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Headnoise
(c’93-’96) Ming (drums), Ian “Ed/Woodcheese” Edwards (guitar), Matt “Moo” Pain (vocals), and Pat “Mahoot” Hughes (bass).
Headnoise, who rehearsed at The White Hart, Frimley, comprised a number of ex-members of This Witness, although we also have a reference to P45’s, and Pain had previously fronted Watch the Turtle. The band attracted the attention of Skunk Anansie; opening for them on a couple of tour dates and supported Reef and Stiff Little Fingers, and were managed by The Jam‘s Bruce Foxton.

Sleeve for Headnoise’s “Mahoygalloy” cassette EP. Source: The Surrey & NE Hampshire Music Scene On 28 November ’93, Headnoise were at The Powerhaus, Islington supporting Candyman along with Revhead. The band kicked off ’94 with an appearance at the Orange, West Kensington on 30 January opening for 800 Deep with Canes Able. On 17 May ’94, Headnoise, supported Apes Pigs and Spacemen, at the Marquee, London. The next night, 18 May ’94, they won the ‘Battle for the Limelight’ held at Princes Hall, Aldershot; beating Who Moved the Ground?, Strange World, Parmaviolet, Blind, Punching Judy, and Redefining Beautiful. That same year saw the release of “Mahoygalloy” a 6-track cassette EP recorded at Studio Sparkes. Sound was handled by sound engineer Paul “Ramrod” Ramsay, who was with the band most of the time. Bassist Hughes replaced Adam Pain, brother of the vocalist, who’d stepped in for Gary “Pit Bull/Chin” Tozer, sometime after the release of “Mahoygalloy“. Late ’94 saw the band opening for Who Moved the Ground? at West End Centre, Aldershot, on 4 November.

Early Headnoise (LtoR): Tozer, Edwards, Ming, and Pain outside the White Hart, Frimley. Back at the Marquee, Headnoise supported Croydon’s Moondigger, featuring Guitar Magazine’s ‘Guitarist of the Year 1994’, Dave Colquhoun, on 5 Janaury ’95. The band, along with Spitfire, supported S*M*A*S*H at the Wedgewood Rooms, Portsmouth on 21 February ’95 and joined Redwood, Supermodel and Disturbing Guests at the Civic Hall, Guildford on 16 June ’95 for Splatch! That same year their track “Shake” appeared on Farnborough Groove Strikes Back Vol.5. Regularly at the Marquee Club during ’95, Headnoise received the venue’s ‘Unsigned Band of the Year 1995’ award.
In ’96 the band released the “Kick in the Dick” cassette EP, which was recorded live at the Tumbledown Dick, Farnborough. Disturbing Guests supported them that night, enjoying the massive PA Headnoise had hired for that show. Issue #3 of Gerfump!, which came out in April ’96, carried a review of the J.C. Regulator, Headnoise, and Sandwich Box gig at the West End Centre on 22 March.
Ramsay has gone on to mix at FOH for The Who, Annie Lennox, The Doves, Kasabian, and Skunk Anansie. Edwards spent 17 years working at the Academy of Contemporary Music (ACM), Guildford before joining The Institute of Contemporary Music Performance (ICMP UK), London as Head of Operations. He has since founded Guitar Breaks and London Academy of Modern Music (LAMM Italia) and is a Director at Band Workshops.
Tracks:Gallery:

17 May 1994: Headnoise, supported Apes, Pigs and Spacemen, at the Marquee. Source: The Surrey & NE Hampshire Music Scene 
Headnoise won the 1994 ‘Battle for the Limelight’ final held at the Princes Hall, Aldershot. Source: Who Moved The Ground? 
Kerrang, January 1995 
21 February ’95: Headnoise, along with Spitfire, supported S*M*A*S*H at the Wedgewood Rooms, Portsmouth. Source: The Surrey & NE Hampshire Music Scene 
In ’95 Headnoise’s track “Shake” appeared on Farnborough Groove Strikes Back Vol.5. Picture courtesy of Pete Cole 
Sleeve for Headnoise’s “Kick in the Dick” cassette EP. Source: The Surrey & NE Hampshire Music Scene 
Part of issue #3 from 1996. Picture courtesy of The Surrey & NE Hampshire Music Scene 800 Deep, Academy of Contemporary Music, ACM, Adam Pain, Aldershot, Annie Lennox, Apes Pigs And Spacemen, Band Workshops, Battle for the Limelight, Blind, Bruce Foxton, Candyman, Canes Able, Civic hall, Dave Colquhoun, Disturbing Guests, Farnborough, Farnborough Groove, Frimley, Gary Tozer, Gerfump, Guildford, Guitar Breaks, Guitar Magazine, Headnoise, Ian Edwards, ICMP UK, Islington, J.C. Regulator, Kasabian, LAMM Italia, London, London Academy of Modern Music, Marquee, Marquee Club, Moondigger, Orange, Parmaviolet, Pat Hughes, Paul Ramsey, Portsmouth, Punching Judy, Redefining Beautiful, Redwood, Reef, Revhead, S*M*A*S*H, Sandwich Box, Skunk Anansie, Spitfire, Splatch, Stiff Little Fingers, Strange World, Studio Sparkes, Supermodel, The Doves, The Institute of Contemporary Music Performance, The Jam, The P45’s, The Powerhaus, The White Hart, THe Who, This Witness, Tumbledown Dick, Unsigned Band of the Year, Watch the Turtle, Wedgewood Rooms, West End Centre, West Kensington, Who Moved the Ground? -
CUT
(c’92-’95) Mark Charles (vocals), Steve Smith (guitar), Steve “Jammo” Jameson (bass), and Pete Chichone (drums).
Jameson had been the bass player with World Domination Enterprises, Smith was from The Vapors, Shoot! Dispute and 1ST, and they got together with Charles of UBz, Shoot! Dispute, 1ST and many other bands, and Chichone to form CUT.

A still from the video for CUT’s “Pickapocket” On 19 January ’95, CUT, along with Headrush and Sil, supported headliners Blameheads at Interspace, held at The Bull & Gate, Kentish Town. In 2012 Mick Mercer’s book “C is for…” was published, which included a number of images of the band playing at the Marquee, London on 12 December 1994; we are also aware of an appearance at University of London Union, Bloomsbury.
Jameson passed in early 2019. From ’98 to 2006, Chichone drummed for Breed 77.
Tracks:Gallery:

12 December 1994: CUT were photographed at the Marquee by Mick Mercer. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
12 December 1994: CUT were photographed at the Marquee by Mick Mercer. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
12 December 1994: CUT were photographed at the Marquee by Mick Mercer. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
12 December 1994: CUT were photographed at the Marquee by Mick Mercer. Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave 
Still from video for CUT’s “Crash Landing”. 
A rather blurry image of CUT on stage at University of London Union, Bloomsbury. 
19 January 1995: CUT, along with Headrush and Sil, supported headliners Blameheads at Interspace, Bull & Gate, Kentish Town, Source: Mick Mercer via BULL & GATE MEMORIES – remembering all who sailed in her musical tidal wave -
Tenth Planet
(c’92-’13) Tenth Plant, along with sub-label Wooden Hill Records formed in ’95, were based at 13 Barricane, St, Johns, Woking and specialized in rare / hard to find psychedelic rock re-issues and compilations, specifically the Syde Tryps series. Between Tenth Planet and Wooden Hill, they re-issued some 65+ titles.

Front of sleeve to 1992’s “Standing Stones” by Oliver on the Tenth Planet label. The first was, a limited 500 numbered copy run, of the LP “Standing Stone” [TP 001] by Oliver (aka Oliver Chaplin) in ’92, a rarity that had originally been self-released in ’74, with liner notes credited to David ‘Dog Man’ Wells. We know that the test pressing occurred on 19 August ’92, so we assume that the runs printing and pressing schedule, which was done in France, would have led to a September/October release date. A CD version was issued on the newly established Wooden Hill, then based at 48 Armadale Road, Woking, in ’95.

Front of sleeve to Tenth Plant’s “Syde Tryps One” compilation released in 1992 “Syde Tryps One” [TP 002] was also released in ’92 and featured 14 tracks by The Pleasure Garden, Giorgio & Marco’s Men, Whispers of Truth, Free Expression, The Purge, The Poets, The Maniax, Tidal Wave, Blackthorn Winter, Euphoria, and Kat. Wells handled the liner notes and Steve McCarthy the cover art, as he had on ‘Standing Stone‘. The production run was once again 500 copies and Wooden Hill dropped a CD version, with an additional track by Fringe Benefit, in ’95.
In 2016, Wells compiled Grapefruit Records [CRSEGBOX033] “Let’s Go Down and Blow Our Minds: The British Psychedelic Sounds Of 1967” 3-CD compilation box set, that included The Late’s “Family Tree”. The Late also recorded, around ’69, several acetates, demos and private recordings, some recorded in Bob Potter’s studio in Mytchett, Surrey, on an Ampex 4 and many are now included on Wooden Hill Records compilation “Songs from the Family Tree” [WHCD021].
(Ed – So much more to add when we get to it…)Gallery:

Back of sleeve to Tenth Plant’s “Syde Tryps One” compilation released in 1992 
Tenth Plant’s “Syde Tryps One” compilation released in 1992 
Front sleeve of 1995’s CD release of “Standing Stones” by Oliver on the Wooden Hill Records label. 
Front sleeve of 1995’s CD release of “Standing Stones” by Oliver on the Wooden Hill Records label. 
Wooden Hill Records’ Syde Tryps One CD cover released in 1995 Blackthorn Winter, Bob Potter, David Wells, Euphoria, Free Expression, Fringe Benefit, Giorgio & Marco’s Men, Grapefruit Records, Kat, Mytchett, Oliver, Oliver Chaplin, St. Johns, Steve McCarthy, Tenth Planet, The Late, The Maniax, The Pleasure Garden, The Poets, The Purge, Tidal Wave, Whispers of Truth, Woking, Wooden Hill Records









































































































Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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