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For anyone who vaguely recalls the Woking / GU postcode area music scene.

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  • Youth Centre / Youth Centre Annex, Guildford

    Youth Centre / Youth Centre Annex, Guildford

    The Youth Centre on Leapale Lane, Guildford replaced a row of houses in ’65. The smaller Youth Center Annex was round the corner, in what used to be the old Territorial Army building, which eventually became the Bellerby Theatre.

    The very first dance was held at the venue on 16 October ’65 and featured the Primevals. In late ’69 the Guildford Arts Lab booked the venue for a series of gigs.

    Youth Centre, Guildford in. Picture courtesy of Ben’s Collectors Records

    The annex was to become the Arts Lab semi-permanent home where they often billed events as at the Wowie! Zowie! Fun Palace. On 22 November ’69, Heron headlined the opening night of Arts Lab’s events at the annex with Clive Young and Graham Clarke in support. The next week, electric folk band Trees performed, and the organisers were approached by the band’s roadies to see if they would book their band – the Arts Lab said no to the roadies, who were in Hawkwind Zoo. The last live act of ’69 was Dave Ambrose, supported by local group Jumble on 20 December.

    Bridget St. John opened ’70 with a show on 17 January at the annex. The Arts Lab’s house band, Poppa Ben Hook first Arts Lab gig was in the annex on 21 February ’70, supported by Bernie Roy. Briget St. John returned to the annex on 5 September ’70, followed by Formerly Fat Harry (with ex-Country Joe’s Bruce Barthol), Poppa Ben Hook, and Frendz, on 19 September. Folk duo, Young Stranger performed there on 26 September and the next month, on 23 October, Tir Na Nog took to the stage at the Youth Centre with Poppa Ben Hook and Band of Hope and Glory in support. The Lab closed out ’70 with another gig at the Youth Centre Gym headlined by Wishbone Ash on 19 December, with support by Band of Hope and Glory, and Chrysanthemum.

    Greenstone rehearsing on the 1st floor of the Youth Centre Annes in the early ’70s. Source: Adrian Haiselden via Guildford Town Past & Present

    In the late 60s / early 70s several bands used space in the annex to rehearse, including Greenstone, and Running Dry (with Sev Lewkowicz and Richard Ashworth). On 20 July ’80, Consenting Adults supported Disruptive Patterns at the Youth Centre.

    The venue also hosted folk concerts, and a number of jazz gigs here held at what was then the Bellerby Theatre in the mid ’80s. The Bellerby hosted Earthforce‘s final gig in November ’78; with the addition of members of the Oa Band, and supported by John Lathey.

    Torn down in 2014, Waitrose now sits on the site.

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  • Arts Lab, Guildford

    Arts Lab, Guildford

    (c’65-’71) The Guildford Arts Lab organized many events for poetry, music and the arts in general.

    Graham Clarke writes in the intro to ‘Five Whole Years’ that the first Arts Lab event of poetry and folk music, took place 26 October ’65 in a cellar behind The Plaza Ballroom, Guildford. In ’65/’66, Wounded John Scott Cree played a number of times in the cellar behind The Plaza, which was the original premises of what went on to become Guildford Arts Lab’s The Whole. Cree recalls going to Stratford on Avon to play that Summer and two young ladies approaching and asking if they had seen me at The Whole the previous week.

    ‘The Whole’ monica adopted by the Arts Lab crew for the events at The Plaza is all thanks to an article in The Surrey Advertiser titled ‘Poetry from a Hole in the Ground’ in early ’66, with an added ‘W’. By April ’66 they had vacated The Plaza and moved into Orphanage Hall, Guildford, then Boxers, the coffee shop under Tunsgate Arch. But the Arts Lab also organized events across Guildford.

    The “classic” Fairport Convention line-up of Denny, Thompson, Hutchings, Matthews, Nicol and Lamble played an Arts Lab benefit concert at the Civic Hall, Guildford in November ’68, with Bradford, their German Shepherd, on stage with them. Compered by John Peel, Fairport Convention were supported by Third Ear Band, Roy Harper, Bridget St John, Barclay James Harvest, Ron Geesin, and Tim Hollier. London based Helix appeared at The Stoke Hotel, Guildford on 22 December ’68, as part of a The Whole poetry and music event called “100 Watts of Ancient Sky” organized by the Arts Lab; that also featured performance by Clive Young, Al MacKenzie, Graham Clarke, Bob Thomas, and Nick Gray.

    22 December 1968: “100 Watts of Ancient Sky” at The Stoke Hotel. Picture courtesy of Fred Pipes

    Many may recall the student sit-in at Guildford Art School, but not everybody knows that there was a parade from The Stoke Hotel, Guildford to the school following the Arts Lab organized appearance of Kasbahn and Radha Krishna Chanters at the venue on 23 May ’69. At the invite of the Art Lab, The Stoke hosted a performance of electronic music the following week by members of Bristol’s Arts Lab the next week; which according to the review in The Surrey Ad sent the audience to the bar.

    22 November 1969: Poster desigfnand drawn by Fred Pipes for the Heron headlined event at Youth Centre, Guildford. Picture courtesy of Ben’s Collectors Records

    The first edition of The Art Labs newspaper, titled ‘Whole News’ was published on 12 October ’69. The Arts Lab found another semi-permanent home in the Youth Centre Annex, Guildford (aka Bellerby Theatre, Guildford) on Leapale Lane, where events were often billed as at the Wowie! Zowie! Fun Palace. On 22 November ’69, Heron headlined the opening night of Arts Lab’s events at the annex with Clive Young and Graham Clarke in support. The next week, electric folk band Trees performed, and the organisers were approached and turned down Hawkwind Zoo. The last live act of ’69 was Dave Ambrose, supported by local group Jumble on 20 December.

    Bridget St. John opened ’70 with a show on 17 January at the annex. By early ’70, Guildford Arts Lab’s house band was Poppa Ben Hook, with a first Arts Lab gig at the Youth Centre Annex, Guildford on 21 February ’70, supported by Bernie Roy. The Arts Lab continued with films and poetry readings in addition the live bands and was heavily involved in the Surrey Free Festival on 27/28 June ’70 at the University of Surrey, Guildford. Briget St. John returned to the annex on 5 September ’70, followed by Formerly Fat Harry (with ex-Country Joe’s Bruce Barthol), Poppa Ben Hook, and Frendz, on 19 September. The next month, on 23 October, Tir Na Nog took to the stage at the Youth Centre with Poppa Ben Hook and Band of Hope and Glory in support. The Arts Lab booked the University of Surrey’s University Hall, Stag Hill for a concert of five bands, on 7 November ’70, at which house band Poppa Ben Hook were in support again along with Marble Orchard, Exhibit ‘A’ and The Paranoids, for headliners Jelly Bread. The Lab closed out ’70 with another gig at the Youth Centre Gym headlined by Wishbone Ash on 19 December, with support by Band of Hope and Glory, and Chrysanthemum.

    21 February 1970: Short piece from Whole News No.8 promoting Poppa Ben Hooks, supported by Bernie Roy, at the Youth Centre Annex, Guildford.

    1971 would prove to be the last year for Guildford’s Arts Lab. On 5 February ’71 they lost money on a concert at the Civic Hall, Guildford with Clark-Hutchinson, Lindisfarne and local band Cage. English blues singer and guitarist Jo-Ann Kelly, along with John Ellis, appeared at the Youth Centre on 9 April ’71. A week later, on 16 April, John Martyn stood in the same spot to perform with friends, that included Al Stewart. After helping Pink Floyd finish ‘Atom Heart Mother’, Ron Geesin returned, gracing the Youth Centre on 23 April ’71, the last live music performance organized by Arts Lab.

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  • Cyanide Scenario

    Cyanide Scenario

    (c’85-’86) ? (vocals), Alex Cable (guitar), Martin Crook (bass), and Shaun Jackson (drums)

    This Camberley based anarcho-punk band formed in ’85. They recorded tracks at Matinee Music, Reading with engineering by Russel Raisey for a split LP in ’86, the flipside to carry material by Open Door, on the Mortarhate Record label. They originally laid down seven tracks, recording over that master with five new tracks. These were lifted from the master tape, remastered and released as the “Born to Die” EP on Inflammable Material [BURN027] in 2017. The 12″ EP was put together by Justin Broadrick of Godflesh with a new vocal track by Michelle ? for this recording.

    The band lasted into late ’86 before splitting. Guitarist Cable going on to form Internal Autonomy, Jackson would join The Visionaries, and Crook moved onto Slack Bladder.

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  • Stupid Rabbit Tapes

    Stupid Rabbit Tapes

    (c’79-93) This Church Crookham based label was started with a focus on DIY cassette releases for Tim Naylor projects: Controls and Beating Hearts; but started accepting demos and expanded its scope. This included adding another Naylor outfit, Sweet Hooligan, to the roster from ’92-’93.

    Controls Cassettes released by Stupid Rabbit Tapes. Source: Stupid Rabbit Tapes

    The Controls first release, the four track EP cassette: “Sock It To ‘Em Dave” [SRT001] came out in early ’80. The follow-up cassette LP, “Don’t Adjust the Controls”, was released on Stupid Rabbit Tapes [SRT002] in July ’80 having been recorded live on 21 June ’80. In ’81, “Late Night Love Songs” [SRT003] carried a further eight tracks from Controls and received a brief review in Sounds, which described it as having “…an awesome latent energy…”. By mid-’83 the labels catalogue included six cassette releases: an ’81 re-release of Controls “Dance” [XSRT003], ’82’s, three track cassette EP from Beating Hearts titled “Retrospective Jealousy” [SRT004], and the cassette LP “Love Beat Kid…On the Nod” [SRT005] that carried 20 tracks by Beating Hearts.

    A further live recorded cassette LP from Controls was released in ’84, titled “Searching for the Perfect Partner” [SRT006]. That same year Controls released a further four cassettes: “Dress Dance Demand and Desire” [SRT007], “I Didn’t Know You Were Leaving” [SRT008], “The God Thing” [SRT009], and the cassette single “Keep Me Here” [SRT010]. In December ’85, Controls played the Technical College, Farnborough and recorded the gig and released the live recording under the title “Let’s All Bark Like Labradors” on Stupid Rabbit Tapes in ’86. In ’89, following a five-month hiatus, Handsome Bastards marked their return with the release of a three tracks demo cassette EP, titled “The South is Rising” on Stupid Rabbit Tapes. To the best of our knowledge the Stupid Rabbit Tapes label released at least 17 cassette singles, EPs and LPs.

    Beating Hearts cassettes released by Stupid Rabbit Tapes. Source: Stupid Rabbit Tapes

    Keine Namen‘s “The Living Room Tapes” received a super limited release of 10 copies in September ’78; but was licensed by Stupid Rabbit Tapes for a reissued in 2012 on Year Zero Records [YEAR018]. The track ‘Hawaiian Stomp Pt.1’ receiving airtime on WFMU’s Undancing in the Dirt with Thomas Storck on 9 December 2012 and ‘(Shut Up) David’ on Radio Panik 105.4FM (show #316) in 2014.

    July 2020 saw the publication of Jerry Kranitz‘s 320-page book ‘Cassette Culture: Homemade Music and the Creative Spirit in the Pre-Internet Age’ by German Vinyl-on-Demand (VOD), in which Stupid Rabbit gets a splattering of mentions.

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  • Handsome Bastards

    Handsome Bastards

    (c’87-’90) Rich Handyside (guitar / vocals), Richard Jennings (drums) and Tim Naylor (bass / vocals).

    This Fleet based guitar-led pop trio were one of the regular ‘attractions’ at the Pamblewood Balls – black tie affairs for the well-heeled teens attending the likes of Salesian College and Farnborough Hill – with events at the likes of Officer’s Club, Aldershot, in the late 80’s.

    29 May 1989: Handsome Bastards played the Pamblewood Ball at the Civic Hall, Guildford. Picture courtesy of Tim Naylor

    On 29 May 1989, the band appeared at a Pamblewood Ball at the Civic Hall, Guildford along with Jim Jiminee and Go Go Amigos. Following this ball in ’89, the band took a five-month hiatus – cancelling a number of gigs – due to illness. They marked their return with the release of three tracks on “The South is Rising” demo cassette EP on Stupid Rabbit Tapes.

    Before Handsome Bastards, Naylor had been a member of Keine Namen and Controls; and would later team up with Jennings in Beating Hearts.

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  • Rock ‘N’ Roll Club, Crondall

    Rock ‘N’ Roll Club, Crondall

    (c’67-’22) The club started meeting in the first village hall in Crondall back in ’67, they also rocked out the now closed pub, the church rooms next door and the hall behind that.

    The Crondall Rock ‘N’ Roll club was “officially” established on 1 November ’76 and took up residence in the new Crondall Village Hall. They meet regularly for 54 years, and we know that The Cruisers performed on 8 December ’84; with Teds and Rockers continuing to gather at the club until 2022. The club’s organizers now run the Dynamite Club, which meets at various locations including the West Farnborough Social Club.

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  • FBI

    FBI

    (c’68-’69) Tom Chuter (guitar/harmonica) Albert Curry (vocals), David Jeatt (guitar), Dick Lampart (drums).

    This Farnborough band, after a gig at the NAAFI Club, Aldershot stopped off at the Liberal Club, Aldershot to watch Sound of Time, parking their van with all their gear in The Crimea, Aldershot‘s car park. Only to return later to find their van empty. They rushed out and bought cheap replacements and supported Sound of Time a few weeks later at Aldershot Library with others on 31 January ’69. They also played the 4A’s Youth Club in ’69.

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  • The Crimea, Aldershot

    The Crimea, Aldershot

    One of the few venues active in the 80’s and 90’s still hosting bands; with live music every Saturday and a weekly Open Mic Nite. Once a year The Crimea holds Crimea-Fest, an outdoor charity concert, with 8-10 bands every year.

    In ’69, Farnborough band, FBI stopped off at the Liberal Club to watch Sound of Time, parking their van with all their gear in The Crimea car park. Only to return later to find their van empty.

    Nikki Papas had a regular spot in ’87 and West One graced the ‘stage’ on 20 November that same year. In the early 90’s, The Crimea was boarded up and remained closed for just over three months following torrential rain and flooding, with the water rising to the top of the bar.

    The venue has been previously awarded Lemonrock’s “Venue of the Week”.

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  • The Midnight Cowboys

    The Midnight Cowboys

    (c’69-’70) Sid Smith (drums), Eric James (vocals / guitar), John Hannon (vocals / bass), and Bill Logan (guitar).

    Aldershot based country and western band. They are known to have played The Heron and The Excelsior Club, Aldershot. At some point Josephine ? joined The Midnight Cowboys on vocals and on occasion they were joined by Roy Pinkney.

    A line-up consisting of James, Jim Meghan?, and Lou ? reportedly played down the Dover Arms, Aldershot weekly.

    Meghan was once asked if he would play for The Hillsiders. Smith (2015), James (2002) and Hannon (January 2024) are all sadly no longer with us.

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  • Princes Hall, Aldershot

    Princes Hall, Aldershot

    Opened by its namesake HRH Prince Phillip, The Duke of Edinburgh on 22 May 1973; the Princes Hall, Aldershot is owned and managed by Rushmoor Council. It seats about 600 in the main auditorium, with additional function rooms; and sits on the corner of Wellington Avenue and Princes Way.

    While officially opened in ’73, the opening ‘gala concert’ at the hall, which was built on the site of the old Warburg Barracks, featured Kenny Ball & His Jazzmen in November ’72.

    5 March 1979: Martha Reeves and her Vandellas were at Princes Hall, Aldershot. Source: Pete Myles via Historic Military Aldershot

    On 5 March ’79, Martha Reeves and her Vandellas performed at Princes Hall. Late the next year, on 4 November ’80, The Mode supported Polaris. The Buzz Club moved their gig, with Terry & Gerry and Inspector Tuppence & The Sexy Firemen, to the Princes Hall on 16 February ’86, as heavy snow on the roof of the West End Centre, Aldershot deemed the club’s regular venue unsafe. Later that year, on 15 August the Ministry of Sound, supported by the newly formed Bluetrain and West One, took to the stage. Local promoters and bands would often hire the function rooms to put on gigs. On 17 September ’86 Java, with support from West One did just that; and West One were back on 8 November ’86; and Java, supported by Schutt, and Monterrez, returned on 10 April ’87. That same year Rick Wakeman played the main stage on 25 July. The next year, on 4 May ’88, West One were back yet again: this time competing in the Battle for the Limelight against Paper Moon, UxB, and Rising Signs. Just over two weeks later, on 21 May, Suzi Quattro rocked the hall. The next year, We Are Going to Eat You made an appearance on 3 May ’89.

    11 July 1991: Chapterhouse, supported by Thousand Yard Stare and Spitfire, played Princes Hall, Aldershot. Source: Chewtonia.com

    Refurbishment began in the late ’89, reopening in December 1990. Big Sun were managed by Sean Connor, who worked at Princes Hall, and one of their earliest gigs saw them step in for Railroad Earth at the venue on 1 May ’91 with Trousershock BC and Peachrazor in support. The security for a Chapterhouse gig with support by Thousand Yard Stare and Spitfire, on the evening of 11 July ’91, was provided by off-duty members of the Parachute Regiment. They decided that an indie audience were not going to give them any trouble and settled in the reception area for a chinwag and a quiet night. As a result, they failed to prevent a very enthusiastic, but good natured, stage invasion during one of the support bands sets. The red-faced Paras leant not to underestimate a bunch of indie youth, received a bollocking from the venue’s duty manager, and paid a bit more attention for the rest of the show. Later that year, Who Moved the Ground? were supported by Slug and another band on 6 November ’91. 18 months later, on 16 May ’93, Midge Ure’s band Electronica graced the main stage as did Steve Hackett, supported by Dave Gardner, on 2 June ’93. The final for Battle for the Limelight was hosted at Princes Hall on 18 May ’94 and featured Who Moved the Ground?, Strange World, Parmaviolet, Blind, Punching Judy, Redefining Beautiful, and eventual winners Headnoise. On 3 July ’95, J.C. Regulator played on the venue’s steps…

    3 July 1995: J.C. Regulator playing outside the Princes Hall, Aldershot. Picture courtesy of Bruno Bannerman

    Other musicians to have appeared at Princes Hall include Gene Pitney, Ivor Emmanuel, Billy Fury, Marty Wilde, Heinz, New World, Bobby Crush, The Fall, Charles Hawtrey, Kenny Ball, Syd Lawrence, Geno Washington, Jools Holland, Jane McDonald, Joe Brown, Val Doonican, Barbara Dickson, Des O’Connor, Alvin Stardust, The Hollies (fronted by Carl Wayne of The Move), Joan Armatrading and Katherine Jenkins.

    The venue is still open today, with a range of shows, events and their annual pantomime. 

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  1. Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.

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