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After The Dream
(c’89-92) Julian Hight (vocals/guitar), Bruce Rothwell (bass/vocals), Spencer Holliday (keyboards) and Lee Rumble (drums).

Image courtesy of Julian Hight This band were renowned for their live performances, with over 60 appearances with headline slots at The Mean Fiddler, Powerhouse, Rock Garden, and Old Fire Station.
Alan “Oggy” Holland was the bands original drummer, but was replaced by Rumble in 1990. Andy “Groupie” Clark helped out on sound desk and lights when needed, and assisted Norman Rumble (Lee’s dad) as roadie, or with anything else that needed doing.

After the Dream at the Mean Fiddler c’91. Picture courtesy of Pete Cole On 6 April ’90, After The Dream supported Explodehead at the West End Centre, Aldershot, along with The Screaming Benders, This Witness, and Cow for the Buzz Club. That same night The Deep Season played the bar area. Ten days later, on 16 April, Deep Season headlined Buzz Club with After The Dream and This Witness in support. The band were back at the venue on 14 September supporting Who Moved The Ground? (or was it the other way around?) with Pomeroy and Sloth. They were also pretty regularly at The George, Ash Vale.

After The Dream’s “Sometimes” demo cassette. Source: Flowers of Sacrifice A demo cassette titled “Sometimes” was produced at some point. In Spring ’91, The Granby Tavern, Reading hosted After The Dream on 17 April. Also in ’91 “Diamond In The Dust” appeared on Farnborough Groove Vol.1. Two years later, “Atoria” was published on Return Of Farnborough Groove Vol.3; subsequently making it to The Best of Farnborough Groove Vol.1-10 in 2016.
Norman has sadly passed. Rumble was later involved with Giant Arc, and Phobia.
Tracks:
Gallery:

Image courtesy of Julian Hight 
After The Dream highlighted in Adrian Creeks Farnborough Groove review. Image courtesy of Julian Hight 
After The Dream Merc: T-shirts, badges, lyric/pic book and cd. Image courtesy of Julian Hight 
After The Dream outside the Mean Fiddler. Image courtesy of Julian Hight 
Image courtesy of Julian Hight 
Image courtesy of Julian Hight 
6 April 1990: After The Dream, along with Deep Season nad This Witness, played the Buzz Club at West End Centre, Aldershot. Source: Who Moved The Ground? 
“Diamond In The Dust” appeared on The Farnborouh Groove Vol. 1 in ’91. Picture courtesy of Pete Cole 

“Artoria” appeared on Return of Farnborough Groove in ’93. Picture courtesy of Pete Cole 
14 September 1990: Buzz Club flyer After the Dream, Alan Holland, Aldershot, Andy Clark, Ash Vale, Bruce Rothwell, Cow, Explodehead, Farnborough Groove, Giant Arc, Julian Hight, Lee Rumble, London, Norman Rumble, Old Fire Station, Phobia, Pomeroy, Powerhouse, Reading, Rock Garden, Sloth, Spencer Holliday, The Deep Season, The George, The Granby Tavern, The Mean Fiddler, The Screaming Benders, This Witness, West End Centre, Who Moved the Ground? -
Greed
(c’87) Paul Thompson (vocal), Rory Feeney (guitar), Alex Street (bass), and Craig Jackson (drums).
Greed were an 80’s tinged hard rock band that became part of the Frimley band co-op known as The Grain. Along with fellow members: Magic Moments At Twilight Time, The Charles, Momento Mori, The Visionairies, and Slack Bladder they put on and played at a free festival at Highland Farm, Frimley Green on 20 September ’87, in aid of Greenpeace.
We find an Alex Street in The Butterfly Effect in ’92/’93, but we have yet confirm if they are one and the same.
Gallery:

20 September 1987: Greed on stage at the Highland Farm Festival. Picture courtesy of Mick Magic -
Music & Elsewhere
(c’87-Present) The Music & Elsewhere (M&E) label started in ’87 to issue Magic Moments at Twilight Time and other Mick Magic music project demos. It become a firm part of the 90’s international cassette underground, releasing around 600 albums by bands and artists from all over the World.
By 88, Magic was creating under the new Mick Tron monica and through the Music & Elsewhere label, released the 90-minute Grain Aid cassette [MMATT 19] on 2 July.
The Farnborough Groove kicked off in ’91 and Mick Magic mastered a few of those compilations (with his own Magic Moments at Twilight Time appearing on three of them) and some were on the Music & Elsewhere label too. In July ’92 The First Guilfin Benefit Tape [MMATT 36] was put out by Music & Elsewhere. The labels’ support for the newsletter continue through three more releases of The Guilfin Benefit Tapes [MMATT 38, 40 & 41].

The First GuilFin Benefit Tape, put out by Music & Elsewhere [MMATT 36] Also in ’92, Music & Elsewhere release the ‘The Radio Cracker Tape’ compilation, which included Twister. Twister’s eponymous LP cassette [M&E 224] was released in ’93. This was recorded at C.A.N Recording Studio, Farnham and carried a mixture of eight originals and covers, plus four tracks from the groups first demo and “These Days” by Three Times The Crow, by way of a bonus. In September ’99, Winterfall‘s Pro Dominus Tecum was included on Music & Elsewhere‘s compilation M&E Audiozine No. 10 [M&E 493].
Around 2003, the “project” went dormant. Then in 2012, with a resurgence of interest in that underground scene, a website was launched full of memories/memorabilia, which grew to host a variety of online compilations, and eventually publishing hard copy collectables. Girls on Dextrose‘s ‘The Image Fades’ was on the B-side of Farnborough Groove Vol.3 in ’93 and was released again as part of the Music & Elsewhere label’s anthology Decadion 2 (M&E 601) on 10 August 2013. Winterfall reappeared on 2014’s DECADION 2.2 [M&E 602] – The MP3 Collection.

Music & Elsewhere label’s anthology Decadion 2 (M&E 601) on 10 August 2013 So much great music (Ed – this is going to become a phenomenally long post eventually) was released on the label back in the day you just have to check out the Music & Elsewhere site.
Gallery:

Cover of the Music & Elsewhere “Catty Log” for New Year 1995. Picture courtesy of Mick Magic 
MMATT 36, 38, 40 & 41 Guilfin Benefit Tapes 
Inlay for Twister’s eponymous cassette EP/album released on Music & Elsewhere (M&E 224). Picture courtesy of Mick Magic 
Music & Elsewhere’s Master Cassette for M&E Audiozine No. 10 [M&E 493]. Image courtesy of Mick Magic 
2014’s DECADION 2.2 [M&E 602] – The MP3 Collection. Picture courtesy of Mick Magic -
Patrick James
(c’91-93) Patrick James (vocal / guitar / bass / e-bow).
Previously in West One and Blue Velvet, Aldershot singer / songwriter James – who was in Frayed Edge in parallel – released an eponymous 4-track demo cassette c’91 and that same year the track “Save Me A Place In The Queue For Freedom”, which was not on the demo, appeared on Farnborough Groove Vol.1. The following year “Her Planet Of Dreams” was included on Son of Farnborough Groove Vol.2.

Inlay for “Jukebox and the Midnight Stone” cassette album. Picture courtesy of Sid Stovold In ’93 the 21 track “Jukebox and the Midnight Stone” cassette album was released. Home recorded on a Foster-X30 4 Track, it featured some tracks co-written by fellow ex-Blue Velvet member Jim O’Neill (keyboard / piano / percussion), with additional support from Debra Wyatt (vocals) and Jaki Smith (violin). Also in ’93, “Here Comes The Hallelujah” from James’ initial demo cassette was included on Return of Farnborough Groove Vol.3; then “First I Saw A Raven” appeared on Revenge of Farnborough Groove Vol.4 in ’94.
In January 2002, James joined J.C. Regulator as their new recruit on lead guitar.
Tracks:
Gallery:

Inlay for the Patrick James 4-track demo from around 1991. Picture courtesy of Sid Stovold 
Patrick James appeared on Side 1 of Farnborough Groove Vol.1 in ’91. Picture courtesy of Pete Cole 
The Gossville Arsonist fanzine’s one-line review of Patrick James track from The Son of Farnborough Groove Vol.2 
Side B of the 21 track “Jukebox and the Midnight Stone” cassette album released in ’93. Picture courtesy of Sid Stovold 
Side A of the 21 track “Jukebox and the Midnight Stone” cassette album released in ’93. Picture courtesy of Sid Stovold 
Side Two of the Patrick James 4-track demo from around 1991. Picture courtesy of Sid Stovold 
Side One of the Patrick James 4-track demo from around 1991. Picture courtesy of Sid Stovold 
“First I Saw A Raven” appeared on Revenge of Farnborough Groove Vol.4 in ’94. Picture courtesy of Pete Cole 
Patrick James’ “Her Comes The Hallelujah” was included on Return of Farnborough Groove Vol.3 in 1993. Picture courtesy of Pete Cole 
In 1992 Patrick James’ “Her Planet Of Dreams” was included on Son of Farnborough Groove Vol.2. Picture courtesy of Pete Cole -
Warp Spasm
(c’90-’93) Jimmy Johnson (vocals), Owen Packard (guitar), John Paris (guitar), Richie Mills (drums) and Alex Slatter (bass).
On 15 January ’91, Camberley based Thrash/Death Metal band, Warp Spasm – who were originally called Jeopardy – supported Killing Faith at The George, Ash Vale, for ‘The Funeral’; Killing Faith’s last gig. That same year they were at the Agincourt, Camberley supporting Lawnmower Deth, along with Severence and Ignorance, on 22 September and at the West End Centre, Aldershot supporting Dumpy’s Rusty Nuts on 6 December, a venue they’d headlined earlier in the year (3 May) with Severance, The Mourning After and Asteroth in support.

Inlay for Warp Spasm’s 1992 “0-60 is a Speedspuck” demo cassette. Picture courtesy of Sid Stovold The following year this Warp Spasm, who had connections to East Yorkshire, released the “0-60 in a Speedspuck” demo. It carried three tracks: “Conform To Form”, “Mindmelt” and “The Smile Zone”. Reportedly they covered the Rainbow theme tune and played Joe Bananas indie night once or twice. That same year, on 28 May ’92, the band supported Re-Animator at the Adelphi, Hull.
By ’93 – the year they released the cassette album “Beyond the Parameters of Resolution”, recorded and mixed at Bandwagon Studios, Mansfield – Paris had left and Graeme Watts (bass) had replaced Slatter. Watts contributed to all three tracks: ‘Origin Dispersal’, ‘Deconstructed’, and the cassette EP’s eponymous “To Our Glorious Dead” in ’93, released on the Splatterpunx Promotions label [SP0006 IC56382]. This was again recorded in Mansfield and engineered by Mark Brown. The following year the band released “The Cranial Shift EP” cassette on Independantz Records [SP008].
When Johnson exited the band evolved into Blastcage and released a few demos and EPs. Packard went of to join Nottingham based postmetal Earthtone9.
Tracks:
Gallery:

22 September 1991: Warp Spasm along with Severence and Ignorance support Lawnmower Deth at The Agincourt, Camberley. Source: http://lesingemagnetique.blogspot.com 
3 May 1991: Warpspasm, supported by Severance, My Mourning After and Asteroth, were at the West End Centre, Aldershot. 
Cassette for Warp Spasm’s 1992 “0-60 is a Speedspuck” demo. Picture courtesy of Sid Stovold 
Inlay for Warp Spasm’s “Beyond the Parameters of Resolution” in 1993. 
Inlay (inner) for Warp Spasm’s “Beyond the Parameters of Resolution” in 1993. 
Lyric inlay for Warp Spasm’s “Beyond the Parameters of Resolution” in 1993. 
Cassette side 1 of Warp Spasm’s “Beyond the Parameters of Resolution” release in 1993. 
Inlay of Warp Spasm’s 1993 EP “To Our Glorious Dead” 
Inlay of Warp Spasm’s 1993 EP “To Our Glorious Dead” 
Cassette of Warp Spasm’s 1993 EP “To Our Glorious Dead” 
Inlay inner of Warp Spasm’s 1993 EP “To Our Glorious Dead” 
Inlay inner of Warp Spasm’s 1993 EP “To Our Glorious Dead” 
Cover to Warp Spasm’s The Cranial Shift EP 
Cassette to Warp Spasm’s The Cranial Shift EP 
Inlay outer to Warp Spasm’s The Cranial Shift EP 
Inlay inner to Warp Spasm’s The Cranial Shift EP 
28 May 1992: Warp Spasm supported Re-animator at the Adelphi, Hull. Adelphi, Agincourt, Aldershot, Alex Slatter, Ash Vale, Asteroth, Bandwagon Studios, Blastcage, Camberley, Dumpy's Rusty Nuts, Earthtone9, Graeme Watts, Hull, Ignorance, Jeopardy, Jimmy Johnson, Joe Bananas, John Paris, Killing Faith, Lawnmower Deth, Mansfield, Mark Brown, Owen Packard, Re-Animator, Richie Mills, Severence, Splatterpunx Promotions, The George, The Mourning After, Warp Spasm, West End Centre -
Home & Away
(c’94 to ’03) Inspired by Strewth fanzine Pete Cole started the Home & Away zine and it was created, written and curated by Cole. It was originally called Groove News, playing off of Cole’s legendary Farnborough Groove compilation series, and would later become H&AZine, and was a staple source of information.
Cole recalls one of is first items being a not so positive review of The Outcast Band’s debut album, using the term “2nd rate Levellers”. Copies were put on tables at the Cricketers, Westfield during a Backlash gig. But, The Outcast Band’s Paul played fiddle on a couple of Backlash tunes. Cole was at the urinal when in comes Paul with Outcast front man Damien and stood either side of him. Paul says to Damien “..see that shit review? I’m gonna kill whoever wrote that”. Cole kept very quiet and left early.
Home & Away #2, released in November ’94, reviewed Yateley based Headcopter‘s ‘No Room Too Small’ demo and profiled Who Moved The Ground?.
January ’95 saw the publication of Home & Away #4, with Inga and Maria writing up their impressions of Senseless Things, Joyrider and Who Moved The Ground? at Agincourt, Camberley that went down on 9 December ’94. Two months later the fanzine published Bruno’s review of Skipper and Headcopter at The Shed, South Hill Park, Bracknell on 9 March ’95; as The Wasp Factory had pulled out due to illness.
Our only complete issue, covering four pages, is from March/April 2002, with the name shortened to H&AZine. Read it in the gallery below:
Gallery:

Headcopter’s “No Room Too Small” demo reviewed in local fanzine Home and Away #2, November 1994 
Clipping from the fanzine Home and Away November ’94 profiling Who Moved The Ground! 
Clipping from the fanzine Home and Away No.4 January ’95 covering the Senseless Things and Who Moved The Ground! at Agincourt. 
Review of Skipper and Headcopter gig at The Shed, South Hill Park on 9th March 1995 by Bruno. 
Page 1 (cover) of H&AZine March/April 2002 edition. Picture courtesy of The Surrey & NE Hampshire Music Scene 
Page 2 of H&AZine March/April 2002 edition. Picture courtesy of The Surrey & NE Hampshire Music Scene 
Page 3 of H&AZine March/April 2002 edition. Picture courtesy of The Surrey & NE Hampshire Music Scene 
Page 4 of H&AZine March/April 2002 edition. Picture courtesy of The Surrey & NE Hampshire Music Scene -
Lethal Dose
(c’80-’81) Chris Carter (vocal), Rob Anderson (guitar), Martin Dyson (bass), and Gary Fisher (drums).
Lethal Dose were a Camberley punk band influenced by Crass and Discharge. They were not favored by John Peel, but did well enough to claim royalties from The Grain. It’s rumored that they supported Crisis once, and played the downstairs bar at the Civic Hall, Guildford. In late ’80 they were scheduled to appear in the Observer’s color magazine in an article on the recording of demo tapes – although we are not sure if it was ever published.
On 17 October ’80, Splodgenessabounds played the University of Surrey, Guildford with Lethal Dose in support. Interestingly, we also show a listing for then Alvin Lee on the same day. The Mo-dettes played the Technical College, Basingstoke on 7 November ’80, and they had Lethal Dose in support. The next week Farnborough Tech’s Rugby Union Football Club hosted the band, along with headliner Deadlock, on 14 November ’80, after the cancellation of a gig at the same venue on 31 October due to licensing issues.

17 March 1981: Lethal Dose, supported by Strontium 90, played at the Cambridge Hotel, Camberley. Source: Paul Pomeroy The next year, on 17 March ’81, Lethal Dose, supported by Strontium 90 (not the Police precurser), played at the Cambridge Hotel, Camberley.
Heroin led to the demise of Dyson. Carter went onto Panzer Korps, then The Charles.
Tracks:
Gallery:

David Reading’s Pop Scene column from Aldershot News, 31 October ’80 has Lethal Dose supporting Deadlock at the Farnborough Tech on 14 November. 
Deadlock Flyer from 1980 
Lethal Dose in 1980 were (L-R) Dyson, Anderson, Carter and Fisher with two studio folk. Picture courtesy of Mick Magic Alvin Lee, Basingstoke, Camberley, Cambridge Hotel, Chris Carter, Crisis, Deadlock, Farnborough, Farnborough Tech, Farnborough Tech R.U.F.C., Gary Fisher, Guildford, John Peel, Lethal Dose, Martin Dyson, Panzer Korp, Rob Anderson, Splodgenessabounds, Strontium 90, Technical College, The Charles, The Grain, The Mo-dettes, University of Surrey -
Call of Cain
(c’89) Anton Joiner (?), Jason Kendall (?), Paul Flannery (bass), and Steve Fisher (keyboards / backing vocals / drums).
While we are unsure if they ever gigged they were influenced by New Model Army and Fields of the Nephilim. Fisher had been the driving force behind Herbaceous Borders before joining Call of Cain
Flannery went on to form The Hype. Joiner went to Australia for a few months late in ’89 and on his return, carried on at the contributing to Woking News & Mail for a while.
Gallery:

PG Tips from February ’89. -
Flow Motion
(c’84-’85) Karl Selfe (vocals / percussion), Phil Bushen (bass), Duncan “Du Kane” Elder (guitar) and David Howick (drums).

Picture courtesy of Du Kane In the ’80’s, the landlord of The Cranley Hotel, Cranleigh appealed for live bands to play the venue in a number of local music columns, Flow Motion responded playing The Cranley many times c’83/84. The band recorded four tracks: “Shadows of the Past”, “Flow Motion”, “Some Changes”, and “Sense of Direction” in July ’84. These were then released on their eponymous cassette EP demo. The band were still gigging locally as of ’85, including at The Royal, Guildford on 1 February ’85 supported by Siere Novar.
The band had a friendly rivalry with Parallel Motion, and Elder, Bushen, and Howick would later join forces with Parallel vocalist Anna-Lucy Torjussen and Ian “Scampi” Fullwood in ’85 to form Yellow Lifetime. This group went on to became Lax Lifetime in July ’87, morphing again in ’88 to become Fab Daze.
In ’89 Kane went on to form Beautiful People. He also spent time as a contributing editor for Front magazine and ran session recording outfit Replicant. With David Maskrey, Kane can now be seen in The Shakespearos, along with The Vapors‘ Steve Smith, mostly gigging in the Worthing area.
Gallery:

Picture courtesy of Du Kane 
Poster for Flow Motion supported by Siere Novar at The Royal, 1 Feb 1985. Picture courtesy of Du Kane 
Flow Motion’s ‘progressive’ discography. Picture courtesy of Du Kane Anna Lucy, Beautiful People, Cranleigh, David Howick, David Maskrey, Du Kane, Duncan Elder, Fab Daze, Flow Motion, Front Magazine, Guildford, Ian Fullwood, Karl Selfe, Lax Lifetime, Parallel Motion, Phil Bushen, REplicant, Scampi, Siere Novar, Steve Smith, The Cranley Hotel, The Royal, The Shakespearos, The Vapors, Worthing, Yellow Lifetime










































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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