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Beautiful People
(c’89-’98) Du Kane (guitar / backing vocals), Luke Baldry (keyboards / drum programming / backing vocals) and Robin Goodridge (drums / percussion)

Kane, Baldry and Goodridge were the core members, with Kane and Baldry handling writing and a raft of session musicians / friends contributing.
In the late 80’s, to get by, the members of Beautiful People ran clubs, DJ’d and busked, with songs like “Hey Joe” and “Little Wing” by day, and were involved with Lax Lifetime. Eventually the techno-dance group Beautiful People emerged from rehearsals at the Ewhurst Cricket Club, and on 8 December ’90 played the Wonderful World event at Farnham Art College.

Members of Beautiful People with James Sunquist (AKA Jimi Hendrix Jr.) Source: Beautiful People If 60’s were 90’s Beautiful People were granted permission to sample any Jimi Hendrix song they wished. The result was 1992’s single “If 60’s Was 90’s” and the similarly named album, “If 60’s Were 90’s” on Castle Communications [432014] and Essential [ESS CD 200] in France on which Gavin George (bass), Phyl D’Bass (bass), David Maskrey (guitar) and Christell (French voice) contributed and the sampled voice and guitar of Hendrix was used extensively. The group also sampled the voices of Mitch Mitchell, Brian Jones and Mike Bloomfield and the guitar work of Frank Zappa.
The album was promoted widely, including ads on MTV:
Later in ’92 and into ’93, various pressings of “Rilly Groovy” were released, which reached No. 3 in the US Billboard Hot Dance Club Songs chart. On the back of this “If 60’s Was 90’s” was re-released and peaked at No.74 on the UK Singles Chart, and No.5 on the Hot Dance Club Songs chart. On 27 November ’93, Beautiful People supported Hawkwind at Hastings Pier.
The album was re-released in the US, UK, Canada and Europe in 1994. Of the re-release Jim Washburn of The Los Angeles Times called it an “inspired piece of grave-digging”. Beautiful People were supported by The Little Green Men at The Works, Corby on 10 June ’94. At some point in ’94 the band meet up British music video and film director Richard Heslop, who’d produced videos for the likes of Queen, The Cure, and New Order, to film for the band. The video was recorded of 16mm film and in 2017, Heslop posted that the video was shot “in and around West London. The house interior was my old house in Ravenscourt Park, and we also shot in and around Portobello Road and Goldborne Road.”
On 18 August ’95, Beautiful People performed at the Splash Club, held at The Water Rats, King’s Cross. In 2012, Beautiful People had a No. 100 hit with a pre-release cover version of “Turn Up the Music” by Chris Brown.
Anton Daniels (?), Chris Chunn (?), Philip Rich (?), and Tuggy Lane (?) were also involved at some point.
Goodridge is now with Bush. Kane was a contributing editor for Front magazine for a few years and runs session recording outfit Replicant. With Maskrey, Kane can now be seen in The Shakespearos, along with The Vapors‘ Steve Smith, mostly gigging in the Worthing area. Baldry set up Earth Terminal Studios in ’93.
(Ed. There’s a lot of info to add and tweak here, but this is a start)
Links:
Writewyattuk’s post “The Rilly Groovy Return of the Beautiful People in Conversation with Du Kane“Tracks / Video:
Gallery:

Beautiful Peple’s “If 60s Were 90s” back cover. Picture courtesy of Ben’s Collectors Records 
In ’93, they released “Rilly Groovy”, which reached No. 3 in the US Billboard Hot Dance Club Songs chart. Picture courtesy of Ben’s Collectors Records 
If 60s were 90s DVD Sleeve. Source: Beautiful People If 60’s were 90’s 


Beautiful Peple’s “If 60s Were 90s” front cover. Picture courtesy of Ben’s Collectors Records 

B-side of “If 60’s Were 90’s” DJ Promo Copy 12″ UK release on Essential [ESST 2037] from 1994. Picture courtesy of Ben’s Collectors Records 

8 December 1990: Beautiful People played the Wonderful World event at Farnham Art College. Source: The Surrey & NE Hampshire Music Scene 
18 August 1995 (not the highlighted day): Beautiful People plus support were at Splash Club at The Water Rats, Kings X. Source: The Surrey & NE Hampshire Music Scene 

Beautiful People’s “ESS MC 200” DAT recording, that’s digital rather than analog. Source: Beautiful People If 60’s were 90’s 
27 November 1993: Beautiful People supported Hawkwind at Hastings pier. 
Beautiful People’s “5” DAT recording. Source: Beautiful People If 60’s were 90’s 
Beautiful People’s Du Kane, in his mother’s front room, at Robin Goodridge’s kit during recording of “If 60’s were 90’s”. Photo by Alecz Sversepa and courtesy of Du Kane. 
Clipped from the Kettering Evening Telegraph of 3 June 1994. Beautiful People supported by The Little Green Men at The Works, Corby on 10 June ’94. Picture courtesy of Du Kane. 



Beautiful People’s “Big Life” cassette. Source: Beautiful People If 60’s were 90’s 

B-side of Beautiful People’s Vinyl 12″ “Rilly Groovy”, released on Essential [ESST 2029] in the UK in 1992. Picture courtesy of Ben’s Collectors Records 
A-side of Beautiful People’s Vinyl 12″ “Rilly Groovy”, released on Essential [ESST 2029] in the UK in 1992. Picture courtesy of Ben’s Collectors Records 

Beautiful People on the set of the Richard Heslop film for the band in 1994. Picture courtesy of Du Kane 
Beautiful People: (LtoR) Maskrey, Kane, Daniels, and Lane. Source: Beautiful People If 60’s were 90’s
Anton Daniels, Art College, Beautiful People, Brian Jones, Bush, Castle Communications, Chris Brown, Chris Chunn, Corby, Cricket Club, David Maskrey, Du Kane, Earth Terminal Studios, Essential, Ewhurst, Farnham, France, Frank Zappa, Front Magazine, Gavin George, Hastings, Hastings Pier, Hawkwind, Jim Washburn, Jimi Hendrix, King's Cross, Lax Lifetime, Luke Baldry, Mike Bloomfield, Mitch Mitchell, MTV, New Order, Philip Rich, Phyl D’Bass, Queen, REplicant, Richard Heslop, Robin Goodridge, Splash Club, Steve Smith, The Cure, The Little Green Men, The Los Angeles Times, The Shakespearos, The Vapors, The Water Rats, The Works, Tuggy Lane, US Billboard Hot Dance Club Songs, Worthing -
The Bandits
(c’59-’63) Malcolm ‘Rocky’ Weston (drums), Alan ‘Kerry Rapid’ Hope (vocals), Brian ‘Chubby’ Williams (guitar) and Martin Dry (bass).
It all started at the Palais, Aldershot when Brian Allender asked Tony Robson, then under the stage name Tony Angelo, to form a group and be the vocalist; and Robson and Allender formed The Bandits.
They were Bob Potter’s first touring band, but unfortunately Allender couldn’t do the tour, so he was replaced on drums by Brian “Rocky” Ford of The Blue Stars. As with many of the bands Potter managed in the early days, members were ‘swapped’ / ‘interchangeable’ and dropped pretty quick if they were not ‘professional’. We know that on a tour of the West Country, the line up of the Bandits included brothers Ted and Martin Dry.
In 1960 a 16 year old Jeff Beck, under the name Jeff Mason, auditioned for The Bandits, who had a contract to back a tour of Elvis and Vincent impersonators. Beck played six gigs including the Atlanta Ballroom, Woking; Agincourt Ballroom, Camberley; and The Corn Exchange, Newark. The latter being memorable for the brawl that broke out. Beck’s contract was only for a summer and he went back to school, studying art.

The Bandits pictured flanking Bruce Channel, Delbert McClinton and Cal Danger at Agincourt Ballroom in 1962. Brain Sell, having been replaced by Ritchie Blackmore on lead guitar for Mike Dee & The Jaywalkers in May ’61, joined The Bandits, whose lineup had expanded to the trifecta of Kerry Rapid, Cal Danger and Mel Turner on vocals; Dick Scott (lead guitar), Pete Wilson (bass); and drummer Ford.
At sometime in ’62, The Bandits backed Bruce Channel and Delbert McClinton at Agincourt Ballroom. America singer Channel, which was shə-NEL; had a successful solo career and is best known for his 1962 million-selling number-one hit record, “Hey! Baby”. McClinton played harmonica on this record, and it’s said to have inspired John Lennon’s playing on The Beatles’ “Love Me Do”, as well as later Beatles records, and the harmonica break on Frank Ifield’s “I Remember You.”
When the band decided to relocate to Plymouth, Sell opted to stay in London and formed a new version of The Bandits with guitarist Ted Dry, Ted’s brother Martin Dry on bass, and drummer Malcolm “Doc” Randall. The Bandits re-signed to Bob Potter’s Agency and frequently played the Agincourt and Atalanta. The Bandits or a member/s of the band later became The Soultones, and were booked as the support band to The Yardbirds at Farnborough Tech, on either 20 March or 9 July 1965; which also featured a brawl.
The members that went to Plymouth for Summer changed name to The Plymouth Sounds. The group came back to Aldershot and ran their own dances for a while, maybe this was when they were photographed at the Central Club, Aldershot. Then they were offered work in Germany – the band went, but Angelo stayed. A while later, one night at New Central Ballroom, Aldershot, the band playing asked Angelo if he would sing with them, the guitarist was a young Alan Elkins from Tongham. They became the next Plymouth Sounds. Eventually the band members changed to include Topper Clay, John Hirst and Mick Douglas and become Tony Angelo and The Regents until around ’64.
Gallery:

The Bandits pictured flanking Bruce Channel, Delbert McClinton and Cal Danger at Agincourt Ballroom in 1962. 
The Bandits at Central Club, Aldershot. Source: Tony Robson via Historic Aldershot Alan Elkins, Alan Hope, Aldershot, Atalanta Ballroom, Bob Potter, Brian Allender, Brian Ford, Brian Sell, Brian Williams, Bruce Channel, Cal Danger, Cal Danger and the Dangermen, Central Club, Delbert McClinton, Dick Scott, Farnborough, Farnborough Tech, Frank Ifield, Germany, Jeff Beck, Jeff Mason, John Hirst, John Lennon, Kerry Rapid, Malcolm Randall, Malcolm Weston, Martin Dry, Mel Turner, Mick Douglas, Mike Dee & The Jaywalkers, New Central Ballroom, Newark, Palais, Pete Wilson, Plymouth, Ritchie Blackmore, Rocky Ford, Technical College, Ted Dry, The Bandits, The Beatles, The Blue Stars, The Corn Exchange, The Plymouth Sounds, The Soultones, The Yardbirds, Tongham, Tony Angelo, Tony Angelo and The Regents, Tony Robson, Topper Clay, Woking -
Majella & Dawn
(c’79) Majella and Dawn Hetherington, daughters of Harry Hetherington, produced one LP in 1979. Titled “We Should Be Together” and released on Guildford based label Ringtone Records [RTE 1000] it encapsulated the singers folk, world and country influences and carried the Majella penned “I Am A Traveling Man”. The sisters recorded 6 tracks each for the LP on 26 March ’79 at Big Tom’s Studios in Ireland, which Basil Hendricks arranged and produced. The cover image was taken by T.A. Wilke in Stoke Park, Guildford.

Both Dawn and Majella have recorded CDs in Donegal recently; Dawn’s EP is titled “Steel Wings” and Majella’s “Majella”. Majella Yorston has toured as lead vocalist/guitarist with bands across the UK and Europe and as a solo artist performs regularly, including at Guildford Fringe Fest, The Boileroom Acoustic Stage, GuilFest and Armed Forces Day National Event. Majella has recently recorded the “Friends Like YOu And Friends Like Me” LP and released a single and has been commissioned by A + C Black to record a series of educational material.
Gallery:

Side one of Majella & Dawn’s 1979 LP “We Should Be Together”. Picture courtesy of Ben’s Collectors Records 

Ringtone Records “We Should Be Together” LP Release Flyer. Picture courtesy of Ben’s Collectors Records 
Ringtone Records “We Should Be Together” LP Release Letter. Picture courtesy of Ben’s Collectors Records -
Somewhere In Europe
(c’83-’92) Andrea James (?) and David Tiffen (?).
Shortly after the demise of Basic Essentials, James and Tiffen began to formulate Aldershot based Somewhere in Europe. This groups tracks were often initiated with a piece of “found” sound or TV audio clip, then other elements layered on and around it, using synth.

1986 “Somewhere In Europe” cassette [TST3] Recorded from ’83 to ’86 the tracks for the eponymous “Somewhere in Europe” cassette came together in mid ’86 and released on the duo’s own These Silences [TST3] label. At times they’d take existing songs, strip them down and reassemble. “Blood of Martyrs” for example was based on Death in June‘s “Rule Again” and used Aleister Crowley slogans. This appeared on their second cassette “Dark Days” which was released in ’88. Tiffin and James did collaborate quite a bit with Death in June and particularly Douglas Pearce. They were both credited on Death in June’s 1989 LP, “The Corn Years”.

1990 “Know Your Enemy” cassette [TSR5] sleeve. On their 1990 cassette release “Know Your Enemy” – again on These Silences [TST5] – Somewhere In Europe identified with the European avant garde tradition: the “anti-art” of Dadaism, the beauty of the unexpected and unconventional within Surrealism, and the Situationist’s belief that behavior is determined by set of circumstances in which one finds oneself.
“Liturgy Of Anguish” [TST6] followed in ’91 continuing the bands industrial/experimental electronica. A reviewer for the EST Fanzine described it as ‘Tasty’, continuing their neo-surrealist musical fragments style; portraying an absinthe-scarred view of the world. In theory, the music stopped for Somewhere in Europe in 1992. This coincided with the release of the compilation CD “Gestures” on Douglas Pearce’s New European Recordings label [BAD VC CD 45] with tracks from each of the previous cassette releases and “To Cross The Bridge At Dusk” which first appeared on the “Realidade Virtual” compilation CD in ’91.

1994 “The Iron Trees Are In Full Bloom” CD [TSCD1] Experimental noise-rockers, Splintered sampled Somewhere In Europe for their track “The First Threat” released on “The Judas Cradle” LP in ’93. The following year they did it again on “S.H.C.” which was on the B-side of the 7″ “Comparatively Mainstream” EP. “S.H.C.” was also included on 2015’s compilation of out of print Splintered pieces titled “Turned Inside Out”.
In ’95, the CD, “The Iron Trees Are In Full Bloom” on These Silences [TSCD1] appeared and was distributed by World Serpent. This was a precursor to ’96’s “Savage Dreams” [TSCD2] which presented a more ambient sound in places. Again distributed by World Serpent; on this releases track 8, which was titled “Assault”, the voice on Basic Essentials colleague Stewart Home appeared.
Tracks by the band have also appeared on numerous compilations cassettes: Smile Smile Smile Smile (Canada, ’85), Mail Art Manifest (Norway, ’87), Leiv Traumas (France, ’89), Dreams From Within (Britain, ’89), Moto Perpetuo (Italy, ’89), Partners in Music (Italy, ’89), Neither Good Nor Evil (Germany, ’90), Goodbye Forever Annie Wilkes (Italy, ’90), Mjölnir (Germany, ’90), Iberico (Portugal, ’90), Eat Your Pets (Germany, ’90), Shake the Foundations (Britain, ’91) and the aforementioned Realidade Virtual (Portugal, ’91).
Both James and Tiffen were featured on Death In June’s “Brown Book” released on 19 December 2007, after which we lose track.
Tracks:
Gallery:

1988 “Dark Days” cassette [TST4] 
1990 “Know Your Enemy” cassette [TST5] insert front 
1990 “Know Your Enemy” cassette [TST5] insert back 
1991 “Liturgy Of Anguish” cassette [TST6] 
1992 “Gestures” compilation CD [BAD VC CD 45] 
1996 “Savage Dreams” CD [TSCD2] 
Somewhere in Europe’s Tiffen 
Somewhere in Europe’s James



























































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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