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Community Centre, Knaphill
Commonly called The Pit, Knaphill’s Community Centre was often hired by bands to run gigs and the venue put on their own events too.
Glib Thicket were at the Community Centre, supporting Backstage Pass, on 23 March ’84, and the very next week, on 30 March, were back there again for a solo gig. Later in the year, on 28 July, The Pit hosted Carnival. By ’85, Carnival would be renamed Five O’Clock High and under this moniker they appeared at the venue regularly.

Five O’Clock High at The Pit, Knaphill The Community Centre was also the location for Trinity Studios, which was booked by Heart Management for the all-girl band Touch to choreograph their own dance routines and rehearsals in ’94. It was late in ’94 that Touch were renamed the Spice Girls. A few years later Heart’s boy band 5ive practiced and demoed their work at Trinity Studios.

Members of the Spice Girls in rehearsal, reportedly photographed at Trinity Studios in The Pit, Knaphill Revolver used Trinity Studios, within the Community Centre to recorded at least three original numbers in ’96/’97. The building is now known as Woking Youth Arts Centre (WYAC) and is home to the Knaphill Cabin Youth Club. WYAC has a recording studio, multimedia studio, drama studio and performance stage.
Gallery:

Carnival play The Pit (Community Centre, Knaphill) – Soundscene 26 July ’84 
Soundscene – 21 March 1985 
Five O’Clock High at The Pit, Knaphill. Picture courtesy of Michael Bailey 
The Spice Girls purportedly shot at Trinity Studios, Knaphill. 
Community Centre, Knaphill c’2017 -
Nelson Keene
(c’59-’62) Malcolm “Dutchie” Holland (singer)
Born in Farnborough in ’42 and given the stage name Nelson Keene by Larry Parnes who managed him, he grew up at 49 Oaken Copse Crescent with his nine siblings, attended Queens Road School and worked locally. In addition, he could be seen, along with Foxy Dance, driving a stock car at Tongham Raceway, as Dutch Holland.
Singing while he worked got his voice noticed and he formed The Raiders with a few friends and won a singing contest pocketing a quid. The Raiders played The Plaza, Guildford and recorded a demo in London, sponsored by the manager of a local radio shop. This demo reached Parnes, who took on Keene and got him a summer season in Blackpool and signed to HMV Records.

“Image Of A Girl” released in 1960 In ’60 his first single, “Image of a Girl” [45-POP 771], a cover version of The Safaris US Top Ten, reached No. 37 or 18, depending on what you read, on the UK Singles Chart. This was outsold by Woking born Mark Wynter‘s rival version of the same song. On 4 March that year Nelson Keene & The Echoes were on stage at the Hippodrome, Dudley opening for a package tour featuring Johnny Kidd & The Pirates, Bert Weedon, Tommy Bruce, Vince Eager, and Rolly Daniels. He was further up the bill, on parr with Duffy Power, for a tour that opened at the Adelphi, Slough on 24 September ’60 that also listed Billy Fury, Joe Brown, Tommy Bruce, Dickie Pride, The Vernons Girls, Peter Wynne, The Viscounts, Dave Sampson, Johnny Gentle, Georgie Fame, Billy Raymond, Johnny Goode, Red Price with Jimmie Nicol and his 15 New Orleans Rockers, The Valentine Girls, and The Dale Sisters. This took in a further 44 towns and cities through October, November and early December, wrapping up with a week-long residency at the Empire, Newcastle that started on 5 December ’60.

8 October 1960. Source: bradfordtimeline.co.uk On 25 February ’61, the Odeon, Guildford was the seventh stop for Larry Parnes’ “Jack Good’s Rock ‘n’ Trad Spectacular – 2nd Edition” headlined by Billy Fury and with Mark Wynter, Tommy Bruce, Joe Brown, Nelson Keene, Duffy Power, The Four Kestrels, Johnny Gentle, Georgie Fame, The Valentine Girls, and the New Orleans Rockers. Two further singles, “Teenage Troubles” [45-POP 814] and “Miracles Are Happening to Me” [45-POP 916], both released in ’61, did not reach the chart. He was then busy on a number of leading package tours.
In ’63 Keene joined Dickie Pride and Bobby Shafto to form The Guv’nors, who signed to Pye Piccadilly and released “Let’s Make a Habit of This”.
He was listed as a soloist again, bottom of the bill, for two appearances at the Roxy, Ulverston and Regal, Bolton on 1 and 2 February respectively. He was backed by The Fleerekkers, and charged with opening for headliner Johnny Kidd & The Pirates and the supporting cast of Heinz & The Saints, Vince Eager, Danny Rivers, and Ricky Valance.
Since 2000 Keene’s songs have appeared on numerous compilations. He emigrated to Australia in the ’70s, after a brief spell in New Zealand, where he still lives.
Gallery:

Press clipping of Nelson Keene biography 
Sheet music for “Image Of A Girl” featuring Nelson Keene 
“Keep Loving Me” released in 1961 
1 May 1961. Source: bradfordtimeline.co.uk 
3 December 1961: Advert. Source: bradfordtimeline.co.uk 
The Guv’nors feauring Nelson Keene (centre) with Bobby Shafto (left) and Dickie Pride (right). Clipped from Record Mirror 27 April 1963. Adelphi, Australia, Bert Weedon, Billy Fury, Billy Raymond, Blackpool, Bobby Shafto, Bolton, Danny Rivers, Dave Sampson, Dickie Pride, Dudley, Duffy Power, Dutch Holland, Empire, Farnborough, Foxy Dance, Georgie Fame, Guildford, Heinz & The Saints, Hippodrome, HMV Records, Jimmie Nicol and his 15 New Orleans Rockers, Joe Brown, Johnny Gentle, Johnny Goode, Johnny Kidd & The Pirates, Larry Parnes, Malcolm Holland, Mark Wynter, Nelson Keene, Nelson Keene & The Echoes, New Orleans Rockers, New Zealand, Newcastle, Odeon, Peter Wynne, Pye Piccadilly, Queens Road School, Red Price, Regal, Ricky Valance, Rolly Daniels, Roxy, Slough, The Dale Sisters, The Fleerekkers, The Fleerekkers with Nelson Keene, The Four Kestrels, The Guv’nors, The Plaza, The Raiders, The Safaris, The Valentine Girls, The Vernons Girls, The Viscounts, Tommy Bruce, Tongham Raceway, Ulverston, Vince Eager, Woking -
Polaris
(c’79-’81) Brian Viner (lead guitar), Chris Wilson (rhythm guitar), Bob Heard (drums), Steve Lewington (bass) and Terry “Scully” Sullivan (vocals).
Dead or Alive were a promising local band, even signing a publishing deal, but when Sullivan – who previously been in cabaret band Sweet Life, and fronted Monsoon – joined the band, and Viner replaced Stuart Huntingford, and Bob Heard took the drummers stool from Peter Fielder in late ’79 the band changed their name to Polaris.

10 May 1980: Polaris played Agincourt, Camberley Manager Paul Dunford secured the band their debut appearance at The Tumbledown Dick, Farnborough on 4 February ’80, getting them a mention on Radio 210 from Bob Harris who witnessed the performance. They were also introduced to the Agincourt, Camberley crowd by whispering Bob, when he hosted ‘Rock Comes to Camberley’ for Radio 210 on 10 May ’80. They are also known to have recorded tracks at Chestnut Studios, Churt. Ken Staddon replaced Sullivan in late ’80, just before the band were scheduled to play Princes Hall, Aldershot; supported by The Mode, on 4 November that year. The band also appeared at The Cambridge Hotel, Camberley; Fleet Country Club, Fleet; The Tumbledown Dick, Farnborough; and as a support act for Splodgenessabounds at the Technical College, Farnborough.
Polaris came to an end when Viner, Heard and Lewington got together with Clifford Turner to form Gem-A-Ten.
When Steve Brookes left The Jam, Viner was one of the guitarists auditioned at The Red House, Woking. Wilson now lives in Suffolk. Sullivan has unfortunately passed. Staddon would reappear in Tried and Tested.
Gallery:

Pop Scene, 1 Feb 1980 clipping. Image courtesy of Lisa Heard. 
Pop Scene, 8 Feb 1980 clipping. Image courtesy of Lisa Heard. 

David Reading’s Pop Scene column from Aldershot News, 31 October ’80 has The Mode supporting Polaris at the Princes Hall, Aldershot on 4 November. Agincourt, Aldershot, Bob Harris, Bob Heard, Brian Viner, Camberley, Cambridge Hotel, Chestnut Studios, Chris Wilson, Farnborough, Fleet, Fleet Country Club, Gem-A-Ten, Ken Staddon, Monsoon, Paul Dunford, Peter Fielder, Polaris, Princes Hall, Radio 210, Splodgenessabounds, Steve Brookes, Steve Lewington, Stuart Huntingford, Sweet Life, Technical College, Terry Sullivan, The Jam, The Mode, The Red House, The Tumbledown Dick, Tried and Tested, Woking -
Rod Bayton
(c’70 to date) Rod Bayton (singer/songwriter)
Guildford folk music writer and performer Rod “Bearded Beanstalk” Bayton played the Ukulele and Banjo.
To our knowledge he first appeared at the Stag Folk Club on the club’s opening night in ’70 and became a club resident, expertly warming up any audience for the evening. On 26 March ’72 the club meet was recorded by Tony Engle, capturing Bayton’s own track “Natural Gas Conversion” and his rendition of music hall song “The Old Dun Cow” written by Harry Wincott in 1893; with both included in the Stag Folk Club LP ‘Live Folk’.

StagFolk album sleeve front. Picture courtesy of Bens Collectors Records Bayton also appeared at the Stag Folk organized free concert at The Guildford Show on 1 September ’73 along with Derek Sarjeant & Hazel King, Ian Russell, Mountain Line, Fred Hayes, Backhurst, and Damien. Two years later, on 20 August ’75, Bayton, along with Mountain Line, and Derek Serjeant & Hazel King, repeated this appearance at the Stage Folk Free Concert at Guildford Show with Cocky, Grass Roots, Don & Sarah Morgan, Dave Tarn, and Julian High.
He was last seen performing in Guildford, where he still resides, band UkeRythmics, who formed in 2017 and he is rumoured to have attended the virtual meetings of the Anchor Folk Club Byfleet in 2020.
Gallery:

StagFolk album sleeve back. Picture courtesy of Bens Collectors Records 
StagFolk album insert. Picture courtesy of Bens Collectors Records -
Cherry Pickers
(c’92) ?
Farnham based band with a hard-edged Deacon Blue-esque sound.
Gallery:

Cherry Pickers press clipping c’92. Picture courtesy of Steve Porter -
Blackbushe Airport, Yateley
Construction of Blackbushe, on Hartfordbridge Flats, during the Second World War was completed at the end of ’42 and was originally called RAF Hartfordbridge, and was used by RAF squadrons throughout the remainder of the war for reconnaissance, defence and strike operations using Spitfires and Mosquitoes.
Blackbushe, Yateley had been used for drag racing after ’62 and was the location for Dragfest. It was suggested as an outdoor music venue on numerous occasions. On 15 July 1978 it hosted an all-day open-air concert, The Picnic at Blackbushe, which was attended by some 160-200,000 plus people – one of promoter Harvey Goldsmith’s biggest ever events – although with a large volume of counterfeit tickets it may have been more.

15 July 1978: Eric Clapton on stage Source: Liam Feeley via Farnborough (Hants) Nostalgia Bob Dylan headlined, with Eric Clapton, Joan Armatrading, Graham Parker & The Rumour, Lake, and Merger also on the bill. This was Dylan’s last European appearance in ’78, and first UK date in 9 years, and Armatrading was flying in from the US just for this concert. The gates opened at noon, with the concert running from approximately 2pm to 10:30 that night. If you were at the back, with all those other punters in front of you, there wasn’t a great deal to see. During the event a few thousand ‘card parachutes’ were dropped from a helicopter over the audience promoting Dylan’s “Street Legal”.
Armatrading performed in a rugby shirt; Billy Connoly finds himself standing next to Dylan to watch Clapton; and when Graham Parker & The Rumour came on, Parker yelled: “Anyone here from the One Oak?” – of course there was. Dylan performed in a Savoy doorman’s top hat and plays for almost three hours. In the audience – well probably backstage – are Jenny Agutter and Ringo Starr.
In ’80 it was suggested by the media that Pink Floyd might do on outdoor show at Blackbushe, but this never came to fruition and to our best knowledge there has been no other live music event at Blackbushe. In 2017, “The Picnic at Blackbushe”, a hardback book in a metal flight case, is written/compiled by Jerry Bloom.
Video:
Gallery:

Clipping from Record Mirror 3 June 78. 
Advert for The Picnic at Blackbushe 
15 July 1978: Blackbushe Picnic Ticket No.099540 in Zone HH. Source: John Welch via Farnborough (Hants) Nostalgia 
15 July 1978: Ticket No.185298 
Ticket for The Picnic at Blackbushe. Source: Dave Cornish via Farnborough (Hants) Nostalgia 
15 July 1978: Counterfeit ticket! Source: Liam Feeley via FHN 
Eric Clapton arriving at Blackbushe for The Picnic. Source: Susan Andre Lowson via Farnborough (Hants) Nostalgia 
15 July 1978: Blackbushe Picnic. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
15 July 1978: Can you see who is on stage? Source: Liam Feeley via Farnborough (Hants) Nostalgia 
15 July 1978: Can just see someone on stage. Source: Liam Feeley via Farnborough (Hants) Nostalgia 
15 July 1978: Card parachutes dropped over the audience at The Picnic. Source: Steve McKeown via Farnborough (Hants) Nostalgia 
The Picnic at Blackbushe t-shirt. Source: http://collections.vam.ac.uk 
15 July 1978: Front cover of the official Picnic at Blackbushe programme. Source: Liam Feeley via Farnborough (Hants) Nostalgia 
15 July 1978: Back cover of the official Picnic at Blackbushe programme. Source: Liam Feeley via Farnborough (Hants) Nostalgia 
Article from 26 Jan 1980 issue of Record Mirror suggests that Blackbushe was in the running for a Pink Floyd live show… -
Crown & Cushion, Haslemere
The Crown & Cushion, sat at 4 Wey Hill, Haslemere, a short walk from the station, and hosted bands in the early ’90s.
On 20 September ’92, Thunderbox rocked the Haslemere venue, and four days later Hot Club heated up the joint, then on 25 October it was Kambium’s turn. Portsmouth based Bananafish, with roots in ska, reggae and rap, appeared and were filmed there on 5 December ’93.
The venue continued to host the occasional live music through to 2012, with the likes of Vic Cracknell (who also played at The Hautboy, Ockham), Six Miles Away, and the Jono, Gareth Icke, Alan Frew combo. The pub closed in 2013 and has now been converted to residential use and is called Wey Hill House.
Videos:
Gallery:

Crown & Cushion, Haslemere 
Crown & Cushion, Haslemere














































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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