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Inter
(c’95-’01) Michael Boylan (bass / vocals), Steven Bray (vocals / guitar / keyboard) and Johnny Gill (drums), and Sid Stovold (guitar).

Boylan, Bray and Gill formed Farnborough’s Inter in late ’95 (just scrapping into the Soundscene timeframe) with ex-Who Moved The Ground? guitarist / vocalist Stovold joining around February ’96. They had already secured and played a number of local gigs, such as The White Hart, Frimley, when they self-released the demo cassette EP “Product” in ’96 carrying ‘Cherry Red, Electric Blue’, Sticks and Stones’, ‘Boss Grasshopper’, and ‘You Lose’. These were all recorded at Monster Studios, Leatherhead on the 30th and 31st March ’96

Sleeve for the ‘Product’ demo cassette Now described in Melody Maker as ‘kings of the catchy cheesy chorus’ Inter had their debut London gig at the Bull & Gate, Kentish Town on 14 August ’96. Later that month the band were at the Civic Hall, Guildford, on 30 August, supporting Let Loose – just before the release of their “Rollercoaster” LP that peaked at number 42. Over the following year extensive gigging, including appearances at Interspace at The Bull & Gate supporting Kissing Katy along with Realise, and Farnham ’96, resulted in several more rave reviews in the national music press. In November ’96 Gary Crowley interviewed Inter at The Academy, Brunel University, Uxbridge, prior to their appearance, with five other bands, at the finale of The Academy’s national band competition, titled the Art of Noise. at which they performed ‘Radio Finland’ amongst other tracks.
Their “Cherry Red, Electric Blue” track was released on Fierce Panda’s Screecher Comforts EP [NING 24], having featured on Snakebite City Five with “You Lose” and headlining NME’s 1997 Brats Unsigned. They also featured on a Spanish cinema advertising campaign for Casio. In Oct ’96 the band recorded their “Happy Ending” debut single at Monster Studios, which was released on the Pet Sounds label [pet003cds] in ’97, having been mastered at Abbey Road.

Front of sleeve of Inter’s Happy Ending CD single On 25 May ’97 the band record “Radio Finland”, “Cherry Red Electric Blue”, “Think Big” and “Jimmy” at Maida Vale 4 for their first Peel Session for BBC Radio 1, on which John Peel reportedly described “Happy Ending” as ‘the best pop song in the last 30 years’. The band also secured an appearance at the Manchester Radio 1 roadshow, held in Albert Square, Manchester. Earlier that month they shared the Civic Hall, Guildford stage with Supermodel, Jolt and Redwood for a Splatch night. Inter’s “Boss Grasshopper” also appeared on ‘The Best Of Splatch!’ CD compilation, released that year, on the Mother Stoat Recording Co. label [STOAT 006]. In late ’97 the ‘cheeky, young whippersnappers’ of a band got into a spot of bother with Rushmoor Council for fly-posted stickers on street furniture; which the band’s manager, Pete Cole, put down to ‘over enthusiastic fans’. They continued to gig locally throughout ’97; including The Cricketers, Westfield; The Maltings, Farnham; the Civic Hall, Guildford; and Gym Sports Bar, Fleet on 10 April ’97:
Inter signed to independent Yoshiko Records in ’98 and and by year’s end they were in Loco Studios, South Wales to recording tracks for their first LP: “Got My Nine”, all while continuing to gig; including Splatch at the H.G. Wells Suite, Woking with Floor, Freekspert and The Samurai Seven. Early in ’99, their first single from the Loco Studios sessions, “National Paranoia” [YR-002-CDS001] was released, reaching #10 in the NME Indie Top 30 singles chart. This had been produced and mixed by Mark Wallis, who had mixed among others Travis, U2, Go-Betweens, The Primitives, Michael Hutchence, Wet Wet Wet, The Smiths, and Joan Armatrading. Also in early ’99 “Happy Ending” was chosen as part of Radio 1’s Peelennium series to represent 1997 along with Clinic, Helen Love and The Delgados; then on 29 Sept ’99 the band recorded their second Peel session with “Speed Racer”, “Something Criminal”, “Shan’t Quit Ripping” and “Not Curious” forming the set.

Front of sleeve for Inter’s Finland CD single 
Front of sleeve of Inter’s Speed Racer CD single 
Album sleeve front for “Out My Nine” Record company issues delayed the singles “Radio Finland” and “Speed Racer”, and the debut and only album “Got My Nine” until 2000; with “Got My Nine” selling over 7000 copies in the first week of release and Peel describing the LP as ‘excellent’ and ‘a real favorite at Peel Acres’. As with many indie labels Yoshiko was suffering and the band was dropped in mid-2000. Inter called time in 2001, but not before supporting Stiff Little Fingers at the Forum in London.
In 2005 they reformed to play a benefit show for the British Heart Foundation in honor of band friend and roadie, Richard Hazell, who had recently died. In 2009, the band members were once again asked to play, this time for the August wedding of their one-time manager Cole. The four duly agreed and performed a brief set at the West End Centre, Aldershot.
Video:
Tracks:
Gallery:

Inter appeared at the Snakebite City New Years Eve Party, with Ex Boyfriends, Cornered, J.C. Regulator, and Breaker in 1996? (Need to confirm date). Picture courtesy of Simon McCormack. 
9th May 1997 and Inter played Snatch at Civic Hall, Guildford. Source: The Surrey & NE Hants Music Scene 
18 September 1998 and Inter played Snatch at HG Wells Suite, Woking. Source: The Surrey & NE Hants Music Scene 
1997 
Mad Ann’s Reader Chart from Melody Maker c’97 
Front cover for The Best Of Splatch! CD compilation, released in ’97 on the Mother Stoat Recording Co. label [STOAT 006] 
The Best Of Splatch! CD compilation insert, released in ’97 on the Mother Stoat Recording Co. label [STOAT 006] 
The Best Of Splatch! CD compilation insert, released in ’97 on the Mother Stoat Recording Co. label [STOAT 006] 
Back cover for The Best Of Splatch! CD compilation, released in ’97 on the Mother Stoat Recording Co. label [STOAT 006] 
The Best Of Splatch! CD compilation, released in ’97 on the Mother Stoat Recording Co. label [STOAT 006] 
Back of sleeve for Inter’s Finland CD single 
Front of disc for Inter’s Finland CD single 
Back of d
isc for Inter’s Finland CD single
Front of sleeve for promo version of Inter’s Finland CD single 
Back of sleeve for promo version of Inter’s Finland CD single 
Front of disc for promo version of Inter’s Finland CD single 
Front of sleeve for promo version of Inter’s Got My Nine LP 
Insert for Inter’s Happy Ending CD single 
Front of disc of Inter’s Happy Ending CD single 
Inter played Interspace at The Bull & Gate on 10 Oct 1996. Source: Bull & Gate Memories Facebook group. 
Front of sleeve for promo version of Inter’s National Paranoia CD single 
Back of sleeve for promo version of Inter’s National Paranoia CD single 
Front of sleeve of Inter’s National Paranoia CD single 
Back of sleeve of Inter’s National Paranoia CD single 
Front of disc of Inter’s National Paranoia CD single 
Inter appeared on the Screecher Comforts compilation (front of sleeve). 
Inter appeared on the Screecher Comforts compilation (back of sleeve) 
Inter’s appeaed on the Screecher Comforts compilation (disc front) 
Insert from Screecher Comforts compilation which included Inter 
Back of sleeve of Inter’s Speed Racer CD single 
Front of disc of Inter’s Speed Racer CD single 
Back of disc of Inter’s Speed Racer CD single 
Inter’s “National Paranoia” entered the NME Indie Top 30 singles chart at #10, between Doolally and Add N to (X). Picture courtesy of Pete Cole 


14 August 1996: Tape recording of Inter’s debut London gig at the Bull & Gate, Kentish Town. Picture courtesy of Pete Cole 
14 August 1996: Flyer for Inter’s debut London gig at the Bull & Gate, Kentish Town. Picture courtesy of Pete Cole 
10 January 1997: Melody Makers gig of the night was at the Civic Hall, Guildford and featured Jolt, The Bigger Gods, Coma Sola and Inter. Source: The Surrey & NE Hampshire Music Scene 
28 March 1998: Inter played the Snakebite City Stage at Farnham 98, held at The Maltings. Source: Seafood 
Gill of Inter at the White Hart, Frimley in 1996, when they were 3-piece. Source: Inter 
Bray of Inter at the White Hart, Frimley in 1996, when they were 3-piece. Source: Inter 
Boylan of Inter at the White Hart, Frimley in 1996, when they were 3-piece. Source: Inter 
23 November 1996: Ticket and flyer for Farnham ’96 presented by Shed Club and Bluefire/Snakebite City. Inter performed at this one-day festival along with Dweeb, Posh, Supermodel, Chuck, Redwood, The Hairy Things, The Bigger God, Pharmacy, JC Regulator, PA Skinny, Twister, Avalanche and Snowball. Source: Sarah Drover via Inter 
23 November 1996: Flyer for Farnham ’96 presented by Shed Club and Bluefire/Snakebite City. Inter performed at this one-day festival along with Dweeb, Posh, Supermodel, Chuck, Redwood, The Hairy Things, The Bigger God, Pharmacy, JC Regulator, PA Skinny, Twister, Avalanche and Snowball. Source: Sarah Drover via Inter 
Inter band flyer from Yoskika Records 

NME 1996 Abbey Road, Aldershot, Art of Noise, Brats Unsigned, Brunel University, Bull & Gate, Casio, Civic hall, Cricketers, Farnham '96, Fierce Panda, Floor, Forum, Freekspert, Frimley, Gary Crowley, Great Westwood, Guildford, Gwent, H.G. Wells Suite, Indie Top 30, Inter, Interspace, John Peel, Johnny Gill, Jolt, Kentish Town, Kissing Katy, Leatherhead, Let Loose, Loco Studios, London, Maida Vale 4, Manchester Radio 1, Mark Wallis, Melody Maker, Michael Boylan, Monster Studios, Mother Stout Recording Co., NME, Peel Session, Pete Cole, Pets Sounds, Realise, Redwood, Sid Stovold, Snakebite City, Splatch, Steven Bray, Stiff Little Fingers, Supermodel, The Academy, The Maltings, The Samurai Seven, The White Hart, Usk Valley, Uxbridge, West End Centre, Westfield, Who Moved the Ground?, Woking, Yoshiko Records -
Slug
(c’90-93) Nick Holland (vocal / lead guitar), Brian Turner (bass), and Ethan MacMahon (drums).
Holland, who was also in Killing Faith, and Morton formed Slug in very in early 1990 and managed to knock out the “Puppy Dog Tails” demo cassette, with Holland covering bass and guitar, in June. The demo’s eight tracks were laid down on 4-track machinery and although totally unproduced was lauded in Sounds as ‘an excellent sub-pop inspired move’. “Fire”, from “Puppy Dog Tails” went on to secure the #10 spot in Soundscene’s Top Ten Local Songs 1990.

Sleeve for Puppydog Tails Shortly after Ethan MacMahon joined on bass and appeared on the bands February ’91 released second demo cassette “Sandfly Lupus Flunch”, described in The Gossville Arsonist fanzine as Mudhoney meets Sonic Youth, which carried eight tracks, of which the first, “Carpet”, and last, “Two Days”, were rated ‘best’ by a Soundscene reviewer. They’d completed their first gigs around Aldershot in January ’91, but “Sandfly Lupus Flunch” got the Windlesham combo a support slot at The Falcon with Moonshake and they were supporting Milk, with Thule, at The Buzz Club, Aldershot for a noise, grunge metal special in March. Throughout ’91 the band gigged regularly with appearances at Farnborough Tech; Paradise Club, Islington; Princes Hall, Aldershot; Ragamuffins, Camberley – for The Cube night on 20 August; and The George, Ash Vale. September that year saw 8 songs recorded at Raven Studios and released as “Salt Fearing”.

Sleeve for “Salt Fearing” The band returned to Raven Studios in January ’92, were Al once again engineered the sound once more. The “Block Out The Sun” demo cassette was released that same month with the tracks “Fisted”, “Some” and “Giant Drag” well received by local press and reportedly a letter of praise from Jello Biafra. The band’s “Lizard Tummy Neck” appeared on ‘Son of Farnborough Groove, Vol.2’ in ’92 which was positively reviewed in The Gossville Arsonist fanzine.

A local band night at The Buzz Club saw Slug take to the stage with Flavour, Phobia, The Rachel Papers and The Vinegar Blossom on 4 January ’92. In April they appeared at The West End Centre with Trousershock BC and Faceache. This was recorded and released as “Live 25.4.92” in September. Later that year they were back at The West End Centre for The Buzz Club’s local bands night on 21 November featuring Trousershock B.C., Sunriser and Who Moved the Ground?. If anything ’92 was much akin to ’91 with gigs at The West End Centre; Ragamuffins – for The Cube again on 11 August; Haven Stables, Ealing; and The George, Ash Vale – where they support Flavour again one night, and Peachrazor with Mayflower 20 on 10 September ’92.
1993 kicked off with the studio based live recordings for the “Ant With Equipment” cassette EP, which was released in January to be available at their The Old Trout. Windsor gig with Blaggers ITA. ‘Fail’ and the 10 minute long ‘Confusion’ were included in the six songs on the EP. Not much was heard from Slug until 2013.

Sleeve for “Ant With Equipment” “Salt Fearing” and “Block Out The Sun” has since been digitally remastered and as of December 2013 Turner, Richard Morton (drums) and Holland have been rehearsing some new and old Slug material.
Tracks:
Gallery:

21 November 1992: Trousershock B.C., Slug, Sunriser, and Who Moved The Ground? played the Buzz Club and the West End Centre, Aldershot. Source: Who Moved The Ground? 
The Gossville Arsonist fanzine’s one-line review of Slug track from The Son of Farnborough Groove Vol.2 
2 Feb 1991: Slug with Explodehead at Farnborough Tech SU Bar, Farnborough. Picture courtesy of Pete Cole 
Slug’s “Fire” was 10th in Soundscene’s Top 10 local songs of 1990. Clipped from 3 Jan ’91 Soundscene column. Picture courtesy of Daniel Hiscocks 
Slug, supported by Peachrazor and Mayflower 20, played The George, Ash Vale on 10 September 1992 according to this unidentified fanzine gig list. Picture courtesy of Steve Porter 

Milk, Thule and Slug at The Buzz Club reviewed by Camberley News, March ’91 
Review of Slug’s “Sandfly Lupus Flunch” from the Gossville Arsonist 
Review of “Puppy Dogs Tails” from the Gossville Arsonist fanzine… 

Slug support Flavour in ’92 

Slug supported Blaggers ITA (formerly The Blaggers), an Oi! punk group at The Old Trout in early ’93. 





April 1992: 

1991 

Slug supported Moonshake early in their career 
Slug supported Moonshake early in their career 



1991 


2 Feb 1991: Slug with Explodehead at Farnborough Tech SU Bar, Farnborough. 

Setlist 


Soundscene – 11 April 1991. Picture courtesy of Harry Tuttle. 

The night Slug supported Milk / Thule at The Buzz Club 

‘Off The Record’ from The Farnham Herald April 1992 reviewed Slug’s “Block Out The Sun” demo cassette. Picture courtesy of Steve Hack Aldershot, Ash Vale, Blaggers ITA, Brian Turner, Buzz Club, Camberley, Ealing, Ethan MacMahon, Faceache, Farnborough Groove, Farnborough Tech, Gossville Arsonist, Haven Stables, Islington, Jello Biafra, Killing Faith, Milk, Moonshake, Mudhoney, Nick Holland, Old Trout, Paradise Club, Princes Hall, Ragamuffins, Raven Studios, Richard Morton, Slug, Sonic Youth, Soundscene, Sunriser, The Cube, The Falcon, The George, Thule, Trousershock BC, West End Centre, Who Moved the Ground?, Windlesham, Windsor -
Lifespan
(c’84 – ’85): Pete Madeira (keyboards), Mark Applin (vocals), Chris Hill (vocals & guitar) and Rick Bushnell (vocals).
Ex-Double Jump vocalist Bushnell was handling the sound at the Rock Club when Lifespan secured their first gig at The Old Schoolhouse, Woking on 2 February ’84. Around this time Applin hopped to Lifespan from Fra Angelico. Lifespan, who were influenced by Genesis, became regular inhabitants of Woking’s Electric Circus at the venue – they certainly played there on 16 June ’84 with tracks like “Haunted” and “I Will Play With You If You Will Play With Me” in the set.
Their “Cities of Gold” demo, that was produced by Azizi‘s Chris West and recorded at Too Much Music, included the title track, “Hide and Seek”, and “Timeless Seas” and was memorable for its pro-Tolkienesque artwork by Madeira.
Lifespan departed the Electric Circus in October ’84, next appearing at the Arts Centre, Windsor on 6 November ’84. The band reportedly traveled to Italy and the Netherlands to pursue gigs abroad. Applin left the band in December ’84, after a gig at University of Surrey, Guildford, reappearing in Shooting at Strangers.
Tracks:
Gallery:

Soundscene 25 Oct’ 84 
Soundscene 31 May ’84 
Soundscene 14 June 1984 
Amanda Cox reviews Lifespan at The Schoolhouse – Soundscene 16th February 1984 
Soundscene, 2 February 1984 -
The Click
(c’81-87) Will Williams (drums / vocal), Pete Mills (bass / vocal), Rich Carson (vocal / rhythm guitar) and Graham “Mash” Murray (guitar / vocal).

Band promo picture. Thanks to Ann Epton for the pic. Woking based The Click formed sometime between late ’81. Mills and Carson had been playing pubs for a while and had meet Murray (who was touring with Cliff Richard and appeared on the 25th anniversary album of Cliff and the Shadows c.’78) a couple of years prior. Carson & Murray’s songwriting convinced a music publisher to tell them to put a band together and they bought in Williams. The band appeared at the Carafino, West Byfleet regularly, including a session that was recorded on 22 February ’82. By July ’82 they had entered and won ABC Music’s “New Sounds of ’82” earning themselves 2 days of studio time. Those two days in Shepperton resulted in Chris West (vocalist with Terra Nova) and John Glover producing “Touch Too Much” available on the B-side of “Curious Collection” [STLP 007] album on the Street Tunes label.
The Click live at the Carafino, West Byfleet. Recorded live on 22 February 1982 Originally managed by Paul Morris, in February ’83 John Glover of Blueprint Management signed them and took on the management responsibilities. A few months on and The Wooden Bridge, Guildford‘s Rock Club booked the band to headline on 7 May. Then, in late ’83, they appeared in an episode of “Me & My Girl” staring Richard O’Sullivan and Joanne Ridley on LWT, performing “Just Another Monday” as a band called Dog Food. This episode (Series 2 Episode 4: “The Kids Are Alright”) aired on 8 February 1985.
The band toured with The Bootleg Beatles and The Cherry Boys in ’83/’84, including an appearance at Sheffield City Polytechnic on 2 December ’83 supporting The Cherry Boys.
Top Click tracks were “Lady of Love”, “Superstition”, “Dizzy” and 1983’s “Just Another Monday”; which was released as the A-side, with “Breaking Up” on the B-side, of their first 7″ single [NEW 3] on the New World label and produced by Gerry Kitchenham and John Hewlett; it also appeared on an A&M label.

“Dizzy Spinning Round” was to be the original A-side according to Rich Carson. Their second single was produced Gary Stevenson, the same guy who did Go-West’s first releases. Late in ’84, The Click appeared at the Camphill Club, West Byfleet on 22 December and were at the West End Club, Chobham on Christmas Eve.
In ’87 Carson left, pursuing his song writing career with publisher John Merritt (Welk Music Publishing / Polydor) and collaborated with the likes of Womac & Womac. Carson also co-owned the Mayford based Wychwood recording studio and now owns and runs the Jamtutti studio near Kingsbridge, Devon. Mills is currently an in-house engineer at Ghost / Send Hill Studios, Send.
Tracks:
Just Another Monday:Gallery:

Picture courtesy Martin Rochefort via Guildford Town Past and Present 
Mash Murray & Rich Carson of The Click at Carafino, West Byfleet. Thanks to Ann Epton for the pic. 
Caroline Wood reviews The Click in the 10th May 1984 Soundscene. The gig was at The Royal on Friday, May 4th 
Kevin Keagan perm controvesy is, sort of, resolved in 17th May 1984 Soundscene 
The Click’s December 1982 gig list. Source: Nicola Strange via Woking Old and New (Doing it together) 
The Click 
Released on the New World label this 7″ (NEW 3) was released in 1983 – A: Just Another Monday (2:35); B: Breaking Up (3:05) 
Rich Carson and Pete Mills of The Click at the Carafino, West Byfleet. Thanks to Ann Epton for the pic. 



Pete Mills & Rich Carson of The Click at The Royal, Guildford. Thanks to Ann Epton for the pic. 
The Click at Tristan’s. Picture courtesy of Rich Carson 
The Click at Tristan’s. Picture courtesy of Rich Carson 

The Click at Carfino, West Byfleet c’83. Photographed by and courtesy of Simon Barden A&M, ABC Music, Blueprint Management, Camphill Club, Carafino, Chobham, Chris West, Cliff Richard, Dog Food, Gary Stevenson, Gerry Kitchenham, Ghost Studios, Go West, Graham Murray, Guildford, Jamtutti, Joanne Ridley, John Glover, John Hewlett, John Merritt, LWT, Me & My Girl, New World, Paul Morris, Pete Mills, Polydor, Rich Carson, Richard O'Sullivan, Rock Club, Send Hill Studios, Sheffield, Sheffield City Polytechnic, Street Tunes, The Bootleg Beatles, The Cherry Boys, The Click, The Royal, Tristan's, Welk Music Publishing, West Byfleet, West End Club, Will Williams, Woking, Womac & Womac, Wooden Bridge, Wychwood Recording Studio -
St. Tropez
(c’90) Kevin Earl (guitar), Jez Parish (guitar), Phill Battersby (drums), Rebecca Andrews (vocals) and Darren ?.
Earl and Darren were later replaced by Jez Harris, son of Nashville Teen‘s Pete Shannon, and Sean Gold. St. Tropez were originally called Backlash until they heard there was already a Backlash!













































































































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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