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For anyone who vaguely recalls the Woking / GU postcode area music scene.

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  • Snide Line

    Snide Line

    (c’96-98) Jo Waghorn (vocals / guitar), Mark Ogden (guitar / keyboards), Clare ? (bass), Greg Ford (drums / vocals).

    This Church Crookham based 4 piece, recorded the “Snide Tunes” 3-track demo at Monster Studios, Leatherhead, with Sid Stovold providing some additional percussion, with Chris Stevens producing. In ’97 the third track from the “Snide Tunes” demo, titled “Too Long”, appeared on Farnborough Groove Vol.7 (Geography Sucks).

    The Maltings, Farnham hosted Farnham ’98, on 28 March ’98, and Snide Line joined Enertia, Vex Red, and Taxi Driver on the third.

    On leaving Snide Line Ford and Ogden formed Dreyfus, which later became Coldharbour. Ogden currently resides in Aldershot, while Ford now lives in Teignmouth, Devon. Waghorn is somewhere on the south coast.

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    Inlay for the “Snide Tunes” demo. Picture courtesy of Sid Stovold

  • Half Moon Folk Club, Farncombe

    Half Moon Folk Club, Farncombe

    The Half Moon Folk Club was held at the Half Moon, Meadrow, Farncombe on the periphery of Godalming – it was the first pub on the left as you entered Godalming from Guildford. It’s where Roger Learwood also ran the Godalming Singers Club in the early 70’s.

    November / December 1975 at the Half Moon

    On the 9 December ’72 in partnership with Stag Folk, the Half Moon presented a charity folk concert, at the Wilfrid Noyce Centre, Godalming, in aid of G.O.P.W.A. for a drop-in centre for the elderly. In ’75, Julian High and John Gardner reopened and ran the Singers’ Club at the Half Moon, as a Stagfolk side project for a couple of years. Their re-opening night, on 20 November ’75, featured the rich, sonorous, baritone of Martin Winsor as the club’s special guest that month; with Johnny Collins – who’d released the LP “Johnny’s Private Army” earlier that year and loved to have the audience sing the choruses with him – filling the role the week before Christmas.

    The Half Moon closed in 1984 and is now a commercial building called Capital House.

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  • Technical College, Farnborough

    Technical College, Farnborough

    Thanks to an active student union, Farnborough Tech, as it is colloquially clept, held many memorable gigs over the years…particularly in the ’70s.

    SU Office. Supercharge play Farnborough Tech according to the poster on the left, Source: Mick Hughes via Farnborough (Hants) Nostalgia

    The earliest gigs at Farnborough Tech, Soundscene has uncovered to date, is on 26 September ’64, when the combined Farnborough Tech & RAE Rag Week kicked off with a ‘Jazz Rave’ at the Technical College featuring Trad ‘Dixieland’ Jazzers The Original Downtown Syncopators and the six-man line up of the Monty Sunshine Band. A potential earlier event, if we can pin a date down, featured The Bill Leru Quintet, who baritone saxophonist Peter Cauldwell recalls supporting Tubby Hayes, at what he believes may have been the college. On 12 February ’65, Screaming Lord Sutch & The Savages were supported by The Stormsville Shakers. The three Savages were Ritchie Blackmore (guitar), Arvid Andersen (bass) and Jim Evanson (drums). Apparently, per the recollection of some of the Shakers, Ritchie Blackmore wasn’t the guitarist that night but another famous player. They were joined by four saxophone players: Dick Errington, Noel McManus – previously with The Blues By Five, Ashton Tootell, and Reg Price. Dave Sherrington, saxophonist with the Shakers, recalls asking Sutch why the “4 Saxes” as they were called, who were all dressed in football shirts that night, had to share one microphone. “I like to see them all fighting to get near the mike” was Sutch’s response. The Soultones were the supporting act for The Yardbirds at the Technical College on either 20 March or 9 July ’65; which reportedly featured a brawl. On 19 June 1965, beat group The Muleskinners and rhythm and blues combo The Art Woods played. The college held a Jazz Dance in Assembly Hall on 25 September ’65 with The Temperance Seven, who specialized in 1920s jazz and local Dixieland jazz band The High Curly Stompers providing the rhythm, reeds, and brass.

    Jazz was back at the Tech when the Michael Garrick Trio and Sextet performed in the Assembly Hall on 23 October ’65. This was recorded and later released as “Farnborough Technical College 1965 (feat. Joe Harriott, Ian Carr & Tony Coe)” on 25 February 2022, having been pulled from a private collection of recordings. The Nashville Teens were supported by The Cops and Robbers and Liverpool’s The Clayton Squares on 1 April ’66 and on 2 July ’66 the Graham Bond Organisation appeared at the College, with The Sands in support, but Jon Hiseman replaced Ginger Baker for the show. On 22 April ’67, Moon’s Train rolled in to entertain the students, returning on 15 December ’67 and 25 May ’68. R&B group The Flirtations, who had supported Tom Jones on his European tour in ’68, also appeared in the late 60’s. On 16 November ’68, The Ferris Wheel were supported by The Gods, who were touring the debut LP titled ‘Genesis’. As with many gig holding educational establishments, it wasn’t just the bands appearing that might go on to fame and fortune in the music industry, but also some of the inmates. In ’68 a young Alan Clayson, who edited the student mag and contributed three articles to the ‘Schoolkids’ edition of Oz while there, started at Farnborough Tech. He is better known by many as the figurehead of Clayson and the Argonauts, a band that crashed the bill of a pre-punk gig at the Civic Hall, Guildford and received a very positive review in NME. The Chronic rag mag for Farnborough Tech and RAE Apprentices’ Rag Week 1969 lists a number of balls with live bands over the Autumn semester, but only one – the Funny Ball – was at the college on 4 October 1969 featuring jazz from Bob Kerr and his Whoopee Band and Sam Spoon’s Bumper Puzzle Band Kit, you may recall Spoon – aka Martin Ash – as the percussionist of the Bonzo Dog Doo-Dah Band. Other events were held at the R.A.E. Hall, Farnborough.

    13 February 1971 – Pink Floyd

    In the early 70’s rock, prog’ and otherwise, dominated the student union. Starting the concert series for 1971 was the Hammond organ trio Jody Grind on 9 January. Having toured ‘Atom Heart Mother’ around Europe and the United States in 1970, Pink Floyd graced the Tech’s stage on 13 February ’71. A month later, Stray wander onto the campus for a gig on 13 March ’71. Country rock band Cochise were supported by folk rockers Gypsy on 25 September 71, the latter refrained from miming as they had the month prior on BBC One’s Top of the Pops. Patto supported by Bell & Arc, the blues rock group consisting of Graham Bell with heavy prog rock band ARC, were there on 9 October, and Heron performed eleven days after on 20 October, followed by Barclay James Harvest on 30 October ’71. The final stop on Argent, Climax Chicago, and Duffy Power’s 32 venue ‘Triple Grand Tour’ was Farnborough Tech on 13 November ’71. Spontaneous Combustion, having opened for Emerson Lake & Palmer several times, supported Home on 11 December ’71. The Tech’s Student Union placed an advert in the 11 December Melody Maker advertising this gig and one the following Friday, 17 December ’71, featuring Duster Bennett, Warm Dust and Brian Auger’s Oblivion Express. Status Quo also rocked the venue, supported by Magic Alice, in ’71.

    17 December 1971: Warm Dust supported by Duster Bennett and Brian Auger’s Oblivion Express. Advert from Melody Maker. Source: Steve McKeown via Farnborough (Hants) Nostalgia

    On 8 January ’72 the Arthur Brown fronted Kingdom Come, performing much of the “Galactic Zoo Dossier” LP’s content, were supported by BB Blunder. Then on 29 January ’72 the Technical College hosted Hawkwind with Open Road, who’d been Donovan’s band, in support. A week later, on 5 February, Alan Bown supported Climax Chicago; followed by Lindisfarne, and Khan the week after that, on 12 February. In March you would have found Roger Ruskin Speare with Thunderclap Newman, and Tea & Symphony supporting. The following night, 12 March ’72, ex Bonzo Dog Doo-Dah Band saxophonist and robotic contraptionist, Roger Ruskin Speare was back, this time supported by singer-songwriter Bridget St. John, and Gordon Giltrap. Tony Hazzard appeared on 17 March and Steeleye Span, just before they set about recording the “Below The Salt” LP, supported by jazz prog band Ben, were performing on 24 March ’72.

    Jumping to May ’72 and the SU had booked art rockers Audience and Truck (not the Ontario based Truck!) to appear on 13 May; Gypsy with Welsh Good Habit on 29 May; and on 27 May ex-student, Mike Rutherford’s band Genesis headlined, supported power pop from Nimbo – Genesis had actually played the venue on two earlier occasions as support to the supporting band on the first, then as the support the following time (details to be uncovered). The End of Term Rave was held on 8 July ’72 with live music from New York based rock and roll and doo-wop revivalist Sha Na Na, who had been touring the UK and Europe since May, supported by Swastika. The Climax Chicago Blues Band, just before they dropped the Chicago from their name, rolled through on 21 October and the Groundhogs kicked off a tour that year at Farnborough Tech, supported by Badger, on 11 November ’72.

    11 November 1972: The Groundhogs, Farnborough Technical College. Source: Don West via Farnborough (Hants) Nostalgia

    Two weeks later, on 25 November ’72, the melodic, hook-laden hard rock of Stray was supported by Magic Muscle’s psychedelic / space rock – what we wonder is how the SU got along with Stray’s manager, Charlie Kray? Quo were due to return on 15 December ’72, with support provided by Snake Eye. The Francis Rossi and Bob Young written single “Paper Plane” had been released on 10 November and reached No.8 in the UK Singles Chart. The bands management decided to pull them out of the gig and elected to play the Guildford Civic Hall in March ’73. On 16 December 1972, the Stackridge “Treasure Island” Tour came to the college with The Pigsty Hill Light Orchestra supporting. The Wild Horses, Supercharge, Radio Stars, Moonraker, and Little Acre also appeared at the college. Around this time Ken Dudley, who would later open The Rock Box, Camberley; broke into the music industry thanks to a meeting at Farnborough Tech with a promoter who asked him to undertake some flyposting.

    Anyone remember Hookfoot or Ange? They were at Farnborough Tech on 14 January ’73. A few days later, on 27 January, it was Snake Eye’s turn. There were a couple of, as yet, un-dated classic gigs in February ’73: The first saw Brinsley Schwarz and Ducks Deluxe on stage, the second had Savoy Brown supported by Saturnalia- who’s “Magical Love” LP was one of the first 3-D picture discs -, and Lloyd Watson. As best we can tell Snake Eye returned on 17 February ’73 to support Vinegar Joe, along with Bloss. Another as yet undated gig that dropped in April ’73 had Snow Leopard supporting Man. French progressive rock band Ange were back on 13 April ’73, this time sporting Wizzard. Good Habit and Lancer rolled onto campus in September ’73 and in October Ange headlined, supported by Camel. Jack the Lad filled the 13 October assisted by Byzantium and at some point, in November, Roger Ruskin Speare opened for Fumble. Mid-November ’73, on 10 November to be exact, Fruupp took the whole evening. They were followed two weeks later, on 24 November ’73, by Gong and Kevin Coyne; who may have both returned in December ’73. Wrapping up ’73 was Manfred Manns Earthband on 19 December, with Lancer.

    Farnborough Tech regulars Fruupp performed in January ’74, supported by Brewers Droop. Home rocked it out on 12 January ’74; returning in February with Capability Brown. That was not on 9 February ’74 however as Principal Edwards and Highway were there. Two months later it was Groundhogs, on 5 April ’74, with Starry Eyed and Laughing warming up the crowd. The following month, on 4 May, Half Human Band opened for The Troggs on what was to be a memorable night for many, including students Nick Tarn, the SU treasurer, and the now journalist Sebastian O’Kelly. Members of the Hells Angels Motorcycle Club were aiming some abuse at The Troggs and spraying drink at, the lead singer, Reg Presley. Presley, after telling them to stop and if they wanted trouble to see them after, launched himself into the club members from the stage, ending the show. In the subsequent melee, guitarist Richard Moore was stabbed and rushed to hospital for emergency surgery for the wound to his lung, barely surviving; another bottled and Presley received a broken nose for his troubles. Calmer times ensued on 30 November, which witnessed Greenslade who returned in December ’74 with local band Asylum in support. Barclay James Harvest and Marvelous Kid also appeared in December that year.

    Flight 59 opened for String Driven Thing on 18 January ’75. Ten days after, on 28 January ’75, Mike & Richard Ashworth, as Wax Promotions, put on The Guildford Stranglers at Farnborough Tech; where they played several standards, including Johnny B Goode while supporting 50’s retro group Fumble. A matter of days later, on 1 February ’75, The Stranglers were back supporting, the returning, Fruupp. The next week it was Gordon Giltrap upon the stage and Asylum supported Budgie on 20 February ’75. March ’75 welcome Blackfoot Sue. That same month, Stackridge returned to Farnborough College of Technology, on 22 March ’75, supported by Shepstone & Dibbens. Deaf School and The Fabulous Poodles also appeared in the 70’s, and we know that Strife supported by Palantir, and Rocky Sharpe and the Replays supported by Salt all played the venue some time in February ’76. The next month, on a date yet to be confirmed, Nutz supported Starry Eyed and Laughing. The Automatics supported The Vibrators at Farnborough Tech on 18 Feb ’78, seven days later The Vibrators would be performing “Automatic Lover” on Top of the Pops. The month after, on 11 March, The Enid were on stage.

    11 March 1978

    Ramrod, a spin-off of SALT and the Rory Gallagher band, with Stevie Smith on vocals also performed there in ’78. On 19 May ’79, T. T. Transmission headlined and were supported by The Planets (who would soon rename to Lopez & The Waveriders) – a purposeful juxtaposition where the Waveriders well performed opening was incongruous to the audience’s prog-rock leanings. In addition, at some point that year Judie Tzuke was on stage as well as local band The Desotos, although not on the same night. Camel had been booked to play at Farnborough Tech earlier in ’79, but had cancelled at the very last minute. Having been burnt once, the college’s Social Secretary did not book the band again.

    The Desotos on stage at the Technical College, Farnborough c’79. Picture courtesy of Paul Trew

    The college’s first gig of ’80 was held on 19 January and featured synth-pop band Landscape, who’d be better known the following year after releasing Einstein a Go-Go and Norman Bates. Two local bands rolled onto campus on 18 April ’80: The Torpedoes and The Vulgar Bros. Farnborough Tech’s Rugby Union Football Club hosted Lethal Dose, along with headliner Deadlock, on 14 November ’80, after the cancellation of a gig at the venue on 31 October due to licensing issues. Then on 13 December ’80: John Otway and Wild Willy Barratt, with Eddie Stanton played Farnborough Tech. By the early 80’s gigs by progressive rockers, such as The Enid, were few and far between and punk was appearing with the likes of Aldershot’s Human Beings taking the stage on 27 March ’81 with Deadlock in support. Pozer, without guitarist Paul Sheldrick due to a horrendous car accident, played as a four piece at Farnborough Tech in ’81. In the words of fellow guitarist and band member Rob Kemp, “It was awful”. Human Beings returned, on 30 October ’81, seven months after their first appearance; and another local band to appear at the college in this time frame were Cutting Edge, there on 29 January ’82. The next week Cuban Heels were accompanied by Studio 45, on 6 February. Black Easter played on 17 December ’82, apologizing for the high admission fee (£2.00) and ban on boots via their flyers. Squeals of Delight were supported by West One and Safety in Numbers on 6 December ’85; and when Controls played the college later that month they recorded the gig and released the live recording under the title “Let’s All Bark Like Labradors” on Stupid Rabbit Tapes in ’86. West One came back to college on 15 March 1986; Jim Jiminee couldn’t ‘Do It on Thursday’, performing on 25 February ’87 in the Student Union Bar, and Magic Moments At Twilight Time performed their set in ’88 at the SU Bar.

    We have a very fragmented record for the ’90s, although our contributors recall going to gigs on the regular at Farnborough Tech. The mad pop, ska, punk, folk guitar thrash out of Who Moved The Ground? and Bubble-Eyed Dog Boys came to college on 8 November ’90. The heavier tunes of Explodehead and Slug undertook an ‘Official Rob Night’ on 2 February ’91, and five days on Who Moved The Ground? returned to performed with The Becketts. The following month Bubble-Eyed Dog Boys played the Tech again, as part of their ‘1991 Tour’, on 21 March ’91. Blue Velvet and Pretty Green showed the audience how they did it on 18 April ’91. P.J. Harvey was there on 26 September ’91.

    15 February 92: Mega City Four with Phobia, Big Boy Tomato, and Pretty Green. Source: Pete Scott via Mega City Four

    Five months later, Pretty Green returned, on 15 February ’92, this time supporting Mega City Four along with Phobia, and Big Boy Tomato, only to return again, on 18 April ’92, exactly a year after their first performance, to play the SU Bar. The college hosted Who Moved The Ground? on 4 February ’93 with the entire gig recorded for posterity (see video section below) and Sweet Hooligan appeared on 11 February ’93. We are also aware that at some point in ’93, Redefining Beautiful played with Fleet based The Hairy Things at Farnborough Tech.

    What happened to live music after ’93 we are still researching at this time, but I’m sure we’ll uncover more gems as we compile The Gig Lists. There was certainly a ‘Battle of the Bands held at Farnborough Tech in the new century at which Tainted Grace performed “Catatonic” and “The Rapture”.

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  • Controls

    Controls

    (c’78-85) Tim Naylor (bass / vocals), Melvin Crawford (guitar / vocals), John/Jon Monks (guitar / vocals) and Kerry “Captain” Kirk (drums).

    This 4-piece from Fleet formed as the Bright Young Things from the remnants of punk bands The Grunties, Keine Namen, Incredible Mounties, and The Fastnets around Christmas ’78. Original vocalist Tim Freeman left early due to musical differences, later joining Frazier Chorus. Grunties’ Crawford took on the vocals, and Kirk covered drums. Keine Namen’s Naylor joined making it a trio. Their first gig was at Ewshott Village Hall on 25 May ’79.

    Originally called Bright Young Things, this A4 poster is for Controls first ever gig at Ewshott Village Hall on 25 May 1979

    A few private parties / gigs followed. Ex-Fastnets Monks added the second guitar and they became Controls in July ’79. A few rehearsals / performances at Basingbourne Pavillion were recorded over July / August ’79 and released as “Rampant Silliness At The Pavilion” on Stupid Rabbit Tapes. This included covers of “Rebel, Rebel” and “Public Image!” The band then secured slots at The Albert Social Club, Fleet and on 5 December ’79, the Prince of Wales, Fleet. They also and supported Lonesome No More at Tumbledown Dick, Farnborough later in the month, on 11 December ’79. Controls weren’t the first or last band to have the power pulled on them, but notably the regulars at The Albert Social Club got them shut down after just 4-numbers followed by Naylor getting into a fight and the band walking home with an escort of locals.

    11 December 1979: Controls supported Lonesome No More at the Tumbledown Dick, Farnborough. Picture courtesy of Tim Naylor

    Once described as Joy Division on whizz they released the “Sock It To ‘Em, Dave” cassette EP on Stupid Rabbit Tapes [SRT001] in April ’80 with tracks ‘So Soon I Forget’, ‘Secrets’, ‘Nobodies Daughter’ and ‘Invited Few’. Late the prior year, Naylor had written to Sounds announcing the release of Controls’ “Sock It To ‘Em” cassette; even though it didn’t exist. Sounds ran it in the New Year and offers for distribution, publishing, fanzine interviews and payments for the cassette started rolling in.

    Short snippet that appeared in Sounds in 1980. Source: Die or DIY

    Naylor and Monks spent a Sunday gathering 4 tracks from old rehearsal tapes and made up the “Sock It To ‘Em, Dave” cassette EP. Monks then produced the copies using two Philips portable cassette recorders. The band eventually sold around 500 cassettes at a quid each; thanks to Sounds and positive fanzine coverage in the likes of Cultural Revolution and Stick It In Your Ear.

    “Don’t Adjust The Controls” on Stupid Rabbit Tapes [SRT002] was recorded live on 21 June ’80; eventually releasing as this cassette LP in July. Source: Stupid Rabbit Tapes

    The band recorded their second cassette “Don’t Adjust The Controls” live on 21 June ’80; eventually releasing it as a cassette LP in July, again on Stupid Rabbit Tapes [SRT002]. Shortly after Monks stepped down and the band continued as a trio. Their June gig at Crondall Village Hall, headlined by The Mental and supported by Men Like Gods, ended with the audience wrecking the place before attacking the village green, stealing band kit and a car or two. It was reported in the Aldershot News as the ‘Crondall Village Hall Riot’ (Ed- We need to get hold of that clipping). This line-ups final gig was an unofficial appearance on Aldershot Lido’s cafe roof; after which the band split up.

    Over the following weeks Naylor held auditions to reform the band; as result Mark Pendelton (guitar) and Jim Rump (vocals) were recruited in August ’80. Over September ’80 Controls had a three week residency at the Fox and Hounds, Fleet. A recording of one gig at the Fox and Hounds was released by Stupid Rabbit in November ’80 as “Late Night Love Songs” [SRT 003]. The Wooden Bridge, Guildford had Controls headline on 8 October ’80, with Prisoner of War in support.

    20 March 1981: Quality Drivel, supported by The Poles, Controls, and Dig Dig Dig were up at The X Club, Drayton Labour Club. Source: Stupid Rabbit Tapes

    On 20 March ’81, Quality Drivel headlined The X Club at Drayton Labour Club, supported by The Poles, Dig Dig Dig, and Controls. This new line-up was taken on by Reading based X-Cassettes, who re-released “Late Night Love Songs” as “Dance” [X-003] in April ’81. They also appeared on X-Cassettes “Anything Could Happen In The Next Half Hour” [X-002] and “Bits” [X-005] compilations.

    The band were managed by ex-Keine Namen member Dave Mallins, who sometimes stepped in on drums, and Mark “Willy” Whitehead was their roadie. The band reappeared in late ’83 with Tracy Taylor on vocals. On 23 March ’84 they performed at the West End Centre, Aldershot with The Waltons, and The Service, and In Hill House. This was ‘Fast Pop Friday’, the opening night of West End Centre’s first Aldershot Rock Weekend, that featured 20 local bands across the 23-26 March. At some point in ’84 they issued the “Searching For The Perfect Partner” Live cassette LP on Stupid Rabbit Tapes, recorded at Farnborough Sixth Form and held a short residency in the Spring of that year at Fleet Country Club‘s Alternative Night. Splinters was a club held at the Cambridge Hotel, Camberley and Controls played there on 3 October ’84.

    At Christmas ’85 Controls played at Farnborough Tech. This was also recorded and issued as a live cassette album titled “Let’s All Bark Like Labradors” on Stupid Rabbit Tapes in ’86.

    Naylor and Monks would later team up with Richard Jennings in Beating Hearts. Taylor (tka Corbin) would lose her battle with cancer in August 2024.

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  • Keine Namen

    Keine Namen

    (c’78) Dave Mallins (drums), Nevil Ede (Guitar), and Tim Naylor (guitar / vocals).

    This Fleet based punk band rehearsed in Mallins parents’ garage and while they were on vacation held a gig at this ‘venue’. They released just 10 copies of “The Living Room Tapes” cassette, carrying 8 tracks – 5 about girls they’d dated, covers of Buzzcocks “Sixteen” and PILs “Theme”, and the Nayler solo “White Cars” – on self labelled Superbun Tapes ‎[no.1] in September ’78.

    “The Living Room Tapes” was reissued in 2012 on Year Zero Records [YEAR018] after it was licensed from Stupid Rabbit Tapes, with the track ‘Hawaiian Stomp Pt.1’ receiving airtime on WFMU’s Undancing In The Dirt with Thomas Storck on 9 December 2012 and ‘(Shut Up) David’ on Radio Panik 105.4FM (show #316) in 2014.

    Naylor went on to form / join Controls.

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  • Beating Hearts

    Beating Hearts

    (c’81-82) Tim Naylor (bass / vocals), Kerry Kirk (?), Simon Baggelley (guitar), Richard Jennings (drums) and Jon Monks (keyboards).

    After the demise of Controls, Naylor, Kirk and guitarist Tina ? formed Heartbeats. A few rehearsals down and Naylor left, joining Spod from Farnborough. Following this 6 week hiatus with Spod, Naylor used ads and some word of mouth at Fleet’s Kingfisher Music to schedule a few auditions for post punk Beating Hearts.

    Beating Hearts “First Three Hours” demo cassette. Source: Die or DIY

    Beating Hearts issued their “The First Three Hours” demo cassette in late ’81. This was literally the recordings from the first few hours of their rehearsal time. The demo reached X-Cassettes’ Chris Green (who later joined the Criminal Damage label) and secured them a spot on the “Beyond the River” [OD001] vinyl, Reading area, compilation on Green’s Open Eye Records label – they just had to pick and record a track.

    B-side of “Beyond the River” [OD001] vinyl compilation on which Beating Hearts “Wrap Me Up” appeared.

    This agreement coincided with their debut gig at Recreation Centre, Farnborough. The track “Wrap Me Up” was so well received that they recorded it and submitted it for the compilation. But, it was the wrong format for mastering; so, it was re-recorded at Matinee Music, Reading – a studio Dark Paradise would also later use – in April 82, with engineering by Chris Broderick. The next month, on 11 May ’82, saw the band performing at The Wooden Bridge, Guildford. The band split in late ’82.

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  • Wreckage

    Wreckage

    (c’96-2000) Damien Kay (vocal / banjo / guitar), Richard Hyde (bass), ? “Ezzy” ? (organ), Mark Darrah (drums), and Adrian Berger (guitar)

    Kay had previously been front and center of The Outcast Band, before forming Wreakage with Hyde, Darrah, and Berger. On 15 and 16 July ’98, Wreckage recorded three tracks at The Studio in The Park, Bracknell, with engineering by Mike Sparks. These three tracks: “Souvenirs”, “Her Winter Song”, and “Seventeen Days” were to become the eponymous “Wreckage” EP cassette demo.

    Sleeve to 1998’s “Wreckage” demo cassette.

    At a later, unknown date, with fellow ex-The Outcast Band member Ryan Daniel replacing Hyde on bass and Jon Reeves replacing Darrah on drums; and without Berger, they also self released “Black Crow, Black Crow” in Australia. This CD EP, listed in the Folk, World, and Country genre; carried “Bones”, “Blood and Soil” and “Black Crow, Black Crow”.

    In November 2010, having reformed, The Outcast Band released the Phil Tennant produced ‘The Longest Mile’ album. This carried a track titled ‘Wreckage’.

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  • Panzer Korps

    Panzer Korps

    (c’80-’84) Chris Carter (vocal), ? (guitar), Martin Dyson (bass), and Jamie Abethell (drums).

    Woking based Panzer Korps, or was it Panzer Division as reported in Soundscene (although do not confuse them with Panza Division, the British NWOBHM band from Sheffield), were a spin-off of Lethal Dose. Their first gig was at Godalming’s Save Our Services fete on 5 July 1980. A some point a video was made with a bus load of fans from Guildford coached in.

    Clipping from News & Mail Soundscene column 12 June 1980.

    The Prince Alfred, Farnham hosted the band on 16 September ’83 as they opened for Black Easter. On 25 February ’84 Panzer Korps appeared at Caird Hall, Camberley with The Plague, Black Easter, and Maxi Puch & The Macho Moped Men. The following month they were one of the local punk bands at the Aldershot Rock Weekend. Held at the West End Centre, Aldershot the punk session was in the afternoon of 24 March ’84 and saw The Plague, Black Easter, Panzer Korp, and Maxi Puch and the Macho Moped Men take to the stage.

    Heroin led to the demise of Dyson. Carter went on to play in The Charles. Abethell was a founding member of Black Easter.

  • The Primevals

    The Primevals

    (c’64-’67) Colin Telling (guitar), Geoffrey Andrews (bass / vocals), Alan Franklin (drums), and Bruce Roberts (guitar).

    Primevals: (L to R) Andrews, Roberts, Telling and Franklin. Picture courtesy of Ben’s Collectors Records via June Telling and Alan Franklin.

    A group of friends got together in Franklin’s home at 49 Stoke Fields, Guildford to play records and ‘make music’, although there was no drumkit and Franklin just kept a beat at the time. They became The Primevals, as named by Franklin, with the band’s early days playing around hometown Guildford at venues such as Congregation Hall, Bellfields.

    In ’64, The Primevals were the runner-up in a ‘Battle of the Bands’ contest, undertaken at the Civic Hall, Guildford; losing to Phillip Goodhand Tait and The Stormsville Shakers. In a similar Battle of the Bands at Charlotteville Youth Club they were the runners-up again, this time to The Phantom Four. That didn’t deter the band, and over the coming years they kept roadie Peter Greaves very busy.

    The Primevals on stage at the “Battle of the Bands” contest 1964 at the Civic Hall, Guildford. Picture courtesy of Ben’s Collectors Records

    After more rehearsals at the Methodist Church Hall, Guildford they secured a regular spot at the Harvest Moon Club, Guildford, once sharing the stage with Rod Stewart, they certainly supported Group Survival there on 27 August and The Stormville Shakers on 3 December ’65. Ian Latimer, of The Phanton Four, recalls a night at The Harvest Moon, standing in for Andrews on bass with The Primevals to support The New Seekers.

    Primevals as “A threesome but no trio”. Picture courtesy of Ben’s Collectors Records

    The Primevals were the first band to play the ‘new’ Youth Centre, Guildford on 16 October ’65. Almost a year later, on 31 September ’66 they were at the Stoke Hotel, Guildford supporting The Downliners Sect. At some point the band became “a threesome but no trio” as their promo card proclaimed, with enquiries to be made at the Ministry of Noise. This followed Telling and Andrews getting into an argument in the buildup to a concert at the Civic Hall, with Telling leaving. This trinity proved of interest to Deram Records, who sent scouts to the Town Hall, Godalming to evaluate. Reportedly, the band members didn’t want to leave their day jobs, so a can-can – featuring Franklin and Andrews with fire buckets jammed on their feet and dancing across the stage- delivered a performance unbecoming to future Deram stars, scaring off the A&R men.

    The last gig listing we have found to date was on 19 March ’65, when The Primevals supported the Mark Leeman Five at the Methodist Youth Club, but there was a farewell concert at The Stoke Hotel, where Franklin switched from his kit to bongos and, ex-Stormsville Shaker, Dick “Fancy” Forcey took up the sticks. Although, we are aware of images of Primevals playing the Wooden Bridge, Guildford in ’67 with Forcey on drums.

    After leaving the band Andrews went on to form The Geoff Andrews Group and run a garage. Franklin became a journalist but was offered drumming positions at a Paris nightclub and touring with a band around Germany. Roberts went on to form and play with The Quik, who released three singles on Deram Records in ’67 and have appeared on over 30 compilations since. In the early 70’s he was with Southampton based Iguana, staying with them when they morphed into The Jess Roden Band in the mid-70s.

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  • Guildford Sanitation Authority

    Guildford Sanitation Authority

    (c’70) All we know about this Guildford band is that they supported David Bowie on 14 March 1970 at the University of Surrey, Guildford.

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  1. Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.

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