Our Soundscene

For anyone who vaguely recalls the Woking / GU postcode area music scene.

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  • Cyanide Scenario

    Cyanide Scenario

    (c’85-’86) ? (vocals), Alex Cable (guitar), Martin Crook (bass), and Shaun Jackson (drums)

    This Camberley based anarcho-punk band formed in ’85. They recorded tracks at Matinee Music, Reading with engineering by Russel Raisey for a split LP in ’86, the flipside to carry material by Open Door, on the Mortarhate Record label. They originally laid down seven tracks, recording over that master with five new tracks. These were lifted from the master tape, remastered and released as the “Born to Die” EP on Inflammable Material [BURN027] in 2017. The 12″ EP was put together by Justin Broadrick of Godflesh with a new vocal track by Michelle ? for this recording.

    The band lasted into late ’86 before splitting. Guitarist Cable going on to form Internal Autonomy, Jackson would join The Visionaries, and Crook moved onto Slack Bladder.

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  • Stupid Rabbit Tapes

    Stupid Rabbit Tapes

    (c’79-93) This Church Crookham based label was started with a focus on DIY cassette releases for Tim Naylor projects: Controls and Beating Hearts; but started accepting demos and expanded its scope. This included adding another Naylor outfit, Sweet Hooligan, to the roster from ’92-’93.

    Controls Cassettes released by Stupid Rabbit Tapes. Source: Stupid Rabbit Tapes

    The Controls first release, the four track EP cassette: “Sock It To ‘Em Dave” [SRT001] came out in early ’80. The follow-up cassette LP, “Don’t Adjust the Controls”, was released on Stupid Rabbit Tapes [SRT002] in July ’80 having been recorded live on 21 June ’80. In ’81, “Late Night Love Songs” [SRT003] carried a further eight tracks from Controls and received a brief review in Sounds, which described it as having “…an awesome latent energy…”. By mid-’83 the labels catalogue included six cassette releases: an ’81 re-release of Controls “Dance” [XSRT003], ’82’s, three track cassette EP from Beating Hearts titled “Retrospective Jealousy” [SRT004], and the cassette LP “Love Beat Kid…On the Nod” [SRT005] that carried 20 tracks by Beating Hearts.

    A further live recorded cassette LP from Controls was released in ’84, titled “Searching for the Perfect Partner” [SRT006]. That same year Controls released a further four cassettes: “Dress Dance Demand and Desire” [SRT007], “I Didn’t Know You Were Leaving” [SRT008], “The God Thing” [SRT009], and the cassette single “Keep Me Here” [SRT010]. In December ’85, Controls played the Technical College, Farnborough and recorded the gig and released the live recording under the title “Let’s All Bark Like Labradors” on Stupid Rabbit Tapes in ’86. In ’89, following a five-month hiatus, Handsome Bastards marked their return with the release of a three tracks demo cassette EP, titled “The South is Rising” on Stupid Rabbit Tapes. To the best of our knowledge the Stupid Rabbit Tapes label released at least 17 cassette singles, EPs and LPs.

    Beating Hearts cassettes released by Stupid Rabbit Tapes. Source: Stupid Rabbit Tapes

    Keine Namen‘s “The Living Room Tapes” received a super limited release of 10 copies in September ’78; but was licensed by Stupid Rabbit Tapes for a reissued in 2012 on Year Zero Records [YEAR018]. The track ‘Hawaiian Stomp Pt.1’ receiving airtime on WFMU’s Undancing in the Dirt with Thomas Storck on 9 December 2012 and ‘(Shut Up) David’ on Radio Panik 105.4FM (show #316) in 2014.

    July 2020 saw the publication of Jerry Kranitz‘s 320-page book ‘Cassette Culture: Homemade Music and the Creative Spirit in the Pre-Internet Age’ by German Vinyl-on-Demand (VOD), in which Stupid Rabbit gets a splattering of mentions.

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  • Handsome Bastards

    Handsome Bastards

    (c’87-’90) Rich Handyside (guitar / vocals), Richard Jennings (drums) and Tim Naylor (bass / vocals).

    This Fleet based guitar-led pop trio were one of the regular ‘attractions’ at the Pamblewood Balls – black tie affairs for the well-heeled teens attending the likes of Salesian College and Farnborough Hill – with events at the likes of Officer’s Club, Aldershot, in the late 80’s.

    29 May 1989: Handsome Bastards played the Pamblewood Ball at the Civic Hall, Guildford. Picture courtesy of Tim Naylor

    On 29 May 1989, the band appeared at a Pamblewood Ball at the Civic Hall, Guildford along with Jim Jiminee and Go Go Amigos. Following this ball in ’89, the band took a five-month hiatus – cancelling a number of gigs – due to illness. They marked their return with the release of three tracks on “The South is Rising” demo cassette EP on Stupid Rabbit Tapes.

    Before Handsome Bastards, Naylor had been a member of Keine Namen and Controls; and would later team up with Jennings in Beating Hearts.

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  • Rock ‘N’ Roll Club, Crondall

    Rock ‘N’ Roll Club, Crondall

    (c’67-’22) The club started meeting in the first village hall in Crondall back in ’67, they also rocked out the now closed pub, the church rooms next door and the hall behind that.

    The Crondall Rock ‘N’ Roll club was “officially” established on 1 November ’76 and took up residence in the new Crondall Village Hall. They meet regularly for 54 years, and we know that The Cruisers performed on 8 December ’84; with Teds and Rockers continuing to gather at the club until 2022. The club’s organizers now run the Dynamite Club, which meets at various locations including the West Farnborough Social Club.

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  • FBI

    FBI

    (c’68-’69) Tom Chuter (guitar/harmonica) Albert Curry (vocals), David Jeatt (guitar), Dick Lampart (drums).

    This Farnborough band, after a gig at the NAAFI Club, Aldershot stopped off at the Liberal Club, Aldershot to watch Sound of Time, parking their van with all their gear in The Crimea, Aldershot‘s car park. Only to return later to find their van empty. They rushed out and bought cheap replacements and supported Sound of Time a few weeks later at Aldershot Library with others on 31 January ’69. They also played the 4A’s Youth Club in ’69.

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  • The Crimea, Aldershot

    The Crimea, Aldershot

    One of the few venues active in the 80’s and 90’s still hosting bands; with live music every Saturday and a weekly Open Mic Nite. Once a year The Crimea holds Crimea-Fest, an outdoor charity concert, with 8-10 bands every year.

    In ’69, Farnborough band, FBI stopped off at the Liberal Club to watch Sound of Time, parking their van with all their gear in The Crimea car park. Only to return later to find their van empty.

    Nikki Papas had a regular spot in ’87 and West One graced the ‘stage’ on 20 November that same year. In the early 90’s, The Crimea was boarded up and remained closed for just over three months following torrential rain and flooding, with the water rising to the top of the bar.

    The venue has been previously awarded Lemonrock’s “Venue of the Week”.

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  • The Midnight Cowboys

    The Midnight Cowboys

    (c’69-’70) Sid Smith (drums), Eric James (vocals / guitar), John Hannon (vocals / bass), and Bill Logan (guitar).

    Aldershot based country and western band. They are known to have played The Heron and The Excelsior Club, Aldershot. At some point Josephine ? joined The Midnight Cowboys on vocals and on occasion they were joined by Roy Pinkney.

    A line-up consisting of James, Jim Meghan?, and Lou ? reportedly played down the Dover Arms, Aldershot weekly.

    Meghan was once asked if he would play for The Hillsiders. Smith (2015), James (2002) and Hannon (January 2024) are all sadly no longer with us.

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  • Princes Hall, Aldershot

    Princes Hall, Aldershot

    Opened by its namesake HRH Prince Phillip, The Duke of Edinburgh on 22 May 1973; the Princes Hall, Aldershot is owned and managed by Rushmoor Council. It seats about 600 in the main auditorium, with additional function rooms; and sits on the corner of Wellington Avenue and Princes Way.

    While officially opened in ’73, the opening ‘gala concert’ at the hall, which was built on the site of the old Warburg Barracks, featured Kenny Ball & His Jazzmen in November ’72.

    5 March 1979: Martha Reeves and her Vandellas were at Princes Hall, Aldershot. Source: Pete Myles via Historic Military Aldershot

    On 5 March ’79, Martha Reeves and her Vandellas performed at Princes Hall. Late the next year, on 4 November ’80, The Mode supported Polaris. The Buzz Club moved their gig, with Terry & Gerry and Inspector Tuppence & The Sexy Firemen, to the Princes Hall on 16 February ’86, as heavy snow on the roof of the West End Centre, Aldershot deemed the club’s regular venue unsafe. Later that year, on 15 August the Ministry of Sound, supported by the newly formed Bluetrain and West One, took to the stage. Local promoters and bands would often hire the function rooms to put on gigs. On 17 September ’86 Java, with support from West One did just that; and West One were back on 8 November ’86; and Java, supported by Schutt, and Monterrez, returned on 10 April ’87. That same year Rick Wakeman played the main stage on 25 July. The next year, on 4 May ’88, West One were back yet again: this time competing in the Battle for the Limelight against Paper Moon, UxB, and Rising Signs. Just over two weeks later, on 21 May, Suzi Quattro rocked the hall. The next year, We Are Going to Eat You made an appearance on 3 May ’89.

    11 July 1991: Chapterhouse, supported by Thousand Yard Stare and Spitfire, played Princes Hall, Aldershot. Source: Chewtonia.com

    Refurbishment began in the late ’89, reopening in December 1990. Big Sun were managed by Sean Connor, who worked at Princes Hall, and one of their earliest gigs saw them step in for Railroad Earth at the venue on 1 May ’91 with Trousershock BC and Peachrazor in support. The security for a Chapterhouse gig with support by Thousand Yard Stare and Spitfire, on the evening of 11 July ’91, was provided by off-duty members of the Parachute Regiment. They decided that an indie audience were not going to give them any trouble and settled in the reception area for a chinwag and a quiet night. As a result, they failed to prevent a very enthusiastic, but good natured, stage invasion during one of the support bands sets. The red-faced Paras leant not to underestimate a bunch of indie youth, received a bollocking from the venue’s duty manager, and paid a bit more attention for the rest of the show. Later that year, Who Moved the Ground? were supported by Slug and another band on 6 November ’91. 18 months later, on 16 May ’93, Midge Ure’s band Electronica graced the main stage as did Steve Hackett, supported by Dave Gardner, on 2 June ’93. The final for Battle for the Limelight was hosted at Princes Hall on 18 May ’94 and featured Who Moved the Ground?, Strange World, Parmaviolet, Blind, Punching Judy, Redefining Beautiful, and eventual winners Headnoise. On 3 July ’95, J.C. Regulator played on the venue’s steps…

    3 July 1995: J.C. Regulator playing outside the Princes Hall, Aldershot. Picture courtesy of Bruno Bannerman

    Other musicians to have appeared at Princes Hall include Gene Pitney, Ivor Emmanuel, Billy Fury, Marty Wilde, Heinz, New World, Bobby Crush, The Fall, Charles Hawtrey, Kenny Ball, Syd Lawrence, Geno Washington, Jools Holland, Jane McDonald, Joe Brown, Val Doonican, Barbara Dickson, Des O’Connor, Alvin Stardust, The Hollies (fronted by Carl Wayne of The Move), Joan Armatrading and Katherine Jenkins.

    The venue is still open today, with a range of shows, events and their annual pantomime. 

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  • The Torpedoes

    The Torpedoes

    (c’77-80’s) Paul Trew (guitar/vocal), Martin Humphries (bass), Tim Huthert (drums), and Keith “Kipper” Ledgerwood (guitar).

    Huthert had previously played with Out of Order and Alan “Spike” Rawlings’ Quintet, and along with Ledgerwood, who had also been in Oddsox, they had both been in The Vandals. Meanwhile, Humphries had been in the Nobodies; while in parallel to The Torpedoes, Trew and Huthert were also in The Desotos.

    This Farnborough band performed Lou Reed, The Who, The Small Faces and other covers, appearing at the Wokingham Rock Club, and Agincourt Ballroom, Camberley. On 5 February ’80, The Torpedoes supported The Mode at The Tumbledown Dick, Farnborough and a couple of months later appeared at the Technical College, Farnborough in support of The Vulgar Bros. They also joined other local bands: Vixen, Lynx, The Vulgar Bros., Human Beings, Blue Unction, Roosta Boots, Larry Miller Band, Animal, and Magic Pictures to play the Stonehenge Festival in 1980. 

    Huthert went on to play with Thane and Specimen. Trew also joined Thane, White as White (and Twice as Dirty), and The Vulgar Bros. Both turned up in The Virgin Daze.

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  • The Mode

    The Mode

    (c’79-’81) Tony Brooks (vocal/guitar), Simon Sherwood (bass/vocal) and Tim Claydon (drums)

    This Farnborough / Sandhurst three piece were managed by Barry Thane and played The Tumbledown Dick, Farnborough regularly, including a support slot for The Vapors on 6 November ’79, and The Cambridge Hotel, Camberley.

    On 4 December ’79 the band headlined at The Tumbledown Dick, supported by Between Pictures, in the follow-up gig series for Gallagher’s, a Tuesday night new wave, mod, and punk club launched in October. The next year, on 5 February ’80, The Torpedoes supported the band at The Tumbledown Dick; then on 4 November ’80, The Mode supported Polaris at the Prince’s Hall, Aldershot.

    A demo cassette was released that carried the track “Spaceman” at some point in 1980. Claydon also played in The Vandals.

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One thought on “Home

  1. Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.

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