Our Soundscene

For anyone who vaguely recalls the Woking / GU postcode area music scene.

Home

  • Graham Parker

    Graham Parker

    (c’75-date) Graham Parker (singer / songwriter)

    Graham Parker and Rumourmobile; NME Dec 1976. Source: Len Lighthouse via Keep It Out Of Sight

    In late ’74 a young man living with his parents in Deepcut, who worked as a petrol pump attendant, placed an ad in Melody Maker seeking like-minded backing musicians. Guitarist Noel Brown answered and in Spring ’75 Parker began driving up to London on a regular basis.

    Through Brown, Parker met ex-Chilli Willi and the Red Hot Peppers member Paul “Bassman” Riley and secured a solo gig at Southern Comfort, Finsbury Park. Riley introduced Parker to Dave Robinson, the ex-manager of Brinsley Schwarz who, in a studio above the Hope & Anchor, Islington; began to record Parker.

    This wasn’t Parker’s first foray into music. When at Chobham Secondary Modern he’d been in the Deepcut Three and the Black Rockers with some other students. Parker has also mentioned in interviews traveling from home to the Atalanta, Woking and The Gin Mill Club, Godalming to listen to bands. Leaving school at 16, he moved to Guernsey at 18 and bought a guitar, taught himself and began writing songs. After bouncing around a bit, he ended up in Gibraltar and played in a bar or two and appeared on a Gibraltar TV show performing his own songs. He joined Pegasus and went to Tangier, Morocco where they performed in a nightclub. The band morphed into Terry Burbot’s Magic Mud. By ’72 he was back in the UK. At some point Parke had a chance meeting with Jean Marie “JC” Carroll, who’d go on to join The Members, at The Three Mariners, Bagshot; and he and Carroll produced a two-track bedroom demo.

    Jumping forward again, two of the demo songs laid down in Robinson’s studio was “Nothin’s Gonna Pull Us Apart” and “Between You and Me”. These were aired on Charlie Gillett’s “Honky Tonk” show on BBC London. Nigel Grainge of Phonogram Records heard them and got in touch. Robinson, now Parker’s manager, struck a deal with Phonogram and recruited the Rumour: Brinsley Schwarz (lead guitar), Bob Andrews (keyboards), Martin Belmont (guitar), Andrew Bodnar (bass), and Steve Goulding (drums). Recording for “Howlin’ Wind” began in the late ’75, and Robinson, who founded Stiff Records, put Parker’s “Back to Schooldays” on the compilation LP: “A Bunch of Stiff Records”.

    19 March 1976: Graham Parker & The Rumour support Thin Lizzy at Free Trade Hall, Manchester

    Graham Parker and the Rumour began working the British pub rock scene and eventually began opening for Ace on tour and supporting Thin Lizzy in March / April that year. This took in Sheffield University on 5 March ’76, the Dance Hall at Essex University, Colchester the next night, Cheltenham’s Town Hall on 11 March; St. George Hall, Bradford on the 17 March followed the City Hall, Newcastle and Free Trade Hall, Manchester on the 18 & 19 March ’76 respectively. On 20 March ’76, Parker opened at the Stadium, Liverpool, doing the same at Brunel University, Uxbridge on 26 March ’76 and at New Victoria Theatre, London on 4 April. “Howlin’ Wind” was released in April ’76 and was followed by LP number 2 “Heat Treatment” and the EP “The Pink Parker” later in ’76. The track “Don’t Ask Me Questions” hit the Top 40 UK Singles Chart. By the end of ’76 Graham Parker and the Rumour were headlining in their own right, progressing to touring the US twice, without the support of Phonogram’s US arm, Mercury.

    15 July 1978: The front cover of the official Picnic at Blackbushe programme listing Graham Parker & The Rumour. Source: Liam Feeley‎ via Farnborough (Hants) Nostalgia

    A third LP – “Stick to Me” – was released in ’77. Parker also appeared, second on the bill for the Saturday, 27 August ’77, at Reading Rock (aka 17th National Jazz Blues and Rock Festival), and at the Rider Open Air Festival, Scheeßel, Germany on the 3 or 4 September ’77, along with two other local talents, namely The Stranglers and Camel. On 15 July ’78, Graham Parker & The Rumour appeared at The Picnic at Blackbushe, with Bob Dylan, Eric Clapton, Joan Armatrading and Lake; when he came on he yelled: “Anyone here from the One Oak?” – With 100,000+ in the audience of course there was. Mercury’s ignorance led Parker to sign with Arista and what followed was “Squeezing Out Sparks” in ’79, which reached No.44 in the US album charts, selling a 1/4 million copies. Parker and the Rumour toured extensively in the year of its release, beginning at Belfast’s Witlow Hall on 2 February and ending at the Town Hall, Auckland, New Zealand on the 26 November, with little time off. At some point in the year the demo version of “Between You and Me”, recorded at the Hope & Anchor, in early ’75, was included on ’79’s The Honky Tonk Demos compilation LP.

    A demo version of “Between You and Me”, was included on 1979’s The Honky Tonk Demos compilation LP. Source: Terry Newman via Keep It Out Of Sight

    They then made their last album “The Up Escalator.” Schwarz and Bodnar continued to record and gig with Parker through the ‘80’s and Parker has continued to release albums since, notably “Struck by Lightning” on RCA, “Deepcut to Nowhere” on Razor & Tie, and “Don’t Tell Columbus” released on Bloodshot Records. In May 2011, Parker reached out to the Rumour to work on a new album.

    “Three Chords Good,” was recorded in July ’11 and released in October ’12 with tours of the US, UK and Europe. Graham Parker and the Rumour then recorded the “Mystery Glue” LP, releasing it on the Cadet Concept label in May ’15. In 2017 Parker was touring as a duo with Schwarz, and Parker continues to release singles, EP and LPs to this day.

    Gallery:

  • The Highwayman, Camberley

    The Highwayman, Camberley

    The Highwayman, Old Dean, Camberley is another lost venue, replaced by a block of flats. On opening night in ’66 Dudley Moore and Peter Cook were there, and The Dudley Moore Trio played here regularly in the late 60’s with many of the audience sat on the floor. Tuesday night was Modern Jazz Night where you could have caught Tubby Hayes, Don Rendell, Michael Garrick and Jimmy Witherspoon.

    The Don Rendell / Ian Carr Quintet, with Garrick on piano, playing at The Highwayman, Camberley

    There is a recording of Neil Ardley directed New Jazz Orchestra’s performance at The Highwayman, Camberley in March ’66 floating about somewhere. At the time the orchestra featured Ian Carr (flugelhorn), Don Rendell (sax), Michael Garrick (piano), John Mumford (trombone), Les Carter (flute), Dave Gelly (tenor sax), Henry Lowther (trumpet), Jack Bruce (double bass), and Jon Hiseman (drums).

    The next year, on 17 January ’67, Highwayman regulars, The Garrick Trio were joined by drummer and pianist Bill Le Sage. Pianist Garrick’s Trio was often formed or augmented by guest musicians such as singer Bobby Breen and saxophonist/clarinetist Olaf Vas who joined him on 31 January ’67 at The Highwayman. Six weeks later, on 14 March, tenor saxophonist Danny Moss and his wife, singer, Jeanie “Miss Disc” Lambe joined the Garrick Trio at the venue. The St. Vincent emigree Ellsworth McGranahan “Shake” Keane on a visit from his German home, where he was the featured soloist with the Kurt Edelhagen Radio Orchestra played sax with Garrick’s combo on 8 August ’67 and on 19 September ’67, Humphrey Lyttleton and Tony Coe played the Highwayman with Garrick. Little known tenor player Jimmy Philip bought The Jimmy Philip Quintet to the pub on 3 October ’67.

    Humphrey Lyttleton and Tony Coe were with The Garrick Trio once again on 26 March ’68, and The Rendell-Carr Quintet held forth on 11 June ’68. Joe Harriott, who’d made several albums and EPs with Garrick in the mid-’60s, joined The Garrick Trio on 20 August ’68 at the Highwayman.

    Highwayman, Camberley in 1990 just before demolition.

    The Highwayman, with its nod to the highwaymen who frequented Bagshot Heath such as Claude Du Vall and William “Golden Farmer” Davis, developed a bit of a reputation in the ’70s/’80s but still featured the odd night of live music. It was demolished in 1990.

    Gallery:

  • Juggling With Jelly

    Juggling With Jelly

    (c’96) Mark Vass (bass), Jeff Hammond (drums), Trevor Hammond (vocals), Gary Shrubshall (guitar) and ? (keyboards).

    This Farnborough band are known to have played at The Imperial Arms, Farnborough in 1996. The Hammond brothers’ sister, Karen, sometimes played bass with the band.

    Guitarist, Martin Laker got involved with Juggling with Jelly, having been in Petroleum Spirit, Electric Lunchbox, and Isis previously, as well as setting up The Works Collection, a song writing partnership, in ’92 and is a member of The Guild of International Songwriters and Composers.

    Gallery:

  • Mike Raynor and The Condors

    Mike Raynor and The Condors

    (c’64-’70) Michael “Mike Raynor” Bigg (vocals), Bob Bigg (guitar), Keith Barnard (drums), Patrick ‘Paddy’ Lavelle (bass), and Laurie Jenkins (trumpet, saxophone, flute, and euphonium).

    Mike Raynor and The Condors

    The Bigg brothers had been playing in local bands from an early age, forming Aldershot based Mike Raynor and The Condors at some point in ’64, originally calling the band The Strangers. On 1 March ’64, The Condors supported Dave Curtiss & The Tremors at New Central Ballroom, Aldershot. A few months later they were bottom of the bill at The Attic Club, Hounslow for the venues 26 July ’64’s ‘Special All Star Show’ with PJ Proby with The Diamonds, Rory Blackwell & His Monsters, Frankie Roy & The Soundcasters, The Sonics, and The Roosters. The Condors went on to play Silver Blades, Streatham on 18 November that year.

    The band were soon on Bob Potter’s books and appearing across the Southern UK circuit. Initially there was some confusion as Johnny Milton & The Condors were already working the circuit, although they changed their name to The Symbols in ’65, and we’re hopeful we haven’t made the same error in this piece. Our Condors appeared at the 400 Ballroom, Torquay on 30 April ’65, locking in a weekend at the venue as Mike Raynor & The Condors on 19, 21, and 22 June ’65. Ronnie Jones & The Blue Jays played the Potter run Agincourt Ballroom, Camberley on 15 August ’65, supported by The Condors. The following month the band supported Cliff Bennett and The Rebel Rousers, on 12 September, at the Agincourt and returned to the 400 on 23 October ’65.

    23 October 1965: The Condors Return to Torquay’s 400. Source: Torquay Herald Express

    On 19 February ’66 the 400 hosted The Condors once again. On 6 March 66 the band appeared once more at the Agincourt, as just The Condors supporting The Pretty Things and three months later, on 12 June ’66, supporting The Loving Kind. Later in the year, there were back-to-back headliners, on 3 and 4 December ’66, at the Old Barn Club, Penzance. The band subsequently signed to Decca, releasing 1967’s 7″ single “Turn Your Head” [F 12605] backed by “Lazy Day” in the UK and Denmark.

    The Playhouse, Walton-on-Thames booked The Condors for 4 February ’67, and according to Tony Bacon’s “London Live” the band supported The Sands at the Marquee, London on 17 February ’67. The band returned to The Playhouse on 28 February, then on 12 March ’67 they supported Pink Floyd at the Agincourt! Reportedly, Pink Floyd arrived late, smelled bad, appeared to be dressed in rags, and played really loud directly through the PA system. And they didn’t talk to each other… They barked. On the 9 April ’67 the band were in Denmark where we know they headlined at the Beat House Club held at Anlægspavillonen, Ringsted, supported by Shouts. A support slot with Jimmy James and The Vagabonds went down on 30 June ’67 at Tiles, London. In September that year Mike Raynor and The Condors played The Playhouse once again on 2 September ’67; then headed out on a tour of Denmark once more and supported Pink Floyd again, this time at the Boom Center, Aarhus on 9 September. Also, in ’67 Decca put out the “Is She a Woman Now” [ F 22 690] single in Denmark, with “My Shy Serenade” on the flipside.

    In 1967 Mike Raynor and The Condors toured Denmark. Pictured is Mike Raynor during their Copenhagen date, stage diving. Source: Peter Moller

    The following year the band covered Lennon and McCartney’s “Ob-La-Di, Ob-La-Da” [F 22864], releasing it on Decca in Denmark as Mike Raynor and Sky with “I’m Going Down” on the B-side. While their vinyl was pushed in Scandinavia the band continued to appear in the UK at venues like The Barn, Penzance on 9 and 16 March ’68, squeezing a visit to Walton-on-Thames’ Playhouse on 12 March between the two and again on 13 July and 10 August ’68. Mike Raynor & The Condors returned to the 400 on 28 September, and The Cobweb, St. Leonards, were they performed on 19 October ’68 supported by The Inventive Mr. Jeff. Maintaining a live presence in Denmark the band were back in the country in late ’68, reportedly performing at both Ungdonklubberne, Roskilde, supported by Raws, and at the Beat House Club, Anlaegspavillonen, Slagelse on 7 December ’68. During ’68 the band started to go by Sky, for whom ex-Skeleton Skiffle band member Mike Betts roadied, appearing at their regular haunt, The Playhouse, Walton-on-Thames as The Sky (formerly Mike Raynor & The Condors) on 28 December ’68.

    Sleeve front for “On Our Way” [001CD] by Sky2010 featuring Mike Raynor and The Condors.

    Jump forward 42 years to 2010 and the Spred Music label issued “On Our Way” [001CD] by Sky2010 featuring Mike Raynor and The Condors. As of 2020 Barnard and Bob Bigg were still playing the odd gig under the original The Strangers name, joined by Mike Bigg occasionally.

    Tracks:

    Gallery:

  • Sweet Life

    Sweet Life

    (c’60-70’s) Pat McLoughlin (guitar/vocals), Dick Walker (bass), Chris Walker (drums), Melvin Cobbett (keyboards), Paul Morehead (lead guitar), and Dave Poole (vocals).

    This Woking band started out as Shades of Green, before becoming Sweet Life. Bob Oliver booked the band to play the Maybury Youth Club a couple of times. Originally managed by the Wally Dent Agency they eventually moved to Bob Potter’s International Entertainment Agency stable. Under Potter they often double billed with The Embers and gigged across the south, including The Barn, Penzance on 21 March ’70. On 9 June 1970, Camberley’s Collingwood Club hosted a performance by Sweet Life.

    21 March 1970: Sweet Life on stage at The Barn Club, Penzance. Source: Richard Prest

    In July 2008 four ex-members: Morehead, McLoughlin, D. Walker, and Cobbett, held a reunion and decided to reform as a Sweet Life tribute band called Waisted. Joined by Ivan Rooke on drums they mostly played around the Camberley / Farnborough area and various line-ups including Morehead and D. Walker continued to play as Waisted until 2018.

    Chris Walker unfortunately died far too young and sadly Melvin Cobbett died on Sunday, 8 January 2023.

    Gallery:

  • Village Hall, Albury

    Village Hall, Albury

    The Village Hall in Albury, with its small stage and 80-120 person capacity, was and still is used for rehearsals and events. One notable band to rehearse here was Bad Company.

    In the Summer of ’73 Paul Rodgers formed Bad Company with ex-Moot the Hoople guitarist Mike Ralphs, former Free drummer Simon Kirke and with Boz Burrell, ex-bass player with King Crimson, joining later. They rehearsed at Albury and Chilworth Village Halls. Led Zeppelin manager Peter Grant was invited to hear them at an Albury rehearsal. He arrived late and along with Clive Coulson heard them through an open window. Coulson became their day-to-day manager and Grant their official manager – the rest is history. It’s also rumored that Bad Company’s debut gig was at the Village Hall, not Newcastle City Hall as often reported.

    December 1976: Bad Company performed for Paul Rodger’s birthday in the Albury Village Hall. Picture courtesy of Martin Blogg

    In December ’76, Bad Company returned to the Village Hall to perform a ‘secret’ charity gig for Paul Rodgers 27th birthday. Billed as the Rough Diamonds. The band charge a quid a ticket and raised just over £200 for the Albury based Tupperfield old people’s home.

    This Breed Of Heroes held a Christmas party at Albury Village Hall in December 1985. Picture courtesy of Bruno Bannerman.

    In addition to Bad Company, The Innocence rehearse at the hall in ’83/’84, and in December ’85, This Breed of Heroes hired the venue for their “Christmas Party” gig.

    Gallery:

  • Go! Service

    Go! Service

    (c’83-’85) Danny Hagan (bass), Jo Bartlett (vocal/guitar), Mike Highgate/Auton (drums), Dom/Rudy Carroll (vocal/guitar).

    Bartlett and Hagan formed The Service in February ’83. Hagan had just left Strictly Hush-Hush and together with Mark ?, a drummer friend of Hagan’s, they banded with a keyboardist. By July ’83 Mark had left for Africa – the result of musical differences – and been replaced by Highgate/Auton and the keyboard player had taken employment at Lightwater Country Club; then in late ’83 Carroll joined on guitar.

    Sleeve (front) of the 12″ single “It Makes Me Realise” [DREAM 003] from ’85

    At some point they re-branded as Go! Service and in September ’84 joined Fenton Weills to support Television Personalities as they toured Germany, Lichtenstein, Switzerland, and the Netherlands. This Camberley band were by then signed to the Dreamworld Records label and quickly released the 12″ single “It Makes Me Realise” [DREAM 003] in ’85. This was backed by “Real Life” and “I Just Don’t Know”. That same year they once again supported label mates The Television Personalities around Europe. In November ’85 the band supported The Housemartins.

    1 December 1985: Buzz Club flyer for The Blow Monkeys, supported by Go! Services and Zaz Turned Blue held. Source: Karen Stratton via Farnborough (Hants) Nostalgia

    Towards the end on ’85 Bartlett and Hagan had started The Buzz Club, and the club’s second outing, at The Agincourt, Camberley featured The Blow Monkeys, supported by Go! Service. By December ’85, The Buzz Club had moved to the West End Centre, Aldershot, with the first gig there being The June Brides on 7 December, again with Go! Service in support. When Go! Service disbanded in ’86; Bartlett, Carroll, and Hagan teamed up with Kevin Morey to form Bluetrain.

    In ’96 the compilation “Dreamworld 1985-1987” was released on Vinyl Japan [ASKCD57] and included the band’s single “It Makes Me Realise”

    In ’96 the compilation “Dreamworld 1985-1987” was released on Vinyl Japan [ASKCD57] and included the band’s single “It Makes Me Realise”. Three Go! Service tracks were also included on Bluetrain’s “Some Greater Love” retrospective compilation released in 2008. Most recently, “Real Life” was added to “C86” by Cherry Red Records [CRCDBOX12] when they expanded the seminal compilation to a three CD set in 2014.

    Bartlett and Hagan would go on to form Poise.

    Tracks:


    Gallery:

    Links:
    Jo Bartlett’s Go! Service profile: https://indiethroughthelookingglass.com/jingle-jangle-c-86/

  • The Royal Oak, Hollywater

    The Royal Oak, Hollywater

    Right on the edge of our catchment area is The Royal Oak in Hollywater, or Whitehill, or Passfield. It’s location was very much dependent on who you asked or which local rag you were reading – and you’ll find the pub listed as being in one or other of the three in our Gig Lists depending on the source.

    Our earliest confirmed gig listing for the venue to date is 27 October ’79 when The Royal Hoax were booked and played The Royal Oak.

    Urban myth has it that Led Zepplin’s Jimmy Page lived locally and would turn up and watch and sometimes jam with that night’s band. Well, Page did own a house nearby and one night Willie Austen’s Rattlesnake turned up, with ex-Camel bassist Doug Ferguson and guitarist Big Jim Sullivan. Sullivan was told to go out the back as there was someone who wanted to meet him…it was Page – Sullivan had once given Page guitar lessons. The legend came true that night and Page played with the band and the visiting bikers etc. loved it, although it is reported that Sullivan blew Page away with his superior playing.

    22 July 1986: West One played Royal Oak, Passfield. Source: West One

    On 22 March ’80, The Royal Hoax were back supporting The Manor Party Band at the pub, and a few months later, on 29 August ’80, Human Beings made a visit. While home brew wasn’t served at The Royal Oak, the Home Brew band did play there on 10 November ’80. Another band to appear at the venue a few times in the early ’80’s were Crosswinds. In ’81, Human Beings twice visited The Royal Oak, on 25 August and 16 October. Track Four appeared on 26 August ’83, followed by Rattlesnake on 27 August, and A Bit of Alright three days later on 30 August. The 2 March ’84 saw the aforementioned Rattlesnake at the venue, followed by Geneva on 3 March, Trick of the Light on 6 March, Urban Fox on 9 March, and Bag of Tools the following night. West One gave the venue a similar double tap, to Human Beings, on 22 July and 16 August ’86. The following year, on 9 May ’87, Mafia took over; then on 2 October ’87, it was the turn of Siege to attack the pub with sound. Frantic did too, on 14 October ’89, to a difficult crowd, who only really showed signs of life when teased with some standard rock riffs; but no sign of Page. In the build up to Christmas ’89, Stone Cold took to the floor on 15 December, followed by Live and Breathe the next night. Post Christmas, Rattlesnake played the 29 December and PDQ on 30 December.

    A couple of years later Old Boy Network rolled into the venue on 26 July ’91 and Pretty Green were down the pub on 17 April ‘ 92. They were followed to the bar by Who Moved the Ground?, who walked in on 13 May that year, and Blue Velvet on 24 June. Lord Hippo played on 18 September ’92, WD40 the very next night, and PDQ appeared four days later on 23 September ’92. On 24 February ’93, Little Bones rolled in and later in the year, on 26 August, 14 October and 3 CDecember ’93, Bananafish played. Captain Pike, Rhythm Collision, Phoenix, Scully, and Drums and Wires have all also appeared at The Royal Oak.

    A shuttered Royal Oak c’2020

    Unfortunately, this became another lost venue c’2020, but after a long period of closure was reopened in November 2023, and now thank to new landlords Graham and Emma Symes is offering live music on Saturday nights.

    Gallery:

  • Greenstone

    Greenstone

    (c’70s) Eddie Russell (vocals), Adrian Haiselden (guitar), Mick Stone (bass), and John Hinsley (drums).

    The band went by a number of names before settling on Greenstone. This was either concluded en-route to their first gig in a borrowed van and browsing a paint colour chart they found in the back or after a tin of paint found in the drummer’s loo. The group rehearsed at the Youth Centre Annex, Guildford.

    Hinsley left when he got the opportunity to go semi-pro in Germany. Haiselden was last reported to be in Gloucester and playing in a blues band by the name of Scully. Russell, regrettably, left this realm in November 2024.

    Gallery:

  • 5’s Wine Bar, Aldershot

    5’s Wine Bar, Aldershot

    Sat on a corner along Station Road, 5’s Wine Bar was a pretty basic town centre pub – originally opened by Brian ? – that became popular with 9 Parachute Squadron RE. It even changed its name to 5’s The Airborne Inn (also known as Spice Zone, Tudor’s Cafe Bar, 5’s Bar). But, while you supped your beer from a plastic glass and wondered how the front window got smashed this time you could catch many an upcoming local band.

    Black Easter at 5’s Wine Bar, Aldershot on 31 May 1983

    Clone, supported by Maxi Puch & The Macho Moped Men and Black Easter, played at 5’s on 31 May ’83. On 16 August, that same year, Dark Paradise played their first gig there when they were still going by Paradise. On 24 June ’84, The Innocence debut gig was at the venue, a rocking gig to a celebrating 9 Squadron RE, Para engineers marking the second anniversary of the end of the Falklands war.  Capricorn also played 5’s, at times supported by Clone, as did soloist Keith Turner.

    It failed to survive the departure of the Paras from the town. On our last visit to Aldershot, the building still stood, with a sign dating from its time as 5’s still visible on the side wall but was operating as a restaurant.

    Gallery:

One thought on “Home

  1. Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.

    Liked by 1 person

Leave a comment