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  • Jacobs, Farnham

    Jacobs, Farnham

    Jacobs was owned by Andy – who’d had a nascent music career in the late ’60s – and Fran Fernbach. They had previously had a 16-track studio called Vivatone in their home, and this was a distinct upgrade. Jacobs had two main studios, The Pool Room and The Court Room, and other recording spaces. It ran for almost 30 years – from January 1980 through to 2006 – out of the old Georgian farmhouse called Ridgeway House, which sat on Runwick Lane, Farnham. The house, with 37-rooms that covered over 9,000sq ft, once belonged to Sir John Verney, who apart from being ex-Special Boat Service, a children and young adult book author, also helped found The Farnham Trust that secured some of the funding to rebuild and launch The Maltings, Farnham.

    Studio 2

    Jacob’s Studio, purportedly named for the Jacob sheep, has an impressive list of credits that includes “The Queen is Dead” by The Smiths, “Woman in Red” by Stevie Wonder, and “Pablo Honey” by Radiohead. It was also the venue for a numerous of shenanigans. One band frontman drove a lawn tractor into the studio’s swimming pool after taking it for a spin along the A31; and one keyboardist was discovered with a dinghy in the same pool after a few drinks. Reportedly, in 1985, The Smiths considered using Rick Parfitt on “The Queen is Dead”, when the two bands were both recording at Jacobs; an alternative version of the tale has Parfitt stumbling into The Smiths’ session and sitting down for a bit of a rest. Another story has Johnny Marr trying to steal The Smiths master tapes early one morning.

    The Meteors at Jacobs Studio in 1982. LtoR: Paul Fenech, Glen and Mick White.

    In ’82 to ’83, a teenage Mark “Spike” Stent was the studio’s assistant, where he got his first experience as an engineer before moving on; ultimately working with Massive Attack, Bjork, Madonna, U2, Keane, Oasis, and more recently Miley Cyrus, and on releases that have secured nine Grammys to date. Stent may have got to work on tracks with The Meteors, who were in the studio in ’82. In 1984 the Court Room studio was reconstructed.

    The Court Room Studio at Jacobs in 1984

    Critically acclaimed sound engineer, Mark Saunders recalls sessions at Jacobs Studios for The Cameleon’s third LP ‘Strange Times’ in ’85 being fun in his autobiographical blog. He was hired by producer Dave Allen, who turned up at the residential studio on day one with a trunk of mixed alcoholic beverages, to engineer the sound! Saunders also recalls Jacobs’ assistant engineer Beki, who a few of the boys had crushes on – causing a little friction between The Cameleon’s’ Reg Smithies and Mark Burgess. She even gets a lyrical reference in ‘Caution’. The other assistant engineer at the time, Paul Corkett, wasn’t so fancied. Geffen A&R man, Tom Zutaut, flew in from LA for a listen at the end of the sessions, who loved it, with a caveat…

    The majority of The Chameleons “Strange Times” was recorded at Jacobs in 1985.

    In mid ’85 the studio upgraded to 32-track equipment, installing a Mitsubishi X850, 32-track plus X80, both with razorblade and electronic editing, and an SSL 4000 Series console with total recall in The Pool Studio (formerly Studio 1). Studio 2, which was renamed The Court Studio, featured 23/48 analogue with Adam Smith synchronizer and Otari MTR 90 recorders, and the SSL 6000 console with primary computer.

    It was also the studio where Nigel Kennedy arrived to do a Primal Scream session, and promptly left because no one could wake the band up. In late 2002, local promotor and now Kickarts founder Barney Jeavons, along with Reuben, used a day of recording time, gifted by Andy Fernbach in return for a photograph of the band in the pool in Jacobs studio’s grounds, to record the single version of ‘Let’s Stop Hanging Out’. This was mixed by Paul Tipler and may have been re-recorded at some point.

    Rueben in Jacob’s pool

    In 2005 Ian Gillan took up residence for a week with a raft of session musicians, and Sim Jones from local folk rock duo Kindred Spirit after Gillan had heard him playing Hendrix on the violin at the now closed local pub The Bull, Bentley. Jones played on “Smoke”, cutting his section in one take. The studio closed in the Summer of 2006, but as late as 2019 the hallways were still lined with gold discs.

    Ultimately, this studio, recorded over 750 singles, EPs and Albums by 23 Skidoo, 3hird Light, ABC, Agent Blue, Alien Sex Fiend, Amplifier, Andrea Black, Andy Fernbach (yes, the guy who owned the studio), Anne Clark, Annette Peacock, Anti-Nowhere League, Apes Pigs And Spacemen, Artery, Au Pairs, b.l.o.w., Babybird, Ballard and Walsh, Battle, Bennet, Bernie Tormé, Big Sun, Billie Ray Martin, Billy Rankin, Black Michael’s Gang, Bloc Party, Boris Gardiner, Bosé, Brainstorm, Bruce Woolley, Bryan Adams, Bush Tetras, C.C. Sager, Capercaillie, Caryl A’R Band, Cay, Charlatans, Clock DVA, Cocteau Twins, Colin Thurston, Covenant, Crazy Gods Of Endless Noise, Cube, Daniel Beddingfield, David Bowie, David Knopfler, David Palmer, De Blanc, Deacon Blue, Death In June, Deep Sea Jivers, Def Leppard, Delta Saxophone Quartet, Diana Burta, Dubh Chapter, Easyworld, Echo and The Bunnymen, Elviss, Embrace, Engineers, Enigma, English Subtitles, Ensemble Bash, Faultline, Feelabeelia, Fightstar, Fischer-Z, Five Star, Foreign Bodies, Forrester, Galliano, Gang of Four, Gary Brooker, Gary Hughes, Genesis, P-Orridge, Geraint Jarman, Geraint Jarman A’r Cynganeddwyr, Gerard Presencer, Goldie, Graham Fitkin, Greg Walsh, Haircut One Hundred, Halo, Harriet, Hear’Say, Heartland, Herb Miler Orchestra, High Society, Hope Of The States, Humble Pie, IQ, I’m So Hollow, Iain Archer, Ian Brown, Ian Gillan, Icebreaker, Idlewild, Indochine, Inspiral Carpets, Isabelle Antena, It Bites, Jadis, Jhelisa, Joe Jackson, John Harle Band, Kai Yoshihiro, Kansas, Kate Yanai, Kevin Roland, KUBB, La Crus, La L00ra, Lemon Kittens, Les Désaxés, Levellers, Linda Lewis, Little Angels, Lovely Previn, Lowgold, Malaria!, Mammoth, Mansun, Marc Almond, Marc And The Mambas, Matt Bianco, Mega City Four, Miguel Bosè, Milburn, Mobiles, Modern English, N-Tyce, Napalm Death, Natalie Imbruglia, Nazareth, Negrocan, Nicolette, Nigel Watson, Nils Lofgren, No-Man, Noisettes, Oceansize, One Nation, Optimum Wound, Orb, Profile, Páll Óskar, Papa Brittle, Paradise Lost, Passion Fodder, Patti Palladin, Paul Weller, Pavarotti, Peter Green, Peter Green Splinter Group, Peter Murphy, Pigbag, Pink Grease, Placebo, Police, Pooka, Primal Scream, Psychic TV, Pulp, Quincey Jones Productions, R.E.M., Ragga and The Jack Magic Orchestra, Red White & Pheonix, Rick Wakeman, Robbie Williams…

    Robbie Williams at Jacob Studios

    …Robert Gorl, Robert Hart, Robert Plant, Robyn Loau, Roger Chapman & The Shortlist, Rowan Keith & Rooney, S Club 7, Samuel Eddy, Scorpion Wind, Shakatak, Sean Tyla, Sex Gang Children, Sheila Walsh, Skin Games, Skyclad, Slade, Smokie, Snowy White, Snowy White & The White Flames, Soothsayers, Space Monkeys, Squeeze, Squire, Status Quo, Steel Pulse, Steve Brown, Strangers And Brothers, Strangelove, Stress, Terraplane, Test Dept., The Bai Bang, The Big Dish, The Bloods, The Bongos, The Box, The Business, The Capes, The Chills, The Cooper Temple Clause, The Conway Story, The Cult, The Cure, The D4, The Damned, The Datsuns, The Defects, The Force, The Heart Throbs, The Jackie Lynton Band, The Koreans, The London Symphony Orchestra, The Marbles, The Mike Flowers Pops, The Mission, The Music, The Mutts, The Orb, The Park, The Polka Dots, The Promise Ring, The Rakes, The RC Succession, The Royal Philharmonic Orchestra, The Stranglers, The Supernaturals, The Troggs, The Verve, The Webb Brothers, The Wedding Present, The Wildhearts, The Wolfmen, Theo Travis, Therapy?, These Animal Men, Think Twice, This Picture, Thunder, Time In Motion, Thompson Twins, Toba, Tokyo Offshore Project, Toranaga, Tori Amos, Tuxedomoon, Twelfth Night, U.K. Subs, U2, Uriah Heep, Vega4, Venom, Von Magnet, Vox Pop, Whipped Cream, Wild Life, Wise Guys, Сегодня Ночью, Xutos & Pontapés, Xymox, Ευριδίκη*, Γιώργος Θεοφάνους, くるり*, and יהודה פוליקר among others. 

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  • Sweetlife

    Sweetlife

    (c’90-91) Darren Robinson (vocals / guitar), Malcom Smith (guitar / backing vocals), Billy Adam (bass / backing vocals), John Piccirillo (drums).

    Robinson had been the bassist in Month of Sundays before forming this Woking area band with Smith, Adam, and Piccirillo. Paul Dreczko auditioned to join Sweetlife but didn’t join the band. They recorded the “Because Of Love” 6-track cassette EP across the Spring and Summer of ’91 at The House in the Woods Studio, Bletchingley with Neil Harrison providing additional guitar on “Cry” and Peter Jennings additional keyboards.

    In ’94 the four band members re-emerged as Tamberlaine. Robinson was most recently seen in The Sha La La’s.

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  • Straightshooter

    Straightshooter

    (c’77-80) Chris Benyon (bass), Pete Luck (vocals), Dominic O’Riley (guitar), and Carl Schieder (drums).

    Formed by ex-Salesian College students as Stealer, changing the band name after their first gig, in late ’77, this Farnborough played the local venues such as the Town Hall, Farnborough (supported by Midnight Circus), Fleet Country Club (supported by Zenith), and Agincourt, Camberley during their tenure.

    17 December 1977: Straightshooter, Eclipse, and Midnight Circus at Agincourt. Source: Dominic O’Riley via Farnborough (Hants) Nostalgia

    On 23 April 1977, for the princely sum of 40p, you could have heard Straightshooter play at the Queen of Heaven Church Hall, Frimley. Mervin George organized the Charity Rock Christmas ’77’ event at the Agincourt on 17 December ’77 and booked Straightshooter to headline with Eclipse and Midnight Circus in support. Monday nights were the rock nights at the Tumbledown Dick, Farnborough, and it was a Monday that Straightshooter appeared at Tumbledown in ’78. Late in ’78 the band split, reforming in early ’79 with Tony Ecclestone (bass) and Mike O’Riley (drums) joining; influenced by Elvis Costello.

    Straightshooter at Tumbledown Dick in 1978. Source: Tony Ecclestone‎ via Farnborough (Hants) Nostalgia.

    The band returned to the Tumbledown Dick on 12 March ’79. Later in ’79, they released one 7″ single, the eponymous “Straightshooter” backed by “She’s So Fine” on the Strolling Bone label [SB 001]. This had been recorded at Airport Studios on 20 April ’79 and was sold in Star Records, opposite Tumbledown Dick. They also entered the Melody Maker band contest held at the University of Surrey, Guildford in May ’79.

    We do know that Colin Rae was a member at some point, performing with the band at Agincourt, Camberley. O’Riley went on to join Blind Date.

    2010’s re-release of Straightshooter’s ‘Straightshooter’

    In 2010 the New York based Sing Sing label re-released the 7″ single. Then O’Riley and Ecclestone got the band back together in 2012, shortening the name to Shooter, publishing several e-releases and an e-album: “Recycled Teenagers”; and playing gigs until 2016. In 2017 the B-side of their single “She’s So Fine” was included on “Gary Crowley’s Punk and New Wave” compilation.

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  • Serious Plankton

    Serious Plankton

    (c’92-’95) Andy Horstead (bass), Chris Carter (vocals) Ian Merrick (guitar), and Matt French (drums).

    This Aldershot / Camberley band first noted appearance was at The George, Ash Vale supporting Nuss on 2 September ’92. Prior to Serious Plankton, Merrick had been in The Activities, then The Charles along with Carter, who had also been in Panzer Korps, and Lethal Dose. A few months after this initial appearance they competed in The White Hart, Frimley’s Battle of the Bands on 3 December ’92, against Sideways – It is unknown at this time if they won that bout.

    Peachrazor supported headliners Serious Plankton on 19 June ’93 at Camberley Town Football Club. The next month, on 23 July, Pomeroy headlined at the same venue with Serious Plankton in support. The band were at Critical Club, West End Centre, Aldershot on 22 October ’93 with Redefining Beautiful and Who Moved The Ground?. This resulted in the inclusion of “D-O-P-E-N-E-G” on the ‘The Critical List – Live at West End Centre, Aldershot” compilation cassette on Penny Black Productions [PBV001]; along with Shine, Faceache, Sweet Hooligan, Danger Mice, Flyagaric, Backlash, and Radical Dance Faction, in late ’93.

    Serious Plankton’s “Three From Five On Four” demo cassette from ’93. Picture courtesy of Sid Stovold

    They released the “Three from Five on Four” demo cassette in ’93, which was recorded at The Workhouse Rehearsal Studios, Aldershot; and engineered / mixed by Mega City Four‘s Gerry Bryant. On 10 September ’94 the band were part of an all-day event at The Wheatsheaf, Aldershot with Toys in the Attic and Skipper. Guilfin presented them as support to Kava Kava – who had just released the “You Can Live Here” LP – on 10 May ’95 at a Guilfin benefit gig held at Aitch’s, Godalming. In July that same year they played their last ever gig at The White Hart, Frimley, going on before Sons of Selina who reportedly left with all the money.

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  • Thieves of Dreams

    Thieves of Dreams

    (c’90-’97) Rodney Shack (vocals / guitar), Ian Bridgeman (guitar), Nigel Morley (vocals / bass) and Mark Ellis (drums).

    Thieves of Dreams at an unknown location. Picture courtesy of TOD Thieves of Dreams

    This Aldershot 4-piece, who were sometimes referred to as T.O.D or TOD, may have derived their name from the line ‘Play our music for the thieves of dreams” from Reluctant Stereotypes’ track “M.O.D.”. Ellis left in late ’90 to travel the world and was replaced by Simon Moore.

    18 May 1991: Who Moved the Ground? supported by Thieves of Dreams appeared at The Four Horseshoes, Camberley. Source: TOD Thieves of Dreams

    Our first recorded gig for the band is a support slot for Who Moved The Ground? at The Four Horseshoes, Camberley on 18 May ’91, which reportedly went down well with supporters of both. The Army & Navy, Aldershot was the bands home venue throughout ’91, hosting the band on the 16 and 30 June, and 14 July ’91. They ventured out to The Iron Duke, Crowthorne on 20 July and then, with Blue Velvet, hit The George, Ash Vale on 21 July; returning to The Army & Navy on 28 July. Only one appearance in the following month, again at Army & Navy, on 18 August ’91. Teaming up with Pretty Green on 22 September, TOD were back at The George, Ash Vale. The following week they returned to their home venue on 29 September. On 11 October the band traveled up to The Cleveland Hotel, London to perform at The Mojo Club. Thieves of Dreams and Blue Velvet were then at Army & Navy on 13 October and The Fighting Cocks, Bagshot on 9 November ’91; with the Thieves stealing the show at Dover Castle, London six days later, on 15 November ’91. By late ’91 Ellis had returned and rejoined the band. That same month, on 22 November ’91, they supported Who Moved the Ground? again, this time at Farnham Art College. In November ’91 they released the 4-track demo cassette “Florence Ain’t No Nightingale!”. This was recorded at Ghost Studios, Send and carried “Children of The Night”, “Smiling Game”, “Am I Happy Now?”, and “Shelter”. TOD recorded a further two demos at Ghost, including “We Were in Love”. “Florence Ain’t No Nightingale!” sold out within a fortnight, putting the band at the No.2 spot on County Sounds radio’s local artist chart.

    Thieves of Dreams “Florence Aint No Nightingale!” Cassette demo inlay. Picture courtesy of Sid Stovold

    TOD continued to gig once or twice a month throughout ’92. On 5 January ’92 they were once again at The Army & Navy, Aldershot. In February they were with The River Thieves at White Hart, Frimley on 6 February and then The Swan, Farnborough welcomed the band on 22 February ’92. Pretty Green were their collaborators again at The Four Horseshoes, Camberley on 14 March. Then there was a return visit to The Fighting Cocks, Bagshot on 11 April ’92. A ferry was needed to reach their next gig at Ryde Castle, Isle of Wight on 24 May ’92. The band had no gigs for almost two months, getting back on the horse at The Cricketers, Westfield, supporting Vox Pop, on 17 July ’92. The band then had two gigs at Bracknell Football Club. The first was with The Revs on 14 August, the next was the following month, on 19 September ’92, supported by The President’s Men. At this point the band started travelling up to ‘The City’ to play. There was a gig at St. Johns Tavern, London on 29 September ’92, with The Nerve; The Bull & Gate, Kentish Town with The Direction on 24 October; and back at St. Johns Tavern on 1 December with The Most. The bands “Give the Game Away” was included on Son of Farnborough Groove Vol.2 in ’92.

    Thieves of Dreams “Give The Game Away” was included on Son of Farnborough Groove Vol.2 in 1992. Picture courtesy of Pete Cole

    1993 opened with a gig on the coast at The Railway, Gosport supporting Restless Natives on 2 January. St. John’s Tavern welcomed them back on 19 January ’93, a show that included The World and Direction on the bill. Another venue in Gosport, The Trade Union Hall, booked TOD for 30 January ’93 and so started a year of gigs on the northern shore of the Solent. The band teamed up with Restless natives at The Civil Service Club, Gosport on 5 February. A week later they were back at The Railway, Gosport followed by a gig at the Royal Navy’s engineering training establishment, HMS Sultan in Gosport on 6 April ’93. Thieves played two dates with My Mates a Hairdresser at well-known student and live music pub The Hobbit, in the Bevois Valley area of Southampton on the 10 July and 6 August ’93. On the 24 September ’93 they were back at The Railway Inn, Gosport. Farnborough Groove welcomed the band back in ’93, including “Shelter” on Return of Farnborough Groove Vol.3.

    A six-month gap in live appearances ended on 16 April ’94 at The Swan, Farnborough followed several weeks later with an appearance at Wild Ridings, Bracknell on 3 June ’94. There were then three consecutive gigs at The Iron Duke, Crowthorne on 9 July, 6 August, and 10 September ’94. The next day TOD were in Aldershot at The White Swan. Six days later, on 17 of September ’94, TOD and Restless Natives were back at The Trade Union Hall, Gosport; with the band wrapping up their year with a performance at The Iron Duke on 8 October.

    TOD’s first gig in ’95 was at The Fighting Cocks. Bagshot on 18 March. The next month they were at The Swan, Farnborough on 8 April, followed by a trip down to Gosport’s Olivers on 21 April ’95. Riser, Mandate and Thieves of Dreams all appeared at the Cellar Bar, South Hill Park, Bracknell on 22 June 95; and TOD supported Restless Natives on 14 July ’95, at The Trade Union Hall, aka Trades Club, Gosport. TOD were back at Olivers on 22 September and at The West End Centre, Aldershot the next day. A trip out to East Suffolk on 7 October ’95 saw them at the Victoria Hotel, Lowestoft; before returning to The Swan, Farnborough on 11 November.

    22 September 1995: Thieves of Dreams were at Olivers, Gosport. Source: TOD Thieves of Dreams

    The band were back at The Swan to open their ’96, with a gig on 20 January. A couple of months later, on 8 March, they were at The Wheatsheaf, Aldershot. North Wales beckoned the band in April with a booking at the Marina Hotel, Rhyl on the 6 April and back home for the 12 April and The Windmill, Four Marks. TOD performed three times in May ’96: On 3 May at Tumbledown Dick, Farnborough with Innocent, returning to the venue on 11 May, and onto The Wheatsheaf, Aldershot on 31 May.

    In ’97 the band started work on releasing “I Could Be…” as a single. They got as far as designing the sleeve, but unfortunately it never came to fruition. As recently 2022 it was still a rumored possibility.

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  • The Flowers of Sacrifice

    The Flowers of Sacrifice

    (c’88-93) Andy Clark (vocals / guitar), Pat Evans (guitar), Chris Wareham (bass) and Boris the drum machine.

    The Flowers of Sacrifice on stage.

    Clark and Evans were in Neverland with Gary Henderson (guitar) and Mark Hopgood (keyboards). Following Hopgood’s death in a car accident the remaining three formed The Brethren. A difference in musical direction led to Henderson leaving in ’88 and the formation of Farnborough based 2-piece Goth band The Flowers of Sacrifice.

    The band’s first gig was on 28 September ’90 at The George, Ash Vale supporting Explodehead; playing four songs – two originals (Midnight Red, and Nowhere Train), and two covers (New Model Army’s 51st State and Demolition Man by the Police) – between the headliners two sets. Their second gig followed six months later.

    At some point in 1990 Krissi Gould (sax / guitar / backing vocals) and multi-instrumentalist Lee Rumble (bass) – he was the drummer with After the Dream, and Suck Henry – joined the band. They competed in the battle of the bands at the White Hart, Frimley – at which Mick Magic was one of the judges; another judge, who was purportedly a devout Christian, thought the band were Satanists and gave them zero points – they didn’t win. In ’91, Farnborough Groove Vol.1 published the bands track “16 Roses”.

    1991’s poster that caused the Flowers a call from the police and the threat of legal action.

    ’91 was also the year the band got into a little bother thanks to a poster. Compiled by Giant Arc‘s Geoff Hawkes and based on a Blast magazine cover with white space for venue and date/s the band used it to promote their half a dozen or so gigs a month in the local area. However, the police intervened, and legal action threatened, for potentially inciting violent acts and the poster had to be changed, but not without a bit of local publicity out of all the furore. The band replaced ‘violence’ with ‘freedom’. On 29 October ’91, the band performed a special Halloween bash at Ragamuffins, Camberley; then two days later, on Halloween night they were at The George, Ash Vale. The following week they appeared in Aldershot’s Army & Navy. Around this time Gould and Rumble, who was starting work at Von’s Studio, Islington, left and Chris Wareham (bass) joined, after dabbling with Parmaviolet, bringing the group to the fully fledged 3-piece that gigged locally, with excursions to Southampton and Birmingham.

    The Flowers of Sacrifice’s “Flower Power” cassette EP inlay.

    The following year the cassette EP: “Flower Power”, was released, carrying the six tracks “Word Politik”, “Dark Carnival”, “Never & Ever”, “Body Betrayal”, “Nowhere Train”, and “Monochrome”. ’92 also saw The Flowers of Sacrifice’s “Dark Carnival”‘ and “Monochrome” appear on the German goth rock compilation cassette ‘Dragon’s Born Tonight’ [BT 38] on the Beton Tapes label and “Asylum” included on Farnborough Groove Vol.2, of which The Gossville Arsonist was not overly complimentary. This was either side of Barney Rubbles at Lakeside Cabaret Club, Frimley on 17 April ’92, where The Flowers of Sacrifice appeared with Peachrazor, Giant Arc, Nuss, and Girls on Dextrose. Halloween, 31 October ’92, was spent at the Halloween Goth Spectacular at The George, Ash Vale, where the Flowers… were joined by Girls on Dextrose and Different Drummer.

    Another year passes before their second cassette EP, “Never Loved Eldritch” is released. This included “Sometimes Cold”, “Asylum”, “Under” and “Don’t Drift Away”. Also in ’93 the band’s track “Never & Ever” is included on Return of Farnborough Groove Vol.3.

    Somewhere there is a video titled “The Carnival of Darkness” and a third cassette titled “Succubus”. Towards the end of the band’s life, they played a gig at The Moonlight Club, London and their final performance was at Ragamuffins, Camberley. In July 2015 “Shadows to Whisper” was e-released via Jindivik’s Bandcamp page, compiling The Flowers of Sacrifice’s two cassette EPs and the track published on Farnborough Groove Vol.1.

    Clark and Evans recently reformed the Flowers of Sacrifice as a 2-piece. On the 28 March 2021, Mick Mercer featured the bands’ “Midnight Red” as part of Mick Mercer Radio Broadcast 215.

    Wareham, went on to play in a number of gothic and industrial bands: Cathedral Lung, Complicity, Killing Miranda, and The Faces of Sarah. He ended up in a Joy Division tribute band Shadowplay, portraying Peter Hook; and more recently plays in, female fronted, X Ray Love. Clark is in Jindivik.

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  • Snide Line

    Snide Line

    (c’96-98) Jo Waghorn (vocals / guitar), Mark Ogden (guitar / keyboards), Clare ? (bass), Greg Ford (drums / vocals).

    This Church Crookham based 4 piece, recorded the “Snide Tunes” 3-track demo at Monster Studios, Leatherhead, with Sid Stovold providing some additional percussion, with Chris Stevens producing. In ’97 the third track from the “Snide Tunes” demo, titled “Too Long”, appeared on Farnborough Groove Vol.7 (Geography Sucks).

    The Maltings, Farnham hosted Farnham ’98, on 28 March ’98, and Snide Line joined Enertia, Vex Red, and Taxi Driver on the third.

    Snide Line morphed into Coldharbour. Ogden, who currently resides in Aldershot, had previously been in Dreyfuss; as had Ford, who now lives in Teignmouth, Devon. Waghorn is somewhere on the south coast.

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    Inlay for the “Snide Tunes” demo. Picture courtesy of Sid Stovold

  • Half Moon Folk Club, Farncombe

    Half Moon Folk Club, Farncombe

    The Half Moon Folk Club was held at the Half Moon, Meadrow, Farncombe on the periphery of Godalming – it was the first pub on the left as you entered Godalming from Guildford. It’s where Roger Learwood also ran the Godalming Singers Club in the early 70’s.

    November / December 1975 at the Half Moon

    On the 9 December ’72 in partnership with Stag Folk, the Half Moon presented a charity folk concert, at the Wilfrid Noyce Centre, Godalming, in aid of G.O.P.W.A. for a drop-in centre for the elderly. In ’75, Julian High and John Gardner reopened and ran the Singers’ Club at the Half Moon, as a Stagfolk side project for a couple of years. Their re-opening night, on 20 November ’75, featured the rich, sonorous, baritone of Martin Winsor as the club’s special guest that month; with Johnny Collins – who’d released the LP “Johnny’s Private Army” earlier that year and loved to have the audience sing the choruses with him – filling the role the week before Christmas.

    The Half Moon closed in 1984 and is now a commercial building called Capital House.

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  • Technical College, Farnborough

    Technical College, Farnborough

    Thanks to an active student union, Farnborough Tech, as it is colloquially clept, held many memorable gigs over the years…particularly in the ’70s.

    SU Office. Supercharge play Farnborough Tech according to the poster on the left, Source: Mick Hughes via Farnborough (Hants) Nostalgia

    The earliest gigs at Farnborough Tech, Soundscene has uncovered to date, is on 26 September ’64, when the combined Farnborough Tech & RAE Rag Week kicked off with a ‘Jazz Rave’ at the Technical College featuring Trad ‘Dixieland’ Jazzers The Original Downtown Syncopators and the six-man line up of the Monty Sunshine Band. A potential earlier event, if we can pin a date down, featured The Bill Leru Quintet, who baritone saxophonist Peter Cauldwell recalls supporting Tubby Hayes, at what he believes may have been the college. On 12 February ’65, Screaming Lord Sutch & The Savages were supported by The Stormsville Shakers. The three Savages were Ritchie Blackmore (guitar), Arvid Andersen (bass) and Jim Evanson (drums). Apparently, per the recollection of some of the Shakers, Ritchie Blackmore wasn’t the guitarist that night but another famous player. They were joined by four saxophone players: Dick Errington, Noel McManus – previously with The Blues By Five, Ashton Tootell, and Reg Price. Dave Sherrington, saxophonist with the Shakers, recalls asking Sutch why the “4 Saxes” as they were called, who were all dressed in football shirts that night, had to share one microphone. “I like to see them all fighting to get near the mike” was Sutch’s response. The Soultones were the supporting act for The Yardbirds at the Technical College on either 20 March or 9 July ’65; which reportedly featured a brawl. On 19 June 1965, beat group The Muleskinners and rhythm and blues combo The Art Woods played. The college held a Jazz Dance in Assembly Hall on 25 September ’65 with The Temperance Seven, who specialized in 1920s jazz and local Dixieland jazz band The High Curly Stompers providing the rhythm, reeds, and brass.

    Jazz was back at the Tech when the Michael Garrick Trio and Sextet performed in the Assembly Hall on 23 October ’65. This was recorded and later released as “Farnborough Technical College 1965 (feat. Joe Harriott, Ian Carr & Tony Coe)” on 25 February 2022, having been pulled from a private collection of recordings. The Nashville Teens were supported by The Cops and Robbers and Liverpool’s The Clayton Squares on 1 April ’66 and on 2 July ’66 the Graham Bond Organisation appeared at the College, with The Sands in support, but Jon Hiseman replaced Ginger Baker for the show. On 22 April ’67, Moon’s Train rolled in to entertain the students, returning on 15 December ’67 and 25 May ’68. R&B group The Flirtations, who had supported Tom Jones on his European tour in ’68, also appeared in the late 60’s. On 16 November ’68, The Ferris Wheel were supported by The Gods, who were touring the debut LP titled ‘Genesis’. As with many gig holding educational establishments, it wasn’t just the bands appearing that might go on to fame and fortune in the music industry, but also some of the inmates. In ’68 a young Alan Clayson, who edited the student mag and contributed three articles to the ‘Schoolkids’ edition of Oz while there, started at Farnborough Tech. He is better known by many as the figurehead of Clayson and the Argonauts, a band that crashed the bill of a pre-punk gig at the Civic Hall, Guildford and received a very positive review in NME. The Chronic rag mag for Farnborough Tech and RAE Apprentices’ Rag Week 1969 lists a number of balls with live bands over the Autumn semester, but only one – the Funny Ball – was at the college on 4 October 1969 featuring jazz from Bob Kerr and his Whoopee Band and Sam Spoon’s Bumper Puzzle Band Kit, you may recall Spoon – aka Martin Ash – as the percussionist of the Bonzo Dog Doo-Dah Band. Other events were held at the R.A.E. Hall, Farnborough.

    13 February 1971 – Pink Floyd

    In the early 70’s rock, prog’ and otherwise, dominated the student union. Starting the concert series for 1971 was the Hammond organ trio Jody Grind on 9 January. Having toured ‘Atom Heart Mother’ around Europe and the United States in 1970, Pink Floyd graced the Tech’s stage on 13 February ’71. A month later, Stray wander onto the campus for a gig on 13 March ’71. Country rock band Cochise were supported by folk rockers Gypsy on 25 September 71, the latter refrained from miming as they had the month prior on BBC One’s Top of the Pops. Patto supported by Bell & Arc, the blues rock group consisting of Graham Bell with heavy prog rock band ARC, were there on 9 October, and Heron performed eleven days after on 20 October, followed by Barclay James Harvest on 30 October ’71. The final stop on Argent, Climax Chicago, and Duffy Power’s 32 venue ‘Triple Grand Tour’ was Farnborough Tech on 13 November ’71. Spontaneous Combustion, having opened for Emerson Lake & Palmer several times, supported Home on 11 December ’71. The Tech’s Student Union placed an advert in the 11 December Melody Maker advertising this gig and one the following Friday, 17 December ’71, featuring Duster Bennett, Warm Dust and Brian Auger’s Oblivion Express. Status Quo also rocked the venue, supported by Magic Alice, in ’71.

    17 December 1971: Warm Dust supported by Duster Bennett and Brian Auger’s Oblivion Express. Advert from Melody Maker. Source: Steve McKeown via Farnborough (Hants) Nostalgia

    On 8 January ’72 the Arthur Brown fronted Kingdom Come, performing much of the “Galactic Zoo Dossier” LP’s content, were supported by BB Blunder. Then on 29 January ’72 the Technical College hosted Hawkwind with Open Road, who’d been Donovan’s band, in support. A week later, on 5 February, Alan Bown supported Climax Chicago; followed by Lindisfarne, and Khan the week after that, on 12 February. In March you would have found Roger Ruskin Speare with Thunderclap Newman, and Tea & Symphony supporting. The following night, 12 March ’72, ex Bonzo Dog Doo-Dah Band saxophonist and robotic contraptionist, Roger Ruskin Speare was back, this time supported by singer-songwriter Bridget St. John, and Gordon Giltrap. Tony Hazzard appeared on 17 March and Steeleye Span, just before they set about recording the “Below The Salt” LP, supported by jazz prog band Ben, were performing on 24 March ’72.

    Jumping to May ’72 and the SU had booked art rockers Audience and Truck (not the Ontario based Truck!) to appear on 13 May; Gypsy with Welsh Good Habit on 29 May; and on 27 May ex-student, Mike Rutherford’s band Genesis headlined, supported power pop from Nimbo – Genesis had actually played the venue on two earlier occasions as support to the supporting band on the first, then as the support the following time (details to be uncovered). The End of Term Rave was held on 8 July ’72 with live music from New York based rock and roll and doo-wop revivalist Sha Na Na, who had been touring the UK and Europe since May, supported by Swastika. The Climax Chicago Blues Band, just before they dropped the Chicago from their name, rolled through on 21 October and the Groundhogs kicked off a tour that year at Farnborough Tech, supported by Badger, on 11 November ’72.

    11 November 1972: The Groundhogs, Farnborough Technical College. Source: Don West via Farnborough (Hants) Nostalgia

    Two weeks later, on 25 November ’72, the melodic, hook-laden hard rock of Stray was supported by Magic Muscle’s psychedelic / space rock – what we wonder is how the SU got along with Stray’s manager, Charlie Kray? Quo were due to return on 15 December ’72, with support provided by Snake Eye. The Francis Rossi and Bob Young written single “Paper Plane” had been released on 10 November and reached No.8 in the UK Singles Chart. The bands management decided to pull them out of the gig and elected to play the Guildford Civic Hall in March ’73. On 16 December 1972, the Stackridge “Treasure Island” Tour came to the college with The Pigsty Hill Light Orchestra supporting. The Wild Horses, Supercharge, Radio Stars, Moonraker, and Little Acre also appeared at the college. Around this time Ken Dudley, who would later open The Rock Box, Camberley; broke into the music industry thanks to a meeting at Farnborough Tech with a promoter who asked him to undertake some flyposting.

    Anyone remember Hookfoot or Ange? They were at Farnborough Tech on 14 January ’73. A few days later, on 27 January, it was Snake Eye’s turn. There were a couple of, as yet, un-dated classic gigs in February ’73: The first saw Brinsley Schwarz and Ducks Deluxe on stage, the second had Savoy Brown supported by Saturnalia- who’s “Magical Love” LP was one of the first 3-D picture discs -, and Lloyd Watson. As best we can tell Snake Eye returned on 17 February ’73 to support Vinegar Joe, along with Bloss. Another as yet undated gig that dropped in April ’73 had Snow Leopard supporting Man. French progressive rock band Ange were back on 13 April ’73, this time sporting Wizzard. Good Habit and Lancer rolled onto campus in September ’73 and in October Ange headlined, supported by Camel. Jack the Lad filled the 13 October assisted by Byzantium and at some point, in November, Roger Ruskin Speare opened for Fumble. Mid-November ’73, on 10 November to be exact, Fruupp took the whole evening. They were followed two weeks later, on 24 November ’73, by Gong and Kevin Coyne; who may have both returned in December ’73. Wrapping up ’73 was Manfred Manns Earthband on 19 December, with Lancer.

    Farnborough Tech regulars Fruupp performed in January ’74, supported by Brewers Droop. Home rocked it out on 12 January ’74; returning in February with Capability Brown. That was not on 9 February ’74 however as Principal Edwards and Highway were there. Two months later it was Groundhogs, on 5 April ’74, with Starry Eyed and Laughing warming up the crowd. The following month, on 4 May, Half Human Band opened for The Troggs on what was to be a memorable night for many, including students Nick Tarn, the SU treasurer, and the now journalist Sebastian O’Kelly. Members of the Hells Angels Motorcycle Club were aiming some abuse at The Troggs and spraying drink at, the lead singer, Reg Presley. Presley, after telling them to stop and if they wanted trouble to see them after, launched himself into the club members from the stage, ending the show. In the subsequent melee, guitarist Richard Moore was stabbed and rushed to hospital for emergency surgery for the wound to his lung, barely surviving; another bottled and Presley received a broken nose for his troubles. Calmer times ensued on 30 November, which witnessed Greenslade who returned in December ’74 with local band Asylum in support. Barclay James Harvest and Marvelous Kid also appeared in December that year.

    Flight 59 opened for String Driven Thing on 18 January ’75. Ten days after, on 28 January ’75, Mike & Richard Ashworth, as Wax Promotions, put on The Guildford Stranglers at Farnborough Tech; where they played several standards, including Johnny B Goode while supporting 50’s retro group Fumble. A matter of days later, on 1 February ’75, The Stranglers were back supporting, the returning, Fruupp. The next week it was Gordon Giltrap upon the stage and Asylum supported Budgie on 20 February ’75. March ’75 welcome Blackfoot Sue. That same month, Stackridge returned to Farnborough College of Technology, on 22 March ’75, supported by Shepstone & Dibbens. Deaf School and The Fabulous Poodles also appeared in the 70’s, and we know that Strife supported by Palantir, and Rocky Sharpe and the Replays supported by Salt all played the venue some time in February ’76. The next month, on a date yet to be confirmed, Nutz supported Starry Eyed and Laughing. The Automatics supported The Vibrators at Farnborough Tech on 18 Feb ’78, seven days later The Vibrators would be performing “Automatic Lover” on Top of the Pops. The month after, on 11 March, The Enid were on stage.

    11 March 1978

    Ramrod, a spin-off of SALT and the Rory Gallagher band, with Stevie Smith on vocals also performed there in ’78. On 19 May ’79, T. T. Transmission headlined and were supported by The Planets (who would soon rename to Lopez & The Waveriders) – a purposeful juxtaposition where the Waveriders well performed opening was incongruous to the audience’s prog-rock leanings. In addition, at some point that year Judie Tzuke was on stage as well as local band The Desotos, although not on the same night. Camel had been booked to play at Farnborough Tech earlier in ’79, but had cancelled at the very last minute. Having been burnt once, the college’s Social Secretary did not book the band again.

    The Desotos on stage at the Technical College, Farnborough c’79. Picture courtesy of Paul Trew

    The college’s first gig of ’80 was held on 19 January and featured synth-pop band Landscape, who’d be better known the following year after releasing Einstein a Go-Go and Norman Bates. Two local bands rolled onto campus on 18 April ’80: The Torpedoes and The Vulgar Bros. Farnborough Tech’s Rugby Union Football Club hosted Lethal Dose, along with headliner Deadlock, on 14 November ’80, after the cancellation of a gig at the venue on 31 October due to licensing issues. Then on 13 December ’80: John Otway and Wild Willy Barratt, with Eddie Stanton played Farnborough Tech. By the early 80’s gigs by progressive rockers, such as The Enid, were few and far between and punk was appearing with the likes of Aldershot’s Human Beings taking the stage on 27 March ’81 with Deadlock in support. Pozer, without guitarist Paul Sheldrick due to a horrendous car accident, played as a four piece at Farnborough Tech in ’81. In the words of fellow guitarist and band member Rob Kemp, “It was awful”. Human Beings returned, on 30 October ’81, seven months after their first appearance; and another local band to appear at the college in this time frame were Cutting Edge, there on 29 January ’82. The next week Cuban Heels were accompanied by Studio 45, on 6 February. Black Easter played on 17 December ’82, apologizing for the high admission fee (£2.00) and ban on boots via their flyers. Squeals of Delight were supported by West One and Safety in Numbers on 6 December ’85; and when Controls played the college later that month they recorded the gig and released the live recording under the title “Let’s All Bark Like Labradors” on Stupid Rabbit Tapes in ’86. West One came back to college on 15 March 1986; Jim Jiminee couldn’t ‘Do It on Thursday’, performing on 25 February ’87 in the Student Union Bar, and Magic Moments At Twilight Time performed their set in ’88 at the SU Bar.

    We have a very fragmented record for the ’90s, although our contributors recall going to gigs on the regular at Farnborough Tech. The mad pop, ska, punk, folk guitar thrash out of Who Moved The Ground? and Bubble-Eyed Dog Boys came to college on 8 November ’90. The heavier tunes of Explodehead and Slug undertook an ‘Official Rob Night’ on 2 February ’91, and five days on Who Moved The Ground? returned to performed with The Becketts. The following month Bubble-Eyed Dog Boys played the Tech again, as part of their ‘1991 Tour’, on 21 March ’91. Blue Velvet and Pretty Green showed the audience how they did it on 18 April ’91. P.J. Harvey was there on 26 September ’91.

    15 February 92: Mega City Four with Phobia, Big Boy Tomato, and Pretty Green. Source: Pete Scott via Mega City Four

    Five months later, Pretty Green returned, on 15 February ’92, this time supporting Mega City Four along with Phobia, and Big Boy Tomato, only to return again, on 18 April ’92, exactly a year after their first performance, to play the SU Bar. The college hosted Who Moved The Ground? on 4 February ’93 with the entire gig recorded for posterity (see video section below) and Sweet Hooligan appeared on 11 February ’93. We are also aware that at some point in ’93, Redefining Beautiful played with Fleet based The Hairy Things at Farnborough Tech.

    What happened to live music after ’93 we are still researching at this time, but I’m sure we’ll uncover more gems as we compile The Gig Lists. There was certainly a ‘Battle of the Bands held at Farnborough Tech in the new century at which Tainted Grace performed “Catatonic” and “The Rapture”.

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  • Controls

    Controls

    (c’78-85) Tim Naylor (bass / vocals), Melvin Crawford (guitar / vocals), John/Jon Monks (guitar / vocals) and Kerry “Captain” Kirk (drums).

    This 4-piece from Fleet formed as the Bright Young Things from the remnants of punk bands The Grunties, Keine Namen, Incredible Mounties, and The Fastnets around Christmas ’78. Original vocalist Tim Freeman left early due to musical differences, later joining Frazier Chorus. Grunties’ Crawford took on the vocals, and Kirk covered drums. Keine Namen’s Naylor joined making it a trio. Their first gig was at Ewshott Village Hall on 25 May ’79.

    Originally called Bright Young Things, this A4 poster is for Controls first ever gig at Ewshott Village Hall on 25 May 1979

    A few private parties / gigs followed. Ex-Fastnets Monks added the second guitar and they became Controls in July ’79. A few rehearsals / performances at Basingbourne Pavillion were recorded over July / August ’79 and released as “Rampant Silliness At The Pavilion” on Stupid Rabbit Tapes. This included covers of “Rebel, Rebel” and “Public Image!” The band then secured slots at The Albert Social Club, Fleet and on 5 December ’79, the Prince of Wales, Fleet. They also and supported Lonesome No More at Tumbledown Dick, Farnborough later in the month, on 11 December ’79. Controls weren’t the first or last band to have the power pulled on them, but notably the regulars at The Albert Social Club got them shut down after just 4-numbers followed by Naylor getting into a fight and the band walking home with an escort of locals.

    11 December 1979: Controls supported Lonesome No More at the Tumbledown Dick, Farnborough. Picture courtesy of Tim Naylor

    Once described as Joy Division on whizz they released the “Sock It To ‘Em, Dave” cassette EP on Stupid Rabbit Tapes [SRT001] in April ’80 with tracks ‘So Soon I Forget’, ‘Secrets’, ‘Nobodies Daughter’ and ‘Invited Few’. Late the prior year, Naylor had written to Sounds announcing the release of Controls’ “Sock It To ‘Em” cassette; even though it didn’t exist. Sounds ran it in the New Year and offers for distribution, publishing, fanzine interviews and payments for the cassette started rolling in.

    Short snippet that appeared in Sounds in 1980. Source: Die or DIY

    Naylor and Monks spent a Sunday gathering 4 tracks from old rehearsal tapes and made up the “Sock It To ‘Em, Dave” cassette EP. Monks then produced the copies using two Philips portable cassette recorders. The band eventually sold around 500 cassettes at a quid each; thanks to Sounds and positive fanzine coverage in the likes of Cultural Revolution and Stick It In Your Ear.

    “Don’t Adjust The Controls” on Stupid Rabbit Tapes [SRT002] was recorded live on 21 June ’80; eventually releasing as this cassette LP in July. Source: Stupid Rabbit Tapes

    The band recorded their second cassette “Don’t Adjust The Controls” live on 21 June ’80; eventually releasing it as a cassette LP in July, again on Stupid Rabbit Tapes [SRT002]. Shortly after Monks stepped down and the band continued as a trio. Their June gig at Crondall Village Hall, headlined by The Mental and supported by Men Like Gods, ended with the audience wrecking the place before attacking the village green, stealing band kit and a car or two. It was reported in the Aldershot News as the ‘Crondall Village Hall Riot’ (Ed- We need to get hold of that clipping). This line-ups final gig was an unofficial appearance on Aldershot Lido’s cafe roof; after which the band split up.

    Over the following weeks Naylor held auditions to reform the band; as result Mark Pendelton (guitar) and Jim Rump (vocals) were recruited in August ’80. Over September ’80 Controls had a three week residency at the Fox and Hounds, Fleet. A recording of one gig at the Fox and Hounds was released by Stupid Rabbit in November ’80 as “Late Night Love Songs” [SRT 003]. The Wooden Bridge, Guildford had Controls headline on 8 October ’80, with Prisoner of War in support.

    20 March 1981: Quality Drivel, supported by The Poles, Controls, and Dig Dig Dig were up at The X Club, Drayton Labour Club. Source: Stupid Rabbit Tapes

    On 20 March ’81, Quality Drivel headlined The X Club at Drayton Labour Club, supported by The Poles, Dig Dig Dig, and Controls. This new line-up was taken on by Reading based X-Cassettes, who re-released “Late Night Love Songs” as “Dance” [X-003] in April ’81. They also appeared on X-Cassettes “Anything Could Happen In The Next Half Hour” [X-002] and “Bits” [X-005] compilations.

    The band were managed by ex-Keine Namen member Dave Mallins, who sometimes stepped in on drums, and Mark “Willy” Whitehead was their roadie. The band reappeared in late ’83 with Tracy Taylor on vocals. On 23 March ’84 they performed at the West End Centre, Aldershot with The Waltons, and The Service, and In Hill House. This was ‘Fast Pop Friday’, the opening night of West End Centre’s first Aldershot Rock Weekend, that featured 20 local bands across the 23-26 March. At some point in ’84 they issued the “Searching For The Perfect Partner” Live cassette LP on Stupid Rabbit Tapes, recorded at Farnborough Sixth Form and held a short residency in the Spring of that year at Fleet Country Club‘s Alternative Night. Splinters was a club held at the Cambridge Hotel, Camberley and Controls played there on 3 October ’84.

    At Christmas ’85 Controls played at Farnborough Tech. This was also recorded and issued as a live cassette album titled “Let’s All Bark Like Labradors” on Stupid Rabbit Tapes in ’86.

    Naylor and Monks would later team up with Richard Jennings in Beating Hearts. Taylor (tka Corbin) would lose her battle with cancer in August 2024.

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One thought on “Home

  1. Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.

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