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Starship
(c’76-’81) Robert Russell (guitar/keyboard/vocals), John Russell (guitar/vocals), Peter Jones (bass/vocals), and Mike Winters (drums/vocals).
This Guildford group, described as new wave / power pop with four-part harmonies, played most of the Guildford venues, like The Royal on Sunday nights in the early 80’s; The Stoke Hotel, and The Wooden Bridge – where Robert and John organized The Rock Club in the late 70’s, aided by Ian J Davies – among them.
Jones left in the band in ’76 and was replaced by Steve Smith. The back room at The Stoke Hotel was also the bands rehearsal space. It was during one of the rehearsal sessions, in August 1976, that they used a 2-track recording machine to capture several tracks in mono. Eventually these became the self-released “Starship” 7″ vinyl EP, of which a limited 500 were released in April ’77, on their own label: Scratch Records [SCH.01]. The 4 tracks on the EP were “Vampire For Your Love”, “You Can Dance” “Hey Girl” and “Never Thought I’d See The Day” which were all written by Robert Russell.

Starship’s 7″ EP. Picture courtesy of Ian J Davis For the record collectors among us, the record uses the Fanfare matrix number FR.2219; implying that Fanfare Records, a studio and custom-recording company based in Swiss Cottage, London, made the acetates / arranged for the record to be made. Shortly after the release, Winters, who’d replace original drummer Mick Freer, left the band and Ken ? stepped in before Steve Bye took the stool.
In the early ’80’s Ian J Davis managed to get them a couple of plays on John Peel & Alan ‘Fluff’ Freeman’s radio shows through a friend that organized the playlists. When John joined After the Fire, there was no more Starship. Robert would join Whirlwind, Smith found himself in The Vapors, while Bye went to The Jetz then onto The Physicals. Robert would go on to released an album titled “Retrospection Love and Heartbreak” in 2022, where the Starship EP is rerecorded.
Gallery:

A-Side of Starship’s 7″ EP 
B-Side of Starship’s 7″ EP 
Starship in ’77 After the Fire, Alan Freeman, Fanfare Records, Guildford, Ian J Davis, John Peel, John Russell, Mick Freer, Mike Winters, Peter Jones, Robert Russell, Scratch Records, Starship, Steve Bye, Steve Smith, The Jetz, The Physicals, The Rock Club, The Royal, The Stoke Hotel, The Vapors, Whirlwind, Wooden Bridge -
Stigmata Club
(c’87) Ben Norris (bass / vocals), Jamie Freeman (?), Dave Smith (?), and Brian ? (?).
This Farnham based group, known to have played Champagnes, Horsham, were described as a “mix of white funk and black punk”. Reportedly they spent their first paying gig fee on Hasbros’ Crossfire board game.
In addition to Champagnes, the band were engaged by The Buzz Club to play the bar area, on the night The Happy Mondays were on the main stage – who were supported by The Waltons, This Poison!, and Caretaker – at the West End Centre, Aldershot on 3 July ’87. They released one demo cassette and split before any record company interest.

Stigmata Club demo cassette sleeve. Picture courtesy of Sid Stovold The band, along with Fra Angelico, also played at the ‘Swimming Pool squat gig’ in Farnham which was organized by Freeman and Norris and others from the Farnham punk scene.
Norris went on to Skipper and is now a stand-up comedian. Freeman – who’d been in Salter Cane – was a songwriter, musician, and producer described by R’N’R Magazine as “..between the narrative talents of Pete Townshend, Ray Davies and other 60’s luminaries…”. He co-founded the Lewes, Essex based Union Music Store label, and would join his brother Tim, playing with Frazier Chorus. On his own label Freeman released three LPs under his own name between 2011 and 2019 and also fronted The Jamie Freeman Agreement, with whom an LP was released in 2013. Freeman and Norris would collaborate again on Norris’ comedy music album “Moral Vacuum”.
Freeman regrettably left this realm in December 2022, as the result on brain cancer.
Gallery:

3 July 1987: Stigmata Club played the bar at the Buzz Club: Source indiethroughthelookingglass.com 
Stigmata Club demo cassette. Picture courtesy of Sid Stovold Aldershot, Ben Norris, Caretaker, Champagnes, Dave Smith, Farnham, Fra Angelico, Frazier Chorus, Horsham, Jamie Freeman, R’N’R Magazine, Salter Cane, Skipper, Stigmata Club, The Buzz Club, The Happy Mondays, The Jamie Freeman Agreement, The Waltons, This Poison!, Tim Freeman, Union Music Store, West End Centre -
Drink Britain Dry
(c’86-87) Ade Street (co-lead vocal), Max ? (co-lead vocal), Tim Eagles (drums), Glenn Blackman (bass), Gary Blackman (guitar) and ? “JJ” ? (guitar).
This Aldershot band aimed for a James Chance / Beastie Boys contortion and were included in The Buzz Club‘s local band night, at the West End Centre, Aldershot, on 26 November ’87 along with The Aurbisons, The Gathering, The Caretaker, and The Dead Beats. Hugh Shipman was there, reporting that he “saw Drink Britain Dry, the most entertaining show by anybody that I ever attended. “Golden rain, from Chernobyl”. Wonderful. They were huge but they should also have been famous.”
This wasn’t the bands only appearance at the West End Centre, we know that they were once supported by Rising Signs, that band’s debut, at the venue.
The Aurbisons’ Dave Driscoll recalls, in an interview for Cloudberry Cake Proselytism V.3: “A small group of skinheads would come to our gigs & shout “Woahhhhhhh you’re sh*t!!! Ahhhhhhhhhhh!” after every song. I later found most of them were in a band called Drink Britain Dry. They were fantastic & ahead of their time. They were funk-punk with white boy rapping over the top, the basic opus of their songs, being the glorification of getting completely munted. At the end of their set the band would throw down their instruments, grab the singer & carry him on their shoulders & lay him on the bar.”
Prior to Drink Britain Dry, Street had been in Rebels Without Mercy, and The Plague.
Gallery:

Drink Britain Dry were included in a Buzz Club local band night on 26 November ’87 along with The Aurbisons, The Gathering, The Caretaker, and The Deadbeats. 
Drink Britain Dry at West End Centre, Aldershot in ’86. Picture courtesy of Ade Street -
The Dead Beats
(c’87-88) Jason Applin (vocals), Ric Testa (Guitar), Paul Harle (Bass), and Dominic Coles (Drums).
The Dead Beats formed in late ’87 and were included in The Buzz Club‘s local band night, at the West End Centre, Aldershot, on 26 November ’87, along with The Aurbisons, The Gathering, The Caretaker, and Drink Britain Dry. They and The Aurbisons returned to the venue and The Buzz Club to support McCarthy on 9 January ’88.
The Dead Beats split in March ’88, returning later in the year in a number of guises, eventually becoming Sugar Mountain.
Applin and Harle went on to The Ha Ha Men. Applin was then a founding member of Bennet and ran an indie record label. Coles would also become a member of and Something Religious, The Outcast Band, and The Four.Gallery:


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Rebels Without Mercy
(c’82-’83) Ade Street (bass), ? “Piggy” ? (guitar), Dave Major (drums), Kenneth Jones (keyboards), and Dave Common (vocals).
Heavily influenced by Theatre of Hate, this Aldershot band were an offshoot of The Plague, existing in parallel. Street, Piggy, and Major were in both bands.
Gallery:

Rebels Without Mercy’s “Piggy” (guitar) and Dave Major (drums). Picture courtesy of Paul Denison 
Rebels Without Mercy’s Ade Street (bass). Picture courtesy of Paul Denison 
Rebels Without Mercy’s Dave Common (vocals) and Ade Street (bass). Picture courtesy of Ade Street -
Slack Bladder
(c’87-’88) Martin Crook (bass / vocals), Andy ‘Bolus’ Bullock (?), and Neale Brodie (?).
Experimental Slack Bladder became part of the Frimley band co-op known as The Grain. Along with fellow members: Magic Moments at Twilight Time, The Charles, Momento Mori, The Visionairies, and Greed they put on a free festival at Highland Farm, Frimley Green, on 20 September ’87, in aid of Greenpeace.

Insert sleeve for Slack Bladder’s “Safe Experiments with Bacteria” cassette LP. Picture courtesy of Mick Magic Next Slack Bladder appeared with Magic Moments at Twilight Time at Frimley Community Centre, on 12 December ’87, for a Xmas bash gig that went by the ‘A Taste of Paranoia” moniker. A live recording of the bands “Suicide Man” was included on the Grain-Aid compilation in early ’88. They also released the “Safe Experiments with Bacteria” cassette LP that year.
Crook is now in Aldershot band Princess, while Bullock goes by the performing name Andy Bolus and is still performing as the solo artist Evil Moisture.
Tracks:Gallery:

The Grain-Aid compilation, released in 1987, included Slack Bladder. 
Slack Badder. Picture courtesy of Mick Magic 
12 December 1987: Poster / Flyer for gig at Frimley Community Centre. Picture courtesy of Mick Magic -
Gerfump!
(c’95-’97) The Gerfump! fanzine was created by Caroline Stedman, who was aged 14 at the time, as a means to blagging her way into gigs. The name was a reference to Kerrang, although Stedman thought she might end up writing for NME one day. Ably assisted by Sadie Smith and Michelle Cresdee, it was compiled and printed on Stedman’s father’s home-computer and printer.
In ’97, the crew from this NE Hampshire ‘zine attended a fanzine convention in Oxford. Cresdee interviewed alternative rock band A about their new album ‘How Ace Are Buildings’, and they could often be caught backstage at the Civic Hall, Guildford. At one point they met Steve Lamaq and he bought a copy of the ‘free’ Gerfump!
Gerfump! ran to at least 6 issues:
Issue #1: Carried a review of Who Moved the Ground?‘s ‘Good Question’ EP
Issue #2: ?
Issue #3 (April ’96): Reviewed Snakebite City Vol.4; Club Stout at The Angel, Godalming was the ‘Club of the Month’; reviewed the J.C. Regulator, Headnoise, and Sandwich Box gig at the West End Centre, Aldershot; ran a piece on Redwood being, back in the studio; made Who Moved theGround? ‘Band of the Month’; and listed ’96’s festivals of note.
Issue #4: ?
Issue #5: ?
Issue #6: Carried a review of Who Moved the Ground?’s ‘If Pleasure Was Illegal’ EP
Stedman is now a Mumbai based composer, sound artist, live sound engineer, digital artist and writer under the Miss.Kotton monica; with a special interest in psychoacoustics, soundscapes, AI & hardcore rave.
Gallery:

Review of Who Moved the Ground?’s Good Question EP from Gerfump #1. Source: Who Moved the Ground? 
Part of issue #3 from 1996. Picture courtesy of The Surrey & NE Hampshire Music Scene 
Review of Who Moved the Ground?’s If Pleasure Was Illegal EP from Gerfump #6. Source: Who Moved the Ground?




































































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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