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Phobia
(c’90-93) Ben Corbett (guitar / vocals), Rob Hughes (guitar) Erik ? (bass / vocals), & Scott D’Souza (drums).
Camberley’s Phobia supported the likes of PWEI and Senseless Things; got played by John Peel regularly on his Radio One show, as well as Steve Lamacq; with mentions in the NME, Sounds and Melody Maker. In earl/mid 1990 they laid down 6 tracks, around the same time (29 May) they appeared on stage at Pambalwood Ball, Hammersmith Palais. “Skimbo Says…” was released in July 1990.

Sleeve for Phobia’s Skimbo Say… demo cassette. Picture courtesy of Sid Stovold Their follow-up demo cassette, “FranticTeenLust…”, carrying a further 6 tracks, was released in early ’91 having recorded it in December ’90 at Vons Studios, Islington with Otteran Langrell doing the engineering. By mid/late ’91 trips up to London to perform were becoming more common such as a slot, supported by Big Boy Tomato at Pop Club, held at The Bull & Gate, Kentish Town, appearances at Brixton Clubhouse; while keeping local audience interested with venues like Ragamuffins, Camberley, including an appearance on the club’s stage for The Cube on 10 August ’91; The George, Ash Vale; Fox & Hounds, Fleet; and Reading’s Cartoons hosting. They did well on the US college radio network according to reports and “Evermore” and “Throwing Stones” appeared on Snakebite City, under the name Mama Cain. They were back on Snakebite City two with “Bolthole” shortly after releasing the “5’11″” and “Now Wash your Hands” EPs.


The band used the Vons Studios, Islington again for “5′ 11”; with Langrell producing, with Phobia, as well as taking care of the mix with Lee Rumble. They were scheduled to support Blur in Brighton in Aug ’91, but that appears to have fallen through when “Leisure” took off following Reading ’91. Local appearances continued for Phobia with gigs at The Buzz Club, West End Centre, Aldershot in ’92 and ’93; a venue at which they’d supported The Manic Street Preachers, with The Hysterics, and The Popguns, along with Bubble-Eyed Dog Boys and Blue Velvet, the year before; and a support slots with Mega City Four at the University of Surrey and Farnborough Tech.


The white version… 
“Thank You” from their “Skimbo Says…” demo also appeared on Farnborough Groove Vol.1. Two years later (’93), their track “The Light” appeared on Return of Farnborough Groove Vol.3; that same year “Touch the Ground” was included on the “Never Heard of ‘Em” compilation.
Corbett went on to work in sound mixing / engineering at ITV. D’Souza is a DJ, producer, label co-owner of taMe Music with Philipp Ort focused on techno-house, and artist known as ‘taMe’ making electronic music. Hughes also went into sound engineering. Langrell, who now resides in Brixham, Devon, went on to work with Sinéad O’Connor, Embrace, The Orb, and Brian Eno, and has achieved recognition since 2002 for his own psychedelic dub tracks and his collaborations with Simon Posford. He has released two albums on Twisted Records: Blumenkraft (2003), Skylon (2008) and one album on Ottsonic: Mir (2011). Ottsonic also released a digital live album in 2013.
Tracks:
BoltholeEvermore
Inside Out
Thank you
The Light
Throwing Stones
Touch the Ground
Gallery:

In 1993, Phobia’s “Touch the Ground” was included on the “Never Heard of ‘Em” compilation cassette. Picture courtesy of Pete Cole 
29 May 1990: Phobia on stage at Pambalwood Ball, Hammersmith Palais. 
29 May 1990: Phobia on stage at Pambalwood Ball, Hammersmith Palais. 
29 May 1990: Phobia on stage at Pambalwood Ball, Hammersmith Palais. 
30 September 1991: Phobia, supported by Big Boy Tomato, played Pop Club at The Bull & Gate, Kentish Town. Source: Miles Jacobson via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
29 July 1991: Phobia were up at the Bull & Gate, Kentish Town. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
29 July 1991: Phobia were up at the Bull & Gate, Kentish Town. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
29 July 1991: Phobia were up at the Bull & Gate, Kentish Town. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
29 July 1991: Phobia were up at the Bull & Gate, Kentish Town. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
Phobia at The Bull & Gate, Kentish Town on 29 July 1991. Picture courtesy of Pete Cole having nicked it from Phobia!, who might just have nicked it from Mick Mercer over at Bull & Gate Memories 
Phobia’s Skimbo Say… demo cassette. Picture courtesy of Sid Stovold 
Sleeve for Phobia’s FanaticTeenLust demo cassette. Picture courtesy of Sid Stovold 
A-side of Phobia’s FanaticTeenLust demo cassette. Picture courtesy of Sid Stovold 
B-side of Phobia’s FanaticTeenLust demo cassette. Picture courtesy of Sid Stovold 

Gossville Arsonist, Aug ’91 























Phobia supporting MC4 at Surrey University in 1992… Picture courtesy (well, I stole it) of Ben Startup 

Snakebite City, which included Phobia, release date clipping. It’s 1992, but the paper and date are unknown. Picture courtesy of Steve Porter 
Phobia supported Birdland and The Fear and Loathing at Camberley Town Football Club on 6 August 1993 according to this gig list. Picture courtesy of Steve Porter 
Snakebite City flyer c’92. Picture courtesy of Steve Porter 
1993 press release from Bluefire Records launching the Snakebite City compilation with Mama Cain (aka Phobia), aong with Backlash, Big Boy Tomato, Pomeroy, Pretty Green, Trousershock BC and Peachrazor. Picture courtesy of Steve Porter. 
30 September 1991: Big Boy Tomato with Phobia and Plop at Pop Club, Bull & Gate, Kentish Town. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
15 February 92: Mega City Four with Phobia, Big Boy Tomato, and Pretty Green. Source: Pete Scott via Mega City Four 
In 1993, Phobia’s “The Light” appeared on Return of Farnborough Groove Vol.3. Picture courtesy of Pete Cole 
22 November 1991: Phobia were at Pop Club, Bull & Gate, Kentish Town, supporting Ludicrous Lollipops, and The Revs. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
The Gossville Arsonist fanzine’s one-line review of Phobia track from The Son of Farnborough Groove Vol.2 Aldershot, Ash Vale, Ben Corbett, Big Boy Tomato, Blue Velvet, Blur, Brighton, Brixton Clubhouse, Bubble Eyed Dog Boys, Bull & Gate, Buzz Club, Camberley, Cartoons, Farnborough Groove, Farnborough Tech, Fleet, Fox & Hounds, Hammersmith Palais, Islington, ITV, John Peel, Lee Rumble, Mama Cain, Mark Sutherland, Mega City Four, Melody Maker, NME, Otteran Langrell, Pambelwood Ball, Philipp Ort, Phobia, Pop Club, PWEI, Radio One, Ragamuffins, Reading, Rob Hughes, Scott D'Souza, Senseless Things, Simon Williams, Snakebite City, Sounds, Steve Lamacq, taMe, taMe Music, The Cube, The George, THe Hysterics, The Manic Street Preachers, The Popguns, University of Surrey, Vons Studios, West End Centre -
Geneva
(c’82-86) Paul Spittle (bass, vocals), Leigh Mock (lead guitar), Mick Boswell (guitar) and Trevor Hill (drums).
Byfleet based Geneva were known for their ‘massive’ PA, pyros, and loud Rush-inspired rock tracks such as ‘Formula One’, which was compared to the closing track from the Signals album: ‘Countdown’. With all their gear it was a squeeze to fit onto The Royal, Guildford’s stage or into the corner at The Cricketers, Westfield. Their own tracks included “Release the Child” and crowd favorite “Never You and Me”. They also played a mean cover of “Turn to Stone”.

Soundscene 26th April 1984 
Soundscene – Jan 10th 1985 
Soundscence, April 11th 1985 -
Herbaceous Borders
(c’88 -’89) Paul Bushell (vocals / guitar), Steve Fisher (keyboards / backing vocals / drums) Shaun O’Conner (bass) and Alan Davis (drums).
This four piece, named after a Gardener’s World video special on herbaceous borders, debuted at the Cricketer’s, Westfield in May ’88, adding Kevin Whitchurch (sax) later in their tenure, and returning to the pub on 9 September that year. They specialized in rock music, as their influences, Dire Straits, Genesis and Led Zeppelin would indicate, covering classics such as ‘Pinball Wizard’ and ‘Golden Brown’. All the bands own material was written by Fisher who aimed to provide songs with “cryptic messages that mean little to anyone except himself.” After a hiatus they re-emerged as John Fiddle and the Freewheelers supporting Getz Loose at The Grey Horse, Kingston only to dispel reformation rumors in early ’89, with Fisher going to Call of Cain and Bushell to Van Gogh and the Earlobes.

Woking News & Mail Soundscene, August 25th 1988 
Soundscene, September 22nd, 1988 
Borders dispel rumers of reformation in this undated Anton Joiner Soundscene article from early ’89. Picture courtesy of Daniel Hiscocks -
Napalm Groove Squad
(c’88-’89) Dylan Owen (vocals), Luke Randall (guitar), Matthew ? (bass) and Mark Ward (rhythm guitar).
Originally using the Ramones’ inspired Teenage Labotomy moniker, the Napalm Groove Squad boys played a number of reimagined covers and self-penned tracks that included ‘Long Lost Friend’, “Flesh”, “Brand New Mini” and “Wildcat”. Rumored to have split in June ’88, they were looking for a bassist in July, having ousted Matthew – apparently he was too sensible – but eventually moved Ward to the 4-string. They were a regular feature at The Cricketers, Westfield and in September ’88 they played ABC Music’s Showcase ’88, at Woking Centre Halls. This event was originally pitched as Woking Live Aid and Naplam Groove Squad were the first confirmed act by gig organizer Kim Joseph. The band returned to the Centre Halls later that year, supporting Van Gogh and the Earlobes at the Brooklands College Ball.

Backstage Pass for The Devil’s Dance Party, 23 March 1989, that included Napalm Groove Squad. Picture courtesy of Daniel Hiscocks The band had just recorded the three-track demo EP entitled “Live and Raw”, which opened with the instrumental “Brand New Mini” leading straight into “Daddy Loves Mummy,” and wrapped up with the 7 minute 1 second long “Long Lost Friend”. Reports revealed that at least one big name label requested a copy of “Live and Raw,” and others seemed set to follow. The demo, no doubt, also helped with their desire to secure more gigs on the London alternative circuit, with one band member openly admitting to not wanting to be labelled a Woking band. “Brand New Mini” went on to win PG Tips’ “Best Track of ’88”. More split rumors emerged in early ’89, but the band appeared at The Devils Dance Party at the Civic Hall, Guildford in March and were up at the Rock Garden, Covent Garden on 22 July for a noon gig.


August 18th 1988 Gigs Column from Soundscene 
Naplam Groove Squad, Body Politic, Great Garden, & Dance Factory possibly in Woking Live Aid line-up (Soundscene – August 4th 1988) 
July 28th, 1988 Soundscene sparks rumours of Body Politic reformation, and suggests NGS will be part of Woking Showcase gig 
From the July 7th 1988 Soundscene Gig list 
A little mention of Naplam Groove Squad in this July 7th ’88 Soundscene piece by Phil Gibby 
A little snippet from Soundscene’s PG Tips, May 26th 1988. 
Soundscence, June 9th 1988 
Soundscene’s PG Tips – July 14th 1988 
Clipped from Soundscene’s PG Tips July 28th,1988 
Soundscene lead story August 4th 1988… 
Soundscene – September 1st 1988: Napalm Squad in the raw 
BB reviews Napalm Groove Squad at Brooklands College Gig held at Centre Halls, Woking with Van Gogh headliing. Year unknown, but probably ’89. Picture courtesy of Daniel Hiscocks 
Napalm Groove Squad colected two awards in PG Tips December 1988 honors list; 
Review of The Devil’s Dance Party from Soundscene (30 March ’89 column), that included Napalm Groove Squad. Picture courtesy of Daniel Hiscocks 
Napalm Groove Squad were the 5th Band on at Showcase ’88, held at Centre Halls, Woking in Sept ’88. Picture courtesy of Daniel Hiscocks -
Hoax
(c’85-’92) Richard Bryant (bass), Jules Brient (vocals), Chris Quick (guitar), John Donne (drums), and Jamie Harper (rhythm guitar).
We know very little about Hoax. They formed in ’84, played varies local venues including The Royal, Guildford with Siege and The George, Ash Vale and may have been Foreigner / heavy metal orientated.

Hoax played The George, Ash Vale on 21 August 1992 according to this unidentified fanzine gig list. Picture courtesy of Steve Porter 
Soundscene, 10 January 1985
















































































































































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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