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Magic Alice
(c’69-’71) Alan Harvey (drums) with ?
Magic Alice were a Camberley / Farnborough band. They supported Status Quo at the R.A.E. Apprentices’ Rag Queen Inauguration Ball held at R.A.E. Assembly Hall, Farnborough on 1 August ’69, along with The Late; as well as at the Technical College, Farnborough in ’71
On 1 October ’69, Magic Alice were one of the many bands, including Sky, Wishful Thinking, The Embers, The Late, Canterbury Tales, Chimera, and Crazy Paving that played a benevolent concert at Samantha’s Club, as the Agincourt Ballroom, Camberley was called for a time. This was compered by Dave West and also featured the Radio 1 D.J. Ray Moore.
Harvey had been in The Modern Art of Living prior to Magic Alice
Gallery:

1 August 1969: R.A.E. Assembly Hall, hosted Status Quo, The Late, and Magic Alice. 
1 October 1969: Crazy Paving played Samanthas (Agincourt Camberley). Image courtesy of Maureen Gamble -
Army & Navy, Aldershot
The Army & Navy sat on the corner of the Kings and Western Roads and opened in the 1850’s. It was very well known for its cellar bar disco, but it also featured live acts.
Local Opportunity Knocks winner, Billy Bacardi (Bill Watts) used to perform there at weekends and in the 80’s Spliff Riff often hired the cellar bar for rehearsals. In the early 90’s Who Moved the Ground?, The Flowers of Sacrifice, in early November ’91, and Thieves of Dreams roused the locals. The Army & Navy was in fact Thieves of Dreams home venue throughout ’91, a residency that saw the band perform on the 16 and 30 June, and 14 July ’91. Ten days later, on 24 July ’91, Who Moved the Ground? played the pub with Thieves of Dreams returning on 28 July and 18 August ’91. Who Moved the Ground returned again on 21 August. Thieves of Dreams performed two more times at the Army & Navy that year, the first on 29 September ’91 and lastly with Blue Velvet on 13 October ’91.

16 June 1991: Thieves of Dreams were at Army & Navy, Aldershot. Source: TOD Thieves of Dreams The next year, on 5 January ’92, Thieves of Dreams were once again at The Army & Navy, Aldershot and Blue Velvet would return the following month, on 9 February ’92. It was later called Hogans but closed in the late 90’s with planning permission to convert to flats granted in May 1999.
Gallery:

The Army & Navy, Aldershot. Source: Paul Atkins via Historic Aldershot Military Town 
The Army & Navy in 1987. Source: Paul Atkins via Historic Aldershot Military Town 
30 June 1991: Thieves of Dreams played Army & Navy, Aldershot. Source: TOD Thieves of Dreams 
The Army & Navy, Aldershot today, after conversion to flats in the early 2000s -
Running Dry
(c’70-’71) Sev Lewkowicz (keyboards), Richard Ashworth (vocals) Peter Jones (bass), Gary Deeves (guitar), and Steve Carruthers (drums).
Rehearsed at the Youth Centre / Youth Centre Annex, Guildford and supported Brinsley Schwarz, with Quiver, at the Civic Hall, Guildford on 13 December ’71.
Under his own name, Richard Ashworth, became a singer / songwriter. Lewkowicz went on to perform in the Ashworth managed Asylum, with Deeves, Headwaiter and Soho. Deeves has sadly passed.
Gallery:

13 December 1971: Brinsley Schwarz, supported by Quiver and Running Dry played the Civic Hall, Guildford. Advert taken from Melody Maker 11 December 1971. -
Gallon Drunk
(c’88-date) James Johnston (vocals/guitar/keyboards), Mike Delanian (bass) and Nick Combe (drums).
Formed in ’88 by ex-COW members Johnston and Delanian they self-released a single in November that year. The double A-sided Snakepit [GAL 003] with Please Give Me Something on the flipside, co-written by Guildfordian forming members Johnston and Delanian, was only distributed at gigs, the band pressing 400 copies.
By ’90 Combe, who had played and recorded with The Scientists, was recruited and debut single Snakepit had led to signing to Clawfist. They covered The Silver Apples Ruby for their next single in late ’90 with Joe Byfield on maracas. Three singles followed in ’91, with Some Fool’s Mess named ‘Single of the Week’ by the NME and a review in Big Muff called it a ‘piece of genius’. Combe was replaced by Max Decharne before the single was also placed 13th in John Peel’s Festive Fifty that year. The band recorded one Peel Session on 14 July ’91 which was broadcast on 1 September ’91 and repeated on 17 November and 21 December as part on Peel’s pick of the year programmes, calling their cover of Dick Dale’s Miserlou, “just stupefying” and “surfing for the suicidal.”
The band also supported Lush, who were on their Black Spring tour, at three venues in early October ’91:Municipal Hall, Colne (7 Oct), along with Nature Things; the Irish Centre, Northampton (8 Oct), and The Tabernacle on Powys Square, London (9 Oct) where they were joined by Stereolab, of which, the now editor of Record Collector magazine, Paul Lester’s review for Melody Maker wasn’t kind on Stereolab or Gallon Drunk. After a short break from Lush’s tour, Gallon Drunk rejoined for nine consecutive dates:Bradford University, Queensbury (21 Oct); Mayfair, Glasgow (22 Oct); UMIST, Manchester (23 Oct); Sheffield University, Sheffield (24 Oct); Essex University, Colchester (25 Oct); the Junction, Cambridge (26 Oct); Bierkeller, Bristol (27 Oct); Fox’s, Wolverhampton (28 Oct), and finally on 29 October ’91, the band were supporting Lush, with Passing Clouds, at Portsmouth’s Pyramids Centre.

29 October 1991: Gallon Drunk supported Lush with Passing Clouds at Portsmouth’s Pyramids Centre. Their debut album release, You, the Night…and the Music in ’92, with also a US release on Rykodisc. Stereolab opened for the band at the Venue, London on 7 March ’92. A year later, on 28 March ’93, the band headlined the Pavilion Theater, Brighton with Cornershop and Dog Hunch in support; and Cornershop supported them again the following night, 29 March ’93, at The Joiners, Southampton. ’93 also saw the release on their second LP, From The Heart of Town, which was Mercury Prize-nominated resulting in the band signing to Sire Records. Their growing profile resulted in them playing as a guest of Morrisey at the Hollywood Bowl and Madison Square Garden, New York. Saxophonist and keyboard player, Terry Edwards, who’d worked as a session player on the LP, joined the band while they toured the UK for The Heart of Town. The band’s next tour was of Europe and the US, this time as headliner and supporting PJ Harvey saw Decharne (who later fronted to The Flaming Lips) leave. He was replaced by Ian White in ’93.

29 March 1993: Gallon Drunk played The Joiners, Southampton, with Cornershop in Support. In ’94, Robert Hanks described the band’s sound for The Independent as “dark, bluesy, grinding noise characterised by dense textures, low, mumbling bass guitar and keyboards, and liberal applications of whammy bar to the electric guitar, the whole thing oddly underpinned by maracas”. The band released The Traitor’s Gate EP in ’95 and played the Phoenix Stage at the Pheonix Festival on 15 July ’95 coming onto the Stratford-Upon-Avon festival’s stage ahead of Faith No More, Public Enemy, Terrorvision, Paradise Lost, Body Count, Ice-T, and EMF, but not bottom of the bill which was reserved for Shootyz, Groove, and Pitchshifter. On 29 October ’96, Gallon Drunk headlined at Dingwalls, Camden. It was on their new label, City Slang, that The Long Still Night LP was released in ’96 and the single To Love Somebody in March ’97. This was the band’s last release before dissolving.de projects
The band reformed in ’99, and you’ll find the band’s members credited as part of the music department on the Nik Triandafyllidis directed movie Black Milk; although with Jeremy Cottingham having replaced Mike Delanian on bass. They issued the Blood Is Red EP, in 2000; and the band’s soundtrack to Black Milk followed in March. In 2002 they released the album Fire Music.
What followed was a seven-year break, during which Johnston toured and recorded as a full-time member of Nick Cave and the Bad Seeds, who he had joined for a Lollapalooza tour in ’94. The Rotten Mile, with bassist Simon Wring instead of Cottingham, marked their return in 2007. This was also marked by a tour that included an appearance at Klub 007 Strahov, Prague which was recorded and released on Sartorial Records in 2008 as Live at Klub 007.
Following the death of Wring in 2011, the band entered Clouds Hill, Hamburg and recorded The Road Gets Darker from Here, which they released in 2012; with the subsequent tour featuring Leo Kurunis on bass. They returned to Clouds Hill and laid down the tracks that would become The Soul of the Hour, which was released in March 2014 on Clouds Hill Recordings. This same label also issued Johnston’s solo album The Starless Room in November 2016, which featured Gallon Drunk drummer White.
Founder, frontman and sole consistent member Johnston was also member of Faust from 2006 to 2012. He and White are also currently members of Big Sexy Noise with Lydia Lunch and Edwards who had previously worked Lunch’s live shows. Combe passed in 2015, the same year that Edwards and Johnston were recording at Somerset House, London with PJ Harvey, for her The Hope Sex Demolition Project LP, which was released the following year. They then toured with Harvey as part of the touring 10-piece band in 2027. Then, more recently, founding bassist Delanian died in February 2025 in London.
Gallery:

Released in November 1988, Gallon Drunk’s “Snakepit” [GAL 003] 
c’91 – Big Muff 4 Page 30 Gallon Drunk release review 
Big Muff 6 Page 20 Gallon Drunk release review 
9 October 1991: Paul Lrester’s Melody Maker review on the gig. 
27 October 1991: Gallon Drunk supported Lush at the Bierkeller, Bristol 
7 March 1992: Gallon Drunk played The Venue, London, with Stereolab in support 
29 October 1996: Gallon Drunk headlined at Dingwalls, Camden. Source: Wendy McNally via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave Bierkeller, Big Muff, Body Count, Bradford University, Brighton, Bristol, Cambridge, Camden, City Slang, Clawfist, Clouds Hill, Clouds Hill Recordings, Colchester, Colne, Cornershop, Cow, Dingwalls, Dog Hunch, EMF, Essex University, Faith No More, Faust, Fox’s, Gallon Drunk, Glasgow, Groove, Hamburg, Hollywood Bowl, Ian White, Ice-T, Irish Centre, James Johnston, Jeremy Cottingham, Joe Byfield, John Peel, Junction, Klub 007 Strahov, Leo Kurunis, Lollapalooza, London, Lush, Madison Square Garden, Manchester, Max Decharne, Mayfair, Melody Maker, Mercury Prize, Mike Delanian, Morrisey, Morrissey, Municipal Hall, Nature Things, New York, Nick Cave and the Bad Seeds, Nick Combe, Nik Triandafyllidis, NME, Northampton, Paradise Lost, Passing Clouds, Paul Lester, Pavilion Theater, Peel Session, Phoenix Festival, Phoenix Stage, Pitchshifter, PJ Harvey, Portsmouth, Prague, Public Enemy, Pyramids Centre, Queensbury, Rykodisc, Sartorial Records, Sheffield, Sheffield University, Shootyz, Simon Wring, Sire Record, Sire Records, Somerset House, Southampton, Stereolab, Stratford-Upon-Avon, Terrorvision, Terry Edwards, The Flaming Lips, The JOiners, The Scientists, The Tabernacle, UMIST, Venue, Wolverhampton -
Blind Faith
(c’69) Eric Clapton (guitar / vocals), Peter Edward “Ginger” Baker (drums / percussion), Steve Winwood (keyboards / guitar / vocals), and Ric Grech (bass / violin)
This blues rock combo originated with informal jamming sessions by Clapton and Winwood, reportedly in the basement of Clapton’s Ripley home in early ’69. However, Clapton had already acquired the Hurtwood Edge Estate, Ewhurst by this point and we believe this is the more likely location for the birth of Blind Faith. Baker joined them in ‘Ripley’ and they decided to form a band.

Blind Faith in rehearsal They moved practice to Traffic’s rehearsal cottage in Aston Tirrold, Berkshire and the formation of Blind Faith was announced to the press on 8 February ’69, with Baker confirmed as drummer, over Jim Capaldi. Grech joined, leaving Family in the middle of their US tour, in May ’69.
As one of the first super-groups, stylistically similar to the bands, Traffic and Cream, in which Winwood, Baker, and Clapton had most recently participated, they helped pioneer the genre of blues/rock fusion. Straight off they began recording their eponymous debut, and only, album.

7 June 1969: Blind Faith’s debut at Hyde Park, London The first Blind Faith concert was on 7 June ’69 in front of an estimated 100,000 fans in Hyde Park, London, where they were supported by Richie Havens, Donovan, Edgar Broughton Band, and Third Ear Band. On stage they knocked out their soon to be released LP material and covers of the Rolling Stones’ Under My Thumb, Traffic’s Means to an End, and Sam Myers’ Sleeping in the Ground. A run of 500 promotional singles was released by Island Records, although the promotion was not for a Blind Faith single but the label announcing their move to new offices, titled Change of Address From 23 June 1969. The single-sided 7″ carried a Blind Faith instrumental, although no credit was given to the band.
They continued to work on of their album, and undertook a tour of Scandinavia, it was kept short and to smaller venues. This enabled then to rehearse and prepare for the bigger audiences expected in the United States and UK. The band’s US tour, supported by Delaney & Bonnie, Taste, and Free, kicked off at Madison Square Garden, New York on 12 July ’69 and they were at Baltimore’s Civic Center on 20 July ’69. On 26 July ’69 the band headlined the second day of the Midwest Rock Festival at West Allis, WI, USA; also, on the bill that day were Delaney & Bonnie, Taste, John Mayall, MC5, SRC, and The Shag

Blind Faith’s UK cover for Blind Faith The LP, Blind Faith, was released on 8 August ’69, topping the UK and Billboard charts. The cover art, created by photographer Bob Seidemann, featured a topless 11-year-old girl on the front cover, which drew controversy and was quickly withdrawn and reissued with a different cover in the United States.

Blind Faith’s US cover for Blind Faith With limited material of their own they were forced to include old Cream and Traffic material – not that the audiences minded – to elongate their set to a sufficient length. The band played the Forum, Ingelwood on 15 August ’69, supported by Free and Delaney & Bonnie. Nine days later the US tour ended in Hawaii on 24 August ’69. Blind Faith disbanded immediately after their last performance, although Baker didn’t find out until he’d returned to the UK.
Grech, Winwood, and Baker would form Ginger Baker’s Air Force, a group that also included Denny Laine (guitar), Chris Wood (sax / flute), and several other musicians. When Air Force folded, Winwood reformed Traffic with original members and Grech. Clapton toured with Delaney & Bonnie as well as performing / recording with the Plastic Ono Band, John Lennon, George Harrison, Dr. John, Billy Preston, Ringo Starr, Dave Mason, Howlin’ Wolf, and Hubert Sumlin over the following year. He also recorded his eponymous debut solo LP, with Delaney Bramlett’s backing group, Leon Russell and Stephen Stills.
Further live Blind Faith tracks, not included on the million-selling LP, appeared on Winwood’s box set, The Finer Things. During 2000 the band’s only album was remastered and re-released by Polydor as a two-CD deluxe edition with alternate takes, out-takes and studio rehearsal versions in 2001. The Change of Address instrumental also reappear as a bonus track, titled Change of Address Jam.
Grech passed on 16 March ’90 in Leicester, aged 43, of liver failure bought on by alcoholism. Ginger Baker died in a Canterbury hospital on 6 October 2019, aged of 80, from complications of chronic obstructive pulmonary disease.
Gallery:

20 July 1969: Blind Faith played the Civic Center, Baltimore. 
26 July 1969: Blind Faith headlined the Midwest Rock Festival, West Allis, WI, USA 
26 July 1969: Blind Faith headlined day two of the Mid West Rock Festival. 
15 August 1969: Blind Faith headline at the Forum, Ingelwood 
Blind Faith’s UK back cover for Blind Faith 
Blind Faith’s UK inner sleeve for Blind Faith 
Blind Faith’s UK inner sleeve for Blind Faith 
Blind Faith in 1969 
Blind Faith in 1969 
Blind Faith in 1969 Aston Tirrold, Baltimore, Berkshire, Billy Preston, Blind Faith, Bob Seidemann, Canterbury, Chris Wood, Civic Center, Cream, Dave Mason, Dealaney & Bonnie, Delaney & Bonnie, Delaney Bramlett, Denny Laine, Donovan, Dr. John, Edgar Broughton Band, Eric Clapton, Ewhurst, Family, Forum, Free, George Harrison, Ginger Baker, Ginger Baker’s Air Force, Hawaii, Howlin Wolf, Hubert Sumlin, Hurtwood Edge Estate, Hyde Park, Ingelwood, Island Records, John Lennon, John Mayall, Leicester, Leon Russell, London, Madison Square Garden, MC5, Midwest Rock Festival, New York, Plastic Ono Band, Polydor, Ric Grech, Richie Havens, Ringo Starr, Ripley, SRC, Stephen Stills, Steve Winwood, Taste, The Shag, Third Ear Band, Traffic, USA, West Allis, WI -
Rex Cinema, Haselmere
(c’38-86) Located in Shottermill, west of Haselmere proper, The Rex opened as The Regal, a year before the Second World War kicked off, on 28 September ’38, with Fred Astaire and Ginger Rogers in Follow the Fleet.
The war came close to closing The Rex four years later when, on 22 September ’42, a Douglas Boston MkIII Turbinlite of No.534 Squadron RAF came to a nasty end whilst exercising en route from Tangmere to Ford. At 17.55, it was seen to emerge from low cloud in a dive over Shottermill and as it did the aircraft broke up. The starboard engine fell vertically through the roof of the Rex Cinema and the main wreckage fell 95 yards north, on the main Hindhead to Haslemere road. Regrettably, all three RAF crew were killed.

5 January 1964: Rex Cinema, Haslemere hosted The Ronettes, Joe Brown and His Bruvvers, Marty Wilde and The Wildcats, and The Cheynes. Jumping 20 years ahead, The Temperance Seven ventured into the Rex on 19 February ’62; and it’s 15 feet deep stage, and three dressing rooms hosted a number of early sixties package tours over the coming years. Dee Dee Sharp on 30 October ’63, along with Johnny Kidd & The Pirates, Heinz, Joe Brown, Gerry & The Pacemakers, Vince Eager, Big Three, Lee Curtis & The All Stars, and Caravelles. The Ronettes appeared on 5 January ’64, with Joe Brown and His Bruvvers, Marty Wilde and The Wildcats, and The Cheynes; who also served as The Ronettes’ backing band that night. Later that year The Hollies, Heinz, Jess Conrad, The Tornados, Wayne Gibson and The Dixie Cups played The Rex. On 26 October ’64, The Hollies packaged with The Dixie Cups, Heinz & The Wild Boys, Jess Conrad, The Tornados, The Hi-Fi’s, and Wayne Gibson & The Dynamic Sounds rolled through.
In the ’80’s, Dr Feelgood presented a great show, leaving them exhausted – fortunately they only had to nip up the road to the Crown & Cushion, where they were staying thta night.
Set to close in March ’85 the ACE Group of cinemas stepped in and kept it going for a further 20 months. It closed on 28 November ’86. A number of local bands were ushered on and off stage by that night’s stage manager, Nigel Higgs at the closing event. These included Godalming College based S’Tori, Burning Ambition, Captain Pike, and Screaming Hearts; but also, ignominiously, Pulling the Worm who were pulled after two songs, the latter being in poor taste. It has now been demolished and housing built on the site.
Gallery:

5 January 1964: Advert for The Ronnettes package tour that openned at The Rex, Haslemere with Joe Brown and His Bruvvers, Marty Wilde and The Wildcats, and The Cheynes 
26 October 1964 at Rex, Haslemere. Source: www.bradfordtimeline.co.uk 
26 October 1964 – The Hollies, Heinz, Jess Conrad, The Tornados, Wayne Gibson and The Dixie Cups played The Rex, Haselmere 
The Rex Cinema, Haselmere 
The Rex Cinima, Haselmere c’81 Big Three, Burning Ambition, Captain Pike, Caravelles, Crown & Cushion, Dee Dee Sharp, Douglas Boston, Dr. Feelgood, Fred Astaire, Gerry & The Pacemakers, Ginger Rogers, Godalming College, Haselmere, Heinz, Heinz & The Wild Boys, Jess Conrad, Joe Brown, Joe Brown and his Bruvvers, Johnny Kidd & The Pirates, Lee Curtis & the All Stars, Marty Wilde and The Wildcats, Nigel Higgs, Pulling the Worm, RAF, Rex Cinema, S’Tori, Screaming Hearts, Shotterhill, The Cheynes, The Dixie Cups, The Hi-Fi’s, The Hollies, The Regal, The Ronettes, The Temperance Seven, The Tornados, Vince Eager, Wayne Gibson & The Dynamic Sounds, Wayne Gibson and The Dixie Cups -
Gresham Press Band
(c’1902-1914) ?
Old Woking based Unwin Brothers like many other works had their own band. Founded in 1902 the Gresham Press Band, which was also known as Gresham Brass Band or Gresham Press Brass Band, are known to have played at events in Send, with many of the players living in houses built in the village by the company.
Membership numbers varied but seems to have always been around 18. In 1906, the band competed and won a competition in Aldershot for their marching and playing, going on to be the southern area champions. Sadly, like many work’s bands, they disbanded during First World War and never reformed.
Gallery:

Gresham Press Brass Band, Old Woking, (date unknown) 
Gresham Press Brass Band, Old Woking, 1906


















Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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