Our Soundscene

For anyone who vaguely recalls the Woking / GU postcode area music scene.

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  • Cameo

    Cameo

    (c’75-’76) Pete ? (vocals), Ray ? (guitar), Clive Parker (drums), and Jeff ? (bass)

    Rehearsing in an old Nissan hut on Borden camp they played working men’s and other clubs in Camberley, Frimley Green, and around.

    We know that the guitarist had played with many 50’s rock ’n’ roll bands, and was a civvy carpenter employed by the Army – hence the rehearsal space at Bordon Camp. The vocalist was also a civvy working for the army, as a cook. After the cook didn’t show for rehearsals the other band members, calling at his old army hut home on the base that he shared with his wife, discovered he had gone. Reportedly, he caught his wife in a tryst with another and walked away to never be seen again. Cameo became a three-piece.

    Parker went on to play in The Members, Lopez and the Waveriders, Athletico Spizz 80, Big Country, Scary Thieves, Kingfishers Catch Fire, Holy Trinity, Barra, and Marshall Star. He has also toured with Nik Kershaw, Pop Will Eat Itself, Crazyhead, and Living Colour. More recently, Parker has played in The Expressway and formed the Furry Records UK label. The Camberley lad now lives in East Sussex.

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  • The Music Room, Churt

    The Music Room, Churt

    Paul Travers was a musician and producer at Chestnut Studios, Churt for many years and when the opportunity arose to take the studio on in ’86 he jumped at it. After redeveloped, designed by architect Neil Grant, the studio, reopened, under new management, as The Music Room, Churt. The studio was one of only a handful of studios equipped with the digitally controlled analog Trident Di-An (DIgitally ANalog) console.

    Sleeve front of 1987’s 7″ single Rien Qu’à Toi by Raphael Preston

    In the UK, Raphael Preston is better known as an audio engineer, most notably from ’77 to ’84 at Nemo Studios, London with Vangelis. But he also recorded music himself, including the 7″ single Rien Qu’à Toi. , This cover of Yazoo’s Only You, with French lyrics, was recorded at The Music Room and produced by Travers and John Hyne before it was released by Ariola [109 143] in France in ’87.

    In ’89, Vicki Morgan released the 12″ single Always on My Mind on Parlophone [12R 6231] which was recorded at The Music Room. The track was written by Travers with Steve Piggott, who has credits on Sheena Easton, Living in a Box, Pet Shop Boys, and Scritti Politti recordings, amongst others. In fact, between them Travers and Piggott handled the arrangement, engineering, produced and the keyboards, while Stuart Bruce mixed, and Morgan provided her own backing vocals along with Tessa Niles of The Strictly Unreasonable Zang Tuum Tumb Big Beat Colossus who featured on Grace Jones’ Slave to the Rhythm.

    The studio hosted Indie rockers The Frogs in ’90, who recorded four tracks that would go on to be released on World Touch Records [CROAK 001] as the God Knows the World is Insane 12″ EP. That same year Tim Smit, he of The Eden Project and Soho, produced – with co-producer Travers – General Confusion featuring Rhythm Machine’s Mission from God, the A-side of the Hyperactive Records 12″ single. This along with the two tracks by Rhythm Machine on the B-side, which was also labeled as the A-side, were recorded at The Music Room. Touch The Stars, the 7″ single from Watergate, on Naked Records [NR 21 WG], was laid down in Churt as was the B-side Do Say in ’90.

    Big Sun’s Promo 7″ single release pack for “Welcome to The Realm of Doctor POP (Pt. 1)”. Picture courtesy of Pete Cole

    During ’91 Big Sun released a promo 7″ single [BS 1] on Headfull Records called “Welcome to The Realm of Doctor POP (Pt. 1)” carrying “Toys and Television“, and “Elizabeth on the B-side; recorded at Jacob’s Studio, Farnham with Ken Thomas producing and engineering and The Music Room with Travers producing and engineering, respectively.

    To the best of our knowledge the studio called it a day sometime in ’91.

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  • The Bunkers

    The Bunkers

    (c’79-’87, ’90 & ’95-’97) Pete Weller (?), Ben Darnton (drums / vocals) & Nick Dunning (guitar / vocals).

    The band released their first cassette LP, imaginatively named “First LP” in ’84, that same year “The Eclair” cassette was released, as was “20 Greatest Lovesongs”. In ’85 the trio released the “Best of the Bunkers” cassette LP, and after adding a fourth member published the “On the Doss…” EP cassette and “The Best of the Bunkers Vol.2” that same year. In ’86 the “Best of the Bunkers Volume Three” cassette was released with cover image taken outside The Wooden Bridge, Guildford.

    The Bunkers in 1985. Picture courtesy of Ben Darnton

    The four-piece reformed in 1990, briefly; performing on 17 February ’90 at the wedding of Raymond Bishop. Then Darnton and Dunning got the band back together again in ’95, with Justin Makin (guitars / vocals) and Andrew Shilcock (keyboards / vocals). Shilcock had been a founder member, aged 12, when the seed of the band originally got together in ’79. Reunited, the band recorded “Elder Statesman” LP, which carried 10 tracks, with assistance from Tim Bird (guitar) on Like a Hurricane; and Paul Bishop (bass) on Emotionally Yours and I’m A Genius. They called it a day in ’97.

    Weller’s uncle was in The Pleasers and The Flying Tigers for a while, as was Dunning and Darnton; with Darnton also doing time in Slapattack, Rockit Men, and Wildfire.

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  • Dry Riser

    Dry Riser

    (c’95-’98) Adam Clark (vocals / guitar), Alex Bowen (bass), Pete Blyth (lead guitar), and Danny Moorhouse (drums)

    In ’95, after Redefining Beautiful, Bowen joined Dry Riser. Later that year the band enter Wokingham based No Machine Studios where three Blyth written tracks: Colours, Doing My Head In, and Baby’s Back; with Clark co-credited for Colours. Engineered by Andy Aust, who’d go on to work on Larry Miller‘s recordings, and Neil Sadler; Safehouse Records, Farnham released Dry Riser’s The Bootleg Kylie E.P. [SAFE1CD] as a CD single, pitching it as a double A-side. All while David Carr handled management, art direction and design.

    Cover of Dry Riser’s The Bootleg Kylie E.P

    On 20 January ’96 the band supported Who Moved the Ground? at the West End Centre, Aldershot; and supported WMTG again on 21 March ’96 at The Warehouse, Fleet; along with Skipper. The release of ‘Best Farnborough Groove in the World – Ever!, Vol.6’ came layer in ’96 and carried Dry Riser’s Colours. The band also played at venues in the Camberley area.

    The band would later morph into Sonic Blue in ’98/’99. Moorhouse sadly left this world in the late ’90s as a result of sudden adult death syndrome. 

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  • Cactus Incorporate

    Cactus Incorporate

    (c’60s) Mike Taro (vocals/guitar), John Mansfield (Drums), Chris Nice (?)

    Managed by Robert ‘Bob’ Oliver, the three teens that formed Cactus Incorporated were all from the Maybury Estate, Woking. In the 60’s, The Surrey Advertiser midweek edition’s youth page, titled ‘The Go-ahead Generation’, published a story about the band.

    Taro would go on to appear in Grant’s Tomb, and when the band rebranded as Luvaduc, Mansfield was on drums.

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  • Strange Brew

    Strange Brew

    (c’68) – Ian Latimer (bass), Andrew Latimer (guitar/vocals), Alan Butcher (drums). and Graham Cooper (guitar)

    When Richard Over left The Phantom Four, he was replaced by Graham Cooper and the band became Guildford based Strange Brew, a mostly covers band. While it is not been fully verified, it is rumored that the band recorded at least two tracks, which would later appear on compilations. Then, in summer 1968, Strange Brew saw bassist Latimer and Cooper depart (Ian to get married), leaving the remaining Latimer brother and Butcher to form The Brew.

    1996’s Purple Heart Surgery Volume 2 on the Modern Records [MOD 2] label carried (I am) The Letterman

    In ’96, the vinyl LP, Purple Heart Surgery Volume 2 (Featuring 14 Beat and Psychedelic Acetates from The ’60s) was released on the Modern Records [MOD 2] label. This carried (I am) The Letterman, but was accredited to an unknown band at the time. That same year, The Hen’s Teeth label reissued the tracks from side 1 of this release on Hen’s Teeth Volume 2: Blocked! – Rare Beat & Psychedelia, [HEN02CD], including (I am) The Letterman, with the other 22 privately recorded R&B and Psych tracks, rescued from virtually totaled acetates, with the track once again accredited to an unknown band. Track 21, (I am) The Letterman, was later rumored to be Strange Brew, though this has not been verified.

    2015’s A Herbal Mixture of Psychedelic Remedies and Freakbeat Fantoms, which carried Mr. Paradise

    Hen’s Teeth delved into the archives again with Hen’s Teeth Vol. 3: Catherine on the Wheel [HEN03CD], released in ’99, with the 27th track, Mr. Paradise, only latterly rumored to be accreditable to Strange Brew. A five CD compilation of remastered psychedelia was released by Rubble [RUBCDBOX2] on 9 March 2015, titled: A Herbal Mixture of Psychedelic Remedies and Freakbeat Fantoms. This also carried Mr. Paradise, still accredited to unknown.

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  • Graham Cooper

    Graham Cooper

    (c’78-?) Graham “Cupcake’ Cooper (vocals / Guitar)

    Cooper didn’t start out as a singer / songwriter. When Richard Over left The Phantom Four, he was replaced by Cooper and the band became Strange Brew, a mostly covers band. Then, in summer 1968, Strange Brew, which had been brothers Ian Latimer (bass) and Andrew Latimer (guitar/vocals), with Alan Butcher (drums) and Cooper (guitar), saw bassist Latimer and Cooper depart, leaving the remaining Latimer brother and Butcher to form The Brew.

    Cooper would then become a member of The Stormsville Shakers and by ’76, Cooper was one of the core members on Jackie Lynton’s Happy Days Band; but by ’80, Graham/e White had replaced Cooper on guitar.

    Cover of 1979’s Dogs, Women and Walnut Trees LP

    In September ’79 Cooper entered Chestnut Studios, Churt and ably assisted by Greg Terry-Short on drums and fellow Soho member Terry Campbell on bass, who split those duties with engineer Tim Wheatley, recorded nine rock and blues tracks, including Cupcakes Boogie. There were also backing-vocals provided by Tammy and Teri Collins on the title track, with the Bloodhound‘s Mick Hogsden, along with Greg Watkins and Terry-Short doing the same on Lar-De-Dar. These would be released as the solo vinyl LP: Dogs, Women and Walnut Trees on Fat Toad Records [FTR001]. There were also two bonus tracks on the B-side: Rollover Beethoven and Tamel recorded live with The Jackie Lynton Band and the Golden Lion, Fulham on 18 November ’78.

    Cooper would be later found performing solo under the Graham “Cupcake” Cooper moniker, and some recall Eric Clapton joining him and other local musicians onstage at The Royal, Guildford for a charity gig in the early ’80s with Bruce Foxton of The Jam in the audience.

    In the mid 90’s Clodagh Rodgers held a benefit for her husband, guitarist Ian Sorbie, who had cancer and regrettably dies in ’95. at the Village Hall, Chiddingfold. Sev Lewkowicz played keys for that event, in a pick-up band with Mike Rutherford, Kenney Jones, Spinetti, Richard O’Brien, Graham Cooper and Tim Wheatley; rehearsing for it at Jones house.

    We are also aware that Cooper was the guitarist with Ferrari Red & the Revettes with Stuart Reffold (vocals), Steve Prudence (bass), and Dickie Knight (drums); playing a few gigs locally, including with Clapton in Cranleigh in aid of Guildford Nurses.

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  • NAAFI Club, Aldershot

    NAAFI Club, Aldershot

    Built at the junction of Wellington Avenue and High Street, Aldershot in 1947/48 the NAAFI (Navy, Army, and Air Force Institute) Club was opened by H.R.H. the Duke of Gloucester on 28th November 1948. It provided recreation facilities such as a ballroom, bar, games room, TV room, and reading and writing rooms.

    Many bands appeared in the ballroom. The Stormsville Shakers graced the NAAFI on almost a weekly basis in ’63 and The Gods took to the stage on 10 October ’67. We also know that Sound of Time and FBI played there in late ’68 or January ’69. The club closed on 1st May 1971; but the building remained and was run as the Roundabout Club for several years. It was eventually demolished and replaced by a Burger King restaurant.

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  • Wob

    Wob

    (c’89-present) Wob Williams (vocals / guitar)

    Solo artist Wob has been on the scene since ’89, with guitar in hand travelling all over the UK and further afield in Europe, Australia and the US. On 7 August ’90 Wob supported Blyth Power, along with Shelley’s Children, at the Corn Exchange, Dorchester. In late October that year he joined Blyth Power, but after four years went back to a solo life.

    On 2 July ’95, Wob played a folk festival in Bracknell along with his olds band, Blyth Power, as well as Equation, Cuckooland, and Maccabees. Cycle Records released the “I Can’t Stay Long” LP [CYCLE CD002] in ’95 and on 9 September that year he appeared at Splatch #4 at the Civic Hall, Guildford, and a couple of months later, on 25 November ’95, he played McDevitt’s, Reading.

    In ’95 Cycle Records released Wob’s “I Can’t Stay Long” LP [CYCLE CD002]

    Early in ’96 he toured Australia with the Killjoys, picking up the ‘best newcomer’ award at the Port Fairy Folk Festival held at Southcombe Park Sports Reserve, Port Fairy, Australia on 8 March ’96. On returning to the UK we found WOB supporting Who Moved the Ground?, on 12 May ’96, at the University of Surrey, Guildford. He joined Ian Dury and The Blockheads, Thurman, Supermodel, and The Coal Porters on stage at day two of Bracknell Festival ’96 at South Hill Park, Bracknell on 29 June ’96. The following month, on 26 July ’96, Wob was playing Newark Castle, Newark-on-Trent. The “Friends in the Night” CD EP followed later in the year, again of Cycle [PEDAL 001]. Also, in ’96, “The Poacher” was included on ‘The Best Farnborough Groove in the World – Ever! Vol.6′.

    In ’96, Wob’s “The Poacher” was included on ‘The Best Farnborough Groove In The World – Ever! Vol.6’. PIcture courtesy of Pete Cole

    The next year played in Austria, including a date at Szene Wien, Vienna, Austria on 30 May ’97. Back on home turf, he was playing at the Ambient Green Picnic, Guildford on 12 July ’97; after which he undertook a charity tour of Romania, playing in children’s homes and culture houses. Wob’s “Island” was included as a bonus extra track on the “Wake Up EP”, a re-release of songs originally released by Wake Up as a 12″ miners benefit EP in ’87. The “Acoustic Music” compilation LP on German label Twah! [Twah! 107] carried four of Wob’s tracks in ’97. Recorded in late ’97, the “Straight on Til Morning” CD LP [CYCLE CD 005] was released in early ’98. Wob returned to Guildford’s Ambient Picnic in ’98. “Gather” came along in early ’99 with live tracks from Germany and Austria, studio tracks laid down at Lighthouse Studios, Weymouth and some material left over from the “Straight on Til Morning” session’s with, Billy Bragg’s ex-right-hand man, Wiggy in Wales.

    A second tour of Australia followed in March-April ’99. Wob also returned to the Farnborough Groove’ in ’99 with “Hopeless” for Volume 8 and dropped “Vanity” onto the “Fear of a Red Planet” compilation [RPRCD 1]. Around this time a live recording at the Brickhouse of “Mole” appeared on Bluefire Records’ Snakebite City series: ‘Snakebite’s Coming Home’. ’99’s Australian tour’s recordings formed the basis for 2000’s “Shouting from The Shore” live LP on Deep Skill [DEEP SKILL 2]. Later that year Silverleaf was formed with Matt Cooper, John Rutherford and Robbie Davies. The group played the across the UK and in Austria for a couple of years. During Silverleaf’s later days Wob recorded the “With Just One Step” LP, releasing it on Deep Skill [DEEP SKILL 3] in ’03. A ‘new’ Silverleaf with Wig and John Forrester formed to honor bookings. In ’06, Wob recorded “A Month of Sundays”; released in ’07.

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  • Cage

    Cage

    (c’69) Rob Thomasson (guitar), Gus Garside (?), and ?

    Formed at the University of Surrey, Guildford in early ’69, Cage played their first gig on 30 May that year at the university’s Mechanical Engineering block, then the Backchat-Symposium Disco on 6 June ’69, followed by a Stag Hill dance on 21 June ’69.

    Cage’s Thomasson could also be caught busking with folk group Jumble, in whom Garside also played.

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One thought on “Home

  1. Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.

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