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Toby
(c’71-’72) Adrian Fisher (guitar / piano), Andy Fraser (bass), and Stan Speake (drums).
On leaving Free, Fraser formed Toby in his house in Horsell’s High Street, where they wrote and rehearsed. Fraser had originally contacted Chris Spedding, in July ’71, to discuss playing in Toby, but Spedding, who would be found playing with Farnborough Firework Factory the following year, declined and Fisher stepped in. There were plans for a single in time for Christmas ’71 and an LP in the New Year, after a three-week tour of Europe.
Toby’s version of “Traveling Man” was released on some of the early German vinyl pressings of The Free Story, on the Island Records label, in ’73. It also appeared on another Free compilation in ’75, called Pop Chronik 19, again on Island Records, and once again released in Germany. It was never included in the UK version of The Free Story. Toby did record more tracks, but it seems only “Traveling Man” made it to any form of release – the promised single and LP never materialized.
When interviewed for Psychedelic Baby Magazine in 2012, Fraser said “Toby was my first start at learning to get confidence in my voice. A long process, which I chose as opposed to forming a ‘supergroup’ to cash in. A feeling of starting again at the bottom.” When Toby folded, Fraser joined Spedding in Sharks. Fisher went on to play in Boxer and Sparks, passing in 2000. Fraser died in 2015 from a heart attack.
Gallery:

Clipping about Toby from Melody Maker in August / September ’71 we believe. 
Toby on 18 August 1971 from band photo shoot at Andy Fraser’s house in Horsell. 
Toby’s version of “Traveling Man” appeared on Island Records 1975 double vinyl LP German release ‘Free – Pop Chronik 19’ [89 236 XCT]. -
Farnham Festival of Music, Farnham
Farnham Festival of Music was founded in ’61 by Farnham Grammer School’s (FGS) music master Alan Fluck and Rev. Hedley Wilds. The first was held at the parish church in May ’61 with 800 children partaking from schools across the area. The festival also featured commissioned music, sponsored by private individuals and local businesses. They gathered together supporters, many of them musicians themselves. and local music teachers and conductors of choirs cooperated willingly in the pilot project.
The ’61 festival saw FGS joining forces with Tiffin’s School, Kingston to form a combined orchestra of 90 musicians. They played a fanfare written for the occasion by Malcolm Arnold, and Arnold’s Little Suite as well as works by Vaughan Williams, Handell, Haydn and Purcell. The FGS / Tiffin school’s woodwind section played Sonata Pian’ E Forte by Giovanni Gabrielle and the school’s singers, with Gavin Williams on organ, performed Bach, Stravinsky and Britten. Partially recorded by the BBC and broadcast later the event was given four columns in the proceeding Sunday Telegraph.
The 5-minute long “Farnham Festival Overture” was composed by Bennett and Bragg for ’64’s festival
Diana Dors (born Diana Mary Fluck) was Fluck’s cousin and would attend the festivals. In May ’67 the festival commissioned jazz musician John “Johnny” Dankworth to write a piece. He produced Tom Sawyer’s Saturday, which can be heard on this recording posted by Graham Varney. That same year the Erase label recorded performances at the Parish Church of St. Andrews across the 9 and 11 May ’67, committing three tracks them to vinyl: An English Book, Mary Magdalene, and Two Canticles from the New English Bible.The Jazz and Classical festival returned in May ’69 with renditions of big band, choral, classical, and early music spread across Farnham Girl’s Grammer School, Farnham Grammer School, Frensham Heights School, and Farnham Parish Church on the 10 to 12 May that year. The Surrey County Youth Orchestra performed Ralph Vaughan Williams’ March Past of the Kitchen Utensils; the junior choir from Aldershot County High School performed Gordon Jacob’s A Goodly Heritage and Williams’ Benedicite; the Aldershot County High School Orchestra’s version of Pamela Verrall’s Suite Fiesta Española was well received; Williams’ work was also tackled by Farnham Girls Choir and Farnham Singers with four songs from A Yacre Of Land. Ernst Toch’s Geographical Fugue 16th And 17th Century Songs were carried off by the Choir of Weydon County Secondary School, while The London Youth Jazz Orchestra played The Serpent by Tubby Hayes.
The festivals specially commissioned works continued for ’69’s festival. Mr & Mrs Norman Patrick entrusted the British composer and pianist John McCabe, who delivered Concertino for Piano Duet with Orchestra, which was ably first performed by the pianists Frank Wibaut and Christian Rutherford backed by Frensham Heights School Orchestra. There were excerpts from the fantasy operetta.
Recording of the festival were published by Erase Exclusive Recording and Sound Effects, across two LPs: Farnham Festival 1969 Red and Farnham Festival 1969 Blue, the sale of which was limited to participants, their parents and friends of The Farnham Festival 1969.

Red LP sleeve front of Farnham Festival 1969 recording 
Blue LP sleeve front of Farnham Festival 1969 recording Fluck led Farnham Area Youth Orchestra in the 70’s and on leaving Farnham Grammer School ran Youth and Music in Covent Garden. He also helped to develop live music at The Malting, Farnham from ’75 to ’85.
Gallery:

Clipping about Mr. Alan Fluck and the Farnham Festival of Music from The Haselmere Herald, 10 February 1961. 
Clipping from May 1961 issue of The Sunday Telegraph on the Farnham Festival of Music. 
Clipping of the page dedicated to the Farnham Festival of Music from the Friday 12 May 1961 issue of Farnham Herald, Haselmere Herald and Alton Mail. 
Clipping from 1961 Farnham Herald on the Farnham Festival of Music 
LP sleeve front of Farnham Festival 1967 recording 
LP sleeve back of Farnham Festival 1967 recording 
Red LP sleeve back of Farnham Festival 1969 recording 
Side 1 of Red LP of Farnham Festival 1969 recording 
Side 2 of Red LP of Farnham Festival 1969 recording 
Blue LP sleeve back of Farnham Festival 1969 recording 
Side 1 of Blue LP of Farnham Festival 1969 recording Alan Fluck, Aldershot County High School, Aldershot County High School Orchestra, BBC, Choir of Weydon County Secondary School, Christian Rutherford, Diana Dors, Diana Mary Fluck, Erase, Farnham, Farnham Area Youth Orchestra, Farnham Festival of Music, Farnham Girls Choir, Farnham Grammer School, Farnham Parish Church, Farnham Singers, Frank Wibaut, Frensham Heights School, Frensham Heights School Orchestra, Gavin Williams, Girl’s Grammer School, Graham Varney, Hedley Wilds, John Dankworth, John McCabe, Kingston, Malcolm Arnold, Norman Patrick, Parish Church of St. Andrews, St. Andrews, Sunday Telegraph, Surrey County Youth Orchestra, The London Youth Jazz Orchestra, The Maltings, Tiffin’s School, Weydon County Secondary School -
Fire Brigade
(c’79-’80) ? (?)
Gallery:
Fire Brigade appeared on ITV’s Search for a Star on 15 December ’79 and were booked to play Ragamuffins, Camberley on 12 January ’80.

Fire Brigade clipping from Pop Scene in 14 December 1979 issue of The News. Photo taken and courtesy of Clive Parker-Sharp -
Kama Sutra
(c’79) ? (?)
These Farnborough based rockers appeared at Bunters, Guildford on 19 December ’79, part of a Battle of the Bands night, organized by club owner Dick Middleton.
Gallery:

Clipping from Pop Scene, The News 14 December 1979. Image courtesy of Clive Parker-Sharp -
Earth Terminal Studios, Snailslynch
(c’93-date) These recording studios were based in The Kiln, Snailslynch, near Farnham, and run by Luke Baldry of Beautiful People fame, and available for recording, mixing and mastering work, and would often be referenced as Earth Terminal Music.

Front of Vox Pop’s single. Woking’s own Vox Pop recorded a number of tracks at Earth Terminal Music in June ’93 with Cor Blimey! and Pretty Impossible, both produced by Baldry along with the band, making it onto 7″ vinyl as Detour Records’ double A-sided DR007. The third track, Dear Diary, appeared on volume two of Bluefire Records’ Snakebite City compilation series the following year.

UK progressive rock band, Credo recorded their first LP at the studio in ’94, releasing the Field of Vision CD on Cyclops [CYCLO12] and SPV GmbH [SPV 084-15432] in September ’94. The Mish Mash label released Just Can’t Stop and Feel My Love by Sentinel [MMS 001] in ’95; with Baldry listed as the engineer.
Around 2007/8 the studio moved out of the GU postcode to The Hop Kiln, Hillside, Odiham. It later dropped the studio part of the name and went by Earth Terminal; where they have recorded S.C.U.M., Hope of the States, Jim Bob, Petula Clark, Lost Alone, Nosferatu, Mute, and Rough Trade, amongst others.
Gallery:

The Kiln, Snailslynch image is © Oast House Archive and licensed for reuse under this Creative Commons Licence 
The Kiln, Snailslynch image is © Oast House Archive and licensed for reuse under this Creative Commons Licence 
The Kiln, Snailslynch image is © Oast House Archive and licensed for reuse under this Creative Commons Licence 

Back of Vox Pop’s single. 
Back of Credo’s LP. 
Beautiful People, Bluefire Records, Credo, Cyclops, Detour Records, Earth Terminal, Earth Terminal Music, Earth Terminal Studios, Farnham, Hope Of The States, Jim Bob, Lost Alone, Luke Baldry, Mish Mash, Mute, Nosferatu, Odiham, Petula Clark, Rough Trade, S.C.U.M., Sentinel, Snailslynch, Snakebite City, SPV GmbH, Vox Pop, Woking -
Fated
(c’92) ? (?)
This Alton band released a positively reviewed 3-track demo cassette, carrying Passing Place, Visionary Days, and Lightening Sky; in March / April ’92.
Gallery:

Farnham Herald’s Off the Record column reviewed Fated’s demo cassette in April 1992. Picture courtesy of Steve Hack -
Cranleigh Brass and Reed Band
(c’11-26) – John Blacklidge (band master), William Eede (bugler), and ?
Sometime between 1891 and ’11, a concert was held at Cranleigh’s old Village Hall to raised money for uniforms to kit out the Cranley Brass Band. George V’s Coronation Day, 22 June ’11, is our first noted performance of Cranley Brass and Reed Band (note the old spelling of Cranleigh). At some point in ’14 the band won a competition. On 19 July ’19 Cranleigh celebrated Peace Day, and in the intervals between sports events and performances at Knowle during the afternoon, the Cranleigh Brass and Reed Band provided music.
The combined choirs of the village’s two churches, augmented by members of the Choral Society, performed Handel’s Zadok the Priest, accompanied by the band. Our next encounter was on 13 November ’21, when a memorial service was organized by the Pal’s Club ex-servicemen’s organization, which was followed by a procession to the War Memorial, in which the Cranleigh Brass and Reed Band joined, and the band’s bugler, Eede, sounded Last Post and Reveille.
The first-ever Cranleigh Rectory Fete was held on 28 June ’22 – a Wednesday because it was early-closing day – at which the band performed. In ’24, according to the Parish Magazine, the Cranleigh Brass and Reed Band ‘was again reaching a high standard under Mr Whaley’ and at the Rectory Fete ‘in the gloaming, discoursed most sweetly’! October ’26 saw the band accompanying hymns at Harvest Festival evensong, after which we lose track of the band.
Gallery:

The Cranleigh Brass and Reed Band c’14. Photograph by Walter Corin, courtesy of Vera Wilkinson via Cranleigh Magazine 
The Cranleigh Brass and Reed Band c’21/’22. Eede thirds from left centre row. Image courtesy of Vera Wilkinson via Cranleigh Magazine -
Ferrari Red
(c’81) ? (?)
Other than a single gig flyer (on which their name was misspelt as Friary Red) for a CND benefit gig at The Wooden Bridge, Guildford, on 7 November ’81, where Ferrari Red and The Frotteurs supported headliners The Drowning Craze; we know nothing about this local band. But they were not the same band as Ferrari Red & the Revettes.
Gallery:

Flyer from 1981 for a CND benefit gig at the Wooden Bridge. Friary Red was a misprint – the band was actually Ferrari Red.




















Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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