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The Royal Oak, Hollywater
Right on the edge of our catchment area is The Royal Oak in Hollywater, or Whitehill, or Passfield. It’s location was very much dependent on who you asked or which local rag you were reading – and you’ll find the pub listed as being in one or other of the three in our Gig Lists depending on the source.
Our earliest confirmed gig listing for the venue to date is 27 October ’79 when The Royal Hoax were booked and played The Royal Oak.
Urban myth has it that Led Zepplin’s Jimmy Page lived locally and would turn up and watch and sometimes jam with that night’s band. Well, Page did own a house nearby and one night Willie Austen’s Rattlesnake turned up, with ex-Camel bassist Doug Ferguson and guitarist Big Jim Sullivan. Sullivan was told to go out the back as there was someone who wanted to meet him…it was Page – Sullivan had once given Page guitar lessons. The legend came true that night and Page played with the band and the visiting bikers etc. loved it, although it is reported that Sullivan blew Page away with his superior playing.

22 July 1986: West One played Royal Oak, Passfield. Source: West One On 22 March ’80, The Royal Hoax were back supporting The Manor Party Band at the pub, and a few months later, on 29 August ’80, Human Beings made a visit. While home brew wasn’t served at The Royal Oak, the Home Brew band did play there on 10 November ’80. Another band to appear at the venue a few times in the early ’80’s were Crosswinds. In ’81, Human Beings twice visited The Royal Oak, on 25 August and 16 October. Track Four appeared on 26 August ’83, followed by Rattlesnake on 27 August, and A Bit of Alright three days later on 30 August. The 2 March ’84 saw the aforementioned Rattlesnake at the venue, followed by Geneva on 3 March, Trick of the Light on 6 March, Urban Fox on 9 March, and Bag of Tools the following night. West One gave the venue a similar double tap, to Human Beings, on 22 July and 16 August ’86. The following year, on 9 May ’87, Mafia took over; then on 2 October ’87, it was the turn of Siege to attack the pub with sound. Frantic did too, on 14 October ’89, to a difficult crowd, who only really showed signs of life when teased with some standard rock riffs; but no sign of Page. In the build up to Christmas ’89, Stone Cold took to the floor on 15 December, followed by Live and Breathe the next night. Post Christmas, Rattlesnake played the 29 December and PDQ on 30 December.
A couple of years later Old Boy Network rolled into the venue on 26 July ’91 and Pretty Green were down the pub on 17 April ‘ 92. They were followed to the bar by Who Moved the Ground?, who walked in on 13 May that year, and Blue Velvet on 24 June. Lord Hippo played on 18 September ’92, WD40 the very next night, and PDQ appeared four days later on 23 September ’92. On 24 February ’93, Little Bones rolled in and later in the year, on 26 August, 14 October and 3 CDecember ’93, Bananafish played. Captain Pike, Rhythm Collision, Phoenix, Scully, and Drums and Wires have all also appeared at The Royal Oak.

A shuttered Royal Oak c’2020 Unfortunately, this became another lost venue c’2020, but after a long period of closure was reopened in November 2023, and now thank to new landlords Graham and Emma Symes is offering live music on Saturday nights.
Gallery:

Matchbox from The Royal Oak 
25 August & 16 October 1981: The Human Being played The Royal Oak. Picture courtesy of Steve Everett. 
16 August 1986: West One played Royal Oak, Passfield. Source: West One 
9 May 1987: Clipping from The News of 8 May ’87 puts Mafia at The Royal Oak. Picture courtesy of Mick Magic 
2 October 1987: Siege played The Royal Oak. 
26 July 1991: Gig Listing from local rag has Old Boy Network playing Three Lions, Farncombe. Picture courtesy ofBen’s Collector’s Records A Bit of Alright, Bag of Tools, Bananafish, Big Jim Sullivan, Blue Velvet, Camel, Captain Pike, Crosswinds, Doug Ferguson, Drums and Wires, Frantic, Geneva, Hollywater, Home Brew, Human Beings, Jim Sullivan, Jimmy Page, Led Zeppelin, Live and Breathe, Lord Hippo, Mafia, Old Boy Network, Passfield, Phoenix, Pretty Green, Rattlesnake, Rhythm Collision, Scully, Siege, Stone Cold, The Royal Oak, Trick of the Light, Urban Fox, WD40, West One, Whitehill, Who Moved the Ground?, Willie Austen -
Greenstone
(c’70s) Eddie Russell (vocals), Adrian Haiselden (guitar), Mick Stone (bass), and John Hinsley (drums).
The band went by a number of names before settling on Greenstone. This was either concluded en-route to their first gig in a borrowed van and browsing a paint colour chart they found in the back or after a tin of paint found in the drummer’s loo. The group rehearsed at the Youth Centre Annex, Guildford.
Hinsley left when he got the opportunity to go semi-pro in Germany. Haiselden was last reported to be in Gloucester and playing in a blues band by the name of Scully. Russell, regrettably, left this realm in November 2024.
Gallery:

Greenstone rehearsing on the 1st floor of the Youth Centre Annex in the early ’70s. Source: Adrian Haiselden via Guildford Town Past & Present 
Greenstone rehearsing on the 1st floor of the Youth Centre Annex in the early ’70s. Source: Adrian Haiselden via Guildford Town Past & Present 
Greenstone rehearsing on the 1st floor of the Youth Centre Annex in the early ’70s. Source: Adrian Haiselden via Guildford Town Past & Present -
Bob Potter & His Band
(c’53-’66) Bob Potter (drums), George Cooke (guitar). Terry Moss (?), John Horton (vocals) and ?.
Potter is well known locally and earlier in his music career was a band leader and drummer. He started out by forming Bob Potter’s Aldershot Aces but soon had three bands on the go: The Bob Potter (Dance) Band, The Rhythm Aces and The Aldershot Aces.

The Bob Potter Dance Band c’53, somewhere in Aldershot. Image courtesy of www.davidstjohn.co.uk In ’59 the band performed at Farnborough’s National Gas Turbine Establishment (NGTE Pyestock), part of the Royal Aircraft Establishment (RAE), Xmas Dance as Bob Potter & His Band. At some point Jock Cree, known to many as the manager of Potter’s Music Shop, Aldershot during the ’60’s Beat Boom, joined and played with many of Bob Potter’s bands in the 50’s and 60’s.
On 22 October ’66 they appeared on the BBC Light Programme with J. B. Byrd, Brenda Scott, Don Chance, and The Alan Wolkes Four, broadcast from The Top Rank Suite, Hanley, Stoke-on-Trent.

The Bob Potter Orchestra postcard! Source: Steve McKeown via Farnborough (Hants) Nostalgia Potter went on to own and/or manage a number of venues, starting with The Palais, Aldershot and adding The Agincourt, Camberley and The Atalanta, Woking. His band/s would rehearse and perform at the latter. Potter also promoted the Town Hall, Farnborough and opened a recording studio in Mychett. He went on to build Lakeside Country Club, Frimley Green
Bob Potter OBE, passed away peacefully in his sleep after a short illness on 14 April 2023. He was 94.
Gallery:

18 December 1959: Ticket for the NGTE Pyestock Xmas dance in Fleet, at which Bob Potter and His Band performed. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
Bob Potter Entertainments Agency flyer listing The Bob Potter Dance Orchestra. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
Bob Potter and His Band (aka Bob Potter’s Aldershot Aces) in the early 50s. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
The Bob Potter Dance Band c’53, somewhere in Aldershot. Image courtesy of www.davidstjohn.co.uk Agincourt, Agincourt Ballroom, Aldershot, Atalanta, Atalanta Ballroom, BBC Light Programme, BBC Radio, Bob Potter, Bob Potter & His Band, Bob Potter’s Aldershot Aces, Brenda Scott, Camberley, Don Chance, Farnborough, Frimley Green, George Cooke, Hanley, J. B. Byrd, Jock Cree, John Horton, Lakeside Country Club, Mychett, National Gas Turbine Establishment, NGTE Pyestock, Potter’s Music Shop, RAE, Royal Aircraft Establishment, Stoke-on-Trent, Terry Moss, The Alan Wolkes Four, The Aldershot Aces, The Bob Potter Band, The Bob Potter Dance Band, The Palais, The Rhythm Aces, Top Rank Suite, Town Hall, Woking -
Carousel Club, Farnborough
(c’66-’68) Situated on Camp Road, Farnborough, above Whites / J.G. Ward car showroom, the club was buzzing in ’66, having opened on 17 December ’65, went on a hiatus throughout early ’67 finally reopening in June ’67 and continued to rock until Mar ’68. The likes of Otis Redding, John Mayall & the Blues Breakers, The Kinks, Lee Dorsey and so many more graced the venue.

Otis Redding in a Carousel Club t-shirt, printed by the Ricky-Tick Club printing team. Robert Fox, who owned the Expresso 1 Cafe in Farnborough, had the bright idea of opening a club for the town’s youth, found some premises, and submitted planning permission to Farnborough Council. His first attempt failed, but after leasing land behind Newbury’s for parking his second application for the Carousel Club was before the council on 26 October ’65. Planning permission was granted, by a margin of one vote, and the Carousel officially opened on 17 December ’65, with one of the first regular presenters of Top of the Pops, Pete Murray spinning the discs. Murray also introduced live sets by The Koobas, who recorded ‘Ready, Steady, Go’ earlier in the day, The Riot Squad, and Grant Tracy & The Sunsets.

Pete Murray on opening night at The Carousel Club, 10 December 1965. Aldershot News 17 December 1965. Source: Steve McKeown via Farnborough (Hants) Nostalgia The club kicked it into another gear in the New Year with The Artwoods performing on 17 January ’66; followed four days later, on 21 January, by The Action, supported by The Soul Pushers. A succession of big names entertained the club members in the lead up to Valentines Day ’66: Starting on 11 February the Mark Leeman Five were followed the next night by Flamingo Club regulars The Train, then Alan Bown Set on 13 February in the buildup to 14 February ’66 that featured The Small Faces, with The Rockhouse Band warming up the crowd. Not that the estimated 500 attendees needed much warming up. The screams were deafening and the venue struggled to get The Small Faces to the stage through the throng. There was an attempt to pull Steve Marriott from the stage and it was just as difficult to get the band out of the venue with one person injured in the post-performance crush. Elkie Brooks, Keith Powell, The Marionettes, and Mike Finney and The Excels were all at the venue on 25 February ’66. The Artwoods returned on 5 March ’66, and The Poets were supported by The Symbols on 11 March ’66. The Five Proud Walkers supported Jimmy Brown Sound the next night, 12 March, although the big draw that week came on Sunday with Georgie Fame and the Blue Flames on 13 March ’66. On 28 March ’66 The Kinks put out a press release confirming that Ray Davies was still ill and all concert dates were cancelled, including the Carousel Club that night. The Kinks were rescheduled for 16 May ’66.

March ’66 Advert In the meantime, Dave Dee, Dozy, Beaky, Mick and Tich, and John Mayall’s Bluesbreakers appeared on 4 April ’66. On 15 April ’66, The Symbols opened for the six-piece The Quite Five and the next month, on 2 May, The Small Faces returned, followed four days later by The Trekkas on 6 May ’66. The very next night Island Records singer and songwriter Jackie Edwards was backed by The Sidewinders; followed by Geno Washington and the Ram Jam Band on 8 May ’66. Graham Bond bought his Organisation to the Carousel Club on 20 May ’66, with The Score helping to pack the venue the next night. Now making regular appearances at the venue The Small Faces performed on 22 May ’66. A week later, on 27 May, Herbie Goins and The Nightimers took to the small stage. A few days later legendary soul and R&B singer Ben E. King performed on 30 May ’66. Details on much of the remainder on the year are sparse, but we do know that on 2 September ’66, Top of the Pops’ Samantha Juste was at the venue, The Carnaby performed on 3 September ’66, and The Alan Price Set the next night. The Shevelles appeared on 9 September ’66 and then, for only his second performance in the UK, Otis Reading, back by a 14-piece band, filled the venue on 13 September ’66; with support by Manchester’s The Score.

13 September 1966: “Otis” signed Carousel Club Otis Redding ticket. Picture courtesy of Paul Trew The Carousel Club closed its doors two weeks before Christmas ’66, with an appearance by The Move scheduled for 30 December ’66 cancelled. It reopened as The Big ‘C’ Club on Friday 2 June ’67, as the only club in the Britain run by Radio Caroline, with a set from The Turtles and support from Moon’s Train. The venue’s group bookings were now handled by Laurie O’Leary, who’d later be a pallbearer at both Charlie and Ronnie Kray’s funerals, while Ronnie Turner and Alan Beck shared managerial duties. While it was The Big ‘C’, The Amen Corner are rumored to have made an appearance, Jefferson Airplane were allegedly booked, and Dave Entovan – who’d go on to manage Robbie Williams – spun a disc or two. Certainly, on 4 July ’67, Moon’s Train played, returning on 9 September ’67. The 3 November ’67 saw the venue hosting Episode Six, and The Junior (Pretty Boy Kerr) Group with vocalist Linda Lewis the following night. Later in the month Cliff Bennett and The Rebel Rousers turned up, on 12 November. A week after taht it was Geno Washington and the Ram Jam Band, on 17 November, followed by Moon’s Train on 18 November and The Ferres Wheel on 24 November.

February ’68: Advert for the Big C On 17 February ’68, Moon’s Train returned once again and, on 23 February ’68, The Fantastics took to the stage followed by a return visit from Junior Kerr and Linda Lewis, this time with The White Rabbit, on 24 February ’68. Southampton based John Drevar’s Expression returned, although we have found no evidence of their first visit as yet, on 15 March ’68, and Little John and The Shadrocks dropped by the next night. On 19 March ’68, Odiham Magistrates Court refused to renew The Big C’s music license due to poor safety precautions and inadequate fire escapes – there was after all just one way up to the club above the showroom and one way down. The club closed immediately, and that night’s performance by Michigan’s The Marvelettes was cancelled, leaving some 400 disgruntled teenagers standing outside the club that night. The Marvelettes had been scheduled to play the club earlier in year but didn’t show and resident DJ, Lionel “Golly” Gallacher, having just lost his job, was left with the onerous task of breaking the news to the crowd again. Meanwhile, club manager, O’Leary cancelled Geno Washington and the Ram Jam Band’s 22 March ’68 booking and promised that the club would reopen after upgrades – it never did…
Gallery:

Carousel Club’s birth. Aldershot News, 22 October 1965. Source Steve McKeown via Farnborough (Hants) Nostalgia 
Carousel Club above J.G. Ward 1965. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
Carousel Club! Aldershot News clipping, 17 December 1965. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
Carousel Club DJ Pete Murray signing autographs on opening night. 17 December 1965. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
January/February 1966 
February ’66: Advert for The Carousel Club 
The Small Faces at The Carousel Club on 14 February ’66. Clipping from Aldershot News 18 February ’66. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
February 66: Advert for the Carousel Club 
March ’66: Advert for the Carousel Club 
March ’66: Advert for the Carousel Club 
The Carousel Club, Farnborough is misnamed ‘Caravan Club’ on the cover of Melody Maker’s 26 March 1966 edition. Unfortunately the gig was cancelled die to sickness… 
March ’66: Advert for the Carousel Club 
April ’66: Advert for the Carousel Club 
April ’66: Advert for the Carousel Club 
June ’66: Advert for the Carousel Club 
July 1966: Advert for the Carousel Club, Farnborough from the Aldershot News & Camberley News 
June ’66: Carousel Club flyer 
September 66: Flyer for the Carousel Club 
September 1966 advert. Aldershot News 2 September 1966. Source Steve McKeown via Farnborough (Hants) Nostalgia 
13 September 1966: Bob Fox with Otis Redding at the Carousel Club, Farnborough. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
Carousel Club! Aldershot News clipping, 16 September 1966. Source Steve McKeown via FHN 
Aldershot News clipping, 2 June 1967. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
November ’67: Advert for Big C 
March ’68: Advert for the Carousel Club 
Carousel Club closes! Aldershot News, 22 March 1968. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
Month TBC ’66 
Month TBC ’66 Alan Beck, Big C, Big C Club, Carousel Club, Charlie Kray, Cliff Bennett and The Rebel Rousers, Dave Dee Dozy Beaky Mick and Tich, Dave Entovan, Elkie Brooks, Episode Six, Expresso 1 Cafe, Farnborough, Farnborough Council, Flamingo Club, Geno Washington and the Ram Jam Band, Georgie Fame and The Blue Flames, Golly Gallacher, Graham Bond Organisation, Grant Tracy & The Sunsets, Herbie Goins and The Nightimers, Island Records, J.G. Ward, Jackie Edwards, Jefferson Airplane, Jimmy Brown Sound, John Drevar's Expression, John Mayall & The Bluesbreakers, John Mayall’s Bluesbreakers, Junior Kerr, Keith Powell, Laurie O’Leary, Lee Dorsey, Linda Lewis, Lionel Gallacher, Little John and The Shadrocks, Mark Leeman Five, Mike Finney and The Excels, Moon’s Train, Newbury’s, Odiham, Odiham Magistrates Court, Otis Redding, Pete Murray, Radio Caroline, Ray Davies, Robbie Williams, Robert Fox, Ronnie Kray, Ronnie Turner, Samantha Juste, Steve Marriott, The Action, The Alan Bown Set, The Alan Price Set, The Amen Corner, The Artwoods, The Big ‘C’ Club, The Carnaby, The Fantastics, The Ferres Wheel, The Five Proud Walkers, The Junior (Pretty Boy Kerr) Group, The Kinks, The Koobas, The Marionettes, The Marvelettes, The Move, The Poets, The Quite Five, The Riot Squad, The Rockhouse Band, The Score, The Shevelles, The Sidewinders, The Small Faces, The Soul Pushers, The Symbols, The Train, The Trekkas, The Turtles, The White Rabbit, Whites -
Certain Gestures
Created by Dave Tiffen, the ex-manager of The Sleep and Basic Essentials, along with Basic Essentials bassist Andrea James, the Certain Gestures fanzine was available from Head Sounds, Guildford. Issue No.4 included a feature on Paul Cummins and Simon Raymonde’s new band Wild About Harry. Issue No.5, if this is indeed the same fanzine, consisted ‘entirely of arty images’.
Around the same time as Issue No.4 was published Tiffen and James were forming Somewhere in Europe.
Gallery:

21 July 1983 Soundscene Column clipping 
C’84 – Cover of Certain Gestures No.5. Source: Still Unusual -
The Jeremiahs
(c’85-’89) Ben Mitchell (drums), John Mitchell (guitar), Simon Ashby (vocals/guitar), and Robert S. (bass/keyboards).

John Mitchell, Ashby and S. were at school together and started toying with covers during lunch, eventually forming Art23. There was a brief hiatus when the three of them did their own thing, but eventually they got back together and continued as a trio for a while. Ben Mitchell, John’s cousin, was invited to join and The Jeremiahs were formed.

The Jeremiahs first demo In ’85 a 2-track demo carrying an early version of “Never Come Back“ and “Bluer Days” was self-released. In July/August “Wipe Away the Tears“ and “Over the Stove“ appeared on another 2-track demo, we’ll call the VM Studios demo. In November ’86 they recorded 4 tracks: “Satan Shoes”, “Candyfloss”, “Return of the Spirit Stones” and “The Daffodil Fields”, at The Paradise Club releasing that as a demo. A 3-track demo cassette, carrying “Over the Stove”, “Wipe Away Your Tears”, and “Never Come Back”, also hit the streets in ’86. The Caribbean Club, Basingstoke hosted the band, along with The Particles, on 31 October ’86; and The Buzz Club rounded out ’86, on 15 November, with a local bands gig which featured West One, Steel Bill and the Buffalos, FRA, and Second Balcony Jump on the bill with The Jeremiahs being added late.
The band returned to The Buzz Club at the West End Centre, Aldershot on 7 February ’87, joining Mighty Mighty and The Bridge were on the main stage; while Jim Jiminee played the bar. At some point they started to be managed by Melody Maker staff photographer, Tim Paton. The band were getting considerable airplay on local Reading / Basingstoke station Radio 210. The station put out the vinyl LP “Beyond the Fence Begins the Sky” on Plastic Head Records [PLAS LP 008] in ’87, a compilation of local bands that included The Jeremiahs “Never Come Back”. There was interest from Cherry Red Records which, after the release of “Far from the Maddening” as the opening track on Final Records “The Final Teaze” [FINAL LP42] compilation vinyl EP in ’87; went nowhere. But, also in ’87, Abstract Records put out the bands “Driving into the Sun” vinyl EP.

Cover of 1987’s ‘Driving into the Sun’ EP On 6 March ’88, The Jeremiahs supported The Flatmates at Underground, Croydon and that same month the Aldershot News reported them signing to indie label Abstract Records. On 18 June there was a farewell Buzz Club – as Bluetrain along with the club promoters and band members, Bartlett and Hagan, were off to the states – and along with Bluetrain, The Jeremiahs, Sugar Mountain, Crimplene Explosion, The Aubisons, The Mulberry Ceilings, and The Splendids took to the stage to wish them a bon voyage.

18 June ’88 The band also played the Marquee, London. On one such occasion they supported British new wave / pop band G.I. Orange, who were biggish in Japan, and the venue was packed with Japanese girls. They took The Jeremiahs music back to Japan, putting the band top 5 in the Japanese airplay charts and the “Driving into the Sun” EP at No. 6 in Japan.
The band split in ’89 but closed out with a number of farewell gigs at venues like the Trade Union Club, Reading. Post The Jeremiahs, Ashby moved north and formed This Gigantic World, worked in A&R, managed bands, lectured in music business at Salford University, promoted gigs, and DJ’d at Modern Vintage indie night in Manchester. He is also writing for a music mag. S. worked in Japan for a while and may have married one of those Japanese fans.
Tracks:
Gallery:
Recorded at The Paradise Club in November ’86 
Radio 210’s local band compilation vinyl LP “Beyond the Fence Begins the Sky” included The Jeremiahs “Never Come Back” in early 1987. 
Back cover of Radio 210’s local band compilation vinyl LP “Beyond the Fence Begins the Sky”. 
The Jeremiahs were included on “The Final Teaze” compilation vinyl EP in ’87 
Back cover of “The Final Teaze” compilation vinyl EP in ’87 
Back cover of 1987’s ‘Driving into the Sun’ EP 
6 March 1988: The Jeremiahs supported The Flatmates at Underground, Croydon according to this ad in Melody Maker, 27 February 1988. Picture courtesy of Pete Cole 
6 March 1988: The Jeremiahs supported The Flatmates at Underground, Croydon according to this ad in Melody Maker, 5 March 1988. Picture courtesy of Pete Cole 
18 June 1988: Framed Buzz Club Poster. Source: Dave Driscoll
Abstract Records, Aldershot, Aldershot News, Art23, Basingstoke, Ben Mitchell, Bluetrain, Buzz Club, Caribbean Club, Cherry Red Records, Crimplene Explosion, Croydon, Final Records, FRA, GI Orange, Jim Jiminee, John Mitchell, London, Manchester, Marquee, Melody Maker, Mighty Mighty, Modern Vintage, Plastic Head Records, Radio 210, Reading, Salford University, Second Balcony Jump, Simon Ashby, Steel Bill & the Buffalos, Sugar Mountain, The Aubisons, The Bridge, The Flatmates, The Jeremiahs, The Mulberry Ceilings, The Paradise Club, The Particles, The Splendids, This Gigantic World, Tim Paton, Trade Union Club, Underground, West End Centre, West One -
St. Johns Hall, Farnborough
Sitting on the St. Johns Road this hall hosted dance nights with local bands, including The Modern Art of Living, in the late 60s and into the 70’s run once a month by Rev’s Youth Club.
But ‘discos’ took over in the mid/late 70s with Sunday night being Rock Disco night. The R101 did play there in the ’80s, as did The Larry Miller Band and The Hamsters.
Gallery:

Photograph by Paul Roberts of the interior of St. John’s Hall, Farnborough in ’77. Source: Farnborough (Hants) Nostalgia 
St. John’s Hall, Farnborough in 1965. Source: Christopher Cornwell via Farnborough (Hants) Nostalgia


























































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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