussion / keyboards), Patrick Leagas (drums / vocals / drum machine/ keyboards / trumpet) and Tony Wakeford (bass / vocals)

Formed out of the ashes of Crisis in 1981 with Pierce, Leagas and Wakeford were joined by, founder member of Psychic TV, Christ TV shortly after. Their first gig, supporting The Birthday Party, was at City of London Polytechnic on 20 November ’81. By ’83, with the release of ‘The Guilty Have No Pride’ mini LP, which reached 13th in the Media Research Information Bureau (MRIB) chart and received a four-star review in Sounds and was well received by Melody Maker, their European folk sound was coming to the fore. Tension over direction lead to Wakeford being asked to leave in January ’84 and he went on to post-punk Above the Ruins and formed Sol Invictus.

March ’85 saw the release of “NADA”, a 10 track LP including “The Honour of Silence”, “The Calling”, “Leper Lord” and “She Said Destroy”, which Sounds’ Sandy Robertson raved over when released as a single in ’84, securing Single of the Week; closing with “Crush My Soul” which Soundscene’s reviewer described as sounding “like an innocent musical box, but one which opens to reveal a dancing razor blade in a tu-tu. Magnifico stuff”. “Born Again” was released as a 12″ shortly after “NADA” hit the racks, with “The Calling (MkII)” and “Carousel (Bolt Mix)” on the flipside. The band were then off to Paris then a short tour of Italy..
Leagas departed abruptly in April 1985 after the Italian tour, resulting in many cancelled shows in the UK and Europe due to follow that tour. Leagas, who began calling himself Patrick O-Kill, went on to formed Sixth Comm. So it was that in 1985 Pierce, who was originally from St. Johns, became the sole constant member of Death in June, with rotating guest musicians serving as collaborators and live band members. Pearce continues working under the Death in June moniker to this day.
Gallery:







































Woking Soundscene – March 28 1985. This is just before Patrick Leagas left… 
1982 supporting This Heat at King’s College London Student Union. 
1984 supporting Nick Cave and the Bad Seeds at the Electric Ballroom 
1985 supporting Annie Anxiety with Current 93 and D+V at The 100 Club 
Incomplete clipping from Woking Soundscene, 14th March 1985. 
17 December 1983: Death in June, supported by In THe Nursery, played the Clarendon, Hammersmith (NME, 17 December 1983 issue). Picture courtesy of Pete Cole 
1981 supporting The Birthday Party with Malaria… 
Death in June featured in the July 1991 issues of the Fear and Loathing Fanzine Vol.9. We’ve yet to find the article) 
Autumn 83’s Animal House gigs, from Times Series Pop Scene from 24th September 1983 
21 July ’83 Soundscene column clipping
















































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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