-
Warp Spasm
(c’90-’93) Jimmy Johnson (vocals), Owen Packard (guitar), John Paris (guitar), Richie Mills (drums) and Alex Slatter (bass).
On 15 January ’91, Camberley based Thrash/Death Metal band, Warp Spasm – who were originally called Jeopardy – supported Killing Faith at The George, Ash Vale, for ‘The Funeral’; Killing Faith’s last gig. That same year they were at the Agincourt, Camberley supporting Lawnmower Deth, along with Severence and Ignorance, on 22 September and at the West End Centre, Aldershot supporting Dumpy’s Rusty Nuts on 6 December, a venue they’d headlined earlier in the year (3 May) with Severance, The Mourning After and Asteroth in support.

Inlay for Warp Spasm’s 1992 “0-60 is a Speedspuck” demo cassette. Picture courtesy of Sid Stovold The following year this Warp Spasm, who had connections to East Yorkshire, released the “0-60 in a Speedspuck” demo. It carried three tracks: “Conform To Form”, “Mindmelt” and “The Smile Zone”. Reportedly they covered the Rainbow theme tune and played Joe Bananas indie night once or twice. That same year, on 28 May ’92, the band supported Re-Animator at the Adelphi, Hull.
By ’93 – the year they released the cassette album “Beyond the Parameters of Resolution”, recorded and mixed at Bandwagon Studios, Mansfield – Paris had left and Graeme Watts (bass) had replaced Slatter. Watts contributed to all three tracks: ‘Origin Dispersal’, ‘Deconstructed’, and the cassette EP’s eponymous “To Our Glorious Dead” in ’93, released on the Splatterpunx Promotions label [SP0006 IC56382]. This was again recorded in Mansfield and engineered by Mark Brown. The following year the band released “The Cranial Shift EP” cassette on Independantz Records [SP008].
When Johnson exited the band evolved into Blastcage and released a few demos and EPs. Packard went of to join Nottingham based postmetal Earthtone9.
Tracks:
Gallery:

22 September 1991: Warp Spasm along with Severence and Ignorance support Lawnmower Deth at The Agincourt, Camberley. Source: http://lesingemagnetique.blogspot.com 
3 May 1991: Warpspasm, supported by Severance, My Mourning After and Asteroth, were at the West End Centre, Aldershot. 
Cassette for Warp Spasm’s 1992 “0-60 is a Speedspuck” demo. Picture courtesy of Sid Stovold 
Inlay for Warp Spasm’s “Beyond the Parameters of Resolution” in 1993. 
Inlay (inner) for Warp Spasm’s “Beyond the Parameters of Resolution” in 1993. 
Lyric inlay for Warp Spasm’s “Beyond the Parameters of Resolution” in 1993. 
Cassette side 1 of Warp Spasm’s “Beyond the Parameters of Resolution” release in 1993. 
Inlay of Warp Spasm’s 1993 EP “To Our Glorious Dead” 
Inlay of Warp Spasm’s 1993 EP “To Our Glorious Dead” 
Cassette of Warp Spasm’s 1993 EP “To Our Glorious Dead” 
Inlay inner of Warp Spasm’s 1993 EP “To Our Glorious Dead” 
Inlay inner of Warp Spasm’s 1993 EP “To Our Glorious Dead” 
Cover to Warp Spasm’s The Cranial Shift EP 
Cassette to Warp Spasm’s The Cranial Shift EP 
Inlay outer to Warp Spasm’s The Cranial Shift EP 
Inlay inner to Warp Spasm’s The Cranial Shift EP 
28 May 1992: Warp Spasm supported Re-animator at the Adelphi, Hull. Adelphi, Agincourt, Aldershot, Alex Slatter, Ash Vale, Asteroth, Bandwagon Studios, Blastcage, Camberley, Dumpy's Rusty Nuts, Earthtone9, Graeme Watts, Hull, Ignorance, Jeopardy, Jimmy Johnson, Joe Bananas, John Paris, Killing Faith, Lawnmower Deth, Mansfield, Mark Brown, Owen Packard, Re-Animator, Richie Mills, Severence, Splatterpunx Promotions, The George, The Mourning After, Warp Spasm, West End Centre -
Home & Away
(c’94 to ’03) Inspired by Strewth fanzine Pete Cole started the Home & Away zine and it was created, written and curated by Cole. It was originally called Groove News, playing off of Cole’s legendary Farnborough Groove compilation series, and would later become H&AZine, and was a staple source of information.
Cole recalls one of is first items being a not so positive review of The Outcast Band’s debut album, using the term “2nd rate Levellers”. Copies were put on tables at the Cricketers, Westfield during a Backlash gig. But, The Outcast Band’s Paul played fiddle on a couple of Backlash tunes. Cole was at the urinal when in comes Paul with Outcast front man Damien and stood either side of him. Paul says to Damien “..see that shit review? I’m gonna kill whoever wrote that”. Cole kept very quiet and left early.
Home & Away #2, released in November ’94, reviewed Yateley based Headcopter‘s ‘No Room Too Small’ demo and profiled Who Moved The Ground?.
January ’95 saw the publication of Home & Away #4, with Inga and Maria writing up their impressions of Senseless Things, Joyrider and Who Moved The Ground? at Agincourt, Camberley that went down on 9 December ’94. Two months later the fanzine published Bruno’s review of Skipper and Headcopter at The Shed, South Hill Park, Bracknell on 9 March ’95; as The Wasp Factory had pulled out due to illness.
Our only complete issue, covering four pages, is from March/April 2002, with the name shortened to H&AZine. Read it in the gallery below:
Gallery:

Headcopter’s “No Room Too Small” demo reviewed in local fanzine Home and Away #2, November 1994 
Clipping from the fanzine Home and Away November ’94 profiling Who Moved The Ground! 
Clipping from the fanzine Home and Away No.4 January ’95 covering the Senseless Things and Who Moved The Ground! at Agincourt. 
Review of Skipper and Headcopter gig at The Shed, South Hill Park on 9th March 1995 by Bruno. 
Page 1 (cover) of H&AZine March/April 2002 edition. Picture courtesy of The Surrey & NE Hampshire Music Scene 
Page 2 of H&AZine March/April 2002 edition. Picture courtesy of The Surrey & NE Hampshire Music Scene 
Page 3 of H&AZine March/April 2002 edition. Picture courtesy of The Surrey & NE Hampshire Music Scene 
Page 4 of H&AZine March/April 2002 edition. Picture courtesy of The Surrey & NE Hampshire Music Scene -
Lethal Dose
(c’80-’81) Chris Carter (vocal), Rob Anderson (guitar), Martin Dyson (bass), and Gary Fisher (drums).
Lethal Dose were a Camberley punk band influenced by Crass and Discharge. They were not favored by John Peel, but did well enough to claim royalties from The Grain. It’s rumored that they supported Crisis once, and played the downstairs bar at the Civic Hall, Guildford. In late ’80 they were scheduled to appear in the Observer’s color magazine in an article on the recording of demo tapes – although we are not sure if it was ever published.
On 17 October ’80, Splodgenessabounds played the University of Surrey, Guildford with Lethal Dose in support. Interestingly, we also show a listing for then Alvin Lee on the same day. The Mo-dettes played the Technical College, Basingstoke on 7 November ’80, and they had Lethal Dose in support. The next week Farnborough Tech’s Rugby Union Football Club hosted the band, along with headliner Deadlock, on 14 November ’80, after the cancellation of a gig at the same venue on 31 October due to licensing issues.

17 March 1981: Lethal Dose, supported by Strontium 90, played at the Cambridge Hotel, Camberley. Source: Paul Pomeroy The next year, on 17 March ’81, Lethal Dose, supported by Strontium 90 (not the Police precurser), played at the Cambridge Hotel, Camberley.
Heroin led to the demise of Dyson. Carter went onto Panzer Korps, then The Charles.
Tracks:
Gallery:

David Reading’s Pop Scene column from Aldershot News, 31 October ’80 has Lethal Dose supporting Deadlock at the Farnborough Tech on 14 November. 
Deadlock Flyer from 1980 
Lethal Dose in 1980 were (L-R) Dyson, Anderson, Carter and Fisher with two studio folk. Picture courtesy of Mick Magic Alvin Lee, Basingstoke, Camberley, Cambridge Hotel, Chris Carter, Crisis, Deadlock, Farnborough, Farnborough Tech, Farnborough Tech R.U.F.C., Gary Fisher, Guildford, John Peel, Lethal Dose, Martin Dyson, Panzer Korp, Rob Anderson, Splodgenessabounds, Strontium 90, Technical College, The Charles, The Grain, The Mo-dettes, University of Surrey -
Call of Cain
(c’89) Anton Joiner (?), Jason Kendall (?), Paul Flannery (bass), and Steve Fisher (keyboards / backing vocals / drums).
While we are unsure if they ever gigged they were influenced by New Model Army and Fields of the Nephilim. Fisher had been the driving force behind Herbaceous Borders before joining Call of Cain
Flannery went on to form The Hype. Joiner went to Australia for a few months late in ’89 and on his return, carried on at the contributing to Woking News & Mail for a while.
Gallery:

PG Tips from February ’89. -
Flow Motion
(c’84-’85) Karl Selfe (vocals / percussion), Phil Bushen (bass), Duncan “Du Kane” Elder (guitar) and David Howick (drums).

Picture courtesy of Du Kane In the ’80’s, the landlord of The Cranley Hotel, Cranleigh appealed for live bands to play the venue in a number of local music columns, Flow Motion responded playing The Cranley many times c’83/84. The band recorded four tracks: “Shadows of the Past”, “Flow Motion”, “Some Changes”, and “Sense of Direction” in July ’84. These were then released on their eponymous cassette EP demo. The band were still gigging locally as of ’85, including at The Royal, Guildford on 1 February ’85 supported by Siere Novar.
The band had a friendly rivalry with Parallel Motion, and Elder, Bushen, and Howick would later join forces with Parallel vocalist Anna-Lucy Torjussen and Ian “Scampi” Fullwood in ’85 to form Yellow Lifetime. This group went on to became Lax Lifetime in July ’87, morphing again in ’88 to become Fab Daze.
In ’89 Kane went on to form Beautiful People. He also spent time as a contributing editor for Front magazine and ran session recording outfit Replicant. With David Maskrey, Kane can now be seen in The Shakespearos, along with The Vapors‘ Steve Smith, mostly gigging in the Worthing area.
Gallery:

Picture courtesy of Du Kane 
Poster for Flow Motion supported by Siere Novar at The Royal, 1 Feb 1985. Picture courtesy of Du Kane 
Flow Motion’s ‘progressive’ discography. Picture courtesy of Du Kane Anna Lucy, Beautiful People, Cranleigh, David Howick, David Maskrey, Du Kane, Duncan Elder, Fab Daze, Flow Motion, Front Magazine, Guildford, Ian Fullwood, Karl Selfe, Lax Lifetime, Parallel Motion, Phil Bushen, REplicant, Scampi, Siere Novar, Steve Smith, The Cranley Hotel, The Royal, The Shakespearos, The Vapors, Worthing, Yellow Lifetime -
Pozer
(c’79-81) Rob Kemp (guitar / vocal), Ian Goral (guitar), Bruce Richins (drums) and Dave Gilbraith (bass).

Pozer in Guildford High Street Prior to getting this Farnham based new wave / power pop combo together Goral and Richins had been rehearsing in a band with Bruce Dickerson and Kemp had been in The Vapors. Shortly after forming, Pozer moved from Farnham to Croydon.
Chris Smith became their roadie with Simon Clothier. After a short while Gilbraith left and returned to Farnham; with Goral switching from guitar to bass. The three remaining members continued to gig and rehearsed in Wimbledon. While playing at a party they were joined by Mark Landini on sax, who subsequently joined the band as vocalist. After moving rehearsals to the railway arches near Waterloo they found themselves getting better gigs.

Pozer fanzine A record company audition fell through but the band kept gigging. A new roadie, Adie Street was now getting them to gigs, such as opening for Classix Nouveau and on 31 May ’80 supporting Gary Glitter at the University of Surrey, Guildford. They were back in London on 13 August ’80 to support Mungo Jerry at the Rock Garden. We also know that they appeared at Bunters, Guildford on 13 October ’80. Goral quit sometime in 1980. He was replaced on bass by Bernie Griffiths and Rock Bottom music store employee Paul Sheldrick (guitar) also joined. Without Goral’s songwriting, and Griffiths and Landini being more new romantic versus Kemp and Richins’ rock sensibilities the band was struggling. Then Sheldrick was in a serious car accident forcing the band to play an awful gig as a four piece at Farnborough Technical College. The band never recovered and called it a day in ’81.
Kemp went on to own Total Video, Farnham before moving to the US in 1986. He sadly died in 2016 as a result of a heart attack. Goral had a long battle with drug and alcohol addiction before leaving this world in 2007 as a result of Hodgkin’s Lymphoma. Gilbraith is believed to be in Basingstoke and Richins is in Farnham. Landini emigrated to Australia.
Tracks:
Gallery:

Pozer in Guildford High Street 
Pozer photo shoot 
Pozer at a unknown venue, possibly The Royal, Guildford… 
Pozer at a unknown venue, possibly The Royal, Guildford… 
Pozer at a unknown venue, possibly The Royal, Guildford… 
Pozer at a unknown venue, possibly The Royal, Guildford… 
Pozer at a unknown venue, possibly The Royal, Guildford… 
Pozer at a unknown venue, possibly The Royal, Guildford… 
Pozer at a unknown venue, possibly The Royal, Guildford… Adie Street, Bernie Grffiths, Bruce Dickerson, Bruce Richins, Bunters, Chris Smith, Classix Nouveau, Croydon, Dave Gilbraith, Farnborough, Farnborough Tech, Farnham, Gary Glitter, Guildford, Ian Goral, Mark Landini, Mungo Jerry, Paul Sheldrick, Pozer, Rob Kemp, Rock Bottom, Rock Garden, Simon Clothier, Technical College, The Vapors, Total Video, University of Surrey, Waterloo -
Fab Daze
(c’88-’89) Du Kane (vocal / guitar), Phyl Bushen (bass / vocals), David Maskrey (guitar), Anton Lloyd-Daniels (percussion / vocals) and ? Heward (drums).
Yellow Lifetime became Lax Lifetime, then in late ’88 the band morphed again, becoming Fab Daze. The group released the “Fab Daze” demo in Jan/Feb ’89 carrying three tracks: “Think I’ve Had Enough”, Big Papa”, and “I’m Everything”.
Later in ’89 Kane went on to form Beautiful People with Luke Baldry and Robin Goodridge; a project in which Fab Daze members Daniels and Maskrey were also involved. Kane went on to be a contributing editor for Front magazine for a few years and runs session recording outfit Replicant. With Maskrey, Kane can now be seen in The Shakespearos, along with The Vapors‘ Steve Smith, mostly gigging in the Worthing area.
Gallery:

Fab Daze Demo 1989. Picture courtesy of Du Kane 
The progression that eventually become Fab Daze, then Beautiful People… Picture courtesy of Du Kane -
Elephant Talk
(c’93-’95) Dave Crofts (vocals), Tim Hawes (guitar), Kevin Arthur (drums), Dave Roberts (bass) and Jon McDonald (guitar).

Cover of “Happiness” by Elephant Talk. Picture courtesy of Sid Stovold This 5-piece recorded most of their 8-track demo cassette “Happiness” at South Hill Park, Bracknell with production by Pip Willia. It was released in late ’93. In ’95 Elephant Talk’s “Stop” appeared on Farnborough Groove Strikes Back Vol.5.

In ’95 Elephant Talk’s “Stop” appeared on Farnborough Groove Strikes Back Vol.5. Picture courtesy of Pete Cole Hawes and Arthur had both been in Fra Angelico / FRA in the mid to late ’80s. Hawes is now a songwriter, record producer and music publisher with more than ten million record sales, and five number one singles having worked with Spice Girls, Five, Hear’Say, and Sugababes, amongst many others. He has also received of the Ivor Novello award for songwriting. Hawes is currently the CEO of Zebra1 and has been collaborating on the Skylephant project.
Tracks:
Gallery:

Side 1 of “Happiness” by Elephant Talk. Picture courtesy of Sid Stovold 
Side 2 of “Happiness” by Elephant Talk. Picture courtesy of Sid Stovold -
Crescendos
(c’60 to date) Tony Spencer (vocals), Laurie “Charlie” Way (drums), Mick Douglas (guitar), John Kelly (guitar), and Dave Brice (bass) and John Moon (piano).
Also known as Johnny Kelly & the Crescendos they are still gigging today as The Rockin’ Crescendos. Originally, Brice – the guitarist with The Rhythm Five – got together with Les Owen (bass) – who been in The Doolahats – Way, Moon, Douglas and Spencer to form, black suited, red tied, rock n’ roll combo, the Crescendos.
Sid Norris would book then as a support band for gigs at Dorking Halls. Way was replaced on drums by Kenny Pate and there was a new guitarist in Kelly, a second ex-Doolahat, and a pianist, possibly Chris Andrews, who joined. It was about this time that they started to be more commonly known as John Kelly and the Rocking Crescendos. They played schools, such as St. Francis School, Westborough and at venues across the region like the Plaza Ballroom, Guildford amongst others.

The Crescendos at The Plaza, Guildford. Sitting on the stage is Vince Taylor. Source: Nick Way via Guildford Town Past & Present Pete Chester caught The Crescendos at The Plaza – he’d previously in The Five Chesternuts with Hank Marvin and Bruce Welch of The Shadows, and his band had a brief residency at The Plaza – asked members of the band if they could go pro’ and fill in for members of his band. The Crescendos, sans Pate, as Chester played drums, and Brice as he had to finish an apprenticeship, subsequently played The Dorking Halls as The Pete Chester Combo. Also while playing at The Plaza, The Cresendos were joined on stage by Vince Taylor of Vince and His Playboys.
Douglas went to Germany with The Pete Chester Combo in 1961, going on to tour Israel for three months with the group. He backed Adam Faith on a single and contributed to Sandie Shaw’s first single in ’64, the B-side of which was written by fellow Pete Chester Combo member Chris Andrews. Also in ’64, Douglas ‘temporarily’ picks up the axe, standing in for Ivor Shackleton, in The Stormsville Shakers. From ’65-’67, he was a member of The Hi-Fis. In the Spring of ’82, Douglas took on Brian Robinson’s role in Grapevine. Latterly, Douglas formed a Bill Haley tribute band called Razzle Dazzle with ex-Natural Gass drummer Chuck Pengilly and Richard Hodgins, who’d both played in Threewheel; and is currently playing in The Rocking Rogers and Nick of Time.
Kelly also went to Germany to hone / flex his professional musicians chops. He played with Five’s A Crowd, in which Douglas was also a member, at Hamburg’s Big Apple Club before returning to the UK, and was also the rhythm guitarist for Marty Wilde.
Gallery:

The Crescendos. Source: Paula Spencer via Guildford Town Past & Present Adam Faith, Bill Haley, Brian Robinson, Bruce Welch, Chris Andrews, Chuck Pengilly, Crescendos, Dave Brice, Dorking, Dorking Halls, Germany, Grapevine, Guildford, Hank Marvin, Ivor Shackleton, John Kelly, John Kelly and the Rocking Crescendos, John Moon, Johnny Kelly & The Cresendos, Kenny Pate, Laurie Way, Les Owen, Mick Douglas, Natural Gass, Nick of Time, Pete Chester, Plaza Ballroom, Razzle Dazzle, Richard Hodgins, Sandie Shaw, Sid Norris, St. Francis School, The Doolahats, The Five Chesternuts, The Pete Chester Combo, The Plaza, The Rhythm Five, The Rockin’ Crescendos, The Rocking Rogers, The Shadows, The Stormsville Shakers, Threewheel, Tony Spencer, Vince and His Playboys, Vince Taylor, Westborough








































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
LikeLiked by 1 person