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NAAFI Club, Aldershot
Built at the junction of Wellington Avenue and High Street, Aldershot in 1947/48 the NAAFI (Navy, Army, and Air Force Institute) Club was opened by H.R.H. the Duke of Gloucester on 28th November 1948. It provided recreation facilities such as a ballroom, bar, games room, TV room, and reading and writing rooms.
Many bands appeared in the ballroom. The Stormsville Shakers graced the NAAFI on almost a weekly basis in ’63 and The Gods took to the stage on 10 October ’67. We also know that Sound of Time and FBI played there in late ’68 or January ’69. The club closed on 1st May 1971; but the building remained and was run as the Roundabout Club for several years. It was eventually demolished and replaced by a Burger King restaurant.
Gallery:

The NAAFI Club, Aldershot c’58 
10 October 1967: The Gods played the NAAFI Club. Aldershot. 
NAAFI Club, Aldershot -
Wob
(c’89-present) Wob Williams (vocals / guitar)
Solo artist Wob has been on the scene since ’89, with guitar in hand travelling all over the UK and further afield in Europe, Australia and the US. On 7 August ’90 Wob supported Blyth Power, along with Shelley’s Children, at the Corn Exchange, Dorchester. In late October that year he joined Blyth Power, but after four years went back to a solo life.
On 2 July ’95, Wob played a folk festival in Bracknell along with his olds band, Blyth Power, as well as Equation, Cuckooland, and Maccabees. Cycle Records released the “I Can’t Stay Long” LP [CYCLE CD002] in ’95 and on 9 September that year he appeared at Splatch #4 at the Civic Hall, Guildford, and a couple of months later, on 25 November ’95, he played McDevitt’s, Reading.

In ’95 Cycle Records released Wob’s “I Can’t Stay Long” LP [CYCLE CD002] Early in ’96 he toured Australia with the Killjoys, picking up the ‘best newcomer’ award at the Port Fairy Folk Festival held at Southcombe Park Sports Reserve, Port Fairy, Australia on 8 March ’96. On returning to the UK we found WOB supporting Who Moved the Ground?, on 12 May ’96, at the University of Surrey, Guildford. He joined Ian Dury and The Blockheads, Thurman, Supermodel, and The Coal Porters on stage at day two of Bracknell Festival ’96 at South Hill Park, Bracknell on 29 June ’96. The following month, on 26 July ’96, Wob was playing Newark Castle, Newark-on-Trent. The “Friends in the Night” CD EP followed later in the year, again of Cycle [PEDAL 001]. Also, in ’96, “The Poacher” was included on ‘The Best Farnborough Groove in the World – Ever! Vol.6′.

In ’96, Wob’s “The Poacher” was included on ‘The Best Farnborough Groove In The World – Ever! Vol.6’. PIcture courtesy of Pete Cole The next year played in Austria, including a date at Szene Wien, Vienna, Austria on 30 May ’97. Back on home turf, he was playing at the Ambient Green Picnic, Guildford on 12 July ’97; after which he undertook a charity tour of Romania, playing in children’s homes and culture houses. Wob’s “Island” was included as a bonus extra track on the “Wake Up EP”, a re-release of songs originally released by Wake Up as a 12″ miners benefit EP in ’87. The “Acoustic Music” compilation LP on German label Twah! [Twah! 107] carried four of Wob’s tracks in ’97. Recorded in late ’97, the “Straight on Til Morning” CD LP [CYCLE CD 005] was released in early ’98. Wob returned to Guildford’s Ambient Picnic in ’98. “Gather” came along in early ’99 with live tracks from Germany and Austria, studio tracks laid down at Lighthouse Studios, Weymouth and some material left over from the “Straight on Til Morning” session’s with, Billy Bragg’s ex-right-hand man, Wiggy in Wales.
A second tour of Australia followed in March-April ’99. Wob also returned to the Farnborough Groove’ in ’99 with “Hopeless” for Volume 8 and dropped “Vanity” onto the “Fear of a Red Planet” compilation [RPRCD 1]. Around this time a live recording at the Brickhouse of “Mole” appeared on Bluefire Records’ Snakebite City series: ‘Snakebite’s Coming Home’. ’99’s Australian tour’s recordings formed the basis for 2000’s “Shouting from The Shore” live LP on Deep Skill [DEEP SKILL 2]. Later that year Silverleaf was formed with Matt Cooper, John Rutherford and Robbie Davies. The group played the across the UK and in Austria for a couple of years. During Silverleaf’s later days Wob recorded the “With Just One Step” LP, releasing it on Deep Skill [DEEP SKILL 3] in ’03. A ‘new’ Silverleaf with Wig and John Forrester formed to honor bookings. In ’06, Wob recorded “A Month of Sundays”; released in ’07.
Gallery:

12 July 1997: Wob played the Ambient Green Picnic, Millmead Island, Guildford. Source: GuilFin 
“Acoustic Music” compilation LP on German label Twah! [Twah! 107] carried four of Wob’s tracks in ’97. 
Recorded in late ’97, the “Straight On Til Morning”CD LP [CYCLE CD 005] was released in early ’98 
Wob appeared on the Geronimo! Acoustic stage at Guildford’s Ambient Picnic 1998. Picture courtesy of The Surrey & NE Hampshire Music Scene 
Wob appeared on the Geronimo! Acoustic stage at Guildford’s Ambient Picnic 1998. Picture courtesy of The Surrey & NE Hampshire Music Scene 
Wob’s “Gather” came along in early ’99. 
’99’s Snakebite’s Coming Home [BLU13] bought crried only one live track, recorded by WOB at Brickhouse 
Wob returned to the Farnborough Groove’ in ’99 with “Hopeless” for Volume 8. Picture courtesy of Pete Cole 
In ’99 Wob dropped “Vanity” onto the “Fear Of A Red Planet” compilation [RPRCD 1] 
Recordings from 1999’s Australian tour formed the basis for 2000’s “Shouting From The Shore” live LP on Deep Skill [DEEP SKILL 2]. 
During Silverleaf’s later days Wob recorded the “With Just One Step” LP, releasing it on Deep Skill [DEEP SKILL 3] in ’03 
Wob’s “Island” was included as a bonus extra track on the “Wake Up EP”, a re-release of songs originally released by Wake Up as a 12″ miners benefit EP in 1987 
WOB Ambient Green Picnic, Australia, Austria, Billy Bragg, Bluefire Records, Blyth Power, Bracknell, Bracknell Festival, Brickhouse, Civic hall, Corn Exchange, Cuckooland, Cycle Records, Deep Skill, Dorchester, Equation, Farnborough Groove, Guildford, Ian Dury and The Blockheads, John Forrester, Killjoys, Lighthouse Studios, Maccabees, McDevitt’s, Newark Castle, Newark-on-Trent, Port Fairy Folk Festival, Reading, Shelly’s Children, Silverleaf, Snakebite City, South Hill Park, Southcombe Park Sports Reserve, Splatch, Supermodel, Szene, Szene Wien, The Coal Porters, Thurman, Twah!, University of Surrey, Vienna, Wake Up, Weymouth, Who Moved the Ground?, Wiggy, WOB -
Cage
(c’69) Rob Thomasson (guitar), Gus Garside (?), and ?
Formed at the University of Surrey, Guildford in early ’69, Cage played their first gig on 30 May that year at the university’s Mechanical Engineering block, then the Backchat-Symposium Disco on 6 June ’69, followed by a Stag Hill dance on 21 June ’69.
Cage’s Thomasson could also be caught busking with folk group Jumble, in whom Garside also played.
Gallery:

The Surrey Guardian (Surrey Uni Students Union paper) of 18 June ’69 carried a short piece on Cage. Picture courtesy of Fred Pipes -
Redearth
(c’70) Mark ? (?), John ? (?) and ?
In February 1970 this Byfleet band posted an ad in Whole News. That’s all we know…
Gallery:

‘Small Ad’ from February 1970 issue of Whole News No.8 for Redearth. -
Dick Savage
(c’95-?) Dick Savage (vocals / guitar)
Towards the end of and after the demise of Who Moved the Ground?, singer and guitarist Dick Savage started out on a solo career. This included a support slot with Chumbawumba and appearances at ’97 and ’98’s Ambient Green Picnics on Millmead Island, Guildford. 1997’s Farnborough Groove Vol.7 (Geography Sucks) carried Savage’s English Arrogance, and “Time to Sleep” appeared Farnborough Groove Vol.8 in ’99 and again on Best of Farnborough Groove Vol.1-10.
Savage now resides in Czechia and works as a Voice Over Artist.
Tracks:
Gallery:
Farnborough Groove Vol.7. Image courtesy of Pete Cole 
12 July 1997: Dick Savage played the Ambient Green Picnic, Millmead Island, Guildford. Source: GuilFin 
Farnborough Groove Vol.8. Image courtesy of Pete Cole 
Dick Savage played an acoustic set at the Ambient Green Picnic, Guildford in 1998. Source: The Surrey & NE Hampshire Music Scene -
Jumble
(c’68-’70) Gus Garside (?), Randy MacDonald (?), Chris Greenwood (?) and Bernie ? (?).
Folk group Jumble appeared in support of Dave Ambrose at an Arts Lab, Guildford event on 20 December ’69 after a showing of ‘The Fugs’. They were joined by the lead guitarist with Cage, Rob Thomasson, on electric bass, at the Youth Centre Annex, Guildford.
As well as University of Surrey Folk Club sessions, Jumble were often seen busking on Guildford’s High Street. Garside was also in Cage, and into contemporary jazz which led him to playing in Vanishing Point and then Living Space.
Gallery:

Rob Thomasson busking with Jumble in Harvey’s arcade (A&N) on Guildford High Street. Picture courtesy of Fred Pipes 
Rob Thomasson busking with Jumble in Harvey’s arcade (A&N) on Guildford High Street. Picture courtesy of Fred Pipes 
1968: Jumble at a Folk Club session at the University of Surrey tent at the town show in 1968. Source: Robin Bradbeer via Guildford Town Past & Present -
The Silence
(c’85-’86) ? (?)
Based out of a small flat in Nayli Lodge, Camberley; The Silence produced a four-track SKA demo titled Dancing Through The ’80s; which received a listing in the 14 December ’85 issue of Sounds.
Gallery:

Clipping from Sounds, 14 Dec ’85 issue. Image courtesy of Pete Cole -
Toby
(c’71-’72) Adrian Fisher (guitar / piano), Andy Fraser (bass), and Stan Speake (drums).
On leaving Free, Fraser formed Toby in his house in Horsell’s High Street, where they wrote and rehearsed. Fraser had originally contacted Chris Spedding, in July ’71, to discuss playing in Toby, but Spedding, who would be found playing with Farnborough Firework Factory the following year, declined and Fisher stepped in. There were plans for a single in time for Christmas ’71 and an LP in the New Year, after a three-week tour of Europe.
Toby’s version of “Traveling Man” was released on some of the early German vinyl pressings of The Free Story, on the Island Records label, in ’73. It also appeared on another Free compilation in ’75, called Pop Chronik 19, again on Island Records, and once again released in Germany. It was never included in the UK version of The Free Story. Toby did record more tracks, but it seems only “Traveling Man” made it to any form of release – the promised single and LP never materialized.
When interviewed for Psychedelic Baby Magazine in 2012, Fraser said “Toby was my first start at learning to get confidence in my voice. A long process, which I chose as opposed to forming a ‘supergroup’ to cash in. A feeling of starting again at the bottom.” When Toby folded, Fraser joined Spedding in Sharks. Fisher went on to play in Boxer and Sparks, passing in 2000. Fraser died in 2015 from a heart attack.
Gallery:

Clipping about Toby from Melody Maker in August / September ’71 we believe. 
Toby on 18 August 1971 from band photo shoot at Andy Fraser’s house in Horsell. 
Toby’s version of “Traveling Man” appeared on Island Records 1975 double vinyl LP German release ‘Free – Pop Chronik 19’ [89 236 XCT]. -
Farnham Festival of Music, Farnham
Farnham Festival of Music was founded in ’61 by Farnham Grammer School’s (FGS) music master Alan Fluck and Rev. Hedley Wilds. The first was held at the parish church in May ’61 with 800 children partaking from schools across the area. The festival also featured commissioned music, sponsored by private individuals and local businesses. They gathered together supporters, many of them musicians themselves. and local music teachers and conductors of choirs cooperated willingly in the pilot project.
The ’61 festival saw FGS joining forces with Tiffin’s School, Kingston to form a combined orchestra of 90 musicians. They played a fanfare written for the occasion by Malcolm Arnold, and Arnold’s Little Suite as well as works by Vaughan Williams, Handell, Haydn and Purcell. The FGS / Tiffin school’s woodwind section played Sonata Pian’ E Forte by Giovanni Gabrielle and the school’s singers, with Gavin Williams on organ, performed Bach, Stravinsky and Britten. Partially recorded by the BBC and broadcast later the event was given four columns in the proceeding Sunday Telegraph.
The 5-minute long “Farnham Festival Overture” was composed by Bennett and Bragg for ’64’s festival
Diana Dors (born Diana Mary Fluck) was Fluck’s cousin and would attend the festivals. In May ’67 the festival commissioned jazz musician John “Johnny” Dankworth to write a piece. He produced Tom Sawyer’s Saturday, which can be heard on this recording posted by Graham Varney. That same year the Erase label recorded performances at the Parish Church of St. Andrews across the 9 and 11 May ’67, committing three tracks them to vinyl: An English Book, Mary Magdalene, and Two Canticles from the New English Bible.The Jazz and Classical festival returned in May ’69 with renditions of big band, choral, classical, and early music spread across Farnham Girl’s Grammer School, Farnham Grammer School, Frensham Heights School, and Farnham Parish Church on the 10 to 12 May that year. The Surrey County Youth Orchestra performed Ralph Vaughan Williams’ March Past of the Kitchen Utensils; the junior choir from Aldershot County High School performed Gordon Jacob’s A Goodly Heritage and Williams’ Benedicite; the Aldershot County High School Orchestra’s version of Pamela Verrall’s Suite Fiesta Española was well received; Williams’ work was also tackled by Farnham Girls Choir and Farnham Singers with four songs from A Yacre Of Land. Ernst Toch’s Geographical Fugue 16th And 17th Century Songs were carried off by the Choir of Weydon County Secondary School, while The London Youth Jazz Orchestra played The Serpent by Tubby Hayes.
The festivals specially commissioned works continued for ’69’s festival. Mr & Mrs Norman Patrick entrusted the British composer and pianist John McCabe, who delivered Concertino for Piano Duet with Orchestra, which was ably first performed by the pianists Frank Wibaut and Christian Rutherford backed by Frensham Heights School Orchestra. There were excerpts from the fantasy operetta.
Recording of the festival were published by Erase Exclusive Recording and Sound Effects, across two LPs: Farnham Festival 1969 Red and Farnham Festival 1969 Blue, the sale of which was limited to participants, their parents and friends of The Farnham Festival 1969.

Red LP sleeve front of Farnham Festival 1969 recording 
Blue LP sleeve front of Farnham Festival 1969 recording Fluck led Farnham Area Youth Orchestra in the 70’s and on leaving Farnham Grammer School ran Youth and Music in Covent Garden. He also helped to develop live music at The Malting, Farnham from ’75 to ’85.
Gallery:

Clipping about Mr. Alan Fluck and the Farnham Festival of Music from The Haselmere Herald, 10 February 1961. 
Clipping from May 1961 issue of The Sunday Telegraph on the Farnham Festival of Music. 
Clipping of the page dedicated to the Farnham Festival of Music from the Friday 12 May 1961 issue of Farnham Herald, Haselmere Herald and Alton Mail. 
Clipping from 1961 Farnham Herald on the Farnham Festival of Music 
LP sleeve front of Farnham Festival 1967 recording 
LP sleeve back of Farnham Festival 1967 recording 
Red LP sleeve back of Farnham Festival 1969 recording 
Side 1 of Red LP of Farnham Festival 1969 recording 
Side 2 of Red LP of Farnham Festival 1969 recording 
Blue LP sleeve back of Farnham Festival 1969 recording 
Side 1 of Blue LP of Farnham Festival 1969 recording Alan Fluck, Aldershot County High School, Aldershot County High School Orchestra, BBC, Choir of Weydon County Secondary School, Christian Rutherford, Diana Dors, Diana Mary Fluck, Erase, Farnham, Farnham Area Youth Orchestra, Farnham Festival of Music, Farnham Girls Choir, Farnham Grammer School, Farnham Parish Church, Farnham Singers, Frank Wibaut, Frensham Heights School, Frensham Heights School Orchestra, Gavin Williams, Girl’s Grammer School, Graham Varney, Hedley Wilds, John Dankworth, John McCabe, Kingston, Malcolm Arnold, Norman Patrick, Parish Church of St. Andrews, St. Andrews, Sunday Telegraph, Surrey County Youth Orchestra, The London Youth Jazz Orchestra, The Maltings, Tiffin’s School, Weydon County Secondary School



















Human beings takes me back to 1981. Followed them all over the Surrey reading area for a year a great band and 3 good guys playing well written songs of the era. I wish john Tim and steve well what ever they are doing now. Should reform for a few shows just like Oasis but do the wooden bridge.
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