Our Soundscene

For anyone who vaguely recalls the Woking / GU postcode area music scene.

Home

  • Kevin White (and the Yellow Parade)

    Kevin White (and the Yellow Parade)

    (c’86-’88) – Kevin White (all instruments / vocals), and Dawn ? (backing vocals)

    From Ewell, Kevin White and the Yellow Parade recorded “Commuters Dance” in November ’86 at Bedroom Studios. Picked up by Primitive, the 7″ single [PRIME 07] was released backed by “(A Bit Of A Dancer) Sometimes” on the B-side on 10 February ’87.

    Sleeve front of Kevin White And The Yellow Parade 7″ “Commuter’s Dance”, released in 1987

    The next year White came 2nd in the Soundscene Demo Review of ’88 with a dance orientated “vaguely Depeche Mode” sound.

    Tracks:

    Gallery:

  • The Body Politic

    The Body Politic

    (c’85-’87) – Dave Norgrove (guitar & vocals), Ian Martin (drums), and Steve Morgan (bass).

    The Body Politic with graffiti that is somewhat reminiscent of The Jam

    The Body Politic released the three track “Imogen’s Party” demo in ’85 and partook in the “Gig for Africa” at The Dorking Halls that same year. They posthumously won Soundscene’s Demo Review of ’88 the band found themselves often referred to as Body Politic, as promoters had a habit of dropping the “The”.

    The band were at The Royal, Guildford on 22 May’85, and supported The June Brides on 8 December ’85 at The Riverside Club Fetcham. A few days later the “Gig For Africa” at The Dorking Halls on 21 December, with a plethora of other local bands including headliners Cardiacs, Shoot! Dispute, and Great Garden. Their final gig of ’85 was back at the Riverside Club for the Xmas Eve Party along with Endless Party, The Choir Invisible, and Uncle Dave & The Butchers from Space.

    In ’85, The Body Politic appeared on “The Riverside Compilation L.P. – Laughing All The Way To The Banks” with “Imogen’s Party”, which had been recorded at Catch 44 Studios, Godalming. This compilation of artists, including The Geisha Girls and The Housemartins, who all performed at The Riverside Club, Fetcham saw a limited release of only 1,500 (Ian Watson didn’t think it would sell any more) and all the bands gave their tracks free on the basis that he would only do a small run. The label was to be Z T HEE, a play on the name ZTT, a label which was huge at the time of this release.

    On 9 February ’86, the band were at the Riverside Club, Fetcham; with Great Garden in support. Towards the end of the following month they were at Riverside again, supporting Important Notice on 28 March. We are also aware of an appearance at Dingwalls, London by the band in ’86. There was almost not a month in ’86 without The Body Politic appearing at Riverside, and on 12 December they headlined with The Shift and West One in support. The band was also one of the bands at the final gig at The Old Schoolhouse, Woking on 22 December ’86; headlined by Cardiacs, and with Steel Bill and the Buffalos and Five O’Clock High.

    Flyer for the last concert at The Old Schoolhouse. Source: Mark Kettett

    They split in November ’87 after a mini UK tour, which concluded in Hastings with Great Garden in support and a punch-up that put several fans in hospital. Reportedly, it all kicked off because they played the Beastie Boys “Fight For Your Right To Party” in their encore and some locals took exception to their treatment of said song.

    Martin and Morgan expressed a desire to stick together and form another band at the time of the split. A split which didn’t stop the local press stirring the reformation rumour pot. In mid ’88 ex-Lax Lifetime vocalist Anna Lucy was rumoured to be working with the boys, which heightened speculation that The Body Politic might be on stage at a forthcoming Woking charity gig in September. Another rumour had The Body Politic possibly joining Napalm Groove Squad, Great Garden, & Dance Factory for Woking Live Aid later in ’88. These were all denied, but Martin and Morgen did confirm that they had been songwriting with a couple of members of Great Garden; although one had departed and they were continuing as a trio.

    The Body Politic did eventually reform in 2015 and played a number of gigs through to late 2019. Norgrove and Martin are currently in The 4 Marys. Norgrove is also solo-ing and still releasing new music, recently working with Martin on a track titled “Baby” produced by Chris Potter, who has produced/engineered such bands as The Verve, U2, and The Rolling Stones.

    Tracks:

    Gallery:

  • Agincourt, Camberley

    Agincourt, Camberley
    Recognize anyone in this Agincourt audience from 1994?

    Believed to be the longest running rock club in the country, the Agincourt celebrated 50 years on 16th Nov’ 2013. The club has been running every Saturday since the early 60s and has played host to the likes of The Rolling Stones, Cream, The Who, Pink Floyd, Hawkwind, and Wishbone Ash.

    Early Agincourt poster.

    A ballroom in the early 1900s, During WWII it was a morgue and a Freemason’s temple at some point. By the mid to late 50’s it was a ballroom again oft’ frequented by servicemen from the local barracks, including R.A.F and American and Australian regulars, while Bob Potter ‘contracted’ musicians from local military bands to perform on a Saturday night. Kerry Rapid and the Blue Stars could be caught on stage in the late 50’s, with Shirley taking your money at the door and Gene Fowler bouncing, and Reg checking your coat in the cloakroom.

    The Renegades, in grey jackets and rubber space helmets, with The Spotnicks, from Sweden in pink, at The Agincourt in 1962

    At some point in ’62, The Renegades supported The Spotnicks, from Sweden at Agincourt; and on 28 June ’62 The Bruce Channel Show came to the Camberley venue. Along with Channel the show included: Delbert McClinton, Frank Ifield, Johnny Kidd & The Pirates, Cliff Bennett & The Rebel Rousers, Dick Charlesworth & His City Gents, Beryl Bryden, Jackie Lynn, Bobby Shafto, Jay & Tommy Scott, and Bobby Brown.

    On 9 February ’63, The Mark Leeman Five were supported by The Classics, with Southampton based Barrie James & The Strangers taking the stage the following night, 10 February, with Gary & Lee Brother opening. The 13 April, a Saturday in ’63, was reserved for the return of The Mark Leeman Five who were ably supported by The Mike Jones Combo. The Nite Riders and Daniel Boone and The Renegades opened for Kenny Lynch, who’d just released his top ten hit “Up on the Roof”, the next day. The Agincourt secured an extended license on Easter Monday, 15 April, with big beat by Nick Troy & The Trojans and The Saxons wrapping up the long weekend. The Konrads appeared at the venue on 6 April ’63. Back then you could ‘Rock, Twist, Jive’ Every Thursday night and the weekends were for the ‘big’ names – big names for a regional venue that is – to appear, such as Decca recording artist Allen & The Blue Diamonds, with support from The Flames; on 28 September ’63 and Parlephone recording artist Tommy Bruce and The Bruisers the following night, supported by Daniel Boone and The Renegades. On 28 February ’65, The Who took the stage and on 8 August Simon Scott and the All Nightworkers, supported by The Dynamo, electrified the audience.

    Almost a year later The Who were back again on 16 January ’66. Four groups appeared at the Agincourt on 22 January ’66, a date that The (Five) Proud Walkers headlined and The Webb, The Y.V.L’s, and The Partisans filled the bill. The next night, 23 January, The Shevells opened for Pinkertons Assorted Colours, who were pushing their ’65 release, “Mirror, Mirror” up the charts at the time, which eventually reached No. 9 in the UK Singles Chart in February ’66. Talking of February, The Steam Packet were supported by Brian Auger Trinity and The Soul Agents and the next night on 13 February, The Jimmy Brown Sound supported The Merseybeats. Later that year, on 12 June, The Loving Kind were supported by local band The Condors.

    12 March 1967: Pink Floyd, supported by Sky, were at Agincourt, #Camberley. Picture courtesy of John Scott Cree.

    On his UK tour Chuck Berry swung by Camberley on 25 February ’67. Bob Potter arranged for Berry to be supported by Kerry Rapid and The Soul Tones. Howling Laud Hope (aka Kerry Rapid) reported that on asking Berry what his set list would be, so that they didn’t do anything that he would be doing, Berry responded “you just go along and play whatever you like, I love to hear other peoples versions of my songs”. The next month – 12 March ’67 to be precise – Pink Floyd played at the Agincourt, supported by Sky (the Condors renamed) to a crowd of about 40. This was reportedly Floyd’s first gig outside London.

    Wounded John Scott Cree was in attendance that night and recalls Sky playing good covers of Otis Redding and the like but blew it by playing Cliff and the Shadows’ “In the Country” mid-set. “It was a strange evening” states Cree “…a disparate crowd, of whom perhaps a dozen were from Sandhurst, the training school for army officers over the road, in their blazers and ties and with well-dressed lady friends, and danced holding hands in a big circle to some of Sky’s numbers. Pink Floyd seemed to go down less well with them, and the crowd was reduced in size by their absence in the second set.” “Pink Floyd were incredibly loud” notes Cree “Their drummer had a double bass drum kit which he played with timpani beaters. He was still inaudible. I’d thought The Who were loud, but this took the biscuit. The excitement was augmented by their light show. One extended number would feature flashing-colored lights, placed around the stage. The next would feature blobs of color exploding over the almost static, fur-coated, bespectacled Syd Barrett, shaking his bowed, fuzzy-haired head from side to side over his guitar. The lighting effect was created by two people at the back of the hall. I watched them insert slides containing what looked like splodges of oil paint into a projector, and then heat them with a Bunsen burner. They had two such projectors, which enabled them to rotate them with the stage lighting. An amazing evening which seemed in some way historic, but only recalls hearing “Candy and a Current Bun.” Cree, asked the cloakroom staff for the poster – they seemed glad it was all over – on the way out.

    On 18 April ’68, shortly before Diane Ferraz left the band, The Ferris Wheel performed at the ballroom. The next month, on 17 May ’68, James and Bobby Purify kicked off their UK tour at the Agincourt. Magic Alice, Sky, Wishful Thinking, The EmbersThe Late, Canterbury Tales, Chimera, and Crazy Paving played, on 1 October ’69, a benevolent concert at Samantha’s Club, as the Agincourt Ballroom, was called for a time. This was compered by Dave West and also featured the BBC Radio 1 D.J. Ray Moore.

    7 January 1978: Rock at The Agincourt featured T. T. Transmission supported by The Vandels. Picture courtesy of Mark Terry.

    Mervin George organized the Charity Rock Christmas ’77’ event at the Agincourt on 17 December ’77 and booked Straightshooter to headline with Eclipse and Midnight Circus in support. George was also involved with the Rock at The Agincourt event that featured local band T. T. Transmission, supported by The Vandels, on 7 January ’78. On 20 October ’79 the Jackie Lynton’s Band played Agincourt, and hinting that Rick Parfitt might join them on stage to perform the Lynton / Parfitt co-written “Ricky Rocket”, which was on the bands soon to be released EP.

    10 May 1980: Polaris played Agincourt, Camberley

    Whispering Bob Harris hosted ‘Rock Comes to Camberley for Radio 210 on 10 May ’80, which featured local rockers Polaris. Euro Promotions helped maintain The Agincourt’s affinity with Sweden by bringing The E.F. Band, who were touring in support of their ‘Metal for Muthas’ LP, to the Camberley venue on 28 July ’80. The Agincourt’s Monday Rock Night continued on 6 Oct ’80 with 7-20 playing to a decent crowd. The Quotations, the local band, not the American doo-wop band from East Brooklyn, New York, played at the venue on 17 April ’81.

    17 April 1981: The Quotations played the Agincourt, Camberley. Source: Mick Hughes via Farnborough (Hants) Nostalgia

    The Agincourt was also the venue for the very first Buzz Club, on 17th November ’85, which featured That Petrol Emotion and The Mighty Lemon Drops. The Buzz Club returned on 1 December ’85 with The Blow Monkeys, supported by co-organizer Jo Bartlett’s own Go! Service and Zaz Turned Blue. A few months later The Blow Monkeys were in the charts with ‘Digging Your Scene‘.

    Jo Bartlett booked The Blow Monkey’s for The Buzz Club, when it was still at The Agincourt.

    On the 12 May ’89, making their ‘only Southern UK appearance’, pub rock royalty in the form of Dr. Feelgood with it’s Brilleaux, Mitchell, Morris and either Russell or Mayo line-up.

    12th May 1989. Picture “borrowed” from Adam Russel

    The Cube promoted a number of nights at The Agincourt, notably the 6 October ’91 appearance of Thousand Yard Stare, supported by Backlash, for a pre James Tour warm up; and The Senseless Things, ten days later on 16 October, for a pre Carter Tour appearance, supported by The Revs. Local promotion company Pamblewood Promotions, who also organized the Pamblewood Balls, were very active at the venue from ’94 through ’96. They booked Credit to the Nation for 6 July ’94, and Chumbawumba, supported by Mambo Taxi, to appear at Agincourt on 11 August that year. On the 9 December ’94 The Senseless Thing, supported by Joyrider and Who Moved The Ground? rocked the venue. The next year Pamblewood secured Dodgy to appear on 22 June. Then, No Way Sis took to the stage on 4 Dec ’96. We are bound to have missed a raft of Pamblewood events at The Agincourt. Local band, Orphic Soop headlined The Agincourt for Mutley C’s Homegrown event on 19 September ’97, with Lacuna, Leith and Mindwire in support. We’ll close with Mindwire’s third newsletter, which puts them at the Agincourt, with Jetpack, Floor and Vex Red, as well as Hundred Reasons on 20 March ’98.

    The venue is soon to pass 60 years as a live music venue and the last we saw it was receiving a fresh lick of paint.

    Gallery:

  • Flicks / Bojanglez, Guildford

    Flicks / Bojanglez, Guildford

    This 4-6 Woodbridge Road, Guildford located venue was not front and centre necessarily, but it did host many a local band in the earlier days.

    Opened as the Electric Cinema on Boxing Day, 26th December 1911 – a conversion from a skating rink – by late 1985 it was re-named Cannon 1 & 2. The cinema closed on 31st March 1988. The Flicks Nightclub, which was promoted as ‘The Live Alternative’ was run by the Aldridge brothers, Clive and Stuart, who took over the building in 1990. Later renamed Bojangles, it closed in 2012 and after standing unused was taken down in 2014, but not before it was featured on Derelict Places.

    Railroad Earth headlined a gig at Flicks in February ’91, supported by Farmhouse Bread and Scotch, to a small crowd of committed gig goers who were undeterred by deep snow. On 20 April ’91, Wildfire got paid 60 quid for supporting Big Town Playboys at Flicks. This appears to have been the standard rate for a support or local band, with The Rockit Men being paid the same for a 30 May ’91 gig, having appeared there a month earlier on 26 April ’91. Wildfire were also back at the venue on 3 June to support Manfred Mann’s Earthband. In July ’91 Yellow Darkness reported that they are banned from Flicks for “foul and abusive language” – A claim Flicks management denied and we assume after their 26 July gig supported by The Rockit Men. On 2 September ’91 The Flowerpot Men supported Ozric Tentacles at the venue and we know that Who Moved The Ground? also appeared there around this time.

    2 September 1991

    Other big names, such as Freak Power, A Man Called Adam, James Taylor Quartet, Snowboy, Driza Bone and Mother Earth, also took to the downstairs stage. Reportedly, sometime between ’90 and ’95, an episode of 1990’s Channel 4 television programme The Word was recorded at Bojangles. In ’97, The Wok Club was in residence hosting nights every two weeks, but was more focus on putting DJs in the main hall, such as Smokin Jo, Ricky Stone, Brighton based Sarah Chapman, and DJ Breeze.

    The last listing for live music at Bojangles was on a Thursday – no not a student night, which was on Wednesday’s, when the main hall pounded to stone cold floor fillers from Ruby Turner, JX, Livin’ Joy, Gloworm, and Future Sound of London – and featured local band Mindwire, who took to the stage along with Dolls Head and No Mosquito on 8 March 2001.

    Gallery:

  • Recluz

    Recluz

    (c’88) – ?

    Described as “the next victims for Stock, Aitken and Waterman” in the Soundscene Demo Review of ’88 for their “mindless and unoriginal dance music” we know Recluz headlined at Dingwalls, London a couple of times, and on the 7 July ’88 were supported by Playhouse and The Ghost Brothers at the venue.

    Gallery:

  • The Button Factory

    The Button Factory

    (c’88-90) Damian Wilson (vocal / guitar), Quarme (?), Sacha Collision (?) and Dom ? (keyboards) and ?

    The Button Factory at The Cricketers, Westfield, April 1990, with X-It’s drummer and guitarist standing in for vacant spots. Picture courtesy of Harry Tuttle.

    The 5-piece Buttons gigged around the local circuit, including The Cricketers, Westfield; The Three Lion (Scratchers), Farncombe; and a guest appearance at Miss Woking 1988. They also appeared at the Froebel Institute’s College’s May Ball, headlined by Jools Holland. CBS records showed significant interest in the group providing a financial incentive to record another demo, which included the track “Bullet in the Gun”. The band had a sporting rivalry with Van Gogh and the Earlobes that eventually involved a raft race. In August they were still appearing on the local circuit with a gig at The Anchor, Normandy on 8 August. Normandy was supposed to be packed with A&R reps from a few labels, but illness and injury resulted in the gig being called off. But a rapid recovery by the wounded parties meant that The Button Factory were able to stage an impromptu set for those fans who failed to hear of the cancellation. Then they opened ‘Showcase 88’ at the Centre Halls, Woking on 4 September; followed by City Limits, Colour Noise, Havana Affair, Napalm Groove Squad, The 68 Floods, Van Gogh & The Earlobes, and Steel Bill & The Buffalos. This was followed by a quiet period, leading to PG Tips awarding the band the “Where Are They Now Award” Golden Teabag in the December ’88 honors.

    In January ’89 Soundscene reported that the, “3-piece”, band released of a new demo carrying three tracks: “Good Times”, “Must We Say Goodnight”, and “She Loves Me”; and that the band had been talking to a number of major labels. All three tracks on the demo were written by Wilson and produced by Peter Gordino.

    12 March 1989: Ticket for Button Factory at Mean Fiddler, Harlesden. Picture courtesy of Daniel Hiscocks

    In March ’89 they performed at the Mean Fiddler, Harlesden on the 12th and headlined The Devil’s Dance Party at the Civic Hall, Guildford on the 23rd with Calamity Sax, Napalm Groove Squad, Too Many Cameras, and Van Gogh & The Earlobes. Unfortunately, by the summer of ’89 the CBS thing had fizzled out. Meanwhile, Wilson picked up the ‘Busker Of The Year’ award in the Phil Gibby farewell honors in August that year. Steve Greene and Harry Tuttle (both of X-It) joined them for a couple of gigs, notably at The Cricketers, Westfield in April ’90.

    Wilson went on to many great things after The Button Factory. He was in Landmarq from ’91-’96; which overlapped with tenure as lead vocalist with Threshold in ’92-’93; and a stint with local band Orphic Soop in ’93-’94. He returned to Threshold in ’97 through ’98. Somehow he also fitted in 2-years as the lead in Les Misérables and supported tours for Tony Hadley and Ozzy Osbourne. He was a founding member of Headspace in 2006, but returned to Threshold again in 2007 for a further ten years. He also appeared in Maiden uniteD. Don’t forget that he also performed as a soloist, with six solo albums to his credit, and tours with Adam Wakeman, the duo having released three LPs together. No more musical thearte, but he does dabble with acting – catch him stabbing David Rizzio, played by Ismael Cruz Córdova, in the 2018 film ‘Mary Queen of Scots’. He has also been in Arena since 2020. The bonus DVD to his “Cheers Lads! Live in Zoetermeer (2011, reissue 2015)” reportedly includes footage of The Button Factory from 1989 performing “Hey Babe”, “She Loves Me”, “Catwalk” and “Lucy”.

    Gallery:

  • The Spin Dolls

    The Spin Dolls

    (c’83-85) Paul Burden (drums) and Robin ? (guitar), John ? (bass) and Debbie ? (vocals).

    We first encountered The Spin Dolls, a four piece from Woking and West Byfleet, at the ‘Animal House’ club night at The Royal, Guildford on 21 September ’83. Four months later, on 14 January ’84, The band were supporting headliners Screaming Lullabies, with Dark Paradise, COW and at The Old Schoolhouse, Woking.

    14 January 1984: Old Schoolhouse ticket for Screaming Lullabies, Dark Paradise, Cow, and Spin Dolls.

    On 4 January ’84 the band were back at The Royal, Guildford. They also returned to The Old Schoolhouse on 26 April ’84, their “punky, new-wave” sound working well, alongside the Screaming Lullabies, No Joy, and COW, in support of goth rock band In Excelsis, formed by former UK Decay guitarist Steve Spon. The Spin Dolls’ Australian vocalist, who was oft compared to Siouxsie, Toyah or Sue Trevnor of Toxic Noize, left in early ’85. The band, despite numerous adverts in Melody Maker and other recruitment efforts were still struggling to find a new vocalist for their Banshee/New Order/Cure influenced repertoire in April of that year; although Inga Leru-Kelly stepped up to the mic for a while.

    Gallery:

  • Railroad Earth

    Railroad Earth

    (c’88-’92) Tim Keegan (vocals/rhythm guitar), Duncan Smith (vocals/guitar), Liz Waller (piano/keyboards) and David Ashford (bass).

    Duncan Smith, Simon Barker and Tim Keegan at the Railroad Earth session, University of Surrey Recording Studio, c’88/89

    Many of the members of Railroad Earth met at their alma mater, the University of Surrey, and the band formed in Guildford, Surrey in ’88. Late that year or early in ’89 they recorded a 3 track demo that included “June” and “Rosemarie”, ably aided by Duncan Hannant, at the university’s recording studios; with Mike Jefferies on drums and Mark Edwards providing violin on “Rosemarie”.

    Jo Barlett booked Railroad Earth to support McCarthy on their return visit to the Buzz Club at Aldershot’s West End Centre, along with The Ha Ha Men; drawing in about 150 punters between them. Later in ’89 the double A side 7″ debut vinyl pressing appeared featuring both “June” and “Rosemarie” and later that year the organizers of Fresh described them as “zippy up-tempo manic dance folk rock”.

    The Fresh club night in question saw Railroad Earth headline at the Bull & Gate, Kentish Town with The Happy Few, and The Proles supporting on 27 October ’89. From early ’90 AGMP promoted the band in the UK and toured them in Europe. The band returned to the University of Surrey’s Student Union Lower Bar in early November ’90, and played the University several more times. A second demo appeared in 1990, once again recorded at the University of Surrey’s studio, but this time with Ken Blair working the desk. “June” appeared again, but this time alongside “Have You Always Been Like This?”, and “World Turned Blue”.

    A headlining gig at Flicks, Guildford in February ’91 saw Farmhouse Bread and Scotch open for Railroad Earth to a small crowd of committed gig goers who were undeterred by deep snow. The University of Surrey’s Fun Fest ’91 had the band joining The Flowerpot Men, The Ha Ha Men, Redwood, and Trousershock BC for an outdoor concert at Surrey Court student residence on 22 June. A highlight of ’91 for the band was their appearance on the Mean Fiddler Stage at the Reading Festival on 23 August. The following month they we up in London supporting The Hit Parade, with Scarlett, at The Square, Harlow. They were back again at the University of Surrey in October ’91 for First Friday Fling, part of the Student Union’s Intro Week for new students; and opening for Ray Gelato and His Giants of Jive.

    Back at UoS again in May ’92, this time supported by Trousershock BC – who are no strangers to the University themselves. The Grand, Clapham Junction hosted the band on 10 July ’92 as they, and Huge Big Massive, supported Diesel Park West. Then, in late ’92, Railroad Earth changed their name to Ringo.

    After Ringo, Keegan was the vocalist with Departure Lounge and went on to record and perform with numerous bands, working with Robyn Hitchcock, and playing guitar on The Blue Aeroplane’s “Rough Music” LP.

    Tracks:


    Have You Always Been Like This – https://soundcloud.com/wokingsoundscene/have-you-always-been-like-this-railroad-earth-live

    Gallery:

  • The Plebs

    The Plebs

    (c’64-’65) – Terry Crowe (vocals), Mick Forde/Dunford (guitar), Derek “Degs” Sirmon (drummer), Danny McCulloch (guitar) and Chris Dennis (keyboard).

    Ex-Cruisers Rock Combo, Terry Crowe & The Counts, and Nashville Teens member, Crowe (who lived on Maybury Estate, Woking) and Dunford formed ‘The Plebs’ in early ’64 with McCulloch, Sirmon and Dennis (Dennis and Sirmon were both ex-Screaming Lord Sutch and the Savages). Dennis had been looking for a new band and had put a notice up in his local music shop. Less than a week later there was McCulloch standing at Dennis’ door, inviting him to an audition. Sirmon joined in July ’64 and had previously been a member of The Conchords (who later became Mungo Jerry) and then Mike Dee & The Jaywalkers with Ritchie Blackmore..

    They gigged across the country, but only hit the local circuit twice; playing the Civic Hall, Guildford on 6 March ’65 with Daniel & The Emeralds, and Brooklands Technical College at some point.

    Soon after forming Celler Club owner Hugh O’Donnell offered them a residence at the club. The Plebs did indeed play Celler Club, Kingston upon Thames pretty regularly in ’64, including a show support John Lee Hooker with John Mayall’s Blues Breakers on 3 June ’64, and with Jimmy Reed and Groundhogs on 16 November ’64. It was O’Donnell who introduced the band to Larry Parnes who secured them for a series of thirteen Sunday concerts for the Summer Season at the Britannia Pier, Great Yarmouth, called The Sunday Extra Special, from June through to September. They were the opening act and formed Mark Wynter and Gene Vincent’s backing band, performing alongside The Applejacks, The Mojos, The Karl Denver Trio, Marty Wilde & The Wildcats, The Big Three, The Gamblers, and The Crestors that Summer. The band also supported The Dave Clark Five, The Hollies, The Trebletones, and The Kinks.

    The Plebs provided backing to Jess Conrad, and by June they were supporting Jimmy Reed and Joe Lee Hooker on their UK tours. Just before their season at Great Yarmouth ended O’Donnell helped them out again, getting them signed to the Don Arden Agency, the same agency as the Nashville Teens. Within three days of signing they were recording “Bad Blood”. This, their first and only single, and a cover of The Coasters’ track, was released on the Decca label in October that same year, backed by an R&B tinged cover of Joan Baez’s “Babe I’m Gonna Leave You”. Prior to the singles release they had been backing Brother John Sellers in the Alvin Ailey American Dance Theatre at the Shaftesbury Theatre. In support of the single they stopped partaking “mod” ballet at The Shaftesbury and began touring with The Animals, Carl Perkins, Nashville Teens, Tommy Tucker, Elkie Brooks, and Quotations. This 28 date package tour kicked off at the Odeon, Liverpool on 19 October ’64, swung near home on 3 November ’64 when it called in at the Odeon, Guildford, and wrapped up at the Winder Gardens, Bournemouth on 15 November ’64. They also opened for the Roadrunners and The Notions at Liverpool’s Cavern Club.

    The Plebs backing Jerry Lee Lewis on Ready Steady Go, November 1964.

    The Plebs were Jerry Lee Lewis’ band for a European tour and in November ’64 appeared behind the rock n’ roller on “Ready, Steady, Go” – having been turned down by “Thank Your Lucky Stars” for lyrics that were “in bad taste” – performing “High Heel Sneakers” and “Whole lot of shakin’”. But, before they backed Lewis on the show they got to perform their own singles B-side.

    Around this time the band recorded a session, again as Lewis’ backing band, that was used in Lance Comfort’s 1965 teen movie ‘Be My Guest’ as a musical number insert, performing the unreleased “No One But Me”, which was written for Lewis by The Ram Jam Band member Geoffrey Pullum.

    The Plebs are also said to have shared a bill with The Yardbirds. Late ’64 is also when a rumored single sided 12 inch LP, carrying 10 tracks, was said to be release having been recorded at the R.G. Jones Studio, Morden, but we’ve yet to find any evidence. Then on 7 December ’64, the Birmingham Youth Aliyah Committee bought The Jerry Lee Lewis Show to the Town Hall, Birmingham with Jerry Lee Lewis, of course, Gene Vincent, The Spencer Davis Group, The Ugly’s, The Plebs, and The Londoners.

    In January ’65, they ended up in Hamburg, playing at the Star Club. They returned to the UK, where Sirmon got married and then didn’t accompany the band back to Germany a few months later. His spot was filled by ex-Nashville Teen drummer Dave Maine. When their contract expired and spurred on by ‘band member differences’ Dennis decided to stay on, playing with a variety of bands such as Lee Curtis & the All Stars from March ’65, joining Ronnie Jones & The Blue Jays in May ’66 and sticking with them until they completed backing PP Arnold on the Roy Orbison tour in April ’67, and The Bad Boys who took him to Italy. The others went home and the band folded. Crowe and Dunford formed Pentad. Dennis later relocated to Italy, playing with Dave Anthony’s Moods, The Rags, I Nomadi and Modena City Ramblers; and more recently teaching English and music. Dunford became a key member of the second lineup of Renaissance, and McCulloch is probably best known for his work with Eric Burdon & The Animals / New Animals as bassist which he joined after a spell with The Carl Douglas Set. Regrettably, Crowe passed from cancer too young, Dunford passed on 20 November 2012 in Surrey, and McCulloch died on 29 January 2015.

    Gallery:

One thought on “Home

  1. Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.

    Liked by 1 person

Leave a reply to Nick Cancel reply