-
Carousel Club, Farnborough
(c’66-’68) Situated on Camp Road, Farnborough, above Whites / J.G. Ward car showroom, the club was buzzing in ’66, having opened on 17 December ’65, went on a hiatus throughout early ’67 finally reopening in June ’67 and continued to rock until Mar ’68. The likes of Otis Redding, John Mayall & the Blues Breakers, The Kinks, Lee Dorsey and so many more graced the venue.

Otis Redding in a Carousel Club t-shirt, printed by the Ricky-Tick Club printing team. Robert Fox, who owned the Expresso 1 Cafe in Farnborough, had the bright idea of opening a club for the town’s youth, found some premises, and submitted planning permission to Farnborough Council. His first attempt failed, but after leasing land behind Newbury’s for parking his second application for the Carousel Club was before the council on 26 October ’65. Planning permission was granted, by a margin of one vote, and the Carousel officially opened on 17 December ’65, with one of the first regular presenters of Top of the Pops, Pete Murray spinning the discs. Murray also introduced live sets by The Koobas, who recorded ‘Ready, Steady, Go’ earlier in the day, The Riot Squad, and Grant Tracy & The Sunsets.

Pete Murray on opening night at The Carousel Club, 10 December 1965. Aldershot News 17 December 1965. Source: Steve McKeown via Farnborough (Hants) Nostalgia The club kicked it into another gear in the New Year with The Artwoods performing on 17 January ’66; followed four days later, on 21 January, by The Action, supported by The Soul Pushers. A succession of big names entertained the club members in the lead up to Valentines Day ’66: Starting on 11 February the Mark Leeman Five were followed the next night by Flamingo Club regulars The Train, then Alan Bown Set on 13 February in the buildup to 14 February ’66 that featured The Small Faces, with The Rockhouse Band warming up the crowd. Not that the estimated 500 attendees needed much warming up. The screams were deafening and the venue struggled to get The Small Faces to the stage through the throng. There was an attempt to pull Steve Marriott from the stage and it was just as difficult to get the band out of the venue with one person injured in the post-performance crush. Elkie Brooks, Keith Powell, The Marionettes, and Mike Finney and The Excels were all at the venue on 25 February ’66. The Artwoods returned on 5 March ’66, and The Poets were supported by The Symbols on 11 March ’66. The Five Proud Walkers supported Jimmy Brown Sound the next night, 12 March, although the big draw that week came on Sunday with Georgie Fame and the Blue Flames on 13 March ’66. On 28 March ’66 The Kinks put out a press release confirming that Ray Davies was still ill and all concert dates were cancelled, including the Carousel Club that night. The Kinks were rescheduled for 16 May ’66.

March ’66 Advert In the meantime, Dave Dee, Dozy, Beaky, Mick and Tich, and John Mayall’s Bluesbreakers appeared on 4 April ’66. On 15 April ’66, The Symbols opened for the six-piece The Quite Five and the next month, on 2 May, The Small Faces returned, followed four days later by The Trekkas on 6 May ’66. The very next night Island Records singer and songwriter Jackie Edwards was backed by The Sidewinders; followed by Geno Washington and the Ram Jam Band on 8 May ’66. Graham Bond bought his Organisation to the Carousel Club on 20 May ’66, with The Score helping to pack the venue the next night. Now making regular appearances at the venue The Small Faces performed on 22 May ’66. A week later, on 27 May, Herbie Goins and The Nightimers took to the small stage. A few days later legendary soul and R&B singer Ben E. King performed on 30 May ’66. Details on much of the remainder on the year are sparse, but we do know that on 2 September ’66, Top of the Pops’ Samantha Juste was at the venue, The Carnaby performed on 3 September ’66, and The Alan Price Set the next night. The Shevelles appeared on 9 September ’66 and then, for only his second performance in the UK, Otis Reading, back by a 14-piece band, filled the venue on 13 September ’66; with support by Manchester’s The Score.

13 September 1966: “Otis” signed Carousel Club Otis Redding ticket. Picture courtesy of Paul Trew The Carousel Club closed its doors two weeks before Christmas ’66, with an appearance by The Move scheduled for 30 December ’66 cancelled. It reopened as The Big ‘C’ Club on Friday 2 June ’67, as the only club in the Britain run by Radio Caroline, with a set from The Turtles and support from Moon’s Train. The venue’s group bookings were now handled by Laurie O’Leary, who’d later be a pallbearer at both Charlie and Ronnie Kray’s funerals, while Ronnie Turner and Alan Beck shared managerial duties. While it was The Big ‘C’, The Amen Corner are rumored to have made an appearance, Jefferson Airplane were allegedly booked, and Dave Entovan – who’d go on to manage Robbie Williams – spun a disc or two. Certainly, on 4 July ’67, Moon’s Train played, returning on 9 September ’67. The 3 November ’67 saw the venue hosting Episode Six, and The Junior (Pretty Boy Kerr) Group with vocalist Linda Lewis the following night. Later in the month Cliff Bennett and The Rebel Rousers turned up, on 12 November. A week after taht it was Geno Washington and the Ram Jam Band, on 17 November, followed by Moon’s Train on 18 November and The Ferres Wheel on 24 November.

February ’68: Advert for the Big C On 17 February ’68, Moon’s Train returned once again and, on 23 February ’68, The Fantastics took to the stage followed by a return visit from Junior Kerr and Linda Lewis, this time with The White Rabbit, on 24 February ’68. Southampton based John Drevar’s Expression returned, although we have found no evidence of their first visit as yet, on 15 March ’68, and Little John and The Shadrocks dropped by the next night. On 19 March ’68, Odiham Magistrates Court refused to renew The Big C’s music license due to poor safety precautions and inadequate fire escapes – there was after all just one way up to the club above the showroom and one way down. The club closed immediately, and that night’s performance by Michigan’s The Marvelettes was cancelled, leaving some 400 disgruntled teenagers standing outside the club that night. The Marvelettes had been scheduled to play the club earlier in year but didn’t show and resident DJ, Lionel “Golly” Gallacher, having just lost his job, was left with the onerous task of breaking the news to the crowd again. Meanwhile, club manager, O’Leary cancelled Geno Washington and the Ram Jam Band’s 22 March ’68 booking and promised that the club would reopen after upgrades – it never did…
Gallery:

Carousel Club’s birth. Aldershot News, 22 October 1965. Source Steve McKeown via Farnborough (Hants) Nostalgia 
Carousel Club above J.G. Ward 1965. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
Carousel Club! Aldershot News clipping, 17 December 1965. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
Carousel Club DJ Pete Murray signing autographs on opening night. 17 December 1965. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
January/February 1966 
February ’66: Advert for The Carousel Club 
The Small Faces at The Carousel Club on 14 February ’66. Clipping from Aldershot News 18 February ’66. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
February 66: Advert for the Carousel Club 
March ’66: Advert for the Carousel Club 
March ’66: Advert for the Carousel Club 
The Carousel Club, Farnborough is misnamed ‘Caravan Club’ on the cover of Melody Maker’s 26 March 1966 edition. Unfortunately the gig was cancelled die to sickness… 
March ’66: Advert for the Carousel Club 
April ’66: Advert for the Carousel Club 
April ’66: Advert for the Carousel Club 
June ’66: Advert for the Carousel Club 
July 1966: Advert for the Carousel Club, Farnborough from the Aldershot News & Camberley News 
June ’66: Carousel Club flyer 
September 66: Flyer for the Carousel Club 
September 1966 advert. Aldershot News 2 September 1966. Source Steve McKeown via Farnborough (Hants) Nostalgia 
13 September 1966: Bob Fox with Otis Redding at the Carousel Club, Farnborough. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
Carousel Club! Aldershot News clipping, 16 September 1966. Source Steve McKeown via FHN 
Aldershot News clipping, 2 June 1967. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
November ’67: Advert for Big C 
March ’68: Advert for the Carousel Club 
Carousel Club closes! Aldershot News, 22 March 1968. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
Month TBC ’66 
Month TBC ’66 Alan Beck, Big C, Big C Club, Carousel Club, Charlie Kray, Cliff Bennett and The Rebel Rousers, Dave Dee Dozy Beaky Mick and Tich, Dave Entovan, Elkie Brooks, Episode Six, Expresso 1 Cafe, Farnborough, Farnborough Council, Flamingo Club, Geno Washington and the Ram Jam Band, Georgie Fame and The Blue Flames, Golly Gallacher, Graham Bond Organisation, Grant Tracy & The Sunsets, Herbie Goins and The Nightimers, Island Records, J.G. Ward, Jackie Edwards, Jefferson Airplane, Jimmy Brown Sound, John Drevar's Expression, John Mayall & The Bluesbreakers, John Mayall’s Bluesbreakers, Junior Kerr, Keith Powell, Laurie O’Leary, Lee Dorsey, Linda Lewis, Lionel Gallacher, Little John and The Shadrocks, Mark Leeman Five, Mike Finney and The Excels, Moon’s Train, Newbury’s, Odiham, Odiham Magistrates Court, Otis Redding, Pete Murray, Radio Caroline, Ray Davies, Robbie Williams, Robert Fox, Ronnie Kray, Ronnie Turner, Samantha Juste, Steve Marriott, The Action, The Alan Bown Set, The Alan Price Set, The Amen Corner, The Artwoods, The Big ‘C’ Club, The Carnaby, The Fantastics, The Ferres Wheel, The Five Proud Walkers, The Junior (Pretty Boy Kerr) Group, The Kinks, The Koobas, The Marionettes, The Marvelettes, The Move, The Poets, The Quite Five, The Riot Squad, The Rockhouse Band, The Score, The Shevelles, The Sidewinders, The Small Faces, The Soul Pushers, The Symbols, The Train, The Trekkas, The Turtles, The White Rabbit, Whites -
Certain Gestures
Created by Dave Tiffen, the ex-manager of The Sleep and Basic Essentials, along with Basic Essentials bassist Andrea James, the Certain Gestures fanzine was available from Head Sounds, Guildford. Issue No.4 included a feature on Paul Cummins and Simon Raymonde’s new band Wild About Harry. Issue No.5, if this is indeed the same fanzine, consisted ‘entirely of arty images’.
Around the same time as Issue No.4 was published Tiffen and James were forming Somewhere in Europe.
Gallery:

21 July 1983 Soundscene Column clipping 
C’84 – Cover of Certain Gestures No.5. Source: Still Unusual -
The Jeremiahs
(c’85-’89) Ben Mitchell (drums), John Mitchell (guitar), Simon Ashby (vocals/guitar), and Robert S. (bass/keyboards).

John Mitchell, Ashby and S. were at school together and started toying with covers during lunch, eventually forming Art23. There was a brief hiatus when the three of them did their own thing, but eventually they got back together and continued as a trio for a while. Ben Mitchell, John’s cousin, was invited to join and The Jeremiahs were formed.

The Jeremiahs first demo In ’85 a 2-track demo carrying an early version of “Never Come Back“ and “Bluer Days” was self-released. In July/August “Wipe Away the Tears“ and “Over the Stove“ appeared on another 2-track demo, we’ll call the VM Studios demo. In November ’86 they recorded 4 tracks: “Satan Shoes”, “Candyfloss”, “Return of the Spirit Stones” and “The Daffodil Fields”, at The Paradise Club releasing that as a demo. A 3-track demo cassette, carrying “Over the Stove”, “Wipe Away Your Tears”, and “Never Come Back”, also hit the streets in ’86. The Caribbean Club, Basingstoke hosted the band, along with The Particles, on 31 October ’86; and The Buzz Club rounded out ’86, on 15 November, with a local bands gig which featured West One, Steel Bill and the Buffalos, FRA, and Second Balcony Jump on the bill with The Jeremiahs being added late.
The band returned to The Buzz Club at the West End Centre, Aldershot on 7 February ’87, joining Mighty Mighty and The Bridge were on the main stage; while Jim Jiminee played the bar. At some point they started to be managed by Melody Maker staff photographer, Tim Paton. The band were getting considerable airplay on local Reading / Basingstoke station Radio 210. The station put out the vinyl LP “Beyond the Fence Begins the Sky” on Plastic Head Records [PLAS LP 008] in ’87, a compilation of local bands that included The Jeremiahs “Never Come Back”. There was interest from Cherry Red Records which, after the release of “Far from the Maddening” as the opening track on Final Records “The Final Teaze” [FINAL LP42] compilation vinyl EP in ’87; went nowhere. But, also in ’87, Abstract Records put out the bands “Driving into the Sun” vinyl EP.

Cover of 1987’s ‘Driving into the Sun’ EP On 6 March ’88, The Jeremiahs supported The Flatmates at Underground, Croydon and that same month the Aldershot News reported them signing to indie label Abstract Records. On 18 June there was a farewell Buzz Club – as Bluetrain along with the club promoters and band members, Bartlett and Hagan, were off to the states – and along with Bluetrain, The Jeremiahs, Sugar Mountain, Crimplene Explosion, The Aubisons, The Mulberry Ceilings, and The Splendids took to the stage to wish them a bon voyage.

18 June ’88 The band also played the Marquee, London. On one such occasion they supported British new wave / pop band G.I. Orange, who were biggish in Japan, and the venue was packed with Japanese girls. They took The Jeremiahs music back to Japan, putting the band top 5 in the Japanese airplay charts and the “Driving into the Sun” EP at No. 6 in Japan.
The band split in ’89 but closed out with a number of farewell gigs at venues like the Trade Union Club, Reading. Post The Jeremiahs, Ashby moved north and formed This Gigantic World, worked in A&R, managed bands, lectured in music business at Salford University, promoted gigs, and DJ’d at Modern Vintage indie night in Manchester. He is also writing for a music mag. S. worked in Japan for a while and may have married one of those Japanese fans.
Tracks:
Gallery:
Recorded at The Paradise Club in November ’86 
Radio 210’s local band compilation vinyl LP “Beyond the Fence Begins the Sky” included The Jeremiahs “Never Come Back” in early 1987. 
Back cover of Radio 210’s local band compilation vinyl LP “Beyond the Fence Begins the Sky”. 
The Jeremiahs were included on “The Final Teaze” compilation vinyl EP in ’87 
Back cover of “The Final Teaze” compilation vinyl EP in ’87 
Back cover of 1987’s ‘Driving into the Sun’ EP 
6 March 1988: The Jeremiahs supported The Flatmates at Underground, Croydon according to this ad in Melody Maker, 27 February 1988. Picture courtesy of Pete Cole 
6 March 1988: The Jeremiahs supported The Flatmates at Underground, Croydon according to this ad in Melody Maker, 5 March 1988. Picture courtesy of Pete Cole 
18 June 1988: Framed Buzz Club Poster. Source: Dave Driscoll
Abstract Records, Aldershot, Aldershot News, Art23, Basingstoke, Ben Mitchell, Bluetrain, Buzz Club, Caribbean Club, Cherry Red Records, Crimplene Explosion, Croydon, Final Records, FRA, GI Orange, Jim Jiminee, John Mitchell, London, Manchester, Marquee, Melody Maker, Mighty Mighty, Modern Vintage, Plastic Head Records, Radio 210, Reading, Salford University, Second Balcony Jump, Simon Ashby, Steel Bill & the Buffalos, Sugar Mountain, The Aubisons, The Bridge, The Flatmates, The Jeremiahs, The Mulberry Ceilings, The Paradise Club, The Particles, The Splendids, This Gigantic World, Tim Paton, Trade Union Club, Underground, West End Centre, West One -
St. Johns Hall, Farnborough
Sitting on the St. Johns Road this hall hosted dance nights with local bands, including The Modern Art of Living, in the late 60s and into the 70’s run once a month by Rev’s Youth Club.
But ‘discos’ took over in the mid/late 70s with Sunday night being Rock Disco night. The R101 did play there in the ’80s, as did The Larry Miller Band and The Hamsters.
Gallery:

Photograph by Paul Roberts of the interior of St. John’s Hall, Farnborough in ’77. Source: Farnborough (Hants) Nostalgia 
St. John’s Hall, Farnborough in 1965. Source: Christopher Cornwell via Farnborough (Hants) Nostalgia -
Breathe
(c’84-’92) David Glasper (vocals), Marcus Lillington, (guitar), Ian “Spike” Spice (drums), and Michael Delahunty (bass).
Four ex-members of Yateley’s Catch-22 worked on some demos that struck a chord with Virgin Records A&R, leading to a contract with subsidiary Siren Records in ’85. In May ’85 they were in the studio with producer Bob Sargeant, releasing the “Don’t Tell Me Lies” single in January ’86, which reached No.77 in the UK Singles Chart. But, May ’86’s follow-up “In All Honesty” failed to chart.

1987’s “Don’t Tell Me Lies” single Producer-engineer Chris Porter was commissioned to take a look at them in ’87, remixing “Hands to Heaven” and 7 other tracks. Up-tempo “Jonah” was released in May ’87. A couple of months later, in July ’87, the “All That Jazz” LP was completed and A&M Records released it in the US in August ’87 along with “Jonah” as the band’s first stateside single, failing to chart again. Also in August, Siren released the “All That Jazz” single as a prelude to the LP scheduled for an UK release in October ’87. The LP carried two of Breathe’s best-known hits, “Hands to Heaven” (No.2 in US, No.4 in UK) and “How Can I Fall?” (No.3 in the US).

1987’s “How Can I Fall?” In ’88, manager Karl Adams and Delahunty left the ‘project’. Breathe opened 10 dates for Belinda Carlisle’s ‘Good Heavens Tour’ in September ’88, including Hammersmith Odeon on 16 September ’88. That same month the “All That Jazz” LP was re-released in the U.K. In October ’88 they performed at the Ku Club, Ibiza at the Ibiza ’92 Music Festival. In January ’89 A&M issued “Don’t Tell Me Lies,” in the US, reaching No.10; making Breathe the first group to achieve three Top 10 singles from a debut album for A&M. In May ’89, Billboard Magazine named Glasper and Lillington in its top 20 pop songwriters for ’88. The second LP, “Peace of Mind”, was released in August ’90 in the U.K., Europe and internationally, and issued in the United States the following month. Three singles were released from this LP: “Say A Prayer” (No.3 in US, No.93 in UK); “Say Hello” (No.88 in UK), and “Does She Love That Man?” (No.34 in US). By ’92 Breathe disbanded.

Glasper was last heard of 2014, somewhere in Thailand, and about to become a grandfather. Lillington co-founded web design firm called Headscape in 2002 and co-hosted the web design podcast, Boagworld.com. He was in Hampshire based Skiffle/country/blues band, The Showdogs, c’2000, and Stroke the Toad around 2008 with former Catch-22 member Phill Harrison. Spice died, reportedly in a car accident, in Thailand in September 2000. Delahunty is a mystery.
Video:
Breathe’s “Hands to Heaven” Gallery:

1986: Breathe “In All Honesty” single 
Band photo for cover on “In All Honesty” single 
A&M promo card for Breathe from 1987. 
1987: Breathe’s “Hands to Heaven” single 
1987: Breathe’s “All That Jazz” LP 
1987: Breathe’s “All That Jazz” single 

1987: Breathe’s “Jonah” single 
Advert for 1987’s “Jonah” single 
1988: Breathe’s “Any Trick” single 
1990 promo photo of Breathe 
1990: Breathe “Peace of Mind” LP 


A&M Records, Belinda Carlisle, Billboard Magazine, Bob Sargeant, Breathe, Catch-22, Chris Porter, David Glasper, Hammersmith Odeon, Headscape, Ian Spice, Ibiza, Ibiza ’92 Music Festival, Karl Adams, Ku Club, London, Marcus Lillington, Michael Delahunty, Phill Harrison, Siren Records, Stroke the Toad, Thailand, The Showdogs, Virgin Records, Yateley -
Bros
(c’86-’92) Luke Goss (vocal / guitar), Matt Goss (vocal / drums), and Craig Logan (bass).
While attending Collingwood School, Camberley the Goss brothers joined a band called Blue. It was while at school that they met Logan, who played bass purportedly in Stillbrook. This new trio became known as Gloss. Classmate Chris Herbert’s father, Bob Herbert, noticed them and became their manager, making his summer house available as a rehearsal space and paying for studio time for demos.

It was through the Herbert’s Heart Management, that they met musician, songwriter and music producer Nicky Graham, who introduced them to music manager Tom Watkins, who’d managed the Pet Shop Boys. Unimpressed, Watkins realized that he could mold the group into a boy band for the teen girl market, with Graham and Watkins writing the songs for them. Gloss split from Herbert and signed a contract with Watkins and his management company. Watkins renamed the band Bros, and he and Graham wrote the group’s songs under the pseudonym of “The Brothers”, creating the impression that the Goss brothers had written the songs.
The debut single, “I Owe You Nothing”, was released in August ’87, peaking at No.80 in the UK Singles Chart. November ’87’s release of their “When Will I Be Famous?” single, saw them reach No.2 in the UK. Their third single, “Drop the Boy” also peaked at No.2 as did their album “Push”, released in March ’88. Bros reissued an “I Owe You Nothing” remix in June ’88, which became their only No.1 single in the UK. Two further singles: “I Quit” (September ’88) entered the UK charts at No.4 and “Cat Among the Pigeons” (November ’88) entered at No.2.

“Brosmania” and “Brosettes” became common mainstream media topics. Logan left the band in early ’89, due to several bouts of illness, including ME, and was admitted to hospital for six weeks with a further six months of rehabilitation that included learning to walk again. Now a duo, Bros released the LP “The Time” in October ’89; reaching No.4 in the UK Albums Chart. In ’91 Bros released their final album, “Changing Faces”, splitting in ’92. In total they secured 11 top 40 singles and three top 20 albums in the United Kingdom.
Gallery:


-
Sweet Hooligan
(c’92-’93) Ellis Williams (drums), Rich Handyside (guitar / vocals), Tim Naylor (vocals), Chris “CP” Pothecary (bass).

Sweet Hooligan. Picture courtesy of Tim Naylor Formed in ’92, this Fleet based 4-piece punk metal band gigged throughout ’93 at venues in Aldershot, Farnborough, Ash, Hook, Basingstoke, Bagshot, Camberley and High Wycombe and supported Radical Dance Faction and Glen Matlock & The Mavericks.
Handyside and Naylor had both been in Handsome Bastards before Sweet Hooligans. The band recorded an albums’ worth of demo material some of which was released on Stupid Rabbit Tapes. Occasionally Sweet Hooligan appeared under the name Body Soup.

Sweet Hooligan. Picture courtesy of Tim Naylor The George, Ash Vale hosted the Hooligans on 5 February ’93, who dropped a rowdy set of the pub’s punters. They followed this with a gig at the Technical College, Farnborough on 11 February. Later in the month they appeared, on 20 February ’93, at the Critical Club event at the West End Centre, Aldershot with Fly Garrit and Girls on Dextrose. The next night they were at The White Hart, Frimley on 21 February ’93, and two days after that Sweet Hooligan played The Lion Brewery, Ash on 23 February. October ’93 saw them share the Premier’s Nightclub, Basingstoke stage with Mind’s Eye and Chunderhive. A Kerrang editor was there on the night, labelling the band ‘under-rehearsed…’, which was kind of the punking point.

8 October 1993: Poster for appearance with Mind’s Eye and Chunderhive at Premier’s, Basingstoke. Picture courtesy of Tim Naylor Having played Critical at the West End Centre, Aldershot, Sweet Hooligan’s ‘Shake Your Bones’ was included on ‘The Critical List – Live at West End Centre, Aldershot” compilation cassette on Penny Black Productions [PBV001]; along with Shine, Faceache, Serious Plankton, Danger Mice, Flyagaric, Backlash, and Radical Dance Faction, in late ’93. They also appeared on the ‘On The Critical List’ live video.

Sweet Hooligan’s ‘Shake Your Bones’ was included on The Critical List compilation in ’93 At the end of ’93, just before midnight of New Year’s Eve, coming off stage at the West End Centre, Aldershot, they broke up.
Tracks:
Gallery:

February 1993: Sweet Hooligan gig poster. Picture courtesy of Tim Naylor. 
20 February 1993 at the West End Centre, Aldershot 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 

Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Aldershot News gig guide. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Picture courtesy of Tim Naylor 
Sweet Hooligan. Source: Stupid Rabbit Tapes Aldershot, Ash, Ash Vale, Backlash, Bagshot, Basingstoke, Body Soup, Camberley, Chris Pothecary, Chunderhive, Civic hall, Critical Club, Danger Mice, Ellis Williams, Faceache, Farnborough, Farnborough Tech, Fleet, Fly Garrit, Flyagaric, Frimley, Girls on Dextrose, Glen Matlock & The Mavericks, Handsome Bastards, Hook, Kerrang, Minds Eye, Penny Black Productions, Premier’s, Premier’s Nightclub, Radical Dance Faction, Rich Handyside, Serious Plankton, Shine, Stupid Rabbit Tapes, Sweet Hooligan, Technical College, The George, The Lion Brewery, The White Hart, Tim Naylor, West End Centre

































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
LikeLiked by 1 person