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For anyone who vaguely recalls the Woking / GU postcode area music scene.

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  • After The Dream

    After The Dream

    (c’89-92) Julian Hight (vocals/guitar), Bruce Rothwell (bass/vocals), Spencer Holliday (keyboards) and Lee Rumble (drums).

    Image courtesy of Julian Hight

    This band were renowned for their live performances, with over 60 appearances with headline slots at The Mean Fiddler, Powerhouse, Rock Garden, and Old Fire Station.

    Alan “Oggy” Holland was the bands original drummer, but was replaced by Rumble in 1990. Andy “Groupie” Clark helped out on sound desk and lights when needed, and assisted Norman Rumble (Lee’s dad) as roadie, or with anything else that needed doing.

    After the Dream at the Mean Fiddler c’91. Picture courtesy of Pete Cole

    On 6 April ’90, After The Dream supported Explodehead at the West End Centre, Aldershot, along with The Screaming Benders, This Witness, and Cow for the Buzz Club. That same night The Deep Season played the bar area. Ten days later, on 16 April, Deep Season headlined Buzz Club with After The Dream and This Witness in support. The band were back at the venue on 14 September supporting Who Moved The Ground? (or was it the other way around?) with Pomeroy and Sloth. They were also pretty regularly at The George, Ash Vale.

    After The Dream’s “Sometimes” demo cassette. Source: Flowers of Sacrifice

    A demo cassette titled “Sometimes” was produced at some point. In Spring ’91, The Granby Tavern, Reading hosted After The Dream on 17 April. Also in ’91 “Diamond In The Dust” appeared on Farnborough Groove Vol.1. Two years later, “Atoria” was published on Return Of Farnborough Groove Vol.3; subsequently making it to The Best of Farnborough Groove Vol.1-10 in 2016.

    Norman has sadly passed. Rumble was later involved with Giant Arc, and Phobia.

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  • Greed

    Greed

    (c’87) Paul Thompson (vocal), Rory Feeney (guitar), Alex Street (bass), and Craig Jackson (drums).

    Greed were an 80’s tinged hard rock band that became part of the Frimley band co-op known as The Grain. Along with fellow members: Magic Moments At Twilight Time, The Charles, Momento Mori, The Visionairies, and Slack Bladder they put on and played at a free festival at Highland Farm, Frimley Green on 20 September ’87, in aid of Greenpeace.

    We find an Alex Street in The Butterfly Effect in ’92/’93, but we have yet confirm if they are one and the same.

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  • Music & Elsewhere

    Music & Elsewhere

    (c’87-Present) The Music & Elsewhere (M&E) label started in ’87 to issue Magic Moments at Twilight Time and other Mick Magic music project demos. It become a firm part of the 90’s international cassette underground, releasing around 600 albums by bands and artists from all over the World.

    By 88, Magic was creating under the new Mick Tron monica and through the Music & Elsewhere label, released the 90-minute Grain Aid cassette [MMATT 19] on 2 July.

    The Farnborough Groove kicked off in ’91 and Mick Magic mastered a few of those compilations (with his own Magic Moments at Twilight Time appearing on three of them) and some were on the Music & Elsewhere label too. In July ’92 The First Guilfin Benefit Tape [MMATT 36] was put out by Music & Elsewhere. The labels’ support for the newsletter continue through three more releases of The Guilfin Benefit Tapes [MMATT 38, 40 & 41].

    The First GuilFin Benefit Tape, put out by Music & Elsewhere [MMATT 36]

    Also in ’92, Music & Elsewhere release the ‘The Radio Cracker Tape’ compilation, which included Twister. Twister’s eponymous LP cassette [M&E 224] was released in ’93. This was recorded at C.A.N Recording Studio, Farnham and carried a mixture of eight originals and covers, plus four tracks from the groups first demo and “These Days” by Three Times The Crow, by way of a bonus. In September ’99, Winterfall‘s Pro Dominus Tecum was included on Music & Elsewhere‘s compilation M&E Audiozine No. 10 [M&E 493].

    Around 2003, the “project” went dormant. Then in 2012, with a resurgence of interest in that underground scene, a website was launched full of memories/memorabilia, which grew to host a variety of online compilations, and eventually publishing hard copy collectables. Girls on Dextrose‘s ‘The Image Fades’ was on the B-side of Farnborough Groove Vol.3 in ’93 and was released again as part of the Music & Elsewhere label’s anthology Decadion 2 (M&E 601) on 10 August 2013. Winterfall reappeared on 2014’s DECADION 2.2 [M&E 602] – The MP3 Collection.

    Music & Elsewhere label’s anthology Decadion 2 (M&E 601) on 10 August 2013

    So much great music (Ed – this is going to become a phenomenally long post eventually) was released on the label back in the day you just have to check out the Music & Elsewhere site.

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  • Patrick James

    Patrick James

    (c’91-93) Patrick James (vocal / guitar / bass / e-bow).

    Previously in West One and Blue Velvet, Aldershot singer / songwriter James – who was in Frayed Edge in parallel – released an eponymous 4-track demo cassette c’91 and that same year the track “Save Me A Place In The Queue For Freedom”, which was not on the demo, appeared on Farnborough Groove Vol.1. The following year “Her Planet Of Dreams” was included on Son of Farnborough Groove Vol.2.

    Inlay for “Jukebox and the Midnight Stone” cassette album. Picture courtesy of Sid Stovold

    In ’93 the 21 track “Jukebox and the Midnight Stone” cassette album was released. Home recorded on a Foster-X30 4 Track, it featured some tracks co-written by fellow ex-Blue Velvet member Jim O’Neill (keyboard / piano / percussion), with additional support from Debra Wyatt (vocals) and Jaki Smith (violin). Also in ’93, “Here Comes The Hallelujah” from James’ initial demo cassette was included on Return of Farnborough Groove Vol.3; then “First I Saw A Raven” appeared on Revenge of Farnborough Groove Vol.4 in ’94.

    In January 2002, James joined J.C. Regulator as their new recruit on lead guitar.

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  • Warp Spasm

    Warp Spasm

    (c’90-’93) Jimmy Johnson (vocals), Owen Packard (guitar), John Paris (guitar), Richie Mills (drums) and Alex Slatter (bass).

    On 15 January ’91, Camberley based Thrash/Death Metal band, Warp Spasm – who were originally called Jeopardy – supported Killing Faith at The George, Ash Vale, for ‘The Funeral’; Killing Faith’s last gig. That same year they were at the Agincourt, Camberley supporting Lawnmower Deth, along with Severence and Ignorance, on 22 September and at the West End Centre, Aldershot supporting Dumpy’s Rusty Nuts on 6 December, a venue they’d headlined earlier in the year (3 May) with Severance, The Mourning After and Asteroth in support.

    Inlay for Warp Spasm’s 1992 “0-60 is a Speedspuck” demo cassette. Picture courtesy of Sid Stovold

    The following year this Warp Spasm, who had connections to East Yorkshire, released the “0-60 in a Speedspuck” demo. It carried three tracks: “Conform To Form”, “Mindmelt” and “The Smile Zone”. Reportedly they covered the Rainbow theme tune and played Joe Bananas indie night once or twice. That same year, on 28 May ’92, the band supported Re-Animator at the Adelphi, Hull.

    By ’93 – the year they released the cassette album “Beyond the Parameters of Resolution”, recorded and mixed at Bandwagon Studios, Mansfield – Paris had left and Graeme Watts (bass) had replaced Slatter. Watts contributed to all three tracks: ‘Origin Dispersal’, ‘Deconstructed’, and the cassette EP’s eponymous “To Our Glorious Dead” in ’93, released on the Splatterpunx Promotions label [SP0006 IC56382]. This was again recorded in Mansfield and engineered by Mark Brown. The following year the band released “The Cranial Shift EP” cassette on Independantz Records [SP008].

    When Johnson exited the band evolved into Blastcage and released a few demos and EPs. Packard went of to join Nottingham based postmetal Earthtone9.

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  • Home & Away

    Home & Away

    (c’94 to ’03) Inspired by Strewth fanzine Pete Cole started the Home & Away zine and it was created, written and curated by Cole. It was originally called Groove News, playing off of Cole’s legendary Farnborough Groove compilation series, and would later become H&AZine, and was a staple source of information.

    Cole recalls one of is first items being a not so positive review of The Outcast Band’s debut album, using the term “2nd rate Levellers”. Copies were put on tables at the Cricketers, Westfield during a Backlash gig. But, The Outcast Band’s Paul played fiddle on a couple of Backlash tunes. Cole was at the urinal when in comes Paul with Outcast front man Damien and stood either side of him. Paul says to Damien “..see that shit review? I’m gonna kill whoever wrote that”. Cole kept very quiet and left early.

    Home & Away #2, released in November ’94, reviewed Yateley based Headcopter‘s ‘No Room Too Small’ demo and profiled Who Moved The Ground?.

    January ’95 saw the publication of Home & Away #4, with Inga and Maria writing up their impressions of Senseless Things, Joyrider and Who Moved The Ground? at Agincourt, Camberley that went down on 9 December ’94. Two months later the fanzine published Bruno’s review of Skipper and Headcopter at The Shed, South Hill Park, Bracknell on 9 March ’95; as The Wasp Factory had pulled out due to illness.

    Our only complete issue, covering four pages, is from March/April 2002, with the name shortened to H&AZine. Read it in the gallery below:

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  • Lethal Dose

    Lethal Dose

    (c’80-’81) Chris Carter (vocal), Rob Anderson (guitar), Martin Dyson (bass), and Gary Fisher (drums).

    Lethal Dose were a Camberley punk band influenced by Crass and Discharge. They were not favored by John Peel, but did well enough to claim royalties from The Grain. It’s rumored that they supported Crisis once, and played the downstairs bar at the Civic Hall, Guildford. In late ’80 they were scheduled to appear in the Observer’s color magazine in an article on the recording of demo tapes – although we are not sure if it was ever published.

    On 17 October ’80, Splodgenessabounds played the University of Surrey, Guildford with Lethal Dose in support. Interestingly, we also show a listing for then Alvin Lee on the same day. The Mo-dettes played the Technical College, Basingstoke on 7 November ’80, and they had Lethal Dose in support. The next week Farnborough Tech’s Rugby Union Football Club hosted the band, along with headliner Deadlock, on 14 November ’80, after the cancellation of a gig at the same venue on 31 October due to licensing issues.

    17 March 1981: Lethal Dose, supported by Strontium 90, played at the Cambridge Hotel, Camberley. Source: Paul Pomeroy

    The next year, on 17 March ’81, Lethal Dose, supported by Strontium 90 (not the Police precurser), played at the Cambridge Hotel, Camberley.

    Heroin led to the demise of Dyson. Carter went onto Panzer Korps, then The Charles.

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  • Call of Cain

    Call of Cain

    (c’89) Anton Joiner (?), Jason Kendall (?), Paul Flannery (bass), and Steve Fisher (keyboards / backing vocals / drums).

    While we are unsure if they ever gigged they were influenced by New Model Army and Fields of the Nephilim. Fisher had been the driving force behind Herbaceous Borders before joining Call of Cain

    Flannery went on to form The Hype. Joiner went to Australia for a few months late in ’89 and on his return, carried on at the contributing to Woking News & Mail for a while.

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  • The Maltings, Farnham

    The Maltings, Farnham

    The venue started life as a tannery in the 1750s and was converted to a brewery in 1845 and expanded, with part of it becoming a malt house. Courage Breweries took over in 1925 and continued malting activities until 1956. Abandoned and in disrepair the property was sold to the town in ’69, to turn into an arts and community center with work converting the building taking years – some would say it’s still ongoing.

    The people of Farnham raised £18,000, in a month, towards the £30,000 (significantly under market value) required by Courage Breweries to purchase The Maltings. The Farnham Trust raised the remaining £12,000 with grants from Surrey County Council, the Pilgrim Trust, and, it is believed, a contribution by Sir John Verney. The 31st Annual Report and Accounts 1975-1976 of The Arts Council of Great Britain, sub-headed ‘The Arts in Hard Times’ features a £15,000 line item Farnham Maltings Association Limited. Farnham Planning Officer John Wainwright also supported the late Alan Fluck, who’d co-created the Farnham Festival of Music, in developing live music at the venue from ’75 to ’85. Before then, it is reported that, around September ’70 Mike Rutherford’s father helped Genesis, with the newly recruited Phil Collins, rent The Maltings where they rehearsed for six weeks and wrote what was to become their album ‘Nursery Crymes’.

    From ’75, The Maltings has been ‘officially’ a thriving arts and performance centre and is commonly referred to as Farnham Maltings. Farnham College’s Music Club moved to The Maltings in ’75 arranging a number of concert series at the venue.

    American, Stefan Grossman bought his acoustic fingerstyle guitar playing and singing to The Maltings on 5 February ’76. On 27 April ’76, BBC TV’s “Old Grey Whistle Test” recorded Rick Wakeman at the venue; some of the recordings from which would appear on “Rick Wakeman – Live at The BBC” released on Hux Records [HUX 085] on 26 February 2007. In 2013, a double LP of Wakeman’s 1976 recordings were released on Gonzo Multimedia [RICK002] titled ‘Rick Wakeman – Live At The Maltings 1976’. Originally intended to run during September ’76, the 1st Farnham Beer Festival was push back to April ’77 and featured live music from local musicians and a band called Paul, Peter, and Mary’s Brother, as well as a few beers over the events two days. In ’78 the original line-up of The Vapors performed at The Maltings, this was shortly after they dropped the ‘u’ from Vapours. In contrast, Yale Symphony Orchestra’s tour of Great Britain in May ’78 took in Farnham and they performed at the venue.

    The Vapors at Farnham Maltings in 1978

    At some point early in 1980 the Surrey / Hants Music Competition was held at The Maltings, Farnham. We know that UBz came 3rd, Phantom Zone came 2nd, and Stripes won the 500 quid recording contract with Ray Dorset’s Satellite Label after competing against Impulse, and Lynx. The venue also hosted the Farnham Blues Festival for many years, to the point it was called the Farnham Maltings Blues Festival. The Farnham Folk Day, organized by creator of Folk Roots magazine Ian Anderson, was also held at The Maltings. He organized it from ’82 to ’88; skipping ’86 as the Maltings had double booked the date.

    The Maltings hosted more than folk and blues, one of punk band Black Easter‘s first gigs was at The Maltings on 7 February ’82. The 1st Farnham Folk Day took place on 18 April ’82 and featured Martin Carthy, Michael Chapman, The English Country Blues Band, Dave Evans, John Kirkpatrick & Sue Harris, The Old Swan Band, The Watersons, Peta Webb & Webb’s Wonders, Maggie Holland, Spredthick, Dogfludd, Alan Harlow & Maggie St. George, Heavy Weather, Keith James, Don & Sarah Morgan, Nigel Thornbory, Toffs, and Bob Walton. On 7 September ’82, punk returned with a gig headlined by Black Easter with support from Mutant Babies, Disease, Maxi Puch and the Macho Moped Men, Longpig, and Zylch. Folk rockers, Home Service also appeared, a couple of months later, on 4 November ’82. Then on 16 December, Death in June performed at the venue.

    The Farnham Film Company used the venue as one of the locations to record the videos and promos for Ob-Jay-Da‘s “It’s So Strange” and “As If To Say” on 1 November ’83, they also used the multi-storey car park on Barrack Road, Aldershot; and Farnham Castle; with The Maltings providing the venue for the indoor performance elements.

    On 29 April ’84 the 3rd Farnham Folk Day featured Brass Monkey, The Cooper Family, The Andrew Cronshaw Band, The Dead Sea Surfers, The English Country Blues Band, Flowers & Frolics with Eddie Upton, Jo-Ann Kelly with Pete Emery and Mike Deacon, La Ciapa Rusa, R. Cajun, Martin Simpson, and Peta Webb & Pete Cooper.

    Another great of the folk rock era and a familiar sight at a number of other local venues, Fairport Convention reformed in ’85 and were at The Maltings on 7 January. Every year the Folk Day was getting bigger and The 4th Farnham Folk Day, on 14 Apri ’85, was no different with Alistair Anderson, The Blades, The Boothill Foot-Tappers, Cluster Of Nuts Band, Eric, Dick Gaughan, Maggie Holland & Chris Coe, Sarah & Dave Horne, Dave Hunt, Joe Hutton with Willie Taylor & Will Atkinson, Flaco Jimenez Tex-Mex Band featuring Peter Rowan, Debby McClatchy, The Oyster Band, Rogue Morros, The Seven Champions, Kathryn Tickell, Trubshaw’s Hawaiians, Eddie Upton, and Bob Walton. On 30 October ’86, Bill Boazman, then using the persona of “Sonny Black”, was in town as were 3 Mutaphas 3, who claimed to originate in the Balkans but were actually a British world music band, on 2 November ’86.

    26 April 1987: An outside session at The 5th Farnham Folk Day, with too many musicians to name. Source: Ian Anderson via Historic Farnham Town And Surrounding Villages

    Jo-Ann Kelly, Pete Emery, and Chinese musicians The Guo Brothers entertained the crowd on 1 February ’87. This was followed by Model T Slim on 16 April. In ’87 the Folk Day included a session called “Many Stringed Things From Far Flung Places” featuring Dembo Konte and Kausu Kuyateh on koras, Hassan Erraji on oud & bendir, and Sue Harris on English hammered dulcimer. The ensemble laid down a 20 minute set of what was described as ‘sublime music from the sky’. The phone rang for weeks with people asking if it had been recorded. Of course not…but those there on 26 April ’87 also got to see The Oyster Band, Dick Gaughan, Andy White, The Easy Club, John Kirkpatrick, The Old Swan Band with Dave Hunt, Brendan Crocker & The 5 O’Clock Shadows, The Copper Family, Peta Webb & Pete Cooper, Rory McLeod, Pete Morton, Crazy Hearts, Maggie Holland & Dave Parry, and Andy Turner & Chris Wood at the 5th Farnham Folk Day. On 10 September ’87 Sonny Black returned and towards the end of ’87 the Crane River Jazz Band filled the venue on 21 October, followed a week later by the Grits and Molasses Jazz Band on 28 October; the next night the Oyster Band took to the stage; Sammy Rat’s Big Big Blues Band on Guy Fawkes night, and Guildford band Strange Occupation on 12 November ’87. The Cuff Billett Jazz Band were at The Malting six days later, on 18 November ’87; followed by Big Road Roller Blues on 26 November; Magna, featuring Benny Cohen, on 2 December; Humphrey Littleton and his Jazz Band on 7 December; and the return on the local Sonny Black’s Blues Band on 10 December ’87

    On 20 April ’88 The Solent City Jazz Men visited Farnham’s Maltings. Late in ’87, Anderson had moved away, leaving the Farnham Folk Day in the capable hands of Steve Heap and ? Casey for the next few years. On 24 April ’88, eleven hours of international roots music rolled into the venue in the form of the sixth annual Farnham Folk Day. Roots music was represented that day by Martin Carthy, Michelle Shocked, Ali Farka Toure, Kathryn Tickell, Sileas, Jali Musa Jawara & Musicians, Malcolm’s Interview, Maggie’s Farm, Howlin’ Wilf & The Vee Jays, Gas Mark V, The Old Hat Concert Party, Calicanto, Ralph Jordan with Fi & Jo Fraser, Paul James & Nigel Eaton, Roger Wilson, and Broken Ankles. On 26 May ’88 Blues Stew performed followed on 8 June by Blues n’ Trouble. Seven months after the Folk Day the Blues Festival rolled in on 20 November with Ruthless Blues, Blues Burglars, Hot Club Plus Friends, Rolling Drunks, T Model Slim, Sammy Rat’s Big Big Blues Band and Chuff Train Hot Dogs. The last gig listing at the venue we have at this time for ’88 is Cryin’ Out Loud on 1 December. A year later, The Hamsters were at The Maltings on 16 December ’89, followed by Hot Club on 28 December.

    24 April 1988: Poster / Flyer for The 6th Farnham Folk Day. Source: Ian Anderson via Historic Farnham Town And Surrounding Villages

    On-again, off-again concern, Blodwyn Pig visited on 10 March ’90 and toward the end of march, on 29th, Sonny Black was back at The Malting followed a few days later by the return of The Hamsters on 1 April ’90. On 22 November ’90, Snatch It Back took to the venue stage and eight days later on 28 November it was the turn of Basingstoke’s Rod Garfield Blues Band. The Summer Blues Bonanza Festival hit The Maltings on 23 June ’91 and featured: Hot Club Plus Friends, The Hamsters, The Gutter Brothers, Mick Pini Band, Buick 6, Root Doctors, The Poorboys, Angelina & The Corn Babies, and The Ant Hill Mob. Pub rockers Dr. Feelgood dropped in just before Christmas ’91, with a gig on 7 December.

    After just over five years together, The Hamsters played their 1000th gig at The Maltings, Farnham on 4 April 1992. A Summer Blues Festival was held on 21 June ’92 with Giles Headley and The Bogus Brothers in attendance. Jazz clarinetist, sax and harmonica player, Ian Wheeler recorded a concert at venue, releasing an LP titled ‘Ian Wheeler At Farnham Maltings’ in 1993 that also featured Colin Bowden (drums), Ray Foxley (piano), Vic Pitt (double bass), Rod Mason (trumpet) and on trombone, special guest, Fesser Lindgrun. Later that year, on 21 November ’93, Nine Below Zero were off the hook.

    Released in 1993

    On 2 July ’94 The Gutter Brothers performed at The Maltings again and The Eighth Farnham Maltings Blues Festival was held on 20 November ’94. Local band Womb opened The Maltings based Farnham Fusion Festival in ’94, but we are currently lacking any real detail on the event. The next year The Mighty 45’s, who you may recall as Angela Brown’s backing band, took over the venue on 13 July. American singer-songwriter, Loudon Wainwright III performed on 8 November ’95, followed the next day by the oft underrated blues rock of the Saiichi Sugiyama Band.

    The Folk Festival ’96 was tinged with rock on 21 April in the form of Redwood along with Kathryn Tickell, Dr Didg, Labi Siffri, Edward II, and John Otway. Who Moved The Ground? headlined on 6 May ’96 with Redwood in support. Shed Club and Bluefire Records/Snakebite City presented Farnham ’96 on 23 November ’96 booking These Animal Things, Dweeb, Posh, Supermodel, Posh, Chuck, Redwood, The Hairy Things, The Bigger God, Inter, Pharmacy, JC Regulator, PA Skinny, Oizone, Twister, Avalanche and Snowball.

    23 November 1996: Flyer for Farnham ’96 presented by Shed Club and Bluefire/Snakebite City. Source: Sarah Drover via Inter

    The Farnham Fusion Festival took place at The Maltings again, on 15 February ’97, and featured Alabama 3, Womb, Beth Orton, Loop Guru, Dr Didg, Orphic Soop, Terminal Head, Redwood, The Dolman, Pineapple Tribe, Fish Pig, Seed & The Bridge, Decon Prom, Jabanna, Alien Mutation, Peter Sarstedt, Blazing Homesteads, and Past Caring. A couple of months later, on 26 April ’97, Shed Club and Snakebite City once again presented Farnham ’97, aka Indie Band Fest 1997, with Carter USM, Bennet, Spacemaid, The Bigger God, Garageland, Sons of The Tribe, Jolt, Pullover, Dustball, Inter, Disco Pistol, Descent, Gel and Oizone all performing. In late ’97, when Splatch! and Geronimo events could no longer be held at the Civic Hall, Guildford the folks at Farnham Maltings stepped up.

    As a result of the Civic’s move, Midget – who’d have singles in the UK Singles Chart later in the year – and Glitterbox performed at The Malting on 10 January ’98 and the following week, on 17 January, Vex Red, Sonic Blue, Mindwire and Enertia. The Maltings hosted Farnham ’98, on 28 March ’98, featuring 20 bands across three stages at the all day festival. My Life Story, Drugstore, Libido, Ballroom, Jaguar, Salamanda, and Cato played on the Shed Club stage. On the Snakebite City stage: Glitterbox, Seafood, Inter, Spillage, Twister, Avalanche, Oizone, and Co Star played. Enertia, Vex Red, Taxi Driver, and Snide Line performed on the third. ’98 was also the year that classical pianist and composer John Lenehan was recorded at The Maltings, resulting in Classic FM’s CD release ‘John Lenehan – Satie Piano Miniatures including 3 Gymnopedies’ [75605 57022 2]. Technival was held on 11 April that year with Serpico, Jetpak, The Monsoon Bassoon, Jolt, Fourth Quarter, and Magoo. Redwood’s Colour Blind tour included The Maltings on the roster of venues on 17 July ’98 and the following month, on 21 August ’98, Kilter booked the venue for a gig.

    The L.A. Doors performed at the venue again on 23 January ’99. A few weeks later the Skunk Festival 1999 #1 hit The Maltings, on 12 February ’99, and featured Mindwire and Hipslinky. Easter Sunday 1999 saw The Maltings packed with six performance areas for Technoval: The Geronimo Guitar and Noises Swamp featured Stella Maris, Fourth Quartet, The Scrutineers, Mindwire, Blue Swimmer, and Caretaker. The Coalition Dance Emporium hosted Mark Sinclair, who’d started the Pendragon parties in ’92 and was a pioneer of Trance/Hard Trance in the UK; Defiant’s Paulo & The Sad Bastard; along with Tey, a key figure in the UK’s free party scene in the 90’s co-running ‘Sabbatical Sound’ and would be found later in the year banging out techno at Guilfin‘s Ambient Lounge at Glastonbury; Matt 505, and Tristan. The Guilfin Ambient Lounge at Technoval was headlined by the top dog of the Megadog / Club Dog club nights, Michael Dog; supported by Kinetic’s Dr Psychedelic; Frontside; and Alien Mutation. Cultural Images Dub Zone built up from Da Vinci’s Turk & Miles; to Sunray; back to Da Vinci with Natto P; and wrapping it up with Tufty Gee & The Fyne Tymes Crew. Funky Lloyd Jesus headlined the Superfly Funk Bunker with Me Camembert and Mr Spud, Duke Zuke, and Linz. Finally the Basement Bar held Essenes, Hipslinky, and Hotel Lounge. The Skunkhouse Festival 1999 #2 presented Mindwire and Enertia on 7 May ’99; and a month later, on 22 June, Kilter took to The Maltings’ stage again.

    Dreyfuss, Vex Red and Me Against It All play Farnham Maltings. Picture courtesy of The Surrey & NE Hampshire Music Scene

    In 2000, Dreyfuss played the The Maltings, Farnham with Vex Red and Me Against It All in aid of Reef Protection on 22 February. That same year, on 22 January and 30 March, Dr JJ’s Blues Band recorded their sessions laying 11 of the tracks down their ‘Live’ CD Album released later in the year on Hal E. Tosis Records [CD HAL 003]. Booaloo went down at the Farnham Maltings on 16 November 2000, with The Guv’nors performing.

    Blues, Classical, Folk, Funk, Indie, Jazz, Prog, Punk, Rock, Techno, Trance the venue has accomodated them all and more and continues to this day; celebrating 50 years recently.

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  • Flow Motion

    Flow Motion

    (c’84-’85) Karl Selfe (vocals / percussion), Phil Bushen (bass), Duncan “Du Kane” Elder (guitar) and David Howick (drums).

    Picture courtesy of Du Kane

    In the ’80’s, the landlord of The Cranley Hotel, Cranleigh appealed for live bands to play the venue in a number of local music columns, Flow Motion responded playing The Cranley many times c’83/84. The band recorded four tracks: “Shadows of the Past”, “Flow Motion”, “Some Changes”, and “Sense of Direction” in July ’84. These were then released on their eponymous cassette EP demo. The band were still gigging locally as of ’85, including at The Royal, Guildford on 1 February ’85 supported by Siere Novar.

    The band had a friendly rivalry with Parallel Motion, and Elder, Bushen, and Howick would later join forces with Parallel vocalist Anna-Lucy Torjussen and Ian “Scampi” Fullwood in ’85 to form Yellow Lifetime. This group went on to became Lax Lifetime in July ’87, morphing again in ’88 to become Fab Daze.

    In ’89 Kane went on to form Beautiful People. He also spent time as a contributing editor for Front magazine and ran session recording outfit Replicant. With David Maskrey, Kane can now be seen in The Shakespearos, along with The Vapors‘ Steve Smith, mostly gigging in the Worthing area.

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One thought on “Home

  1. Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.

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