Our Soundscene

For anyone who vaguely recalls the Woking / GU postcode area music scene.

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  • Toulouse

    Toulouse

    (c’82-’84) Chris Murphy (guitar), Jason Tanner (guitar), Andy Morton (bass) and Andy Woodruff (drums).

    This four piece took their name from The Stranglers song ‘Goodbye Toulouse’ and did a cover of ‘Prince of the Streets’, as well as showing influence from XTC and The Police. The band put out a demo cassette carrying “Small Town” and “Casualty”. The band played The Cricketers, Westfield on 18 November or 12 December ’82 supported by XLR8. They returned to the venue on 10 February ’83, again with XLR8 in support.

    Morton’s bass ended up with Five O’Clock High‘s Michael Bailey.

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  • Mindwire

    Mindwire

    (c’94-04) Elijah Crawley (Vocals), Ali Morrow (Guitar), Matt Nice (Guitar), Ian Meek (Drums) and Sam Goodchild (bass)

    The five original members formed Bleed the Stone in Guildford sometime in ’94, but Goodchild was soon replaced by Jim Lee (bass). Later that year Morrow and Meek approached a busking Simon Morton on Guildford High Street to come and try out as singer for the band. After running through Pearl Jam’s ‘Animal’ an impressed ‘band’ ejected Crawley (although he was never officially told). In the spring of ’95 the band recorded its first demo the “Gin Palace EP” at Trinity Studios, Woking. Before the cassette was released the band changed name to Mindwire.

    As Mindwire they played all over Surrey, Hampshire and up into London; often at Splatch!, at Guildford’s Civic Hall and later Woking’s H.G. Wells Suite, or local festivals such as the Big Day at The Maltings, Farnham. During this time they supported the likes of Athlete, Straw, Abdoujaparov, Biffy Clyro, Oceansize, Hugh Cornwall, River, Jolt and Earthtone9. In ’95 Lee had the job of telling Morrow he was out of the band, the first of several changes over the coming years, that put Goodchild on vocals and guitar. ’96’s “Drown Me Out” demo featured re-recorded versions of “Touch the Other Side” and “Skullcap” from the “Gin Palace EP” along with “Dilemma” and “Ten Feet High”. The band were gigging in London more and more, including The Kings Head, Fulham; where a group of Americans walked in thinking Bush were playing thanks to the bands cover of “Machine Head”. Nice chose a vacation over a gig in late ’96 and was replaced by Mike Goodman (guitar), who was a teacher at Woking College and later, Guildford’s Academy of Contemporary Music.

    On 12 July ’97, Mindwire played the Ambient Green Picnic, Millmead Island, Guildford. A couple of months later at Mutley C’s Homegrown at The Agincourt, Camberley on 19 September Lacuna, Leith and Mindwire supported headliners Orphic Soop. In late ’97 and early ’98 Mindwire recorded tracks at studios in Liverpool and South Hill Park, Bracknell including “Daywaster”, “Overide”, “Stuck in Reverse”, “Antidote”, “Beales Kitchen” and “Finger”. In early ’98 the band released the ‘Mindwire’ demo cassette which carried four of the tracks recorded and was available from Heaven Sent Records, Guildford.

    Flyer from Barney Jeavons‘ 20 March ’98 gig at The Agincourt, Camberley Picture courtesy of The Surrey & NE Hampshire Music Scene

     As the bell tolled for The Blues Tavern, Heath End; Mindwire and Chesney Hawkes were among artists that played at the Save The Blues Tavern Festival on 18 January ’98. The band’s first London gig of the year saw them at The Half Moon, Putney, with Giant, on 3 March; then a string of home turf appearances at Agincourt, Camberley on 20 March with Jetpack, Floor, and Vex Red; Ice Cold Beer Company (I.C.B.C.), Woking the next night with Catching Flys and Puskas; Carpenters Arms, Camberley for an acoustic set on 26 March; and a support slot with Big Planet Love two days after at Tumbledown Dick, Farnborough. They were back at Carpenter’s Arms on 4 April with The Simon Bell Band. They were back in Liverpool on 6 April ’98 to finish off recording and lay down some newer tracks. Goodman however appeared to want to go a different direction and left on 4 May ’98. Mindwire were now a three-piece managed and produced by Redwood/Lazydog guitarist, Rob Blackham.

    On 17 July ’98, HG Wells Suite, Woking hosted Splatch! at which, the now 3-piece, Mindwire appeared with The Jellys, Jolt, and Jetpak. Later in ’98, the Acoustic Stage at the Ambient Green Picnic, Guildford in 1998 hosted the band sandwiched between Bloom and Dick Savage.

    After recording another demo of songs, including “Bottled Sunshine”, “Bed Head” and “Control” (which was included on the Farnborough Groove Vol 9) and a heap more gigs another member left. Meek broke the news in early 2001. This may have been after Bojanglez, Guildford’s last live music listing that featured Mindwire, Dolls Head, and No Mosquito on 8 March 2001. At Meek’s last gig former Skunk Anansie drummer Mark Richardson offered his services but touring commitments got in the way. Chris Hughes (Redwood/Lazydog drummer) joined the band instead. This refreshed 3-piece recorded “Pretty”, “Autopilot” and “Bentley”, which were videoed, at London’s Dublin Castle, and broadcast on MTV2. In early 2002 they supported Tetra Splendour and Biffy Clyro at the West End Centre, Aldershot. At the end of 2003, on 12 December, the band played the Dublin Castle, Camden.

    On 9 July ’04 Mindwire announced that they were calling it a day with a final gig at The West End Centre, on 21 July. Then on 5 March ’05 the band performed a reunion show at Farnborough’s Tumbledown Dick supporting Wherewithal and Without Grace; along with Lemonade Wage and Opus.

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  • Gitche Manitou

    Gitche Manitou

    (c’84) Simon George (?) and ?.

    Other than the name meaning “Great Spirit” in several Algonquian languages, little is known about this band established by ex-Screaming Lullabies vocalist George; although the band did eventually go on to became Savage Opera.

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  • Mark Wynter

    Mark Wynter

    (c’59-68) Terry Lewis (vocals).

    In July ’59 this 16-year old, Woking born, ex-church soprano (he’d performed in Canterbury Cathedral and the Royal Albert Hall), was to follow in fellow brylcreem boys, Cliff Richard and Billy Fury’s footsteps having been discovered by talent scout / manager Ray Mackender at a Peckham dance hall filling in for a band’s regular singer. In 1960 he first appeared as Mark Wynter at a charity bash in Cheshunt thrown by Cliff Richard, with his newly formed backing group, The Snowdrifts. The Snowdrifts lasted 3 months, but cabaret gigs in London, including at the Blue Angel in June, lead Wynter to his first Summer Season at Bournemouth for Harold Fielding and his first TV appearance in August.

    Wynter with manager Ray Mackender

    It was during these early successes Lewis changed his name to avoid confusion with Jerry Lewis, to Mark Wynter. He also signed to Decca in 1960, releasing 7 singles over the next 2 years. His debut, cover of The Safaris’ “Image Of A Girl”, peaked at #11. Starting in July ’60, he was bottom of the bill for Harold Fielding’s “2:30 Special” Summer season at the Pier Theatre, Bournemouth, looking up at Michael Cox, Dave Sampson, Cherry Wainer, Red Price, Marke Anthony and Cuddly Duddly. By the end of the year Wynter was second billing on the 23 date “Good Timing” package tour behind Jimmie Jones. This tour included Michael Cox & The Hunters, Brook Brothers, Dean Rogers & The Marauders, Janet Richmond, Kenny Lynch, and Johnny Wiltshire & The Trebletones and kicked off at East Ham’s Granada on 8 October ’60. That next year saw the release of the “The Warmth of Winter” LP, tours with Jimmy Jones and Gene Vincent, and being name NME’s Most Promising Newcomer, which he was presented by Connie Francis. The latter saw him appear at The NME 1960-61 Annual Poll-Winners’ All-Star Concert at Empire Pool, Wembley in the afternoon of 5 March ’61.

    5 March 1961: Ad for The NME 1960-61 Annual Poll-Winners’ All-Star Concert. Source: bradfordtimeline.co.uk

    Earlier in ’61, Wynter joined the “Jack Good’s Rock ‘n’ Trad Spectacular – 2nd Edition” package tour promoted by Larry Parnes, which Billy Fury headlined and included, along with Wynter: Tommy Bruce, Joe Brown, Nelson Keene, Duffy Power, The Four Kestrels, Johnny Gentle, Georgie Fame, The Valentine Girls, and the New Orleans Rockers. Did Wynter make it back from the NME event in Wembley to his scheduled appearance at De Montfort Hall, Leicester as part of this package tour – we don’t know. That same year, Wynter was entered as one of the UK contenders for the Eurovision Song Contest, with “Dream Girl”, but finished fourth behind The Allisons. Not to worry, he performed in America later that year and appeared on American Bandstand. The single that was released stateside flopped however.

    He also toured Australia in ’61 with Bobby Vee and The Everly Brothers, securing a 1 hour long TV special titled “Exclusively Yours”. He returned to the UK for Summer Seasons at Bournmouth and Southsea, plus Sunday Summer concerts with Shirley Bassey in Blackpool. Christmas ’61 saw him appear in Cole Porter’s “Aladdin”. Then, on 27 August ’61, he headlined ‘The Show of ’61’ at the Winter Gardens, Bournemouth, supported by John Leyton, Eden Kane, Mike Preston, and Red Price.

    On 1 July ’62 Wynter appeared at the Opera House, Blackpool supporting The Temperance Seven with Joan Regan, and The Southlanders. After Decca hesitated – due to the failure of “Angel Talk” – in renewing Wynter’s contract in ’62, he went to the Pye Records, thanks to A&R man Tony Hatch. It was at Pye he had his greatest success with his cover of Jimmy Clanton’s “Venus in Blue Jeans”. Starting at the Odeon, Guildford, on 30 September ’62, Wynter joined Larry Parnes’ 49 town, 2 shows a day in each, “The Mammoth Star Show of 1962” headlined by Billy Fury and featuring Marty Wilde, Karl Denver Trio, Joe Brown & The Bruvvers, Mike Sarne, Jimmy Justice, and Peter Jay & The Jaywalkers. And, like Cliff Richard, he started appearing in film musicals, the first being “Just for Fun” released in 1963.

    In 1963 PYE Records [NEP 24167] released the “Just For Fun” Soundtrack EP featuring Mark Wynter on the A-side and Joe Brown on the B-Side. Picture courtesy of Ben’s Collectors Records

    “Venus in Blue Jeans” had reached #4, producing his first silver disc. This was followed by “Go Away Little Girl” hitting #6. Subsequent release “Aladdin’s Lamp” failed to chart, while “Shy Girl” was Top 30. On 14 March ’63, Wynter was included in the line-up for BBC’s “Top of the Pops” at the Royal Albert Hall, London that reflected radio’s most popular programmes content. Pulling from the ‘Saturday Club’, ‘Easy Beat’, ‘Parade Of The Pops’, and ‘Go Man Go’ programmes, Wynter found himself alongside Helen Shapiro, Danny Williams, Craig Douglas, Clinton Ford, Vince Hill, Brian Poole & The Tremeloes, The Brook Brothers, Acker Bilk & His Pramount Jazz Band, Maureen Evans, Russ Sainty, Kenny Ball’s Jazzmen, The Karl Denver Trio, Bob Miller & The Millermen, and David Ede & The Rabin Band. Ten days later Wynter was back in London, at Empire Pool, Wembley for the Daily Express charity event in association with The Stars Organisation For Spastics along with Kenny Ball & His Jazzmen, Brook Brothers, Alma Cogan, Carol Deene, Adam Faith & The Roulettes, Julie Grant, Des Lane, Mike Sarne, Helen Shapiro, Marty Wilde, and Danny Williams.

    23 March 1964: Mark Wynter at Hippodrome, Birmingham. Source: www.bradfordtimeline.co.uk

    The George Cooper Organisation booked Wynter to appear at a series on four variety shows, starting on 1 April ’63 at the Empire, Newcastle that also featured: Joe Brown & His Bruvvers, Julie Grant, Toni & Margo, Des Lane, Jody & Holly, Al Paige, and Habbin & Day. The show also visited the Hippodrome, Birmingham (6 May), Theatre Royal, Nottingham (13), and Hippodrome, Manchester (20). The NME Poll Winners Concert was held at Empire Pool, Wembley on the afternoon of 21 April ’63 at which Wynter rubbed shoulders with The Beatles, The Brook Brothers, Cliff Richard & The Shadows, Gerry & The Pacemakers, Frank Ifield, Jet Harris & Tony Meehan, Joe Brown & The Bruvvers, Joe Loss & His Band, Kenny Ball & His Jazzmen, Mike Berry, and The Springfields. That evening Wynter performed again, at Granada, Dartford, on the first date in a seven city package tour that also took in Granada, Shrewsbury (22 April), Granada, Kettering (23), Granada, Maidstone (24), Granada, East Ham (25), Granada, Harrow (26), and Adelphi, Slough (27) with Joe Brown, Marty Wilde & The Wildcats, Rolf Harris & The Diggeroos, Duffy Power, and Julie Grant. Later in the year he was part of the Larry Parnes’ Summer Season at the Windmill Theatre, Great Yarmouth. Opening night was 14 June ’63 and Wynter was once again with Joe Brown & The Bruvvers and Rolf Harris, but also The Tornados, The Off-Keys, and Jody & Holly. On 4 August ’63, Wynter appeared at the Opera House, Blackpool as part of Harold Fielding’s “Sunday Night at the Blackpool Opera House” with Kenny Ball & His Jazzmen, Jet Harris & Tony Meehan, Susan Maughan, and Bob Miller & The Millermen. The following week, on 11 August, Fielding moved Wynter and Jet Harris & Tony Meehan to the Winter Gardens, Bournemouth, joining The Springfields, Jan & Kelly, The Hollies, and The Eric Delaney Band there. Wynter visited the Opera House, Blackpool again on 15 September ’63, again for Fielding’s “Sunday Night at the Blackpool Opera House”, this time as second to headliner Vera Lynne.

    On 16 March 1964, Wynter was introduced to the Empire, Liverpool audience to perform his latest ‘hit’ “The Boy You’re Kissing” as part of a package with the Dave Clark Five headlining and Susan Maughan, Dave Nelson, McAndrews & Mills, and George Meaton supporting along with Wynter. The same package appeared at the Hippodrome, Birmingham a week later, on 23 March ’64. Six days later Wynter embarked on a 43 date package tour, again with the Dave Clark Five, but also The Hollies, The Kinks, The Mojos and The Trebletones. It kicked off on 29 March ’64 at the Theatre, Coventry, followed by 42 dates zig-zagging across the country: Futurist, Scarborough (30); De Montfort Hall, Leicester (31); ABC, Cleethorpes (1 April); ABC, Carlisle (2); City Hall, Newcastle (3); City Hall, Sheffield (4); Gaumont, Bradford (5); Granada, Woolwich (6); ABC, Gloucester (7); Granada, Tooting (8); ABC, Cambridge (9); Granada, Bedford (10); Theatre Royal, Norwich (11); Embassy, Peterborough (12); ABC, Dover (14); ABC, Romford (15); Odeon, Chelmsford (16); ABC, Lincoln (17); Apollo, Manchester (18); a date close to home at Odeon, Guildford (19); Gaumont, Doncaster (21); Granada, Mansfeld (22); Granada, Shrewsbury (23); Capital, Cardiff (24); Winter Gardens, Bournmouth (25); Hippodrome, Brighton (26); ABC, Northampton (28); Gaumont, Wolverhampton (29); Gaumont, Taunton (30); Gaumont, Souhampton (1 May); Astoria, Finsbury Park (2); Odeon, Lewisham (3); ABC, Hull (5); ABC, Huddersfield (6); Globe, Stockton (7); Gaumont, Hanley (8); Gaumont, Derby (9); Odeon, Walthamstow (10); Odeon, Southend (11); Colston Hall, Bristol (12); Granada, Harrow (13) and finally Granada, Kingston (14).

    Larry Parnes presented The Sunday Extra Special from 21 June to 13 September ’64 and he booked Wynter to perform at ten of those Sunday specials at Britannia Pier Theatre, Great Yarmouth. Wynter was backed by Woking’s The Plebs, who’d been introduced to Parnes by Kingston upon Thames’ Celler Club owner Hugh O’Donnell, who were also the opening act, and appeared alongside The Applejacks, The Karl Denver Trio, The Gamblers and The Cresters on the first Sunday. The following Sunday, 28 June, The Mojos replaced The Applejacks, as they did on 5, 12 and 19 July. Gene Vincent joined the show on 26 July. A Sunday off for Wynter on 2 August, who returned on 9 August, joining forces with The Karl Denver Trio, Vincent, The Gamblers and The Crestors. Wynter remained with the show for a further three Sundays, the 16, 23, and 30 August. In the middle of The Sunday Extra special Wynter joined Lonnie Donegan & His Group for a two weeklong booking at the Hippdrome, Brighton starting on 6 July ’64, along with The Two Peters, Don Arrol, The Kestrels, Joe Church, Barbour & Billie, and the Hippodrome Orchestra led by Sydney Sharpe. Wynter then stayed in Brighton to support Winifred Atwell for six nights of twice-nightly performances, starting on 20 July ’64. He spent the ’64/’65 pantomime season in Southampton, appearing in Mother Goose. That New Years Eve, Wynter helped in the New Year by appearing on the ‘New Year Revels’ radio show with Georgie Fame, The Migil Five, The Viscounts, and Seekers.

    Wynter gets profiled in “My Home Town by 10-year old David Male in Dandy, Sept 16th, 1964

    Wynter’s record sales declined in the mid ’60s and singles like “Can I Get To Know You Better” and ’66’s “Before Your Time” failed to reverse the decline. In the early 70’s he went into acting playing the lead in “Conduct Unbecoming” at the Queen’s Theatre in London, and in Australia. He appeared with Julia McKenzie in “On the Twentieth Century”, and in “Charley’s Aunt”. He also starred in “Side By Side By Sondheim” in Toronto, in Chichester, and on the UK tour. In the 1982 Chichester Festival season he acted in several plays including “On The Rocks” and “Henry V”, and also sang in “Valmouth”. During the ’80s he played the King in “The King and I”, the title roles in “Hans Andersen” and “Barnum” and “Charlie Girl” in ’86 and the part of Robert Browning in “Robert and Elizabeth”. The ’90s saw Wynter doing two years in “Cats”, and also time as the Phantom and M. Andre in “The Phantom of the Opera”. In 1994 he created the role of Van Helsing in the studio recording of the opera/musical “Nosferatu” by Bernard J. Taylor and four years later starred as Vittorio in “Sweet Charity”. He also presented on BBC Radio 2 in the ’90s, including New York Radio Award nominated documentary “Happy Times” about Danny Kaye.

    In 2000 Castle Communications released “Go Away Little Girl: The Pye Anthology” compiling Wynter’s complete output for the Pye label. In 2017, Wynter went on a UK tour with The Solid Gold Rock’n’Roll Show, which also featured Eden Kane, Marty Wilde and Mike Berry. He now lives in Sussex, and tours the country with an Agatha Christie Theatre Company.

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  • Public Warning

    Public Warning

    (c’88-89) Paul Huggett (guitar / vocals), Jeremy Ramsay (guitar / backing vocals), Simon Hazeldon (drums), and Mike Veness (bass).

    Woking based four-piece band. Huggett later went solo as Billy Liberator and would be joined by Veness in Forrest & The Choppers.

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  • Parallel Motion

    Parallel Motion

    (c’83-’84) Roger Burlinson (drums), Joe Becket (percussion) Gavin George (bass), Dave Goodes (guitar) Luke Baldry (keyboards) and Anna-Lucy Torjussen (vocals).

    This Guildford based jazz funk combo, who had a friendly rivalry with Flow Motion, first appeared on the scene around Christmas ’83. In mid ’84 they released a demo of original material.

    George would later turn up in Sammy Rats Big Big Blues Band and then The Ant Hill Mob. Torjussen went on to perform with Lax Lifetime leaving the funk band in early ’88 after which it was rumored that she joined a reforming Dance Factor.

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  • Pretty Green

    Pretty Green

    (c’91-’94) Nick Abbnett (bass), Simon Beagley (vocals), Martin Fowler (drums), and Matthew Pritchard (guitar).

    From late in ’91, Fleet based, Pretty Green gigged up to two or three times a week. Along with E.B. and The System the band opened for Mega City Four at Basingstoke Sports Centre on 4 December ’91.

    1 February 1992

    On the 1 February ’92 the band appeared as part of a Buzz Club local bands night that also featured the Ha Ha Men, The River Thieves, and Peachrazor of the West End Centre, Aldershot‘s stage. Four days later, on 5 February ’92, Pretty Green found themselves gigging again, this time supporting Mega City Four, along with Big Boy Tomato and Phobia, at the University of Surrey’s Main Hall. Ten days after that Mega City Four’s tour had reached the Technical College, Farnborough with Phobia, Big Boy Tomato, and Pretty Green still in support. On 19 April ’92 the band were down at The Royal Oak, Passfield, the following night they played the Student Union Bar at Farnborough Tech.

    This was the year that this Fleet band’s “Call” and “Small Town Scene” appeared on Snakebite City [BLU03]. That same year “Deception” appeared on the second of the Farnborough Groove compilation series, Son of Farnborough Groove. Pretty Green, along with Peachrazor and Backlash, played the The Fox & Hounds, Fleet on 4 September ’92 and a trip into ‘town’ for ‘Farnborough Goes To London’, organized by local impresario Pete Cole, saw the band sharing the Bull & Gate, Kentish Town spotlight with Who Moved The Ground? and Peachrazor on 2 December ’92 at the pub’s Butterfly Evolution Club night.

    The band kicked off ’93 with an appearance at The Buzz Club, West End Centre, Aldershot on 16 January with Preachrazer, Pomeroy, Phobia and Backlash for the Snakebite City Launch organized by Paul Talling. The Cricketers, Westfield hosted the post-punk indie rock n’ roll triumvirate of Backlash, with Pretty Green and Peachrazor in support on 19 March ’93. They then returned to The Buzz Club for another local bands night on 3 April ’93, this time with Flowers of Sacrifice, Peachrazor and Backlash. Later that year “Small Town Scene” was published again, this time on Return of Farnborough Groove Vol.3. Bluefire Records got then back in ’94 for Snakebite City Two with “The Wrong Conclusion”.

    The band eventually fractured into two, forming The Hairy Things and Skipper. Then in January 2016, Pretty Green’s track “Small Town Scene” appeared on the limited edition (500 were pressed) Record Collector Magazine’s Rare Vinyl – Modern Collectables 3 [RCLPO18], forming the basis for the compilations name: ‘Small Town Scenery, Lost Indie Gems 1985-1995’.

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  • Titus Newt

    Titus Newt

    (c’84) Julian Bohling (bass), Grant Fisher (guitar), Zachery Douglas (guitar / vocals) and ? (drums).

    This Pyrford band won Soundscene’s ‘Most Hilarious Band Name of The Year So Far’ award and gigged at least once at Bishop David Brown School, Sheerwater, covering Status Quo, The Jam, and The Beatles.

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  • Explodehead

    Explodehead

    (c’87-’91) Stu Heather (vocals), John Edwards (keyboards), Rob Le Breton (bass), Darren “Paddy” Thorpe (drums), H. Sojourner (guitar).

    This Farnborough five piece gigged with Trousershock B.C. a couple of times and featured at Farnborough College of Technology‘s “Freakscene” [makes me think of Dinosaur Jr. – Ed.] in ’89. In February that same year the band appeared at The Adelphi, Hull; this was before Sojourner replaced Dan McBride on guitar. The band would call The George, Ash Vale home appearing there many times including on 28 December ’89. Edwards left in early 1990, while Explodehead continued as a four-piece. On the 28 September ’90 the Flowers of Sacrifice’s first gig was supporting Explodehead at The George.

    They recorded the lauded “Play Loud!” 3 track (“Hypnotic Rock”, “The Killing Shed” and “Slide”) cassette demo EP at hometown Fat Rat Studios, and play loud was jolly good advice! “Slide”, the third track from this demo, also appeared on Farnborough Groove Vol.1 in 1991.

    The George hosted Explodehead on 16 January ’91. A couple of weeks later on the 2 February ’91 the band supported Slug at Farnborough Tech’s Student Union Bar and the following Saturday, 9 February, appeared at The Four Horseshoes, Camberley, closing out the month back at The George on 20 February.

    On leaving Explodehead Edwards got together with Heather and formed Electric Icecream Productions; he also pulled together Girls on Dextrose. Le Breton, who’d previously been in The Gotham City Blues Breakers went on to join The Landings, but is sadly no longer with us. Edwards is in The Landings now. Thorpe replaced Shaun Jackson on Peachrazor‘s drums in ’91 and Heather took on the band’s vocals.

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  • The Desotos

    The Desotos

    (c’78-’79) Alan “Spike” Rawlings (vocals / guitar), Tim Huthert (drums), Paul Trew (bass), and Neil Fitch (guitar).

    The Desotos on stage at Technical College, Farnborough in 1979. Picture courtesy of Paul Trew

    This Farnborough band played a gig or two at the Technical College, Farnborough and had the odd appearance in the Woking area. After Phil Longden (keyboards), ex-Thane, joined they rebranded as The Virgin Daze.

    Huthert went on to play with Thane and Specimen. Rawlings joined Cowboys International, Spelt Like This, Virgin Daze and Penetration; as well as getting a ‘thanks’ on Pauline Murray and The Invisible Girls “Searching for Heaven” single. Fitch was also in Thane, as well as The Wasp Factory. Longden and Trew also joined Thane, White As White (and Twice as Dirty), and The Vulgar Bros.

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One thought on “Home

  1. Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.

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