Our Soundscene

For anyone who vaguely recalls the Woking / GU postcode area music scene.

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  • Hot Club

    Hot Club

    (c’88) Steve Smith (guitar), and Darrel West (vocals & guitar).

    This rock / blues cover band played the likes of Clapton’s “Forever Man” and Chuck Berry’s “Promised Land”. We know they appeared at The White Lyon, Worplesdon on 16 September ’88.

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  • Southbound

    Southbound

    (c.’83-’85) – Alex ‘The Gipsy’ Tedesco (bass), Wynne ‘The Tramp’ Parry, and Martyn Eyre (drums).

    A post gig Southbound

    This Pyrford based Southern boogie 3-piece covered the likes of ZZ Top’s “Gimme All Your Lovin’” as well as performing their own material, such as “Last Train to Georgia” – Although the Soundscene reviewer at the time may not have been aware on Red, Whites & Blues 1971 single “Last Train to Georgia”. On 2 February ’84 Southbound were originally to appear at The Royal, Guildford, with Backstage Pass who had to pull out and were replaced by Jokers Wild. The band were back at The Royal on 27 April, 23 November, supporting Jackie Lynton courtesy of promoter Tom Sawyer, and 27 December ’84 with Empyre in support. The next month they were picking up the ‘100 per cent Egyptian Cotton Award’ in the 1985′ Soundscene New Year awards for the best band T-shirt.

    Back in ’79 Tedesco had been in West Byfleet Hawkwind wannabees Planetarium, more recently he has been seen in The New Hawleans Jug Band. In ’85 Eyre got together with a few others and formed 45 South, playing local pubs and clubs.

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  • Billy Liberator

    Billy Liberator

    (c’89-93) Paul Huggett (guitar / vocals)

    Woking based, ex-Public Warning member, Huggett went solo with his 12-string acoustic as singer / songwriter Billy Liberator and released the ‘Glebeland Blues’ demo in late ’89 / early ’90 which opened with ‘And How Daddy Loves You’, followed by ‘The Newtown Boys’, ‘A Love Like This’ and ‘She’s Just One Kiss Away’. Meanwhile, Huggett was still playing in Forrest & The Choppers.

    Glebeland Blues…

    Leeds and Reading Festival promoter Neil Pengelly agreed to give him a regular gig at the Mean Fiddler, Harlesdon. Liberator made his live debut at the acoustic room there in 1990 with a selection of his own material, a small smattering of Public Warning songs and Woody Guthrie and Alarm covers. This was the start of a successful run at the venue that lasted two years. He returned to the Mean Fiddler in ’91, accompanied by Trusting Quimberries. Three years after it’s original release ‘…Just One Kiss…’ appeared on the A-side of Revenge of Farnborough Groove Vol.4 in ’93.

    In ’95, Forrest was invited to put the Choppers back together for a mini festival in Chertsey. The band has gigged sporadically ever since doing weddings, parties, working men’s clubs & the like, with a line-up that includes Huggett. After an extended sabbatical Liberator returned in September 2020 digitally releasing a 4-track EP titled “Your Heart Wears It Well”.

    September 2020’s “Your Heart Wears It Well” EP

    “Your Heart Wears Well” was produced by Steve ‘Smiley’ Barnard, and comprises “Evelyn”, “What Needed To Be Said”, “Stand Up For Your Love” and the title track. Billy Liberator is now gigging solo and as frontman to The Orbiteers with Jakey Miller (guitars), Andy Lodge (drums), Mike Veness (bass) – who Huggett has known since Public Warning c’84 and Forrest & the Choppers c’88 onwards – and Al Zarth (keyboards). Post lockdown, Liberator and his ensemble have been busy gigging and releasing LPs and singles.

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  • Kilter

    Kilter

    (c’96-’19) William Ballintyne (guitar), Barney Jeavons (bass), Anthony Read (drums) and Inga Leru (vocals).

    Kilter out back of the West End Centre in ’97. Picture courtesy of Inga Leru-Kelly

    Kilter is the phoenix of Summersalt. Leru, who’d previously been in Three Times The Crow, joined the Summersalters after auditioning for the band in an auditorium at the University of Surrey, Guildford. Their first gig was supporting Jolt at the West End Center, Aldershot in ’97, when they were billed as Snowball.

    The bands track “Solar” got included on The Best Of Splatch! CD compilation released in ’97 on the Mother Stoat Recording Co. label [STOAT 006] as the 16th, hidden, track and on The Farnborough Groove Vol.7 (Geography Sucks). The seventh volume of Farnborough Groove was launched at The West End Centre, on 20 September ’97, at which Kilter performed.

    Kilter’s “Solar” was included on Farnborough Groove Vol.7 (Geography Sucks). Picture courtesy of Pete Cole

    On 11 October ’97 Kilter supported Dream City Film Club at the West End Centre, and a couple of months later they were back at the venue, wrapping up ’97 on the same bill as Enertia, Disturbing Guests and Spillage on 20 December. On 22 May ’98, Kilter played the Cranleigh Arts Centre with Jetpak & Vex Red. Then three days later, on 25 May ’98, “Solar” was released as a double A side 1,000 copy limited run, with “Call The Day” on the flipside via the Shifty Disco [DISCO.9805] label, that resulted in some airplay with Peel and Lamacq. On 30 October ’98 Kilter, along with Scapegoats, supported headliners Stony Sleep at Splatch!, held at the H.G. Wells Suite, Woking. Late that same year the band toured with Dream City Film Club, supporting them at Bristol, Bedford, Southampton, London and on 14 November ’98 locally at Cranleigh Arts Center. They were back at H.G. Wells Suite on 18 December ’98 for The Christmas Best of Splatch! that also featured Redwood, Jetpak, and Enertia.

    14 November ’98: Kilter toured with Dream City Film Club, supporting them at Bristol, Bedford, Southampton, London & Cranleigh. Source: The Surrey & NE Hampshire Music Scene

    The next year the CD compilation “It’s A Shifty Disco Thing – Volume Two” [SHIFTY 9902] included “Call The Day”, as did two further Shifty Disco compilation in ’99 and ’02. Also in ’99, Bluefire Records Snakebite City compilation series added “Snakebite’s Coming Home” [BLU13] which featured Kilter, as did the following years Snakebite City Nine [BLU15]. In March ’01, Jeavons got together with Pete Cole and Ric Melia to compile “Please Take Off Your Shoes Before Entering”; a compilation of mostly soundscene bands, on Badmusic [BMCD004] that included Kilter’s “Sunday”.

    Kilter c’2014

    Ballintyne and Jeavons were replaced by Stu Crawford-Browne (guitar) and DJ Pennell (bass) and several years later, in October ’12, “Catching My Breath” was included on the Vive Le Rock compilation “Music for Pleasure” and described as “a sleazy rumble slightly reminiscent of Garbage (the band)”. Two months later “Kilter ‎– A History Of” was self-released as MP3 and distributed by CD Baby. Two after that, on 25 November ’14, the CD album “We’re All Waiting To Be Alone” was self-released, having been recorded at The Rooms and mastered at Close To The Edge, with distribution once again handle by CD Baby. In September ’19 the band e-released the “Wolves Will Come” EP. This was followed shortly by the news that Kilter were wrapping things up in October after over 20 years.

    Jeavons was the West End Centre director between 2001 and 2019, the former manager of Reuben, a member of a number of local bands himself, and promoter of Spaltch and other events. In 2019 Jeavons set up Kick Arts UK working across artist management, tour booking and one-to-one arts consultations. There have also been four successful Arts Council funded projects. He was also Music Venue Trust’s Regional Coordinator for the South East and is an Associate Lecturer in Music Business at University for the Creative Arts.

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  • The Bohemians

    The Bohemians

    (c’83) Victor Kaye (drums), Peter Ryan (bass), Maria Lennard (vocals) and ?

    This Sheerwater / New Haw based band played a couple of gigs in Kingston, then split in late ’83.

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  • COW

    COW

    (c’83-84) James Johnston (guitar), Paul Dempsey (bass), Jo Byfield (vocals), Paul Bellchamber (guitar) and Kevin ? (drums)

    This Cranleigh / Guildford 5-piece band appeared at The Old Schoolhouse, Woking on 14 January ’84 supporting Screaming Lullabies, along with Dark Paradise and The Spin Dolls. Nine days later, on 25 January, they headlined the ‘Animal House’ at The Royal, Guildford, with Ruff Justice in support. The following month, on 24 February they were supporting Zugang and Kalibre at the Borough Hall, Godalming. At some point Mike Delanian may have played with the band on bass and there was at least one demo on TDK cassette.

    14 January 1984: Old Schoolhouse ticket for Screaming Lullabies, Dark Paradise, Cow, and Spin Dolls.

    Three months after their first appearance at The Schoolhouse, they were back at the venue with No Joy, Screaming Lullabies, and The Spin Dolls, this time supporting goth rock band In Excelsis, formed by former UK Decay guitarist Steve Spon, on 26 April ’84. Members of COW went on to form Gallon Drunk in ’88.

    Johnston was a touring member of Nick Cave and the Bad Seeds in 1994, filling in for Blixa Bargeld during the band’s Lollapalooza stint. He was a full-time Bad Seed from 2003 to 2008, contributing to the albums “Abattoir Blues”, “The Lyre of Orpheus” and “Dig Lazarus Dig”. He has also recorded and toured with the likes of Lydia Lunch, Ulan Bator, Barry Adamson, Faust, and PJ Harvey. Delanian has a writing and piano credit on Holly Golightly’s 1998 “Serial Girlfriend” LP.

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  • Atalanta Ballroom, Woking

    Atalanta Ballroom, Woking

    The Atalanta Ballroom, owned by Bob Potter (post-war dance band drummer, band leader and Surrey farmer’s son – Grove Farm, Ash), stood on Commercial Road, Woking and was the place, if you couldn’t afford to go up to London, to be seen. The building was originally the Sunday school and Manse of the Wesleyan Chapel. In WWI it was a recreation hall for soliders and after a period of disuse, the hall became the Atalanta Ballroom in 1935.On Wednesday 8 May ’35 it was the venue for a ‘George V Jubilee Dance’ with the proceeds given to the Woking Victoria Hospital.

    In the 50’s Geoffrey/Geoff Boniface lead a dance band out of the “Ata”; as it was often called, and the youth of the day also “got down” to the Bob Potter Band. Sheerwater based skiffle band the Mid Westerners also played at the Ata and Terry Lightfoot’s Jazzman were there on 13 December ’57. There would be a queue outside waiting for the doors to open and Bob Potter would stand just inside the door to greet you in his dinner jacket and bow tie, as Dot took your coat. The local lads would have to vie with soldiers from Pirbright for the local ladies’ attention with nights kicking off with a “Paul Jones” dance which paired you with whomever was opposite when the music stopped.

    19 Sept 1958: The Jazz Couriers supported by the David James Trio were at the Atalanta Ballroom, Woking. Picture courtesy of Ben’s Collectors Records

    Potter also DJ’d (another Ata DJ was Dave the Rave West) and ran the Bob Potter Agency (later I.E.A or International Entertainment Agency) representing bands like The Bandits, who frequently played at the Agincourt Ballroom, one of Potter’s other clubs, and Atalanta Ballrooms.

    Friday nights at the Ata were legendary. When packed with 800 plus teenagers the acoustics, thanks to thick walls, traditional ballroom design and floor, were great. The Ata was famous for it’s “best in Surrey” (if not the South-East) sprung dance floor – with the rumour being it was built over a pool – and was used as a dancing school during the day in the late 50’s / early 60’s.

    Bob Potter talks about The Beatles and The Rolling Stones at The Atalanta

    The floor really bounced when hundreds of teenagers were rockin’ and rollin’ to a who’s who of early 60s bands. Potter’s own bands: The Emeralds, Wishful Thinking, The Late, The Onyx, Mike Raynor and the Condors, The Embers and Chunk’s Jump Band all enjoyed playing the Ata. Along with resident and/or represented bands, the Flamingo Club, based at the Ata, focused on Jazz in the early 60’s.

    The Merseybeats (c’63) with fans at Atalanta Ballroom. Source: Maggie Froud via WOKING when we were young

    You could have seen Kenny Ball Jazzmen (4 Sept ’61), The Rolling Stones (19 Aug ’63 – a week before appearing on ‘Ready, Steady, Go’), Spencer Davis Group (18 Jan ’65), Hedgehoppers Anonymous (8 Nov ’65), Jerry Lee Lewis (in ’65 – who had to play on a Hammond organ as the piano was broken), Gary Farr & the T-Bones (21 Mar ’66), .

    Peter Howard, of ICE magazine and Contributing Editor for Rolling Stone, talks about a 1963 Atalanta Posters that includes The Rolling Stones

    Steam Packet appeared in ’66 – with Rod Stewart on vocals; Acker Bilk (5th Sept ’67), The Turtles, Johnny Kidd and the Pirates, The Who, John Mayall’s Bluesbreakers, Graham Bond Organisation, Screaming Lord Sutch, Geno Washington And The Ram Jam Band, The Temperance Seven, Tornadoes, Wilson Pickett, The Equals (16 July ’68) and many other sixties headliners such as Tom Jones (16 February ’65 – and earlier in ’63 – was paid 100 quid) supported by one of Bob’s bands, Rampant from Portsmouth. The image used on the front cover on Tom Jones and the Squires’ 1965, 7″ 4-track vinyl “Tom Ones On Stage” was taken at The Atalanta, Woking. Of course, the local bands kept the place alive; local bands like The Late.

    16 February 1965: Tom Jones on stage at the Atalanta, Woking. Source: Richard Knotek via WOKING when we were young

    Two notable 60’s headliner were Cream (19 September ’66) and Pink Floyd (sometime in ’67). Cream had come directly from recording their slot for 30 December broadcast of Guitar Club for the BBC Home Service show. The venue was packed for them, but down the front of the crowd was a gent yelling at Eric Clapton, “Oi, Eric you’re useless. Can’t play at all. Rubbish…!” One of the bouncers pulls this heckler aside and held him against the wall, to whom Clapton shouted out “Put my uncle down!”. Well, that’s how the story went when Adrian Clapton told it to Adam Russel. Pink Floyd launched into their set, which likely opened with Interstellar Overdrive, with their infamous live lightshow designed by Peter Wynne Willson. This visual bombardment so displeased Potter that he stopped the show.

    Many a band member would nip next door to the Schooner Club bar. The Schooner was a great little club, entering to the left of the Ata building via the foyer, where Stan would greet you on the Door, then along a dark passage that opened up into the Schooner to be welcomed by Dougie & Doris (Potter’s sister and brother in law) behind the Bar. Potter’s agency bands would turn up and jam when the DJ was late. In fact, on Saturday and Sunday nights the Schooner was often open until 2am and Potter’s bands would finish their other booking/s and then travel back and do a session there. Les Reed‘s, (he co-wrote ‘It’s Not Unusual” for Tom Jones) mother used to wax that dance floor and she used her position as the venue’s caretaker to introduce Potter to piano playing Reed. The Daleks also made an appearance one Saturday in ’66-ish, if you collected enough vouchers from the Woking News and Mail you could get a free ticket.

    The Atalanta Ballroom was demolished in 1972

    In 1970, the venue hosted a benefit concert for the disaster in Pakistan at which Genevieve played. It was demolished, despite a long petition to retain the Atalanta, in 1972 (or ’74, ’78 and ’79 depending on the source, but readers do say it was definitely after ’72). The Peacocks / Wolsey Walk now occupies the site. Potter went on to build Lakeside Country Club, Frimley Green

    Bob Potter OBE, passed away peacefully in his sleep after a short illness on 14 April 2023. He was 94.

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  • Chez Ed

    Chez Ed

    (c’87-88) Al ? (guitar, sax and vocals), Jason Orbaum (keyboards and vocals), Bruce ? (bass) and Matt Edmonds (drums).

    Named in tribute to the bands own Edmunds, not for then Woking College student president Eddie Thorn as reported in Soundscene, this 4-piece was a by-product of Orbaum and Edmonds’ comedy double-act. They started as a covers band with “Shout”, “Careless Whisper”, “Up the Junction”, and “Sunday Bloody Sunday” in their repertoire.

    Woking College’s inaugural Fresher’s Ball in ’87 was the band’s coming out party and they reportedly had shows lined up in Teddington. By December ’88 they were collecting the “Memorial Award for Absent Friends” from PG Tips, which they shared with Steel Bill & The Buffalos and Dance Factor. Orbaum went onto to a project called Dark.

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  • The Photogenix

    The Photogenix

    (c’84) Simon Ward (bass), Sue Trevnor (vocals) Matt Johnson (drums), Dave ? (synth) and Richard Failey (guitar).

    Toxic Noise renamed to The Photogenix in early ’84 with the addition of a couple of new members. They first appeared under the new moniker supporting Cacophony Again at The Royal, Guildford on 4 February that year. By this time Failey had left amicably and was replaced on guitar by Andy Jones. It was a gig where Rock Club organizers, Tony and Judith Sawyer, pulled The Photogenix back on to compensate for the headliners lacklustre showing.

    Johnson was the student president of Woking College at the time.

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  • F.E.G

    F.E.G

    (c’84-85) Robert Humphreys (synthesizer), and Paul Hemsley (synthesizer)

    Humphreys and Hemsley formed this synth duo along with the “schizo seven” at TSI Studios, New Haw; which Humphreys ran. A short while after forming they supported the Milky Bar Kids at St. Mary’s Church Hall, Byfleet on 26 September ’84

    F.E.G released the 3-track “The First Cut” demo, that included covers of “Love Will Tear Us Apart” and “Blue Monday” with their own “Ghosts”, in late ’84 / early ’85. This demo was submitted for consideration in the Soundscene Miss Woking Pop Cabaret competition. Unfortunately according to the reviewer the covers were “..fairly mournful on the senses. The rhythmic appeal is there, but not quite enough spark.”

    Our final record of F.E.G. finds them with the Milky Bar Kids again on 16 February ’85 at The Blue Anchor, Byfleet.

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One thought on “Home

  1. Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.

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