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The Vapors
(c’78-82) David Fenton (vocal & rhythm guitar), Steve Smith (bass), Edward Bazalgette (guitar) and Howard Smith (drums).

Vapors outside Roundhouse Studios during recording of “Turning Japanese” in early 1980. Picture courtesy of Fred Pipes Originally called the Big Box Band, then BBC3, then The Vapours; the band’s initial members were Michael Hedges (bass), Rob Kemp (guitar), Fenton (vocal) and Mike “Joe” Jordan (drums). The earlier BBC incarnations, when they rehearsed in Weydon Youth Club, also included Bob Wright (vocal). The band moved to rehearsing at Shalford Village Hall, with Colin Crew helping lug the gear; including Kemp’s 8×12 Marshall stack – erroneously reported to be one of only six made for The Who.

The Vapors playing Farnham Malting in 1978 It was the Kemp/Fenton/Hedges/Jordan incarnation, Vapors MkI, that recorded the original demo/s of “Turning Japanese” at Shalford Village Hall / Chestnut Studio, Churt in ’78. Reportedly, Kemp wrote one of the dominant guitar riffs in “Turning Japanese” but received no writing credit due to a falling out.

The Vapors, reportedly outside Shalford Village Hall after recording their first demo in 1978. (LtoR) Michael Hedges, Rob Kemp, Dave Fenton, and Mike Joe Jordon. Picture by Colin Crew. In early / mid ’78 the band were performing three or four gigs a month at local venues such as the Coach & Horses, Farnham; Holly Bush. Addlestone; The Junction at The Star, Guildford and The Malting, Farnham. Reportedly a gig at The Laker Hotel, Redhill supporting The Cure, going by the Easy Cure moniker at the time, resulted in both bands’ roadies getting into a fight, supposedly triggered by Robert Smith saying to Rob Kemp, “You think you’re really good, but you’re not!” – or words to that effect.
Fenton – who was working in Cliffs greengrocer down Market Street, Guildford – was the only original member to remain in ’79 when Bazalgette and Howard Smith (both ex-The Ellory Bops) and Steve Smith (ex-The Absolute drummer, who lived opposite The Royal and was once stabbed in The Royal Oak, just down from the music shop where he used to practice) joined. The rumor being that this replacement was at the instruction of the record company before the single was recorded and released. Bazalgette recalls, in an interview with Malcolm Wyatt posted to WriteWyattUK, having been in a band that had split and he, who was busy washing dishes at the Corona Cafe, Guildford during the day to pay for his walnut Gibson SG special during the day, and Howard Smith watching The Vapors. They’d formed a pick-up band together; possibly called The Parrots, that got pulled off stage after about three songs by Tony McManus, landlord at The Royal, Guildford, which Fenton had witnessed. Three months later Hedges called Bazelgette asking if he was interested in auditioning.

Dave Fenton at Scratchers (Three Lions), Farncombe; 14 January 1979. Picture courtesy of Fred Pipes The Vapors MkII rehearsed above the launderette in Markenfield Road, Guildford, which was owned by one of the Smith’s fathers, where they could also leave their gear, in a room they’d egg crated to muffle the sound. Their first gig was reportedly at The Junction, at The Star, Quarry Street booked by Michael Coles having heard a tape Fenton had given him, stating “they would be the next big thing in town”. On 14 January ’79 they played The Three Lions (Scratchers), Farncombe and a National Union of Journalist benefit gig at the University of Surrey nine days later on 25 January ’79; there was also a reportedly ‘infamous’ gig at Godalming College – although we’ve still to discover why it was ‘infamous’. Discovered by Bruce Foxton, in April ’79 at Scratchers, Godalming, they were managed by Foxton and John Weller and accompanied the The Jam on the Setting Sons tour in late ’79, early ’80.

May/June 1979: Vapors Passport Tour flyer But that was after the band, across May and June ’79, undertook their first tour, rather hopefully called the ‘Passport Tour’ as no passports were required, for their Southern UK sojourn’s most distant gig was at Colson Hall, Bristol on 21 May ’79. Local lad, Tim Cox was their roadie at the time and their first ‘tour bus’ was Steve Gunner’s Morris 1000, before upgrading to the Golden Age of Metro’s van which they borrowed with Sophie Good chauffeuring.
While on tour Fenton sent a demo to John Peel who booked them for a session, which recorded “Turning Japanese”, “Trains”, “Waiting For The Weekend”, and “Cold War” on 4 July ’79, broadcast on 11 July 1979 then repeated on 20 August 1979 (of which Peel said “sounded better the second time around”) and 2 April 1980. They signed to United Artists and released their first single, “Prisoners,” [BP 321] with “Sunstroke” on the b-side at the end of 1979. It was about this time that Bazelgette was accepted to Goldsmith’s College, an entrance he declined following an ultimatum from Fenton (who’d given up his career for the band) along the lines of ‘if you accept you resign from The Vapors’. Also in ’79 they raised 200 quid, together with House, at a woman’s aid gig that same year. In November they appeared half naked in “Oh Boy!” magazine, and with The Beat at a John Peel Roadshow gig in Guildford.

16 November 1979: Press ad for The Vapors appearance on the John Peel Roadshow at University of Surrey. Source: Vinny Webster via The Vapors UK Their second and best known single, “Turning Japanese” [BP 334] reach No.3 in the UK chart and top ten in Canada, New Zealand and Australia, and top 40 in the US was produced by Vic Coppersmith-Heaven who also produced The Jam. The cover design for “Turning Japanese” was done by Guildford musician / artist Andi McInnes, who was good friends with the band, who fought with the record company to allow him to do it instead of the in-house department.


The band, who were too famous to put on the bill, were listed as The Japanese Prisoners, and back at The Wooden Bridge, Guildford on 9 February ’80 for a Barbed Wire benefit that saw Noit Otni & the Pits and UBz in support. Shortly after they undertook a short UK tour to promote the single. This kicked off at The Polytechnic, Wolverhampton on 13 February ’80, then onto JB’s in Dudley on 16 February and rolling back south to perform at the Marquee, London the next night with UBz opening for them. The tour rolled onto the University of Kent, Canterbury (18 Feb), Brunel University, Uxbridge (20 Feb), Huddersfield Polytechnic (22 Feb), University of Warwick (23 Feb), South Wales Newbridge Institute (24 Feb), Circles Club, Swansea (25 Feb), the Brunel Rooms, Swindon (26 Feb), and Routes, Exeter, where you could have seen the band for a quid on 27 February ’80. The last two dates rolled through the Dorset Institute of Higher Education, Weymouth on 28 February and the Marshall Rooms, Stroud on 29 February ’80. The album “New Clear Day” was released in June 1980 again on the United Artists Records label, followed by the singles “Waiting for the Weekend” [BP367] and “News at Ten” [BP 345]. On 12 June ’80, The Vapors played their hometown, at the Civic Hall, then dashed up to Sheffield to appear at Sheffield City Polytechnic the next night.
The second album, “Magnets” [LBG 30324], was released the following year on the Liberty label (UA was taken over by EMI and the Liberty brand was revived in 1980, having become part of UA in ’71) after which Fenton left and may have been replaced by Dylan of UBz, ultimately breaking up in early ’82. Not before, however, the release of the single: “Jimmie Jones”. The Peel session recording of “Trains” was broadcast again to celebrate Peel’s 30 years on BBC Radio One. Peel also claimed on his 17 April 2002 show that he and Sheila were singing ‘Turning Japanese’, while touring Rajasthan. Fenton has said they tried to reform in 2001 but couldn’t find the time to rehearse.
On 30 April 2016, Fenton and Bazelgette guested with Steve Smith’s band The Shakespearos at the Half Moon in Putney, playing “Turning Japanese” then leaving. On 10 June a short four-date tour in October and November was announced. Also in 2016, Steve Smith said “the Peel Session was a huge break for the band…it gave us credibility.” The reformed band are still touring today.
After the split, Steve Smith joined Shoot!, Dispute. Fenton, who was erroneously rumored to have landlorded a Woking pub for a while, became a solicitor specializing in music law for the Musicians Union. Bazalgette went to Central London Polytechnic, focusing on editing which got him into the BBC; becoming a television director, including episodes of Doctor Who, Poldark, Class, Top Gear and EastEnders. Bazalgette’s old 4 x 12 Marshall cabinet, stenciled on back with ‘Vapors’ and ‘Reg’, which was his nickname, currently reside with another local musician, Adam Russel. Steve Smith along with Steve Jameson (ex-World Domination) formed CUT. Howard Smith ran People Records on Chapel Street, Guildford.
Kemp formed Pozer with Bruce Richins and Ian Goral and owned Total Video, Farnham before moving to the US in 1986. He sadly died in 2016 as a result of a heart attack.
Gallery:

The Vapors playing Farnham Malting in 1978 
The Vapors playing Farnham Malting in 1978 
The Vapors’ Rob Kemp gigging at the Maltings, Farnham, 1978. 
Vapors gig list for 1978. Reportedly The Laker Hotel gig (date unlisted) was supporting The Cure (I believe they were called Easy Cure at the time), and both bands’ roadies got into a fight. Source: Malcolm Bond via Historic Farnham Town And Surrounding Villages 
Michael Hedges and Dave Fenton of The Vapors 
Dave Fenton at Scratchers (Three Lions), Farncombe; 14 January 1979. Picture courtesy of Fred Pipes 
Dave Fenton at Scratchers (Three Lions), Farncombe; 14 January 1979. Picture courtesy of Fred Pipes 
Dave Fenton at Scratchers (Three Lions), Farncombe; 14 January 1979. Picture courtesy of Fred Pipes 
Dave Fenton at Scratchers (Three Lions), Farncombe; 14 January 1979. Picture courtesy of Fred Pipes 
25 January ’79: NUJ Benefit gig poster 
Ticket for NUJ Beneft gig at University of Surrey in ’79. Picture courtesy of Fred Pipes 
Set list from Godalming gig 
8 July 1979: Mod night at The Marquee featured Secret Affair supported by The Vapors and Mandy H. Source: Neil Chippendale via Keep It Out Of Sight 
19 August 1979: The Vapors., along with Jerry Floyd, supported The Chords at The Marquee. Source: Neil Chippendale via Keep It Out Of Sight 
19 August 1979 Tha Vapors supported The Chords (Sounds 1st Sept ’79) 
1 September 1979: The Barbed Wire fanzine organized a coach from Guildford Station Yard to The Vapors gig at The Marquee. Picture courtesy of Fred Pipes 
Ed Bazalgette at an unknown venue, possibly The Marquee, c79. Picture courtesy of Fred Pipes 
Sounds 15th Sept ’79 
6 October 1979: A repeat performance for the Barbed Wire coach from Guildford Station Yard to see The Vapors at The Marquee. Picture courtesy of Fred Pipes 
Ed Bazalgette at an unknown venue, c79. Picture courtesy of Fred Pipes 
The Vapors signed to United Artists, releasing their first single, “Prisoners”, at the end of 1979, which regrettably failed to chart. Picture courtesy of Ben’s Collectors Records 
1979’s “Prisoners” on the United Artists Records label [BP 321] was The Vapors first 7″ single. Picture courtesy of Ben’s Collectors Records 
“Prisoners” single slleve front, released at end of 1979 
16 November 1979: Ticket for the John Peel Road Show at University of Surrey, featuring The Vapors and The Beat 
The Vapors supported The Jam at Royal Hall, Bridlington Spa on 27 Nov 1979. Picture courtesy of Ben’s Collectors Records 
2, 3 and 4 December 1979 (Melody Maker 13th Oct ’79) 
Dec 1979 clipping from Record Mirror. Source: Vinny Webster via The Vapors Fan Group 
The Vapors on the Setting Sons tour 1979. 
Ed Bazalgette at the Roundhouse Studios during recording of “Turning Japanese” in early 1980. Picture courtesy of Fred Pipes 
Barbed Wire benefit gig at The Wooden Bridge, Guildford. 
Barbed Wire Jan/Feb 1980 Vol 3 No 1 (issue 5). Picture courtesy of Fred Pipes 
Barbed Wire Jan/Feb 1980 Vol 3 No 1 (issue 5). Picture courtesy of Fred Pipes 
Barbed Wire Jan/Feb 1980 Vol 3 No 1 (issue 5). Picture courtesy of Fred Pipes 
Fred reviews The Vapors latest 7″ in Barbed Wire Vol 3 No 1 Jan/Feb 1980. Pictre courtesy of Fred Pipes 
Vapors, back stage on The Jam’s Setting Sun tour in early 1980. Picture courtesy of Fred Pipes 
Clipped from Smash Hits 7 February ’80 issue. Image courtesy of Pete Cole 
17 February 1980: The Vapors headlined at Marquee. Advert in Sounds 16 Feb ’80 issue. 
27 February 1980: The Vapors played Routes, Exeter. 
Daniela Soave interviews The Vapors for Record Mirror (8 March 1980) 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
11 April 1980: The Vapors played Routes, Exeter. 
Record Mirror 26 April 1980: “New Clear Day” tour dates. 
10 & 11 May 1980: The Vapors were at the Marquee, London. Source: Nic Pike via Keep It Out Of Sight 
Fred reviewed the Vapors LP for the May/June 1980 issue of Barbed Wires – Vol 3 No 2 (issue 6) – Picture courtesy of Fred 
Bonaparte was a regular supporter of the Barbed Wire fanzine. This ad is from page 13 of the very last ever issue – May/June 1980 Vol 3 No 2 (issue 6) – and features the Vapors “New Clear Day” LP and a possible personal appearance on June 11th 1980. Picture courtesy of Fred Pipes 
12 June 1980: John Tobler reviews The Vapors gig at the Civic Hall, Guildford. Picture courtesy of Vinny Webster 
Advert from Record Mirror lists The Vapors gig at Civic Hall, Guildford on 12 June 1980 
13 June 1980 
1980’s Gig Poster for The Jam at Friars, Maxwell Hall, Aylesbury, with The Vapors in support. Source: Vinny Webster via The Vapors Fan Group 
The Vapors Howard Smith on Countdown Australia on 17 August 1980. Source: Vinny Webster via The Vapors UK 
Advert for The Vapors 1980 at Diplomat Hotel, New York. Source: Vinny Webster via The Vapors Fan Group 
19 December 1980: Ticket No.0718 for The Vapors, plus special guests, at the Civic Hall, Guildford. Picture courtesy of Vinny Webster 
Brett Wright spent a couple of days with The Vapors, at their Civic Hall, Guildford gig on 19 December 1980 and Sheffield Poly the following night. The result: This article in New Music News. Picture courtesy of Vinny Webster 
Possibly the smallest mention of The Vapors ever…from the 29th Jan 1981 Soundscene on the release of their 5th single “Spiders”. Picture courtesy of Chris Turner 
2 February 1981 – The Vapors in Concert-251 recorded by BBC Transcription Services [CN 3791/S] for the BBC In Concert series 
12 March 1981: The Vapors, supported by The Chords, played the Mandela Hall, University of Sussex. Source: Owen Carne via The Vapors Fan Group 
27 June 1981: The Vapors headlined The New Florentine Gardens, Hollywood with 20/20 and Code Blue in support. Source: Johnny Kardash 
Some friction with The Vapors via Soundscene 1st Oct 1981. Picture courtesy of Vis 
‘News at Ten’ single, sleeve front 
‘News at Ten’ single, sleeve back 
‘News at Ten’ single, A-side 
‘News at Ten’ single, B-side 
June 1980 – Advert for “News At Ten” single with tour dates. 
‘Waiting for the Weekend’ single, sleeve front 
‘Waiting for the Weekend’ single, sleeve back 
‘Waiting for the Weekend’ single, A-side 
‘Waiting for the Weekend’ single, B-side 
‘Turning Japanese’ single A-side 
Turning Japaness poster. Picture courtesy of Ben’s Collectors Records 
“Turning Japanese” single review from the Grinding Halt No.3 fanzine 
New Clear Days LP., sleeve front. Picture courtesy of Ben’s Collectors Records 
New Clear Days LP., sleeve back. Picture courtesy of Ben’s Collectors Records 
Taken from an unknown fanzine… 

1981 – Magnets LP front sleeve 
1981 – Magnets LP back sleeve 
The Vapors “Jimme Jones” single front released late ’81. Picture courtesy of Ben’s Collectors Records 
The Vapors “Jimme Jones” single back released late ’81. Picture courtesy of Ben’s Collectors Records 
Rebel Mantovani’s review of Jimmy Jones and The Magnets gig at The Royal, Guildford appeared on page 11 of Bitch Bitch Issue No.1 Picture courtesy of John Hudson 
A Vapors poster in background, over John Gielgud’s right shoulder, in still from 1984’s Scandalous. The shot was taken at The Rainbow Theatre, Finsbury Park. The Vapors played The Rainbow on 2nd – 4th December 1979 and 28th June 1980. Source: http://www.rainbowhistory.x10.mx/ 



The pins for The Setting Sons Tour, on which The Vapors supported The Jam. Picture courtesy of Ben’s Collectors Records 

It’s Malcolm Wyatt’s old badge collection, including example/s from The Vapors. Picture courtesy (I stole it) of Malcolm Wyatt 
A significant collection, possibly belonging to Rob Payne, of Vapors badges, with a UBz one too. Source: The Vapors UK 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors in someone’s bedroom. Photograph by and courtesy of Fred Pipes 
The Vapors in someone’s bedroom. Photograph by and courtesy of Fred Pipes 
The Vapors in someone’s bedroom. Photograph by and courtesy of Fred Pipes 
The Vapors in someone’s bedroom. Photograph by and courtesy of Fred Pipes Adam Russel, Addlestone, Andi McInnes, BBC, BBC Radio One, BBC3, Big Box Band, Bob Wright, Bristol, Bruce Foxton, Bruce Richins, Brunel Rooms, Brunel University, Canterbury, Central London Polytechnic, Chestnut Studios, Circles Club, Class, Coach & Horses, Colin Crew, Colston Hall, Cut, David Fenton, Dorset Institute of Higher Education, Dr Who, Dudley, EastEnders, Easy Cure, Edward Bazalgette, EMI, Exeter, Farncombe, Farnham, Godalming College, Golden Age of Metro, Goldsmiths College, Guildford, Half Moon, Holly Bush, Howard Smith, Huddersfield Polytechnic, Ian Goral, JB’s, John Peel, John Peel Roadshow, John Weller, Liberty, London, Malcolm Wyatt, Marquee, Marshall Rooms, Michael Coles, Michael Hedges, Mike Jordan, Musicians Union, Oh Boy!, People Records, Poldark, Pozer, Putney, Redhill, Rob Kemp, Robert Smith, Roundhouse Studios, Routes, Scratchers, Shalford, Shoot! Dispute, Sophie Good, South Wales Newbridge Institute, Steve Gunner, Steve Jameson, Steve Smith, Stroud, Swansea, Swindon, The Absolute, The Beat, The Cure, The Ellory Bops, The Jam, The Junction, The Laker Hotel, The Maltings, The Parrots, The Polytechnic, The Royal, The Royal Oak, The Shakespearos, The Star, The Three Lions, The Vapors, The Vapours, THe Who, Tim Cox, Tomy McManus, Top Gear, Total Video, UBz, United Artists, University of Kent, University of Surrey, University of Warwick, Uxbridge, Vic Coppersmith-Heaven, Village hall, Weydon Youth Club, Weymouth, Wolverhampton, World Domination, WriteWyattUK -
Hot Club
(c’88) Steve Smith (guitar), and Darrel West (vocals & guitar).
This rock / blues cover band played the likes of Clapton’s “Forever Man” and Chuck Berry’s “Promised Land”. We know they appeared at The White Lyon, Worplesdon on 16 September ’88.
Gallery:

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Southbound
(c.’83-’85) – Alex ‘The Gipsy’ Tedesco (bass), Wynne ‘The Tramp’ Parry, and Martyn Eyre (drums).

A post gig Southbound This Pyrford based Southern boogie 3-piece covered the likes of ZZ Top’s “Gimme All Your Lovin’” as well as performing their own material, such as “Last Train to Georgia” – Although the Soundscene reviewer at the time may not have been aware on Red, Whites & Blues 1971 single “Last Train to Georgia”. On 2 February ’84 Southbound were originally to appear at The Royal, Guildford, with Backstage Pass who had to pull out and were replaced by Jokers Wild. The band were back at The Royal on 27 April, 23 November, supporting Jackie Lynton courtesy of promoter Tom Sawyer, and 27 December ’84 with Empyre in support. The next month they were picking up the ‘100 per cent Egyptian Cotton Award’ in the 1985′ Soundscene New Year awards for the best band T-shirt.
Back in ’79 Tedesco had been in West Byfleet Hawkwind wannabees Planetarium, more recently he has been seen in The New Hawleans Jug Band. In ’85 Eyre got together with a few others and formed 45 South, playing local pubs and clubs.
Gallery:

Advert from Sounds’ 28 January 1984 issue. Image courtesy of Pete Cole 
Clipping from 2 February ’82 Soundscene 
Southbound clipping from Soundscene 26 April 1984 
A mention of the award winning Sounthbound t-shirt. Soundscene 8th November 1984. 
Soundscene, 15th November 1984 
Soundscene, 29th November 1984 -
The Bohemians
(c’83) Victor Kaye (drums), Peter Ryan (bass), Maria Lennard (vocals) and ?
This Sheerwater / New Haw based band played a couple of gigs in Kingston, then split in late ’83.
Gallery:

Soundscene, 19th January ’84 
Soundscene 12th Jan 1984 -
Atalanta Ballroom, Woking
The Atalanta Ballroom, owned by Bob Potter (post-war dance band drummer, band leader and Surrey farmer’s son – Grove Farm, Ash), stood on Commercial Road, Woking and was the place, if you couldn’t afford to go up to London, to be seen. The building was originally the Sunday school and Manse of the Wesleyan Chapel. In WWI it was a recreation hall for soliders and after a period of disuse, the hall became the Atalanta Ballroom in 1935.On Wednesday 8 May ’35 it was the venue for a ‘George V Jubilee Dance’ with the proceeds given to the Woking Victoria Hospital.
In the 50’s Geoffrey/Geoff Boniface lead a dance band out of the “Ata”; as it was often called, and the youth of the day also “got down” to the Bob Potter Band. Sheerwater based skiffle band the Mid Westerners also played at the Ata and Terry Lightfoot’s Jazzman were there on 13 December ’57. There would be a queue outside waiting for the doors to open and Bob Potter would stand just inside the door to greet you in his dinner jacket and bow tie, as Dot took your coat. The local lads would have to vie with soldiers from Pirbright for the local ladies’ attention with nights kicking off with a “Paul Jones” dance which paired you with whomever was opposite when the music stopped.

19 Sept 1958: The Jazz Couriers supported by the David James Trio were at the Atalanta Ballroom, Woking. Picture courtesy of Ben’s Collectors Records Potter also DJ’d (another Ata DJ was Dave the Rave West) and ran the Bob Potter Agency (later I.E.A or International Entertainment Agency) representing bands like The Bandits, who frequently played at the Agincourt Ballroom, one of Potter’s other clubs, and Atalanta Ballrooms.
Friday nights at the Ata were legendary. When packed with 800 plus teenagers the acoustics, thanks to thick walls, traditional ballroom design and floor, were great. The Ata was famous for it’s “best in Surrey” (if not the South-East) sprung dance floor – with the rumour being it was built over a pool – and was used as a dancing school during the day in the late 50’s / early 60’s.
Bob Potter talks about The Beatles and The Rolling Stones at The Atalanta The floor really bounced when hundreds of teenagers were rockin’ and rollin’ to a who’s who of early 60s bands. Potter’s own bands: The Emeralds, Wishful Thinking, The Late, The Onyx, Mike Raynor and the Condors, The Embers and Chunk’s Jump Band all enjoyed playing the Ata. Along with resident and/or represented bands, the Flamingo Club, based at the Ata, focused on Jazz in the early 60’s.

The Merseybeats (c’63) with fans at Atalanta Ballroom. Source: Maggie Froud via WOKING when we were young You could have seen Kenny Ball Jazzmen (4 Sept ’61), The Rolling Stones (19 Aug ’63 – a week before appearing on ‘Ready, Steady, Go’), Spencer Davis Group (18 Jan ’65), Hedgehoppers Anonymous (8 Nov ’65), Jerry Lee Lewis (in ’65 – who had to play on a Hammond organ as the piano was broken), Gary Farr & the T-Bones (21 Mar ’66), .
Peter Howard, of ICE magazine and Contributing Editor for Rolling Stone, talks about a 1963 Atalanta Posters that includes The Rolling Stones Steam Packet appeared in ’66 – with Rod Stewart on vocals; Acker Bilk (5th Sept ’67), The Turtles, Johnny Kidd and the Pirates, The Who, John Mayall’s Bluesbreakers, Graham Bond Organisation, Screaming Lord Sutch, Geno Washington And The Ram Jam Band, The Temperance Seven, Tornadoes, Wilson Pickett, The Equals (16 July ’68) and many other sixties headliners such as Tom Jones (16 February ’65 – and earlier in ’63 – was paid 100 quid) supported by one of Bob’s bands, Rampant from Portsmouth. The image used on the front cover on Tom Jones and the Squires’ 1965, 7″ 4-track vinyl “Tom Ones On Stage” was taken at The Atalanta, Woking. Of course, the local bands kept the place alive; local bands like The Late.

16 February 1965: Tom Jones on stage at the Atalanta, Woking. Source: Richard Knotek via WOKING when we were young Two notable 60’s headliner were Cream (19 September ’66) and Pink Floyd (sometime in ’67). Cream had come directly from recording their slot for 30 December broadcast of Guitar Club for the BBC Home Service show. The venue was packed for them, but down the front of the crowd was a gent yelling at Eric Clapton, “Oi, Eric you’re useless. Can’t play at all. Rubbish…!” One of the bouncers pulls this heckler aside and held him against the wall, to whom Clapton shouted out “Put my uncle down!”. Well, that’s how the story went when Adrian Clapton told it to Adam Russel. Pink Floyd launched into their set, which likely opened with Interstellar Overdrive, with their infamous live lightshow designed by Peter Wynne Willson. This visual bombardment so displeased Potter that he stopped the show.
Many a band member would nip next door to the Schooner Club bar. The Schooner was a great little club, entering to the left of the Ata building via the foyer, where Stan would greet you on the Door, then along a dark passage that opened up into the Schooner to be welcomed by Dougie & Doris (Potter’s sister and brother in law) behind the Bar. Potter’s agency bands would turn up and jam when the DJ was late. In fact, on Saturday and Sunday nights the Schooner was often open until 2am and Potter’s bands would finish their other booking/s and then travel back and do a session there. Les Reed‘s, (he co-wrote ‘It’s Not Unusual” for Tom Jones) mother used to wax that dance floor and she used her position as the venue’s caretaker to introduce Potter to piano playing Reed. The Daleks also made an appearance one Saturday in ’66-ish, if you collected enough vouchers from the Woking News and Mail you could get a free ticket.

The Atalanta Ballroom was demolished in 1972 In 1970, the venue hosted a benefit concert for the disaster in Pakistan at which Genevieve played. It was demolished, despite a long petition to retain the Atalanta, in 1972 (or ’74, ’78 and ’79 depending on the source, but readers do say it was definitely after ’72). The Peacocks / Wolsey Walk now occupies the site. Potter went on to build Lakeside Country Club, Frimley Green
Bob Potter OBE, passed away peacefully in his sleep after a short illness on 14 April 2023. He was 94.
Gallery:




13 June 1966: The Gass played the Atalanta, Woking. Advert from the Aldershot News & Camberley News from June 1966 
16 July 1968: The Equals played the Atalanta, Woking. Picture courtesy of Ben’s Collectors Records 
Ticket for the Schooner Club at the Atalanta, Woking. Source: Ann Morris via WOKING when we were young 
Hedgehoppers Anonymous clipping from NME 29 Oct ’65 
Parts of posters for “Ata” gigs, the first from ’66 the othe ’62; both originals are/were for sale on peterice.com 
JAZZ NEWS — Tubby Hayes Quartet played the Atalanta Ballroom, Woking on Wednesday, April 5, 1961 (lifted from National Jazz Archive) 
This is part of a photograph that used to be on the ceiling above the dentist’s chair at the Woking Dental Practice in Oriental Road. The “Ata” can be seen circled. 
The Atalanta in 1958 
Atalanta 
The Atalanta at the centre of Woking postcard 
Tom Jones in the dressing room after performing at the Atlanta ballroom, 16th February1965 
Tom Jones performing at the Atlanta ballroom, 16th February 1965 
This 7″ 4-track vinyl of Tom Jones and the Squires, titled “Tom Ones On Stage” was released in 1965. The cover picture of Tom on stage was taken at The Atalanta, Woking. 
The Atalanta Ballroom, Woking 
Atalanta Ballroom 
Melody Maker 29 April 67: Prince Buster and The Bees played the Atalanta, 15 May 1967 
Melody Maker 13 May 67: The Turtles played the Atalanta (mistakenly called the Atalantic, which was common) on 5 June 1967. 
Terry Lightfoot’s Jazzman were at the Atalanta, Woking on 13 December 1957 (clipping from NME 13 Dec ’57) 
Cliff Bennett and the Rebel Rousers appeared at the Atalanta, Woking on 19 October 1964 (Record Mirror 10 Oct 64) 
Atalanta and Agincourt Membership Card. Source: Marion Holloman Straver via Woking Old and New (Doing it together) 
1966/7 Atalanta Dancing Club membership card. Source: June Gilbert via WOKING when we were young 
Released in 1967, “Prince Buster On Tour” lists the Atalanta, Woking on the cover. Acker Bilk, Adam Russel, Adrian Clapton, Agincourt Ballroom, Ash, Ata, Atalanta Ballroom, Bob Potter, Bob Potter Agency, Camberley, Chunk's Jump Band, Cliff Bennett and The Rebel Rousers, Cream, Dave the Rave West, Emeralds, Eric Clapton, Flamingo Club, Frimley Green, Gary Farr & the T-Bones, Genevieve, Geno Washington & The Ram Jam Band, Geoff Boniface, Geoffrey Boniface, Graham Bond Organisation, Grove Farm, Hedgehoppers Anonymous, I.E.A, International Entertainmemt Agency, Jerry Lee Lewis, John Mayall's Blues Breakers, Johnny Kidd and the Pirates, Kenny Ball Jazzmen, Lakeside Country Club, Les Reed, Mid Westerners, Mike Raynor and The Condors, Peacocks, Peter Howard, Pink Floyd, Prince Buster and the Bees, Rampant, Rod Stewart, Schooner Club, Screaming Lord Sutch, Sheerwater, Spencer Davis Group, Steam Packet, Terry Lightfoot's Jazzmen, The Bandits, The Daleks, The Embers, The Equals, The Gass, The Late, The Merseybeats, The Onyx, The Rolling Stones, The Temperance Seven, The Turtles, THe Who, Tom Jones, Tom Jones and the Squires, Tornadoes, Tubby Hayes Quartet, Wesleyan Chapel, Wilson Pickett, Wishful Thinking, Woking, Wolsey Walk -
Chez Ed
(c’87-88) Al ? (guitar, sax and vocals), Jason Orbaum (keyboards and vocals), Bruce ? (bass) and Matt Edmonds (drums).
Named in tribute to the bands own Edmunds, not for then Woking College student president Eddie Thorn as reported in Soundscene, this 4-piece was a by-product of Orbaum and Edmonds’ comedy double-act. They started as a covers band with “Shout”, “Careless Whisper”, “Up the Junction”, and “Sunday Bloody Sunday” in their repertoire.
Woking College’s inaugural Fresher’s Ball in ’87 was the band’s coming out party and they reportedly had shows lined up in Teddington. By December ’88 they were collecting the “Memorial Award for Absent Friends” from PG Tips, which they shared with Steel Bill & The Buffalos and Dance Factor. Orbaum went onto to a project called Dark.
Gallery:

Soundscene, 15th October 1987 
Chez Ed share the “Memorial Award to Absent Friends” in the PG Tips December 1988 honors list. Picture courtesy of Daniel Hiscocks 
Chez Ed clipping from Soundscene (date unknown). Picture courtesy of Daniel Hiscocks




































































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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