Our Soundscene

For anyone who vaguely recalls the Woking / GU postcode area music scene.

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  • Technik

    Technik

    (c’84-’85) Sean Bailey (?), Ian Hicks (?), and Kevin Gould (guitar?).

    Guildford / Godalming synth band that, on 11 April ’85, visited the Wilfrid Noyce Centre, Godalming, to support Cabina Telefonica.

    Gould had previously been in The Musicians.

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  • Antibreed

    Antibreed

    (c’93-’94) Carl Bishop (vocals), Steve Ireland (?), and ?

    Godalming based thrash metal band released a demo in late ’94 titled “Human Tumor” which was reviewed in No.26, the December / January ’95 issue of, extreme music magazine, Terrorizer.

  • The Prince of Wales, Lower Froyle

    The Prince of Wales, Lower Froyle

    In the village of Lower Froyle stood The Prince of Wales public house, another now lost venue. The original ‘malthouse’ was replaced in around 1910 for Crowley’s Alton Brewery. It was one of four identical pubs, baring the entrance, built in the area at the time.

    In the mid ’80s regular gigs were held at the pub, including This Breed of Heroes who secured regular monthly gigs at The Prince of Wales in ’85 through ’86, and Phoenix. By late ’98 the pub was no longer viable, and it was sold for conversion into a private house called ‘The Old Malthouse’.

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  • T. T. Transmission

    T. T. Transmission

    (c’77-79) – Richard Houghton (drums), Mark Terry (guitar/vocals), Paul Bennett (bass), and Stuart Manson (keyboards/vocals).

    This Fleet / Aldershot based band formed in April ’77, after Manson returned from teaching English in Spain, from the remnants of Scavenger and White as White; and were managed by Church Crookham resident Mike Utting.

    26 hours straight in a studio – this may have been Chestnut Studios, Churt which the band used at some point – on 23 April ’77 saw “Man from Down Under“, “Living is Loving“, and “Womanizer” written and laid down. Utting and the band built a strong local fan base with gigs at Fleet Country Club, Fleet (which became a regular haunt); Technical College, Farnborough Tech; Town Hall, Farnham (with Farnham’s Human Beings); and other local venues. They badgered the labels with calls and a demo cassette until they got five to promise attendance at a London gig.

    23 Nov 1977: T. T. Transmission appeared Upstairs at Ronnies. Picture courtesy of Mark Terry

    That gig saw a coach trip for fans from Farnborough 6th Form College to Upstairs at Ronnie’s to see them play on 23 November ’77. This was attended by the record company’s A&R reps and agencies. RCA remained keen and a second audition was held at the Agincourt, Camberley on 7 January ’78, supported by The Vandals, where they probably included “The Goblin Party” and “Leaving You in the Lurch” in their set. It’s possible that Radio 210 recorded the gig too. In June ’78 they supported Strife, along with Chou Pahrot, at the Technical College, Basingstoke; a venue T.T. played again on the 18 March that year, for the Rag Ball. In ’79 they were headlining the local college’s, including Farnborough Tech. We lose track of the band after this date.

    23 June 1978: Basingstoke Technical College hosted Strife, supported by T. T. Transmission and Chou Pahrot. Picture courtesy of Mark Terry

    Terry was in a number of local bands after T.T., including Spliff Riff and Undercurrents with fellow T. T.’er Manson. Terry and Manson had also been in Crosswinds.

    This jazz/rock fusion band recently reformed, and after rehearsals in North Wales, performed their first gig for 47 years at the West End Centre, Aldershot on 12 October 2024, a venue that was three of the members old school in the 60’s. More gigs are planned for 2025.

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  • Wishful Thinking

    Wishful Thinking

    (c’65-’80) Dave Luther (guitar), Roy “Boone” Daniel (vocals), Brian Allen (drums), Roger Charles (bass), and Richard Taylor (guitar).

    In late ’64 or early ’65, as was Bob Potter’s management style, Barry ‘Bo’ Williams (bass), Graham ‘Topper’ Clay (drums), and Pete Foster (rhythm guitar) of The Renegades were replaced by Woking born Allen, Charles and Taylor of The Emeralds and with this new lineup; that included Daniels (who also went by Spreadborough) from Farnborough and Luther, the two remaining members of the Renegades; the band was renamed Wishful Thinking and pitched as a Woking / Farnham band.

    Article c’66 on Wishful Thinking. Picture courtesy of Richard Prest via Bob Potter’s Bands in the 60s and 70s

    In ’65, Taylor was replaced by former The Lively Set guitarist Terry New. Then in ’66 they released the 7″ single “Step by Step”, which got listed on pirate radio station Wonderful Radio London’s ‘Big L Fab 40’.

    On 1 July 1966, the band were at the Marquee Club, London with The Summer Set, and joined The Walker Brothers, Dave Dee, Dozy, Beaky, Mick & Titch, The Quotations, The Creation, and Hamiliton and The Hamiliton Movement at the Gaumont, Bournemouth for two performances a day across the 11 to 13 August ’66. On the last of those three days The Moody Blues replaced Dave Dee, Dozy, Beaky, Mick & Titch on stage. Another trip into London to team up with Winston’s Fumbs at Tiles, London on 29 September ’66. Later in ’66, the band attracted 250 to their appeared at the Airmen’s Club, Lyneham on 3 November ’66 and were part of the All-Star Pop Concert package tour when it visited Theatre Royal, York, on 5 November ’66, which was headlined by Freddie & The Dreamers, and included The Mindbenders, Julie Grant, The Lonely Ones, Vivienne Chering, and The Flintlocks along with Wishful Thinking. The band returned to the Airmen’s Club on 10 November for the Tramp’s Ball, then on 17 November ’66, with The Manchester Playboys back at Tiles, followed on 18 November ’66, by an appearance at the Starlite Ballroom, Greenford; before heading out on a UK cabaret tour and over to Denmark. Meanwhile, their single “Step by Step” had hit No.8 in the Scottish Radio chart. The band had held down a pretty heavy schedule through ’66 that included the Atalanta Ballroom, Woking, and The Starlight Ballroom, Crawley, and they found themselves wrapping up the year back at the Airmen’s Club on 31 December ’66 for the New Year’s Eve Ball.

    Wishful Thinking. Picture courtesy of Richard Prest via Bob Potter’s Bands in the 60s and 70s

    The next year Daniels left the band to be replaced by ex-The Time / Kingsmen vocalist Kevin Scott/Finn, aka Danny Finn, New was replaced by John Franklin (guitar), and Charles was replaced by Tony Collier (bass/vocals), who performed the lead vocals on several of the band’s tracks. ’67 was also the year that the Allen, Charles, Franklin, New, and Scott lineup released “The Wishful Thinking Live Vol 1” LP on Decca, produced by former Shadows drummer/A&R man Tony Meehan and featuring covers of The Beach Boys’ “California Girls“, The Four Tops’ “Reach Out (I’ll Be There)“, The Left Banke’s “Walk Away Renee” and The Turtles “Happy Together” and the original “Is She a Woman Now“. By this time the band’s fan club was getting pretty active and was run by Sylvia Curtis of Farnham. There was an appearance with Maxine Brown & The Q-Set on 18 February ’67 at Dreamland, Margate. Then, shortly after the release of the ‘Live’ LP and a gig at the Civic Hall, Guildford, the band toured The Netherlands and Denmark, including, on 6 March ’67, Denmark’s Brørup Pop Club, Jylland and the Hit House, Copenhagen as some point. There were three consecutive nights at The Scotch of St. James, London on 20-22 November ’67. Towards the end of the year, they were voted the best non hit parade group of ’67.

    Mike Raynor of Wishful Thinking surfing the crowd in Copenhagen, Denmark, 1967. Source: Peter Møller via Bob Potter’s Bands in the 60s and 70s

    Occasional singles and tours occurred over the next few years, this included 1967’s “Count to Ten” which featured some session drumming from Mitch Mitchell of The Jimi Hendrix Experience, who had been in The Lively Set with New.

    The Cromwellian, Kensington, was a significant London rock venue in the day and Wishful Thinking stepped onto the stage there on 6 February ’68. Torquay’s 400 Ballroom welcomed the combo on 6 April ’68; a venue they revisited on 17 August and 20 through 23 August that same year. There were also return visits to The Cromwellian on 6, 20 and 21 May ’68. The Cromwellian was managed and part owned by Bob Archer, who would establish Pantiles, Bagshot, and on 14 March ’69, Wishful Thinking were performing there; and on 12 July ’69 the band played Hastings Pier with St. Johns Wood in support. On 1 October ’69, Wishful Thinking were one of the many bands, including Sky, The EmbersThe Late, Canterbury Tales, Crazy Paving, Chimera, and Magic Alice that played a benevolent concert at Samantha’s Club, as the Agincourt, Camberley was called for a time. This was compered by Dave West and also featured the Radio 1 D.J. Ray Moore.

    Listed as Denmark c’68, we believe this is Helsinki, Finland. Outside Bar-dot Wishful Thinking give flowers to everyone! Picture courtesy of Richard Prest via Bob Potter’s Bands in the 60s and 70s

    An appearance at Grey Topper Club, Jacksdale on 17 May ’70 was followed by a return visit eight days later, on 25 May, to perform at noon and that night for the club’s Whit Monday. Charles was replaced by Tony Collier, then they opened for Pink Floyd at a Danish concert in 1970. They were back in the Southwest on 10 April 1971 at the City Hall, Truro with Marvellous Kid in support. In ’73, they were involved in the soundtrack “That’ll Be the Day“, with David Essex and Ringo Starr; contributing the song “It’ll Be Me” and they can be seen next to Billy Fury during the dance contest scene. Also in the early 1970s, Allen was replaced by Pete Ridley, and then John Redpath (drums), who remained until 1979. Meanwhile, Danny Finn became the singer with The New Seekers from 1976 to 1978.

    Wishful Thinking’s biggest success came in ’78 with “Hiroshima” which entered the German Top 10. It was a slow burn of a success; unlike the event it was named after. The track was originally written in ’69 by Dave Morgan, later of ELO, and recorded at Chappel Recording Studios, Wimbledon and released by Wishful Thinking in ’71. It was also included on their album that was also to be titled “Hiroshima“; however, the first release in Germany in ’71 was simply titled “Wishful Thinking“. John Timperley was the audio engineer; and Ruan O’Lochlainn who also worked with Jethro Tull, Rick Wakeman and Ringo Starr, did the cover artwork and photography. Lou Reizner was producer of the single and album and provided the spoken text on the single. It was released at various times in the coming years in the UK, Germany, Netherlands, Belgium, Denmark and Spain; but it was not until its re-release in May ’78 that it gained any real recognition. It became popular on continental Europe, staying 44 weeks in the German Top 40 Charts, and reaching a highest position of number 8 on 22 May ’78. The album of the same name was released in 1971 in the UK, Germany, Canada and the USA; as well as being re-released in Germany several times, including on CD in 1988.

    In 1980, the group became inactive; Scott/Finn moved to Scotland; Franklin remained in Surrey; Allen moved to Salignac, France; and Charles to Australia. “Hirosihma” kept going: In ’82, a German language cover version was released by East German Puhdys. In 1990, German singer Sandra released the song, reaching number four in Germany, Switzerland and Israel and sixteen in France. As of 2019, Sony Music in Germany have the distribution rights for the “Global Records and Tapes” and Ariola catalog. On 16 April 2005, band members Finn, Allen, Collier, and Franklin reunited to perform a single song on TV for RTL in Germany.

    After leaving Daniels went to work at B.A.C. in Weybridge and with wife Helen had a boy they christened Dean. He passed on 20 February 2022. New was taken by cancer on 4 October 2010; Allen passed away at his home in France on 23 May 2012, Kevin Finn (“Kevin Scott”, “Danny Finn”) died after a brief illness on 22 February 2016, and Collier left us on died 4 April 2023 in Bournemouth.

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  • The Emeralds

    The Emeralds

    (c’63-’66) Allen ‘Kerry Rapid’ Hope (vocals), Richard ‘Spud’ Taylor (guitar), Alan Elkins (guitar), Roger Charles (bass), and Brian ‘Brian Allen’ Allender (drums).

    Kerry Rapid and Roger Stanley of The Emeralds at Sunshine Holiday Camp, Hayling Island. Source: Alan Hope via Bob Potter’s Bands in the 60s and 70s

    The Emeralds formed in ’63, a name they adopted after a season at the Sunshine Holiday Camp, Hayling Island as The Nightriders. Originally a 4-piece with Taylor, Allender, Roger Stanley (bass), and Hope, (vocals); they added Elkins shortly after. The band signed to His Masters Voice (HMV) and released the Vic Keary arranged single “The Kerry Dances” [POP 1157] that same year.

    1963’s “The Kerry Dancers”

    Just shy of a month after The Rolling Stones and The Strangers had rocked The Lido, Winchester, along came Dave Curtiss & The Tremors on 17 January ’64, with The Emeralds in support. The next month, on 2 February, The Emeralds opened at the Agincourt Ballroom, Camberley, for Cliff Bennett and The Rebel Rousers. The Agincourt also hosted The Emeralds and The Paramounts on 29 March ’64.

    In ’64 Elkins left, but we are unsure if this was before or after the Open Air Beat Festival at Botwell House, Hayes, where the band, billed as Daniel Boone & The Emeralds, appeared alongside The Searchers, Eden Kane & The Downbeats, The Migil Five, The Animals, Chris Sandford & The Coronets, The Undertakers, The Interns, Georgie Fame & The Blue Flames, Screaming Lord Sutch & The Savages, The Gamblers, Julie Grant, Cliff Bennett & The Rebel Rousers, The Sorrows, The Hawks, Adam Faith, and Dusty Springfield. That same year the band moved to Decca.

    In ’65, through Decca, two more singles were released, but that was after Taylor was replaced by Terry New. “Don’t Listen to Your Friends” [F12096] featured session guitarist Big Jim Sullivan from the Tom Jones band; and was produced by Tony Meehan and written by Jerry Lordan. It did alright in The Netherlands and was played on Radio Veronica and Radio Caroline. “King Lonely the Blue” [F12304] featured session guitarist Jimmy Page was released in The Netherlands with a picture sleeve.

    1965’s “King Lonely the Blue” Dutch picture sleeve

    In early ’65, another of Bob Potter’s bands, The Renegades disbanded, and as was Potters’ management style, Renegade frontman Daniel Boone found himself backed by three of The Emeralds: Woking born Allender, Charles, and Taylor, along with Renegade guitarist Dave Luther. They were billed, for a time and as they had been occasionally before the ‘official’ merging, as Daniel Boone and The Emeralds. Eventually the Daniel Boone stage name was dropped, and Farnborough born Roy Spreadborough – whose middle name was Daniel – went by Roy Daniel instead, and we see the band listed as Daniel and The Emeralds and various other combinations.

    The Emeralds agency card. Picture courtesy of Richard Prest via Bob Potter’s Bands in the 60s and 70s

    Back at the Agincourt, Daniel & The Emeralds performed with The Paramounts, once again, on 31 January ’65. According to the book “The Day Before Yesterday: Rock, Rhythm and Jazz in the Bishop’s Stortford Area, 1957 to 1969” by Steve Ingless, The Emeralds supported Tony Rivers & The Castaways at the Rhodes Centre, Bishop Stortford on 13 February ’65. The Civic Hall, Guildford, on 6 March ’65, hosted Daniel & The Emeralds and The Plebs. Two months later they kicked things off at the Agincourt for Rod Stewart and The Soul Agents. The band, as The Emeralds with Daniel Boone, played two consecutive nights at the 400 Ballroom, Torquay on 9 and 10 April ’65. The Emeralds were back in Torquay, at the 400, on 28 April, 26 June, and the 28 June through 2 July, 14 through 20 August, 13 and 14 September, 18 September, 20 through 24 September, and 13 November ’65. The band did take a quick trip from Devon to Essex on 11 July ’65, to appear at the Odeon, Southend with Tom Jones & The Squires, Nashville Teens, Jalacy Hawkins, The Clayton Squares, and Ray Cameron.

    Early in ’66, 9 January, the band opened for The Sidewinders at the Agincourt, but not the “original Georgie Fame group featuring Phil Seaman on drums” as billed. A few days later, on 14 January ’66, the band returned to the 400 Club, Torquay; then supported Dave Berry and The Cruisers at the Town Hall, Farnborough on 16 February ’66, before going back to the 400 on 11 April, and then onto The Marquee, London on 5 May ’66, opening for The Mark Leeman Five. The Emeralds stayed at The Marquee the following night, opening this time for The Sands. Eight days later, on 14 May ’66 the band were in Eastbourne, at Club Continental. On 25 June ’66, The Emeralds and The James Royal Set were performing at Starlite Ballroom, Greenford. The next month, Dave Dee, Dozy, Beaky, Mick & Tich headlined at Princess Theatre, Torquay on 17 July ’66, while The Emeralds got second billing, followed by Kim Davis and The Del Five, then Paul & Barry Ryan with the Robb Storme Group. A few months later, on 15 October ’66, The Emeralds headlined at the Locarno, Swindon, supported by, their once frontman, Kerry Rapid and the Soul Tones. Eventually, this new lineup would become Wishful Thinking.

    2023’s B-Side of The Emeralds “King Lonely The Blue”

    In 2023, the rockabilly reissue label TM Records, put The Emeralds’ “King Lonely the Blue” on the B-side of their reissue of Ken Levy and The Phantoms “Missed Out” [45-TM-BI 001].

    Allen, who’d been in The Bandits, as had Hope after Allen, had also played with Charles in the band that backed Dusty Springfield and Val Doonican. He would lead The Brian Allen Band in the 90s and early 2000s, but regrettably died on 23 May 2012 following a heart attack at his home in Salignac, France. Spreadborough passed ten years later on 20 February 2022 and New, who’d been in The Lively Set, succumb to cancer on 4 October 2010. From ’71 to ’77, Hope would also sing in Threewheel.

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  • The Angel, Godalming

    The Angel, Godalming

    Prior to the Gin Mill, and many years after it was The Angel Hotel Stables, a blues club was run out of The Angel. It was originally organised by Keith Tillman, founding member and bassist of the Aynsley Dunbar Retaliation, who subsequently joined John Mayall & The Bluesbreakers.

    Chris “Swaggy” Szwaglis (who booked the Civic Hall, Guildford twice for The Equals, but forgot to book the band and appeared on a consumer show for his misdemeanors), then took over, booking The Equals, The Herd, and The Stormsville Shakers regularly. Szwaglis didn’t ‘forget’ to book The Equals for the Angel Blue Beat Club, as it was called, and they appeared on 16 June 1967. The next month, on 22 July, The Herd rolled through. When the Whisker Davies Blues Stormers split in July / August ’67, because Julian Davies went off to the Royal College of Music, they got together for one more gig at The Angel.

    16 June 1967: Surrey Advertizer advert for The Equals at the Angel, Godalming. Source: Shirley St Clair via Godalming Town Past & Present

    When Pete “Hairy” Newberry took on the responsibility for booking bands, he renamed the club: The Gin Mill. Jumping to April ’96 and Issue #3 of Gerfump named Club Stout at The Angel, Godalming the ‘Club of the Month’. Szwaglis passed many years ago. 

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  • Cabina Telefonica

    Cabina Telefonica

    (c’84-’85) Mark Woolford (?), Aleyn Cain (?), Stephen ? (drums) and Mike ? (?).

    These space rockers were ‘highly’ (pun-intended) influenced by Hawkwind, Gong and Here & Now, and gigged at many of the local Memorial / Village Halls.

    On 2 March 85, the group appeared with Why at the Village Hall, Hambledon. The next month, on 11 April ’85, they visited the Wilfrid Noyce Centre, Godalming, with supported provided by Technik. There was also a gig at Milford’s Village Hall.

    As some point, Technik lent the band their 4-track machine and they recorded some tunes in short order.

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  • Blank Expression

    Blank Expression

    (c’80-’82) Robert Selway (bass), Stuart Barnett (drums), David Maskrey (guitar) and Chris Try (vocals / rhythm guitar).

    16 July 1980: Blank Expression played the Wonersh Memorial Village Hall. Picture courtesy of Stuart Barnett.

    Maskrey and Try were both at Broadwater School and their first band together was Blank Expression. The band’s debut gig was at Wonersh Memorial Hall on 16 July ’80. They released a 3-track demo, produced by Phil Collins; with Barnett using the same drum kit Phil Collins used on ‘In the Air Tonight“. The next year they appeared at Broadwater County Secondary School, in concert, in aid of Buses for the Disabled on 23 July ’81. On 12 September ’81, Blank Expression were at The Wooden Bridge, Guildford, in fact the band became a regular booking for The Wooden Bridge and we know they were back there on 1 December ’81.

    A few months later, on 15 March ’82, they supported The Jam, for one gig, on the Trans-Global Express Tour, along with Urban Shakedown, at Fair Deal, Brixton. Then returned, on 29 May ’82, to the Wooden Bridge once again.

    Selway and Barnett started Pied Piper and The Rats after they split from Blank Expression, and Selway went onto play in Big Belief after Kamaleon. Maskrey, who is currently in The Shakespearos, and Try formed Wild Lettuce.

    31 October 2020: Blank Expression (L-R front: Selway, Maskrey, Try, and Barnett; L-R back: Clare Barnett ex-Pied Piper and The Rats and Lynsey Ann Newman). Picture courtesy of Stuart Barnett.

    All four members talked about getting Blank Expression back together in 2021 and doing some gigs. Try and Barnett, with Krzysztof Dudzinski on Bass and Ian Clarke on lead guitar did just that with an initial appearance at the Ivy Leaf Club, Cove on 25 March 2022. Sadly, in 2023, Try sustained severe injuries in a road incident, and passed away. The band continued, even after Clarke left, and remained in the contract with RS Promotions Band Management; adding Darron Edwards on bass, while Dudzinski moved to guitar.

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  • White Lightning

    White Lightning

    (c’84-’90) Noel Jones (vocals), Simon Pengilly (guitars), Gerald Goff (bass), and Jeff Ward (drums)

    The initial nuclei of White Lightning – yes, without the ‘e’ – were two ex-Iron Pig bandmates, guitarist Pengilly and bassist Goff. They were joined by ex-Static vocalist Jones and then Ward, the drummer from Iron Pig.

    On 1 November ’84, Sweeny Todd headlined at the Ad Lib Club, held at The Kensington, Russell Gardens, with White Lightning in support. Later in the month this NWOBHM band self-released the single “This Poison Fountain / Hypocrite” on their Wild Party Record [PP 1000] label. Shortly after which, in late ’84, White Lightning appeared at The Royal, Guildford receiving a positive review from Steffan Chirazi, published in the 9 December issue of Sounds.

    White Lightning from Bushy Park photo shoot. Image courtesy of Noel Jones

    A number of gigs down the road, including The Wellington, Shepherds Bush on 29 July ’87, and a burgeoning repute stalled, then disintegrated, when Ward left and joined Mournblade. But Ward’s mother had sent a tape to Metal Hammer as the band crumbled. The band reformed to perform in Metal Hammer’s ‘Find a Band’ competition, with new bassist Richard Goddard. They didn’t win but garnered the support of Tommy Vance. They began recording again and compiled and pressed a run of no more than 500 LPs titled ‘…As Midnight Approaches‘. Tommy Vance played the record in full on his Friday Rock Show.

    White Lightning at King George V Bowl, Douglas on 6 June 1990. Image courtesy of Noel Jones

    Pengilly decided he never wanted to play live, leading to the recruitment of John Storey. About the same time Workshop Records sought a second White Lightning LP and the necessary the tracks were laid down at Jason Ducker (ex-The Enid) and Max Read’s Lodge Recording Studio, Northampton. Meanwhile, on 6 June ’90, the band supported Meat Loaf at the King George V Bowl, Douglas, on the Isle of Man during the T.T. Races. That second LP however never got released by Workshop and following a final gig at the Corn Exchange, Dorchester the band called it a day.

    In 2010, Angel Air Records released both LPs and extra demo and live recordings. Jones sadly passed on 16 April 2019. In addition to Mournblade in the mid-’80s, Ward also performed in Ragged Boys, The Barrelhouse Brothers, and The Hollow. Of Pengilly and Goff we are currently uncertain.

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One thought on “Home

  1. Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.

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