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Plan A
(c’83) – Andy Davis (bass) and Andy Robertson (sax)

This Guildford duo presented “abstract” performances that included spray painting sheets, percussive work with milk bottles and pipes and self expression. They are known to have opened for Pied Piper and the Rats, La Maison Du Chants, and Freedon Dance, at The Old Schoolhouse, Woking in August ’83.
Davis and Robertson also performed in Longpig.
Gallery:

Soundscene, August 16th 1983 
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Swivel Corps
(c’83 – ’86) Mark Webley (vocals/guitar), Glenn Havelock (bass/vocals) Kate ? (trumpet/percussion/b.vocals) Alan Wright (synths) and Tim “Tixbo” Lain (drums).

26 January 1986: Swivel Corp and The Larks opened up for The Higsons Source: Jonny Mendelsson via The LARKS
Forming in ’83, the band’s original drummer was replaced by Lain in November, after he responded to an advert. In May ’85, the band entered the University of Surrey Student Band Competition, along with Holy Durex and Fantasy Lies, and won, before the evening was headlined by the Geisha Girls.
Swivel Corp were once described as the “Talking Heads” of Surrey University and they supported, along with The Larks, The Higsons on their penultimate gig at the University of Surrey’s No-Wave Society’s main hall gig on 25 January 1986. The band undertook a couple of studion sessions, but no recordings have been uncovered as yet and were the bridesmaid at performance at the Portsmouth Polytechnic as well as University of Surrey. They disbanded in mid-’86.
Lain is currently drumming with Farnham based Hurly Burly.
Gallery:

Swivel Corps Cassette. Picture courtesy of Ian Lain 
Swivel Corps Cassette. Picture courtesy of Ian Lain 
SUSU Bare Facts Magazine, 31st January 1986 
SUSU Bare Facts Magazine, 24th January 1986 
Bare Facts – Feb 14th 1986 -
The Staggerance
(c’90-’91) – Leo Hamilton (bass/vocals), and Mark E Brenchley (guitar/vocals).

Staggerance at The Cricketers, Westfield in 1990. Picture courtesy of Daniel Hiscocks The duo known as The Staggerance were 16 when they started the band along with a drum machine.They hit the Woking indie scene running with some of the best song-titles ever – “Chippy’s Got A Spinach Bhaji”, “Home Battered Fillet of Cod”, “I Wish my Dad was Herman Munster”. “Keith Chegwin’s on the Bottle”, “Jim Bowen (What a Nice Man)”, and “Jimmy Hill (What’s He Ever Done)” among them. The first inkling of what was to come came in the form of the “Live Fish” cassette demo. The demo pre-dated any live appearances and carried 4 tracks: “Bad Trip”, “Vacant of Sense” and the aforementioned “Home Battered…” and “Vile Filthy…”.
Their rabid Woking College following gobbled up their “silly” punk songs and secured several Crix gigs supporting Backlash. “We realized very early on that it would be a very good idea to get them to support us” reported Vis of Backlash, while Brenchley advises that the “Woking College following were tested and given the all clear by what was then MAFF, later DEFRA.”
Oft reviewed by Phil Gibby in Soundscene, two Cassette EP’s titled “Men With A Porpoise”- which was dedicated to Woking FC – and “Surplus Bedding” hit the ground running, while The Staggerance’s ‘Vile Filthy Noise’ was #8 in Soundscene’s Top Ten Local Songs 1990. Nov ’91 saw disbandment rumors confirmed. Brenchley formed Woking four piece Space Heroes in Turmoil. Hamilton went on to join Big Wednesday, playing bass for them for 2 years, later playing guitar for the Emma Wilson Band who toured with The Fine Young Cannibals. By mid-2001 Hamilton was performing solo in London to some positive reviews.
Tracks:Gallery:

Staggerance get a mention in 1991 in review, from the 2nd Jan 1992 Soundscene column. 
Soundscene Gigs Column, January 31st 1991. 
“The only thing fishy was the sound” and the picture which is of Big Wednesday, not The Staggerance 
Staggerance at The Cricks, November 1990. Photos courtesy of Gareth Ellis. 
Staggerance at The Cricks, November 1990. Photos courtesy of Gareth Ellis. 
Soundscene reviews “Men with a Porpoise” in the 31st Jan ’91 issue. Picture courtesy of Harry Tuttle. 
26 April 1990. Picture courtesy of Nathan Argonaut 
“Fill In The Date” poster for The Staggerance and Backlash. Picture courtest of Nathan Argonaut 
Staggerance’s “Vile Filthy Noise” was 8th in Soundscene’s Top 10 local songs of 1990. Clipped from 3 Jan ’91 Soundscene column. Picture courtesy of Daniel Hiscocks -
The Contaminated
(c’82-84) – Ian “Lank Genocide” Beauchamp (drums), Simon “Ollie” Parrish (bass), Andy “Big John” ? (guitar), and Al “Al” Keating (vocals)
Horsell based punk band The Contaminated were form in 1982. They rehearsed in Horsell and at the Youth Club on Walton Road, Woking; playing around 100 gigs in and around Woking and Guildford and up into London. In the early 80’s, The Plague organized ‘The Sty’ rock / punk club nights the West End Centre, Aldershot and The Contaminated were one of the bands booked. During there run Keating was replaced by Paul (Oggie / Og) ? and Jonny Bowden joined to replace Parrish. They cited their influences as being from Flux of Pink Indians to Dead Kennedy’s to reggae and heavy metal.
By Late ’83 Beauchamp, Oggie, Bowden and Billy McDermidd were also playing in Byfleet based Jaded Asylum. The 1 February ’84 found The Contaminated headlining the ‘Animal House’ at The Royal, Guildford with Crisaticit in support. A few days later, on 9 February ’84, the band were at The Old School House, Woking for a punk night that included Black Easter and The Plague.
Bowden is known to have lent early Backlash his bass amp on occasion! Beauchamp currently plays with punk tribute band Sounds of the Suburbs.
Gallery:

Soundscene, 23rd January 1984, written by Sara Murphy and Tim Masters 
In the early 80’s, The Plague organized ‘The Sty’ rock / punk club nights the West End Centre, Aldershot. This one on 30 January 1980-something, featured The Plague, Contaminated, and Maxi Puch and The Macho Moped Men. Picture courtesy of Ade Street 
In the 9th Feb’ 1983 Soundscemne, Bostich takes offense at the coverage The Contaminated were given…
Al Keating, Aldershot, Animal House, Backlash, Billy McDermidd, Crisaticit, Guildford, Horsell, Ian Beauchamp, Jaded Asylum, Jonny Bowden, London, Maxi Puch and the Macho Moped Men, Simon Parrish, Sounds of the Suburbs, The Contaminated, The Old Schoolhouse, The Plague, The Royal, The Sty, West End Centre, Woking, Youth Club -
Womb
(c’93-’96) – Rob Foster (guitar/vocals), Andy Leighton (bass), Paula Benham (keyboards), and Rupert Hollis (drums)

Womb at The Cricketers, Westfield Womb formed thanks to the bassist with Big Belief and a recording session at his WTD Studios in Shere where Rob Selway introduced Foster, who’d been in F-File, to Leighton and Benham, and was later introduced to Hollis, who’d played drums in Big Belief. This session became the album “Great Big Wall”, after which Justin Coll of Pentagon Promotions took on the role of band management.
In ’94, Womb secured second place at one of The Tumbledown Dick’s battle of the bands competition; and played to 1,500 people at Guilfest (it was a one day event back then) along with Ralph McTell, Tom Robinson and John Otway Big Band. Womb also opened The Maltings based Farnham Fusion Festival that year. ’95 saw Womb’s final gig at the H.G. Wells Suite, Woking.
Foster is currently a solo artist, jingle producer and sound man at Radio Woking; while Leighton is playing with Shooting Fish.
Video:
Live at The Cricketers, Westfield ’94 Live at Woking Town Centre, May 10th 1996 Live at The Stoke Hotel Andy Leighton, Big Belief, Cricketers, F-File, Farnham, Farnham Fusion Festival, Guildford, GuilFest, H.G. Wells Suite, John Otway Big Band, Justin Coll, Paula Benham, Pentagon Promotions, Radio Woking, Ralph McTell, Rob Foster, Rob Selway, Rupert Hollis, Shere, Shooting Fish, The Maltings, The Stoke Hotel, Tom Robinson, Tumbledown Dick, Westfield, Woking, Womb, WTD Studios -
Big Belief
(c’90 -92) – Rob Selway (bass), Paul Munford (guitar), Rupert Hollis (drums) & Steve Kerr (guitar/vocals).

Big Belief at the Three Lions (Scratchers) in the early 90’s. Picture courtesy of Paul Dreczko The band built up quite a following in the Guildford area and were said to be one of the top nine unsigned bands in ’91, along with Yellow Darkness. Managed by Martin Holmes, they gigged throughout Surrey and Sussex, at venues like The Three Lions, Farncombe, and up into London,. They were included in the line-up for Showcase ’90 and were a regular feature of the University of Surrey Rag Week bash.
Big Belief also released the double A-sided 12″, titled “Massive E.P.” on Stratford, East London based UK hardcore dance label, Blockhouse [bH07] carrying “Nothing At All” and “Jonathan” on the A-side and “Nothing At All (Dance Version)” and “Paddington Pat” on the AA-side in ’92. Blockhouse label boss Jezz Wright, along with Big Belief, was lusted as producer.
Selway had been in Blank Expression prior to Big Belief. Hollis is now a driving instructor.
Gallery:

Showcase ’90 included Big Belief. Picture courtesy of Martin Holmes 
University of Surrey Student Union Crab Feast Mag, 23.11.1991 


A-side label of Big Belief’s 12″ “Massive E.P.” 
AA-side label of Big Belief’s 12″ “Massive E.P.” -
Heavy Guildford Boys
(c’82) – Pat Martin (bass), Kevin Smith (guitar), Gary Smith (drums), Mike Paice (horns / blues harp), and Chris Willey (vocals / guitar).
Ex-Unicorn members Martin and Kevin Smith got together with the others from the GU-postcoade area to form Heavy Guildford Boys, colloquially known as HGB, for a short-lived run in the early ’80’s. Playing in local pubs HGB were a band with a wide range from blues rock to western swing. Kevin Smith moved up to the Lake District and was replaced Steve Turner who played a B-Bender Telecaster (both Kevin Smith and Turner were big Clarence White fans the co-inventor, with Gene Parsons, of the Parsons/White Pull-String, aka B-Bender)
Tracks:
Then I Came Home
Gallery:

The Heavy Guildford Boys (L to R : Chris Willey, Gary Smith, Pat Martin, Steve Turner). Picture courtesy of Pat Martin
































































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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