Our Soundscene

For anyone who vaguely recalls the Woking / GU postcode area music scene.

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  • Toby

    Toby

    (c’71-’72) Adrian Fisher (guitar / piano), Andy Fraser (bass), and Stan Speake (drums).

    On leaving Free, Fraser formed Toby in his house in Horsell’s High Street, where they wrote and rehearsed. Fraser had originally contacted Chris Spedding, in July ’71, to discuss playing in Toby, but Spedding, who would be found playing with Farnborough Firework Factory the following year, declined and Fisher stepped in. There were plans for a single in time for Christmas ’71 and an LP in the New Year, after a three-week tour of Europe.

    Toby’s version of “Traveling Man” was released on some of the early German vinyl pressings of The Free Story, on the Island Records label, in ’73. It also appeared on another Free compilation in ’75, called Pop Chronik 19, again on Island Records, and once again released in Germany. It was never included in the UK version of The Free Story. Toby did record more tracks, but it seems only “Traveling Man” made it to any form of release – the promised single and LP never materialized.

    When interviewed for Psychedelic Baby Magazine in 2012, Fraser said “Toby was my first start at learning to get confidence in my voice. A long process, which I chose as opposed to forming a ‘supergroup’ to cash in. A feeling of starting again at the bottom.” When Toby folded, Fraser joined Spedding in Sharks. Fisher went on to play in Boxer and Sparks, passing in 2000. Fraser died in 2015 from a heart attack.

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  • Bruce Foxton

    Bruce Foxton

    (c’82-date) Bruce Foxton (bass / vocals)

    Bruce Foxton was born in Woking, growing up at 126 Albert Drive, Sheerwater. In ’72, he left school to work with his brother Derek at the Unwin Brothers Printing Works in Old Woking. While there, as an apprentice compositor, he formed Rita with two work colleagues. In an interview published in Smash Hits 2 April ‘81 issue, Foxton references Rita as “never-legendary…who rehearsed for two solid years but hardly took the town [Woking] by storm.”, but they did once record a session with legendary 60’s psychedelic figure Arthur Brown. This pre-Jam progressive garage band also appeared at The Plaza, Guildford.

    Bruce Foxton reading a copy of Barbed Wire, backstage at Portsmouth Guildhall on 24th May 1979. Photo by Paul Spaughton and posted here courtesy of Fred Pipes

    In May ’74 Foxton left this progressive garage band to join Paul Weller, Steve Brookes and Rick Buckler’s The Jam. While in The Jam, Foxton discovered The Vapors, at the Three Lions, Farncombe, and offered them two appearances on The Jam’s May 1979 tour: with management by John Weller, Paul’s father. At one memorable local Jam gig, on Valentine’s Day ’81, The Jam playing The Cricketers, Westfield (A gig this writer witnessed from afar), supported by The Jam Road Crew. “Every mod who could get on a scooter was there,” said Steve Carver. “It was a disaster – just mud, blood and beer at the end. It was terrible and there were massive fights”. Ann Weller had a pint poured over her head; it was rumoured that Paul Weller’s girlfriend Gill Price was thumped; and reportedly Foxton was pulled over the bar by a barman who reportedly said “You wouldn’t look very good on TOTPs with a black eye, would yer?”; it is also purported that Foxton jumped over the bar and smacked landlord Ray! 

    Bruce Foxton’s “Touch Sensitive” LP was released on 12 May ’84 on the Arista label.

    When The Jam split in ’82, Foxton kicked off a solo career. He began writing some songs and got together with session musicians, including Adrian Lillywhite of Camberley based The Members, to record what would eventually be known as Touch Sensitive. Released on 12 May ’84, this debut LP, on Arista, was preceded by two singles in ’83.

    Freak was released on 30 July ’83 as the lead single. It was strongly inspired by the film The Elephant Man, with the single’s cover referencing the film’s posters. Notably this is Foxton’s only single to make the Top 40 in the United Kingdom, peaking at 23, for a total of five weeks. Follow-up This Is the Way peaked at No.56. The LP, Touch Sensitive received a mixed reception on release and only achieved a 68th place on the UK Albums Chart. The third single, It Makes Me Wonder, from the Album was also released in ’84. The LP’s release was supported by a promotional tour, with support from Guildford’s Shoot! Dispute, playing the Civic Hall, Guildford on 3 May ’84.

    The night before Foxton and Shoot! Dispute had played at Lees Cliff Hall, Folkstone; and a couples of days later, on 5 May, the tour progressed to Queensway Hall, Dunstable; then onto Gold Diggers, Chippenham (6 May); Academy, Bournemouth (7 May); Odeon, Nottingham (9 May); University of Warwick, Warwick (10 May); Odeon, Birmingham (11 May); University of Loughborough, Loughborough (12 May): Town Hall, Middlesborough (16 May); Royal Court, Liverpool (17 May); Shalford University, Manchester (18 May); Sheffield University, Sheffield (19 May); Top Rank, Brighton (21 May): and wrapping at The Lyceum, London (22 May). when they were joined by The High Five.

    22 May 1984: Shoot! Dispute support Bruce Foxton. Advert from Sounds 28 April 1984 courtesy of Pete Cole

    At some time in the early ’80s, Graham “Cupcake” Cooper, once guitarist with Jackie Lynton’s Happy Days Band, was performing solo, and some recall Eric Clapton joining him and other local musicians onstage at The Royal, Guildford for a charity gig, with Foxton remaining in the audience. Foxton was also regularly seen at The Kings Head, Guildford, along with The Stranglers‘ Jet Black for House gigs. In ’86, Malcolm Wyatt interviewed Foxton, publishing the results in his fanzine, Captain’s Log Issue No.1, in early ’87. A few years later, In the early 90s, Foxton was managing Headnoise.

    Foxton went on to play in several bands, including Sharp with former Jam member Rick Buckler, before joining Stiff Little Fingers in 1990. The Touch Sensitive album was re-released on 20 August 2001 on Cherry Red Records with bonus content. After leaving SLF in 2007, Foxton joined Buckler again as a members of his tribute band, The Gift, to tour under the name From the Jam. Foxton as also recorded at Weller’s Black Barn Studios, Ripley, with Russell Hastings.

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  • Farnham Festival of Music, Farnham

    Farnham Festival of Music, Farnham

    Farnham Festival of Music was founded in ’61 by Farnham Grammer School’s (FGS) music master Alan Fluck and Rev. Hedley Wilds. The first was held at the parish church in May ’61 with 800 children partaking from schools across the area. The festival also featured commissioned music, sponsored by private individuals and local businesses. They gathered together supporters, many of them musicians themselves. and local music teachers and conductors of choirs cooperated willingly in the pilot project.

    The ’61 festival saw FGS joining forces with Tiffin’s School, Kingston to form a combined orchestra of 90 musicians. They played a fanfare written for the occasion by Malcolm Arnold, and Arnold’s Little Suite as well as works by Vaughan Williams, Handell, Haydn and Purcell. The FGS / Tiffin school’s woodwind section played Sonata Pian’ E Forte by Giovanni Gabrielle and the school’s singers, with Gavin Williams on organ, performed Bach, Stravinsky and Britten. Partially recorded by the BBC and broadcast later the event was given four columns in the proceeding Sunday Telegraph.

    The 5-minute long “Farnham Festival Overture” was composed by Bennett and Bragg for ’64’s festival


    Diana Dors (born Diana Mary Fluck) was Fluck’s cousin and would attend the festivals. In May ’67 the festival commissioned jazz musician John “Johnny” Dankworth to write a piece. He produced Tom Sawyer’s Saturday, which can be heard on this recording posted by Graham Varney. That same year the Erase label recorded performances at the Parish Church of St. Andrews across the 9 and 11 May ’67, committing three tracks them to vinyl: An English Book, Mary Magdalene, and Two Canticles from the New English Bible.

    The Jazz and Classical festival returned in May ’69 with renditions of big band, choral, classical, and early music spread across Farnham Girl’s Grammer School, Farnham Grammer School, Frensham Heights School, and Farnham Parish Church on the 10 to 12 May that year. The Surrey County Youth Orchestra performed Ralph Vaughan Williams’ March Past of the Kitchen Utensils; the junior choir from Aldershot County High School performed Gordon Jacob’s A Goodly Heritage and Williams’ Benedicite; the Aldershot County High School Orchestra’s version of Pamela Verrall’s Suite Fiesta Española was well received; Williams’ work was also tackled by Farnham Girls Choir and Farnham Singers with four songs from A Yacre Of Land. Ernst Toch’s Geographical Fugue 16th And 17th Century Songs were carried off by the Choir of Weydon County Secondary School, while The London Youth Jazz Orchestra played The Serpent by Tubby Hayes.

    The festivals specially commissioned works continued for ’69’s festival. Mr & Mrs Norman Patrick entrusted the British composer and pianist John McCabe, who delivered Concertino for Piano Duet with Orchestra, which was ably first performed by the pianists Frank Wibaut and Christian Rutherford backed by Frensham Heights School Orchestra. There were excerpts from the fantasy operetta.

    Recording of the festival were published by Erase Exclusive Recording and Sound Effects, across two LPs: Farnham Festival 1969 Red and Farnham Festival 1969 Blue, the sale of which was limited to participants, their parents and friends of The Farnham Festival 1969.

    Fluck led Farnham Area Youth Orchestra in the 70’s and on leaving Farnham Grammer School ran Youth and Music in Covent Garden. He also helped to develop live music at The Malting, Farnham from ’75 to ’85.

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  • Fire Brigade

    Fire Brigade

    (c’79-’80) ? (?)

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    Fire Brigade appeared on ITV’s Search for a Star on 15 December ’79 and were booked to play Ragamuffins, Camberley on 12 January ’80.

  • Kama Sutra

    Kama Sutra

    (c’79) ? (?)

    These Farnborough based rockers appeared at Bunters, Guildford on 19 December ’79, part of a Battle of the Bands night, organized by club owner Dick Middleton.

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  • Earth Terminal Studios, Snailslynch

    Earth Terminal Studios, Snailslynch

    (c’93-date) These recording studios were based in The Kiln, Snailslynch, near Farnham, and run by Luke Baldry of Beautiful People fame, and available for recording, mixing and mastering work, and would often be referenced as Earth Terminal Music.

    Front of Vox Pop’s single.

    Woking’s own Vox Pop recorded a number of tracks at Earth Terminal Music in June ’93 with Cor Blimey! and Pretty Impossible, both produced by Baldry along with the band, making it onto 7″ vinyl as Detour Records’ double A-sided DR007. The third track, Dear Diary, appeared on volume two of Bluefire Records’ Snakebite City compilation series the following year.

    UK progressive rock band, Credo recorded their first LP at the studio in ’94, releasing the Field of Vision CD on Cyclops [CYCLO12] and SPV GmbH [SPV 084-15432] in September ’94. The Mish Mash label released Just Can’t Stop and Feel My Love by Sentinel [MMS 001] in ’95; with Baldry listed as the engineer.

    Around 2007/8 the studio moved out of the GU postcode to The Hop Kiln, Hillside, Odiham. It later dropped the studio part of the name and went by Earth Terminal; where they have recorded S.C.U.M., Hope of the States, Jim Bob, Petula Clark, Lost Alone, Nosferatu, Mute, and Rough Trade, amongst others.

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  • Fated

    Fated

    (c’92) ? (?)

    This Alton band released a positively reviewed 3-track demo cassette, carrying Passing Place, Visionary Days, and Lightening Sky; in March / April ’92.

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  • Cranleigh Brass and Reed Band

    Cranleigh Brass and Reed Band

    (c’11-26) – John Blacklidge (band master), William Eede (bugler), and ?

    Sometime between 1891 and ’11, a concert was held at Cranleigh’s old Village Hall to raised money for uniforms to kit out the Cranley Brass Band. George V’s Coronation Day, 22 June ’11, is our first noted performance of Cranley Brass and Reed Band (note the old spelling of Cranleigh). At some point in ’14 the band won a competition. On 19 July ’19 Cranleigh celebrated Peace Day, and in the intervals between sports events and performances at Knowle during the afternoon, the Cranleigh Brass and Reed Band provided music.

    The combined choirs of the village’s two churches, augmented by members of the Choral Society, performed Handel’s Zadok the Priest, accompanied by the band. Our next encounter was on 13 November ’21, when a memorial service was organized by the Pal’s Club ex-servicemen’s organization, which was followed by a procession to the War Memorial, in which the Cranleigh Brass and Reed Band joined, and the band’s bugler, Eede, sounded Last Post and Reveille.

    The first-ever Cranleigh Rectory Fete was held on 28 June ’22 – a Wednesday because it was early-closing day – at which the band performed. In ’24, according to the Parish Magazine, the Cranleigh Brass and Reed Band ‘was again reaching a high standard under Mr Whaley’ and at the Rectory Fete ‘in the gloaming, discoursed most sweetly’! October ’26 saw the band accompanying hymns at Harvest Festival evensong, after which we lose track of the band.

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  • Ferrari Red

    Ferrari Red

    (c’81) ? (?)

    Other than a single gig flyer (on which their name was misspelt as Friary Red) for a CND benefit gig at The Wooden Bridge, Guildford, on 7 November ’81, where Ferrari Red and The Frotteurs supported headliners The Drowning Craze; we know nothing about this local band. But they were not the same band as Ferrari Red & the Revettes.

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  • The Cranley Hotel, Cranleigh

    The Cranley Hotel, Cranleigh

    Around 1910, Cranleigh’s Railway Hotel moved to the Dutch gabled brick building, on The Common, Cranleigh, off Guildford Road; changing its name to The Cranley Hotel in 1929. In the 1980’s a number of bands appeared at the venue following an appeal by the then landlord which appeared in a number of local music columns.

    Flow Motion played at The Cranley many times c’83/84, and The Flying Tigers did the odd gig there in mid 80’s, as well as a gig under another name when joined by Dave Gallagher & Bertie Licorice. Another band to respond were The Innocence who performed there in ’84 to 9 people, including the staff and the band member’s girlfriends. On 29 March ’84, the Desperate Remedies duo performed there, and in April the next year, Kalibre embarked on the ‘Load n’ Live’ tour encompassing numerous local venues, including The Cranley Hotel on 5 April ’85.

    In 2017 The Serial Thrillers graced the venue and today the hotel hosts the occasional soloist.

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One thought on “Home

  1. Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.

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