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Stereo Club, Woking
The Stereo Club was held in the dance hall, up the winding staircase, at the top of the Co-op in Woking; with Willy Watson and Ronnie Hughes the main doormen on club nights from ’64-’66. It may not have been a licensed venue, but it featured a lot of good beat and rhythm ’n’ blues bands and was known as a hardcore Mod hangout.
You could have seen the likes of Freddie & the Dreamers, The Troggs, Dave Dee Dozy Beaky Mick and Tich, and the Tremelos for no more than 5/-. Local bands such as The Late Edition also played there, and on the 7th Jan, 7th Feb, 3rd & 13th March ’64 Philip Goodhand-Tait and The Stormville Shakers appeared returning in ’65 on 26th Sept. Each club night featured live music and a disco. Local firemen of the time – station just across the road – were often called out to the club to administer first aid following a punch up.
During the day and Saturday morning’s the Alexander School of Dancing, run by Frank and Winnie Alexander, operated out of the club. Below the club the Hopwood brothers ran a roller disco. The Co-op closed around 1980.
Gallery:

The old Co-op (c’73) building, Woking were the Stereo Club was held upstairs and the Hopwood brothers ran a roller discos below. 
Up the winding stairs on the right to the top of the Co-op was The Stereo Club. Picture courtesy of Gillian Pugh via WOKING-OLD and NEW 
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Annual Leave
(c’81) Taff Evans (drums), Nick Hyde (guitar / vocals), Mike Gale (bass) and Andy Callan (keyboard).
Evans (ex-Ribs), Hyde (ex-Can’t Be Rad), Gale (ex-Brun Salef) and Callan covered the pop-rock-jazz-blues area of the music spectrum. Gale may be the same person as the vocalist in PSG. Evans went on to join Boogie Chillen.
Gallery:

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Basic Essentials
(c’79-’83) – Stewart Home (guitar), Sally Alderman (vocal), Andrea James (bass), and Dave King (drums / synth).

This four-piece were formed by Andrea James and managed by David Tiffen, who also wrote some lyrics. A pre-gigging incarnation included Steve ? (guitar) with King, who was the guitarist with The Sleep. Home was in White Colours prior (with a slight overlap) to Basic Essentials and The Molotovs. King worked as a recording engineer at Theatre Projects in Neal’s Yard, Covent Garden and the band were able to use the place at the weekends to rehearse and record for free. Debuting at The Cricketers, Westfield on 20 June 1980, they played mostly their own material, with the odd cover, which despite the pretty traditional band construct was rather “experimental”. We also know that they appeared at The Star, Guildford.

Arctic Explorer demo cassette from 1980 
The “11 To 13” demo cassette from 1981. Two cassette EPs: The five track “Artic Explorer” which sold for 75p from Bonepartes, Guildford and Recordscene, Woking; and “11 to 13” were produced and released on the bands own These Silences label, generating some record company interest, with Rough Trade records distributing the cassettes. “Artic Explorer” [TST1] came out in late ’80 and carried 5 tracks: “Arctic Explorer”, “Woking”, “Little Boy”, “The Voyeur” and “No One Is There”. It sold well locally and received some coverage in the weekly music press, leading to sales in Switzerland, France and Germany. The “11 to 13” [TST2] cassette EP had all new, but one less track: “Hat Boxes”, “Kerouac”, “Traveler”, and “House of Usher” and was released in shortly before Christmas ’81.

Promo pic Home left the band prior to the recording of their third cassette, with King taking on guitar and drums duties. But all was not well and the band dissolved while the cassette was in the works. Then, from the ashes of Basic Essentials, Somewhere In Europe formed in ’83.
Gallery:

Advert for Basic Essentials “Arctic Explorer” cassette EP from page 8 of the Bitch Bitch fanzine Issue No 1. Picture courtesy of John Hudson 
Basic Essentials get a mention in the Bitch Bitch fanzine Issue No 1 Pg3. Picture courtesy of John Hudson 
Cover image for Basic Essentials’ “Artic Explorer” cassette EP released in 1980 
Article from local paper (to be identified) on Basic Essentials’ cassette sales success… 


1981: Stewart Home on guitar with Basic Essentials at The Wooden Bridge , Guildford. 
Some ‘weirdery’ from guitarist Home in the 10th May ’84 Soundscene 
Jon Harlow stirs it up a bit for Basic Essentials. Soundscene 1981 (date TBC). Picture courtesy of Chris Turner. 
Basic Essentials at The Star, Guildford 1980. Picture courtesy of Fred Pipes 
Basic Essentials at The Star, Guildford 1980. Picture courtesy of Fred Pipes 
Basic Essentials at The Star, Guildford 1980. Picture courtesy of Fred Pipes 
Basic Essentials at The Star, Guildford 1980. Picture courtesy of Fred Pipes 
Basic Essentials at The Star, Guildford 1980. Picture courtesy of Fred Pipes Andrea James, Basic Essentials, Bonepartes, Covent Garden, Dave King, Dave Tiffen, David Tiffen, Guildford, Recordscene, Rough Trade, Sally Alderman, Somewhere in Europe, Stewart Home, The Cricketers, The Molotovs, The Sleep, The Star, Theatre Projects, These Silences, Westfield, White Colours, Woking -
White Colours
(c’80-’85) – Julian Jehu (vocals), Stewart Home (bass), Chris Searle (guitar), and Andy Clarke (drums).
Named after a novel by F. D. Reeve, in late ’80 this Byfleet / Weybridge area band debuted at The Wooden Bridge, Guildford. Appearances at The Cricketers, Westfield; Bunters, Guildford and a few times at Woking Sixth Form College followed, once supporting Hector’s Breakfast, before the year was out.
On 27 January ’81 the band were back at The Wooden Bridge for a set with Tel Aviv Quartet, followed by a support slot for Pain Relief at Woking College on 30 January. A demo was also recorded in ’81, carrying “13 O’Clock” and “Soldier” which was either reportedly recorded in the garage studio of Tel Aviv Quartet guitarist Dave King or at a studio in Covent Garden by Dave King, assisted by ‘Big’ John Preston (bass) who were both in The Sleep.
Home left and joined King in Basic Essentials during ’81. When the band finally parted ways, Searle and Clarke formed In Motion, with Dave Cheke from The Sleep and Paul Slydell (bass).
Gallery:

c’ 1981 

Soundscene in ’81 (exact date unknown at this point). Picture courtesy of Chris Turner Andy Clarke, Basic Essentials, Bunters, Byfleet, Chris Searle, Covent Garden, Dave Cheke, Dave King, F.D. Reeve, Guildford, Hector’s Breakfast, In Motion, John Preston, Julian Jehu, Pain Relief, Paul Slydell, Stewart Home, Tel Aviv Quartet, The Cricketers, The Sleep, Westfield, Weybridge, Woking, Woking College, Wooden Bridge -
Phone For Details
(’84) ? (?), ? (?), ? (?), ? (?), and ? (?)
This Guildford 5-piece competed at the Aldershot Rock Weekend, held at the West End Centre, Aldershot, on the evening of 24 March ’84 appearing with Capricorn, Boogie Chillun, Drama, and Trident. Phone for Details also supported The Click at The Royal, Guildford on 4 May ’84.
Gallery:

Caroline Wood reviews Phone For Details when they supported The Click at The Royal, 4 May ’84. Taken from Soundscene 10 May ’84. 
Rock Weekend at West End Centre. Clipping from Aldershot News, March ’84 -
XLR8
(’82-’83) – William de Kock (drums), Nigel Turner (bass / backing vocals), Dave Raphael (keyboard / harmonica) and Pete Alvis (guitar / lead vocals).

XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock Alvis, who’d previously been in The Fix, teamed up with fellow fellow Westfield residents de Kock and ex-Panther and Cutting Edge Raphael, and Turner from Old Woking to form XLR8, who rehearsed in Sutton Green. XLR8 played their first gig at The Cricketers, Westfield and were on the local circuit for about 2 yrs in the early 80’s, including The Cricks, almost as a residency.
A typical month for XLR8 went a bit like this: They played The Cricks on the 1 October ’82, supporting Precious Few – in which Raphael also played – and a week later they appeared at The Mariner, Frensham on 8 October; two days after which they were entertaining the punters at the Coach & Horses, Farnham. Peasmarsh Rock Club hosted the band in Guildford on 14 October before returning to The Cricks and The Mariner on 24 and 30 October respectively. The band ended up playing Peamarsh Rock Club monthly (11 November and December) and The Cricks on a similar schedule (18 November and 12 December), one of which saw them supporting Toulouse. They even ventured into the home turf of The Jam, to whom they were often compared, at the Youth Club, Sheerwater on 17 November.
Ten days into January ’83 saw the band at the Community Centre, Frimley and back at The Cricks on 24 Janaury. On 10 February ’83, The Cricks hosted the band again but they officially split in March / April that year the result of the double whammy of pubs preferring to book discos over live bands and the lack of live venues in the Woking area. Over the next few months pressure mounted, particularly from The Cricks regulars, to reform. Eventually they succumb to the pressure, which included the landlord of the Cricks itself, and agreed to get together and do one very last gig on 7 July ’83 – billing it as our final farewell.

7 July 1983, Farewell gig flyer. Picture courtesy of William de Kock It may have been billed as their final gig but we have a listing for the band playing at the Youth Club, Woking on 1 October ’83…? Turner and Raphael turn up a couple of years later in China Heart. Twelve years after the split the band reformed one more time for a gig supporting Sideways on 14 February ’95.
Tracks:
Gallery:

Picture courtesy of William de Kock 
Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
XLR8 at The Cricketers, Westfield. Picture courtesy of William de Kock 
Turner threatens to send Jon Harlow a demo… Picture courtesy of William de Kock 
1983. Picture courtesy of William de Kock 
1995. Picture courtesy of William de Kock 
Picture courtesy of William de Kock 
Picture courtesy of William de Kock China Heart, Coach & Horses, Community Centre, Cutting Edge, Dave Raphael, Farnham, Frensham, Frimley, Guildford, Nigel Turner, Old Woking, Panther, Peasmarsh Rock Club, Pete Alvis, Precious Few, Sheerwater, Sideways, Sutton Green, The Cricketers, The Fix, The Jam, The Mariner, Toulouse, Westfield, William de Kock, XLR8, Youth Club -
Collective Sound
(c’85-86) – Malcolm Randall (drums), Annie Noel (vocals), Andy Herbett (bass) and Ronnie Johnson (guitar) or John Etheridge (guitar).
Ex-Crosswinds and Spliff Riff bassist, Johnson had just finished touring with Georgie Fame & The Blue Flames in early ’85 and Etheridge fronted Soft Machine (from ’75-’78 and in ’84) and played with Stephen Grappeli; the result being that the two guitarist alternated appearances with Collective Sound. We know the band played The Talbot, Ripley on Valentines Day in ’85 and went on to take up a Thursday night residency there in mid ’85. This moved to Sunday’s later in the year, from which they took a break in February ’86, returning on 2 March.
Johnson released his debut solo album ‘Give Them Enough Rope’ in ’91 and worked with Van Morrison for many years, appearing on several of Morisson’s albums, including ‘Live in San Fransisco’. Johnson went on to perform with Bob Dylan, John Lee Hooker, Peter Green, and Leo Sayer, and now appears with his award winning modern jazz combo First Light, whilst maintaining a steady output of recording sessions and writing commissions when not touring.
Etheridge is currently back with Soft Machine, as he has been since 2004. Between ’89 and ’93, he was a member of Whatever; and between ’88-’94 spent time touring Germany with Dick Heckstall-Smith, recording two albums as the Dick Heckstall-Smith / John Etheridge Band. In ’88, he recorded an LP with Vic Juris; toured with Bireli Lagrene; and played in the Elton Dean/John Etheridge Quartet. He became a member of Nigel Kennedy’s live band in ’92, playing on Kafka (’96) and The Kennedy Experience – The Music of Jimi Hendrix (’98). In ’94 he toured with Andy Summers and released a duo LP with him. That same year Etheridge released his first solo album.
Gallery:

Soundscene late ’85 / early ’86 Andy Herbett, Andy Summers, Annie Noel, Bireli Lagrene, Bob Dylan, Collective Sound, Crosswinds, Dick Heckstall-Smith, Dick Heckstall-Smith / John Etheridge Band, Elton Dean/John Etheridge Quartet, First Light, Georgie Fame and The Blue Flames, John Etheridge, John Lee Hooker, Leo Sayer, Malcolm Randall, Nigel Kennedy, Peter Green, Ripley, Ronnie Johnson, Soft Machine, Spliff Riff, Stephen Grappeli, The Talbot, The Talbot Hotel, Van Morrison, Vic Juris, Whatever -
The Vapors
(c’78-82) David Fenton (vocal & rhythm guitar), Steve Smith (bass), Edward Bazalgette (guitar) and Howard Smith (drums).

Vapors outside Roundhouse Studios during recording of “Turning Japanese” in early 1980. Picture courtesy of Fred Pipes Originally called the Big Box Band, then BBC3, then The Vapours; the band’s initial members were Michael Hedges (bass), Rob Kemp (guitar), Fenton (vocal) and Mike “Joe” Jordan (drums). The earlier BBC incarnations, when they rehearsed in Weydon Youth Club, also included Bob Wright (vocal). The band moved to rehearsing at Shalford Village Hall, with Colin Crew helping lug the gear; including Kemp’s 8×12 Marshall stack – erroneously reported to be one of only six made for The Who.

The Vapors playing Farnham Malting in 1978 It was the Kemp/Fenton/Hedges/Jordan incarnation, Vapors MkI, that recorded the original demo/s of “Turning Japanese” at Shalford Village Hall / Chestnut Studio, Churt in ’78. Reportedly, Kemp wrote one of the dominant guitar riffs in “Turning Japanese” but received no writing credit due to a falling out.

The Vapors, reportedly outside Shalford Village Hall after recording their first demo in 1978. (LtoR) Michael Hedges, Rob Kemp, Dave Fenton, and Mike Joe Jordon. Picture by Colin Crew. In early / mid ’78 the band were performing three or four gigs a month at local venues such as the Coach & Horses, Farnham; Holly Bush. Addlestone; The Junction at The Star, Guildford and The Malting, Farnham. Reportedly a gig at The Laker Hotel, Redhill supporting The Cure, going by the Easy Cure moniker at the time, resulted in both bands’ roadies getting into a fight, supposedly triggered by Robert Smith saying to Rob Kemp, “You think you’re really good, but you’re not!” – or words to that effect.
Fenton – who was working in Cliffs greengrocer down Market Street, Guildford – was the only original member to remain in ’79 when Bazalgette and Howard Smith (both ex-The Ellory Bops) and Steve Smith (ex-The Absolute drummer, who lived opposite The Royal and was once stabbed in The Royal Oak, just down from the music shop where he used to practice) joined. The rumor being that this replacement was at the instruction of the record company before the single was recorded and released. Bazalgette recalls, in an interview with Malcolm Wyatt posted to WriteWyattUK, having been in a band that had split and he, who was busy washing dishes at the Corona Cafe, Guildford during the day to pay for his walnut Gibson SG special during the day, and Howard Smith watching The Vapors. They’d formed a pick-up band together; possibly called The Parrots, that got pulled off stage after about three songs by Tony McManus, landlord at The Royal, Guildford, which Fenton had witnessed. Three months later Hedges called Bazelgette asking if he was interested in auditioning.

Dave Fenton at Scratchers (Three Lions), Farncombe; 14 January 1979. Picture courtesy of Fred Pipes The Vapors MkII rehearsed above the launderette in Markenfield Road, Guildford, which was owned by one of the Smith’s fathers, where they could also leave their gear, in a room they’d egg crated to muffle the sound. Their first gig was reportedly at The Junction, at The Star, Quarry Street booked by Michael Coles having heard a tape Fenton had given him, stating “they would be the next big thing in town”. On 14 January ’79 they played The Three Lions (Scratchers), Farncombe and a National Union of Journalist benefit gig at the University of Surrey nine days later on 25 January ’79; there was also a reportedly ‘infamous’ gig at Godalming College – although we’ve still to discover why it was ‘infamous’. Discovered by Bruce Foxton, in April ’79 at Scratchers, Godalming, they were managed by Foxton and John Weller and accompanied the The Jam on the Setting Sons tour in late ’79, early ’80.

May/June 1979: Vapors Passport Tour flyer But that was after the band, across May and June ’79, undertook their first tour, rather hopefully called the ‘Passport Tour’ as no passports were required, for their Southern UK sojourn’s most distant gig was at Colson Hall, Bristol on 21 May ’79. Local lad, Tim Cox was their roadie at the time and their first ‘tour bus’ was Steve Gunner’s Morris 1000, before upgrading to the Golden Age of Metro’s van which they borrowed with Sophie Good chauffeuring.
While on tour Fenton sent a demo to John Peel who booked them for a session, which recorded “Turning Japanese”, “Trains”, “Waiting For The Weekend”, and “Cold War” on 4 July ’79, broadcast on 11 July 1979 then repeated on 20 August 1979 (of which Peel said “sounded better the second time around”) and 2 April 1980. They signed to United Artists and released their first single, “Prisoners,” [BP 321] with “Sunstroke” on the b-side at the end of 1979. It was about this time that Bazelgette was accepted to Goldsmith’s College, an entrance he declined following an ultimatum from Fenton (who’d given up his career for the band) along the lines of ‘if you accept you resign from The Vapors’. Also in ’79 they raised 200 quid, together with House, at a woman’s aid gig that same year. In November they appeared half naked in “Oh Boy!” magazine, and with The Beat at a John Peel Roadshow gig in Guildford.

16 November 1979: Press ad for The Vapors appearance on the John Peel Roadshow at University of Surrey. Source: Vinny Webster via The Vapors UK Their second and best known single, “Turning Japanese” [BP 334] reach No.3 in the UK chart and top ten in Canada, New Zealand and Australia, and top 40 in the US was produced by Vic Coppersmith-Heaven who also produced The Jam. The cover design for “Turning Japanese” was done by Guildford musician / artist Andi McInnes, who was good friends with the band, who fought with the record company to allow him to do it instead of the in-house department.


The band, who were too famous to put on the bill, were listed as The Japanese Prisoners, and back at The Wooden Bridge, Guildford on 9 February ’80 for a Barbed Wire benefit that saw Noit Otni & the Pits and UBz in support. Shortly after they undertook a short UK tour to promote the single. This kicked off at The Polytechnic, Wolverhampton on 13 February ’80, then onto JB’s in Dudley on 16 February and rolling back south to perform at the Marquee, London the next night with UBz opening for them. The tour rolled onto the University of Kent, Canterbury (18 Feb), Brunel University, Uxbridge (20 Feb), Huddersfield Polytechnic (22 Feb), University of Warwick (23 Feb), South Wales Newbridge Institute (24 Feb), Circles Club, Swansea (25 Feb), the Brunel Rooms, Swindon (26 Feb), and Routes, Exeter, where you could have seen the band for a quid on 27 February ’80. The last two dates rolled through the Dorset Institute of Higher Education, Weymouth on 28 February and the Marshall Rooms, Stroud on 29 February ’80. The album “New Clear Day” was released in June 1980 again on the United Artists Records label, followed by the singles “Waiting for the Weekend” [BP367] and “News at Ten” [BP 345]. On 12 June ’80, The Vapors played their hometown, at the Civic Hall, then dashed up to Sheffield to appear at Sheffield City Polytechnic the next night.
The second album, “Magnets” [LBG 30324], was released the following year on the Liberty label (UA was taken over by EMI and the Liberty brand was revived in 1980, having become part of UA in ’71) after which Fenton left and may have been replaced by Dylan of UBz, ultimately breaking up in early ’82. Not before, however, the release of the single: “Jimmie Jones”. The Peel session recording of “Trains” was broadcast again to celebrate Peel’s 30 years on BBC Radio One. Peel also claimed on his 17 April 2002 show that he and Sheila were singing ‘Turning Japanese’, while touring Rajasthan. Fenton has said they tried to reform in 2001 but couldn’t find the time to rehearse.
On 30 April 2016, Fenton and Bazelgette guested with Steve Smith’s band The Shakespearos at the Half Moon in Putney, playing “Turning Japanese” then leaving. On 10 June a short four-date tour in October and November was announced. Also in 2016, Steve Smith said “the Peel Session was a huge break for the band…it gave us credibility.” The reformed band are still touring today.
After the split, Steve Smith joined Shoot!, Dispute. Fenton, who was erroneously rumored to have landlorded a Woking pub for a while, became a solicitor specializing in music law for the Musicians Union. Bazalgette went to Central London Polytechnic, focusing on editing which got him into the BBC; becoming a television director, including episodes of Doctor Who, Poldark, Class, Top Gear and EastEnders. Bazalgette’s old 4 x 12 Marshall cabinet, stenciled on back with ‘Vapors’ and ‘Reg’, which was his nickname, currently reside with another local musician, Adam Russel. Steve Smith along with Steve Jameson (ex-World Domination) formed CUT. Howard Smith ran People Records on Chapel Street, Guildford.
Kemp formed Pozer with Bruce Richins and Ian Goral and owned Total Video, Farnham before moving to the US in 1986. He sadly died in 2016 as a result of a heart attack.
Gallery:

The Vapors playing Farnham Malting in 1978 
The Vapors playing Farnham Malting in 1978 
The Vapors’ Rob Kemp gigging at the Maltings, Farnham, 1978. 
Vapors gig list for 1978. Reportedly The Laker Hotel gig (date unlisted) was supporting The Cure (I believe they were called Easy Cure at the time), and both bands’ roadies got into a fight. Source: Malcolm Bond via Historic Farnham Town And Surrounding Villages 
Michael Hedges and Dave Fenton of The Vapors 
Dave Fenton at Scratchers (Three Lions), Farncombe; 14 January 1979. Picture courtesy of Fred Pipes 
Dave Fenton at Scratchers (Three Lions), Farncombe; 14 January 1979. Picture courtesy of Fred Pipes 
Dave Fenton at Scratchers (Three Lions), Farncombe; 14 January 1979. Picture courtesy of Fred Pipes 
Dave Fenton at Scratchers (Three Lions), Farncombe; 14 January 1979. Picture courtesy of Fred Pipes 
25 January ’79: NUJ Benefit gig poster 
Ticket for NUJ Beneft gig at University of Surrey in ’79. Picture courtesy of Fred Pipes 
Set list from Godalming gig 
8 July 1979: Mod night at The Marquee featured Secret Affair supported by The Vapors and Mandy H. Source: Neil Chippendale via Keep It Out Of Sight 
19 August 1979: The Vapors., along with Jerry Floyd, supported The Chords at The Marquee. Source: Neil Chippendale via Keep It Out Of Sight 
19 August 1979 Tha Vapors supported The Chords (Sounds 1st Sept ’79) 
1 September 1979: The Barbed Wire fanzine organized a coach from Guildford Station Yard to The Vapors gig at The Marquee. Picture courtesy of Fred Pipes 
Ed Bazalgette at an unknown venue, possibly The Marquee, c79. Picture courtesy of Fred Pipes 
Sounds 15th Sept ’79 
6 October 1979: A repeat performance for the Barbed Wire coach from Guildford Station Yard to see The Vapors at The Marquee. Picture courtesy of Fred Pipes 
Ed Bazalgette at an unknown venue, c79. Picture courtesy of Fred Pipes 
The Vapors signed to United Artists, releasing their first single, “Prisoners”, at the end of 1979, which regrettably failed to chart. Picture courtesy of Ben’s Collectors Records 
1979’s “Prisoners” on the United Artists Records label [BP 321] was The Vapors first 7″ single. Picture courtesy of Ben’s Collectors Records 
“Prisoners” single slleve front, released at end of 1979 
16 November 1979: Ticket for the John Peel Road Show at University of Surrey, featuring The Vapors and The Beat 
The Vapors supported The Jam at Royal Hall, Bridlington Spa on 27 Nov 1979. Picture courtesy of Ben’s Collectors Records 
2, 3 and 4 December 1979 (Melody Maker 13th Oct ’79) 
Dec 1979 clipping from Record Mirror. Source: Vinny Webster via The Vapors Fan Group 
The Vapors on the Setting Sons tour 1979. 
Ed Bazalgette at the Roundhouse Studios during recording of “Turning Japanese” in early 1980. Picture courtesy of Fred Pipes 
Barbed Wire benefit gig at The Wooden Bridge, Guildford. 
Barbed Wire Jan/Feb 1980 Vol 3 No 1 (issue 5). Picture courtesy of Fred Pipes 
Barbed Wire Jan/Feb 1980 Vol 3 No 1 (issue 5). Picture courtesy of Fred Pipes 
Barbed Wire Jan/Feb 1980 Vol 3 No 1 (issue 5). Picture courtesy of Fred Pipes 
Fred reviews The Vapors latest 7″ in Barbed Wire Vol 3 No 1 Jan/Feb 1980. Pictre courtesy of Fred Pipes 
Vapors, back stage on The Jam’s Setting Sun tour in early 1980. Picture courtesy of Fred Pipes 
Clipped from Smash Hits 7 February ’80 issue. Image courtesy of Pete Cole 
17 February 1980: The Vapors headlined at Marquee. Advert in Sounds 16 Feb ’80 issue. 
27 February 1980: The Vapors played Routes, Exeter. 
Daniela Soave interviews The Vapors for Record Mirror (8 March 1980) 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
20 March 1980: The Vapors at The Wooden Bridge, Guildford. Picture by and courtesy of Fred Pipes 
11 April 1980: The Vapors played Routes, Exeter. 
Record Mirror 26 April 1980: “New Clear Day” tour dates. 
10 & 11 May 1980: The Vapors were at the Marquee, London. Source: Nic Pike via Keep It Out Of Sight 
Fred reviewed the Vapors LP for the May/June 1980 issue of Barbed Wires – Vol 3 No 2 (issue 6) – Picture courtesy of Fred 
Bonaparte was a regular supporter of the Barbed Wire fanzine. This ad is from page 13 of the very last ever issue – May/June 1980 Vol 3 No 2 (issue 6) – and features the Vapors “New Clear Day” LP and a possible personal appearance on June 11th 1980. Picture courtesy of Fred Pipes 
12 June 1980: John Tobler reviews The Vapors gig at the Civic Hall, Guildford. Picture courtesy of Vinny Webster 
Advert from Record Mirror lists The Vapors gig at Civic Hall, Guildford on 12 June 1980 
13 June 1980 
1980’s Gig Poster for The Jam at Friars, Maxwell Hall, Aylesbury, with The Vapors in support. Source: Vinny Webster via The Vapors Fan Group 
The Vapors Howard Smith on Countdown Australia on 17 August 1980. Source: Vinny Webster via The Vapors UK 
Advert for The Vapors 1980 at Diplomat Hotel, New York. Source: Vinny Webster via The Vapors Fan Group 
19 December 1980: Ticket No.0718 for The Vapors, plus special guests, at the Civic Hall, Guildford. Picture courtesy of Vinny Webster 
Brett Wright spent a couple of days with The Vapors, at their Civic Hall, Guildford gig on 19 December 1980 and Sheffield Poly the following night. The result: This article in New Music News. Picture courtesy of Vinny Webster 
Possibly the smallest mention of The Vapors ever…from the 29th Jan 1981 Soundscene on the release of their 5th single “Spiders”. Picture courtesy of Chris Turner 
2 February 1981 – The Vapors in Concert-251 recorded by BBC Transcription Services [CN 3791/S] for the BBC In Concert series 
12 March 1981: The Vapors, supported by The Chords, played the Mandela Hall, University of Sussex. Source: Owen Carne via The Vapors Fan Group 
27 June 1981: The Vapors headlined The New Florentine Gardens, Hollywood with 20/20 and Code Blue in support. Source: Johnny Kardash 
Some friction with The Vapors via Soundscene 1st Oct 1981. Picture courtesy of Vis 
‘News at Ten’ single, sleeve front 
‘News at Ten’ single, sleeve back 
‘News at Ten’ single, A-side 
‘News at Ten’ single, B-side 
June 1980 – Advert for “News At Ten” single with tour dates. 
‘Waiting for the Weekend’ single, sleeve front 
‘Waiting for the Weekend’ single, sleeve back 
‘Waiting for the Weekend’ single, A-side 
‘Waiting for the Weekend’ single, B-side 
‘Turning Japanese’ single A-side 
Turning Japaness poster. Picture courtesy of Ben’s Collectors Records 
“Turning Japanese” single review from the Grinding Halt No.3 fanzine 
New Clear Days LP., sleeve front. Picture courtesy of Ben’s Collectors Records 
New Clear Days LP., sleeve back. Picture courtesy of Ben’s Collectors Records 
Taken from an unknown fanzine… 

1981 – Magnets LP front sleeve 
1981 – Magnets LP back sleeve 
The Vapors “Jimme Jones” single front released late ’81. Picture courtesy of Ben’s Collectors Records 
The Vapors “Jimme Jones” single back released late ’81. Picture courtesy of Ben’s Collectors Records 
Rebel Mantovani’s review of Jimmy Jones and The Magnets gig at The Royal, Guildford appeared on page 11 of Bitch Bitch Issue No.1 Picture courtesy of John Hudson 
A Vapors poster in background, over John Gielgud’s right shoulder, in still from 1984’s Scandalous. The shot was taken at The Rainbow Theatre, Finsbury Park. The Vapors played The Rainbow on 2nd – 4th December 1979 and 28th June 1980. Source: http://www.rainbowhistory.x10.mx/ 



The pins for The Setting Sons Tour, on which The Vapors supported The Jam. Picture courtesy of Ben’s Collectors Records 

It’s Malcolm Wyatt’s old badge collection, including example/s from The Vapors. Picture courtesy (I stole it) of Malcolm Wyatt 
A significant collection, possibly belonging to Rob Payne, of Vapors badges, with a UBz one too. Source: The Vapors UK 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors at Three Lions (Scrathers), Farncombe. Photograph by and courtesy of Fred Pipes 
The Vapors in someone’s bedroom. Photograph by and courtesy of Fred Pipes 
The Vapors in someone’s bedroom. Photograph by and courtesy of Fred Pipes 
The Vapors in someone’s bedroom. Photograph by and courtesy of Fred Pipes 
The Vapors in someone’s bedroom. Photograph by and courtesy of Fred Pipes Adam Russel, Addlestone, Andi McInnes, BBC, BBC Radio One, BBC3, Big Box Band, Bob Wright, Bristol, Bruce Foxton, Bruce Richins, Brunel Rooms, Brunel University, Canterbury, Central London Polytechnic, Chestnut Studios, Circles Club, Class, Coach & Horses, Colin Crew, Colston Hall, Cut, David Fenton, Dorset Institute of Higher Education, Dr Who, Dudley, EastEnders, Easy Cure, Edward Bazalgette, EMI, Exeter, Farncombe, Farnham, Godalming College, Golden Age of Metro, Goldsmiths College, Guildford, Half Moon, Holly Bush, Howard Smith, Huddersfield Polytechnic, Ian Goral, JB’s, John Peel, John Peel Roadshow, John Weller, Liberty, London, Malcolm Wyatt, Marquee, Marshall Rooms, Michael Coles, Michael Hedges, Mike Jordan, Musicians Union, Oh Boy!, People Records, Poldark, Pozer, Putney, Redhill, Rob Kemp, Robert Smith, Roundhouse Studios, Routes, Scratchers, Shalford, Shoot! Dispute, Sophie Good, South Wales Newbridge Institute, Steve Gunner, Steve Jameson, Steve Smith, Stroud, Swansea, Swindon, The Absolute, The Beat, The Cure, The Ellory Bops, The Jam, The Junction, The Laker Hotel, The Maltings, The Parrots, The Polytechnic, The Royal, The Royal Oak, The Shakespearos, The Star, The Three Lions, The Vapors, The Vapours, THe Who, Tim Cox, Tomy McManus, Top Gear, Total Video, UBz, United Artists, University of Kent, University of Surrey, University of Warwick, Uxbridge, Vic Coppersmith-Heaven, Village hall, Weydon Youth Club, Weymouth, Wolverhampton, World Domination, WriteWyattUK








































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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