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Snide Line
(c’96-98) Jo Waghorn (vocals / guitar), Mark Ogden (guitar / keyboards), Clare ? (bass), Greg Ford (drums / vocals).
This Church Crookham based 4 piece, recorded the “Snide Tunes” 3-track demo at Monster Studios, Leatherhead, with Sid Stovold providing some additional percussion, with Chris Stevens producing. In ’97 the third track from the “Snide Tunes” demo, titled “Too Long”, appeared on Farnborough Groove Vol.7 (Geography Sucks).
The Maltings, Farnham hosted Farnham ’98, on 28 March ’98, and Snide Line joined Enertia, Vex Red, and Taxi Driver on the third.
On leaving Snide Line Ford and Ogden formed Dreyfus, which later became Coldharbour. Ogden currently resides in Aldershot, while Ford now lives in Teignmouth, Devon. Waghorn is somewhere on the south coast.
Tracks:Gallery:

Inlay for the “Snide Tunes” demo. Picture courtesy of Sid Stovold 
A-Side of the “Snide Tunes” demo. Picture courtesy of Sid Stovold 
B-Side of the “Snide Tunes” demo. Picture courtesy of Sid Stovold 
28 March 1998: Snideline played the Farnham 98, held at The Maltings. Source: Seafood 
Snide Line’s “Too Long” was the last track on Side 1 on Farnborough Groove Vol.7. Picture courtesy of Pete Cole 

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Half Moon Folk Club, Farncombe
The Half Moon Folk Club was held at the Half Moon, Meadrow, Farncombe on the periphery of Godalming – it was the first pub on the left as you entered Godalming from Guildford. It’s where Roger Learwood also ran the Godalming Singers Club in the early 70’s.

November / December 1975 at the Half Moon On the 9 December ’72 in partnership with Stag Folk, the Half Moon presented a charity folk concert, at the Wilfrid Noyce Centre, Godalming, in aid of G.O.P.W.A. for a drop-in centre for the elderly. In ’75, Julian High and John Gardner reopened and ran the Singers’ Club at the Half Moon, as a Stagfolk side project for a couple of years. Their re-opening night, on 20 November ’75, featured the rich, sonorous, baritone of Martin Winsor as the club’s special guest that month; with Johnny Collins – who’d released the LP “Johnny’s Private Army” earlier that year and loved to have the audience sing the choruses with him – filling the role the week before Christmas.
The Half Moon closed in 1984 and is now a commercial building called Capital House.
Gallery:

9 December 1972: Ticket for a Half Moon Charity Concert. Source: David Johnson’s post in Godalming Town Past & Present. 
M. Strong’s Half Moon Folk Club Membership Card. Picture courtesy of Ben’s Collector’s Records -
Keine Namen
(c’78) Dave Mallins (drums), Nevil Ede (Guitar), and Tim Naylor (guitar / vocals).
This Fleet based punk band rehearsed in Mallins parents’ garage and while they were on vacation held a gig at this ‘venue’. They released just 10 copies of “The Living Room Tapes” cassette, carrying 8 tracks – 5 about girls they’d dated, covers of Buzzcocks “Sixteen” and PILs “Theme”, and the Nayler solo “White Cars” – on self labelled Superbun Tapes [no.1] in September ’78.
“The Living Room Tapes” was reissued in 2012 on Year Zero Records [YEAR018] after it was licensed from Stupid Rabbit Tapes, with the track ‘Hawaiian Stomp Pt.1’ receiving airtime on WFMU’s Undancing In The Dirt with Thomas Storck on 9 December 2012 and ‘(Shut Up) David’ on Radio Panik 105.4FM (show #316) in 2014.
Naylor went on to form / join Controls.
Tracks:
Gallery:

Keine Namen’s “The Living Rooms Tapes” cassette -
Beating Hearts
(c’81-82) Tim Naylor (bass / vocals), Kerry Kirk (?), Simon Baggelley (guitar), Richard Jennings (drums) and Jon Monks (keyboards).
After the demise of Controls, Naylor, Kirk and guitarist Tina ? formed Heartbeats. A few rehearsals down and Naylor left, joining Spod from Farnborough. Following this 6 week hiatus with Spod, Naylor used ads and some word of mouth at Fleet’s Kingfisher Music to schedule a few auditions for post punk Beating Hearts.

Beating Hearts “First Three Hours” demo cassette. Source: Die or DIY Beating Hearts issued their “The First Three Hours” demo cassette in late ’81. This was literally the recordings from the first few hours of their rehearsal time. The demo reached X-Cassettes’ Chris Green (who later joined the Criminal Damage label) and secured them a spot on the “Beyond the River” [OD001] vinyl, Reading area, compilation on Green’s Open Eye Records label – they just had to pick and record a track.

B-side of “Beyond the River” [OD001] vinyl compilation on which Beating Hearts “Wrap Me Up” appeared. This agreement coincided with their debut gig at Recreation Centre, Farnborough. The track “Wrap Me Up” was so well received that they recorded it and submitted it for the compilation. But, it was the wrong format for mastering; so, it was re-recorded at Matinee Music, Reading – a studio Dark Paradise would also later use – in April 82, with engineering by Chris Broderick. The next month, on 11 May ’82, saw the band performing at The Wooden Bridge, Guildford. The band split in late ’82.
Tracks:
Gallery:

Stupid Rabbit Tapes Catalogue c’83, featuring Controls and Beating Hearts. Source: Stupid Rabbit Tapes 
The Beating Hearts. Source: Stupid Rabbit Tapes 
Cover of “Beyond the River” [OD001] vinyl compilation on which Beating Hearts “Wrap Me Up” appeared. 
Back of cover of “Beyond the River” [OD001] vinyl compilation on which Beating Hearts “Wrap Me Up” appeared. 
Beating Hearts’ page from the information leaflet that came with the “Beyond the River” [OD001] vinyl compilation on which their track “Wrap Me Up” appeared. 
Flyer for the “Beyond the River” vinyl compilation, featuring Beating Hearts. Source: Stupid Rabbit Tapes 
11 May 1982: Poster for Beating Hearts gig at The Woodenbridge, Guildford. Source: Die or DIY Beating Hearts, Chris Broderick, Chris Green, Controls, Criminal Damage, Dark Paradise, Farnborough, Fleet, Guildford, Heartbeats, Jon Monks, Kerry Kirk, Kingfisher Music, Matinee Music, Open Eye Records, Reading, Recreation Centre, Richard Jennings, Simion Baggelley, Spod, Tim Naylor, Wooden Bridge, X-Cassettes -
Wreckage
(c’96-2000) Damien Kay (vocal / banjo / guitar), Richard Hyde (bass), ? “Ezzy” ? (organ), Mark Darrah (drums), and Adrian Berger (guitar)
Kay had previously been front and center of The Outcast Band, before forming Wreakage with Hyde, Darrah, and Berger. On 15 and 16 July ’98, Wreckage recorded three tracks at The Studio in The Park, Bracknell, with engineering by Mike Sparks. These three tracks: “Souvenirs”, “Her Winter Song”, and “Seventeen Days” were to become the eponymous “Wreckage” EP cassette demo.

Sleeve to 1998’s “Wreckage” demo cassette. At a later, unknown date, with fellow ex-The Outcast Band member Ryan Daniel replacing Hyde on bass and Jon Reeves replacing Darrah on drums; and without Berger, they also self released “Black Crow, Black Crow” in Australia. This CD EP, listed in the Folk, World, and Country genre; carried “Bones”, “Blood and Soil” and “Black Crow, Black Crow”.
In November 2010, having reformed, The Outcast Band released the Phil Tennant produced ‘The Longest Mile’ album. This carried a track titled ‘Wreckage’.
Gallery:

The “Wreakage” demo cassette. Picture courtesy of Sid Stovold -
Panzer Korps
(c’80-’84) Chris Carter (vocal), ? (guitar), Martin Dyson (bass), and Jamie Abethell (drums).
Woking based Panzer Korps, or was it Panzer Division as reported in Soundscene (although do not confuse them with Panza Division, the British NWOBHM band from Sheffield), were a spin-off of Lethal Dose. Their first gig was at Godalming’s Save Our Services fete on 5 July 1980. A some point a video was made with a bus load of fans from Guildford coached in.

Clipping from News & Mail Soundscene column 12 June 1980. The Prince Alfred, Farnham hosted the band on 16 September ’83 as they opened for Black Easter. On 25 February ’84 Panzer Korps appeared at Caird Hall, Camberley with The Plague, Black Easter, and Maxi Puch & The Macho Moped Men. The following month they were one of the local punk bands at the Aldershot Rock Weekend. Held at the West End Centre, Aldershot the punk session was in the afternoon of 24 March ’84 and saw The Plague, Black Easter, Panzer Korp, and Maxi Puch and the Macho Moped Men take to the stage.
Heroin led to the demise of Dyson. Carter went on to play in The Charles. Abethell was a founding member of Black Easter.
Aldershot, Black Easter, Caird Hall, Camberley, Chris Carter, Farnham, Godalming, Jamie Abethell, Lethal Dose, Martin Dyson, Maxi Puch and the Macho Moped Men, NWOBHM, Panza Division, Panzer Division, Panzer Korps, Prince Alfred, Save Our Services, Sheffield, Soundscene, The Charles, The Plague, West End Centre, Woking -
The Primevals
(c’64-’67) Colin Telling (guitar), Geoffrey Andrews (bass / vocals), Alan Franklin (drums), and Bruce Roberts (guitar).

Primevals: (L to R) Andrews, Roberts, Telling and Franklin. Picture courtesy of Ben’s Collectors Records via June Telling and Alan Franklin. A group of friends got together in Franklin’s home at 49 Stoke Fields, Guildford to play records and ‘make music’, although there was no drumkit and Franklin just kept a beat at the time. They became The Primevals, as named by Franklin, with the band’s early days playing around hometown Guildford at venues such as Congregation Hall, Bellfields.
In ’64, The Primevals were the runner-up in a ‘Battle of the Bands’ contest, undertaken at the Civic Hall, Guildford; losing to Phillip Goodhand Tait and The Stormsville Shakers. In a similar Battle of the Bands at Charlotteville Youth Club they were the runners-up again, this time to The Phantom Four. That didn’t deter the band, and over the coming years they kept roadie Peter Greaves very busy.

The Primevals on stage at the “Battle of the Bands” contest 1964 at the Civic Hall, Guildford. Picture courtesy of Ben’s Collectors Records After more rehearsals at the Methodist Church Hall, Guildford they secured a regular spot at the Harvest Moon Club, Guildford, once sharing the stage with Rod Stewart, they certainly supported Group Survival there on 27 August and The Stormville Shakers on 3 December ’65. Ian Latimer, of The Phanton Four, recalls a night at The Harvest Moon, standing in for Andrews on bass with The Primevals to support The New Seekers.

Primevals as “A threesome but no trio”. Picture courtesy of Ben’s Collectors Records The Primevals were the first band to play the ‘new’ Youth Centre, Guildford on 16 October ’65. Almost a year later, on 31 September ’66 they were at the Stoke Hotel, Guildford supporting The Downliners Sect. At some point the band became “a threesome but no trio” as their promo card proclaimed, with enquiries to be made at the Ministry of Noise. This followed Telling and Andrews getting into an argument in the buildup to a concert at the Civic Hall, with Telling leaving. This trinity proved of interest to Deram Records, who sent scouts to the Town Hall, Godalming to evaluate. Reportedly, the band members didn’t want to leave their day jobs, so a can-can – featuring Franklin and Andrews with fire buckets jammed on their feet and dancing across the stage- delivered a performance unbecoming to future Deram stars, scaring off the A&R men.
The last gig listing we have found to date was on 19 March ’65, when The Primevals supported the Mark Leeman Five at the Methodist Youth Club, but there was a farewell concert at The Stoke Hotel, where Franklin switched from his kit to bongos and, ex-Stormsville Shaker, Dick “Fancy” Forcey took up the sticks. Although, we are aware of images of Primevals playing the Wooden Bridge, Guildford in ’67 with Forcey on drums.
After leaving the band Andrews went on to form The Geoff Andrews Group and run a garage. Franklin became a journalist but was offered drumming positions at a Paris nightclub and touring with a band around Germany. Roberts went on to form and play with The Quik, who released three singles on Deram Records in ’67 and have appeared on over 30 compilations since. In the early 70’s he was with Southampton based Iguana, staying with them when they morphed into The Jess Roden Band in the mid-70s.
Gallery:

In 1964 the Primevals were runners up in “Battle of the Bands” contest at the Civic Hall, Guildford. Picture courtesy of Ben’s Collectors Records 
The Primevals’ fans. Picture courtesy of Ben’s Collectors Records 
Primevals! Picture courtesy of Ben’s Collectors Records 
Primevals! Picture courtesy of Ben’s Collectors Records 
Primevals! Picture courtesy ofBen’s Collectors Records 
The Primevals at the Wooden Bridge, Guildford. Photo by Geoff Burch and here courtesy of Ben’s Collectors Records 
The Primevals at the Wooden Bridge, Guildford. Photo by Geoff Burch and here courtesy of Ben’s Collectors Records 
Primevals’ Andrews and Forcey at the Wooden Bridge, Guildford. Photo by Geoff Burch and here courtesy of Ben’s Collectors Records 
Primevals’ Geoff Andrews up front the Wooden Bridge in 1967. Photographed by Geoff Burch and published here courtesy of Ben’s Collectors Records 
The Primevals. Picture courtesy of Ben’s Collectors Records 
The Primevals. Image courtesy of Alan Franklin Alan Franklin, Bellfields, Bruce Roberts, Charlotteville, Civic hall, Colin Telling, Congregation Hall, Deram Records, Dick Forcey, Geoffrey Andrews, Godalming, Group Survival, Guildford, Harvest Moon, Ian Latimer, Iguana, Mark Leeman Five, Methodist Youth Club, Ministry of Noise, Peter Greaves, Phillip Goodhand-Tate, Phillip Goodhand-Tate and the Stormsville Shakers, Primevals, Rod Stewart, Southampton, Stoke Hotel, The Downliners Sect, The Geoff Andrews Group, The Jess Roden Band, THe New Seekers, The Phantom Four, The Primevals, The Quik, The Stormsville Shakers, Town Hall, Wooden Bridge, Youth Centre, Youth Club























































































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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